Images Dated 31st October 2006 (page 3)

Sir Gregory Gigg, 1732. Artist: Henry William Bunbury
Sir Gregory Gigg, 1732. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds], (London, 1905)

The Taylor riding to Brentford, 1768. Artist: TS Stayner
The Taylor riding to Brentford, 1768. The rider has Rules for bad horsemen in his pocket. A poster reads Various feats of horsemanship performed this evening by the famous Sampson

The New Gig, 1781. Artist: Colley
The New Gig. 1781. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds], (London, 1905)

The Isis Macaroni, 1772. Artist: John Collet
The Isis Macaroni, 1772. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)

The Sporting Lady, 1776. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds], (London, 1905)

Miss Wicket and Miss Trigger, 1770. Miss Trigger you see is an excellent shot, and forty-five notches Miss Wickets just got. Illustration from Social Caricature in the Eighteenth Century

The Cock-pit, 1759. Artist: William Hogarth
The Cock-pit, 1759. Cockfighting enthusiasts from a cross-section of society gamble and squabble. The blind Lord Albemarle Bertie (centre)

Building Houses with Cards, 1743. Artist: Truchy
Building Houses with Cards, 1743. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds], (London)

Quadrille, le Quadrille, 1743. Artist: Truchy
Quadrille, le Quadrille, 1743. Quadrille was the name of a dance and also of a card game. Illustration from Social Caricature in the Eighteenth Century

Battledore and Shuttlecock, 1743. Artist: Nathaniel Parr
Battledore and Shuttlecock. 1743. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds], (London)

The bruising match, 1730. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds], (London, 1905)

Satan in all his Glory... 1792.Artist: James Gillray
Satan in all his Glory; - or Peter Pindar crouching to the devil, sketch d from the peep-hole at scalegill, 1792. To the worthy inhabitants of Cumberland

George Morland, 1786. Artist: Thomas Rowlandson
George Morland, 1786. Portrait of British artist George Morland (1763-1804). Illustration from Social Caricature in the Eighteenth Century

Shakespeare sacrificed, or the offering to avarice, 1789. Artist: James Gillray
Shakespeare sacrificed, or the offering to avarice, 1789. Publisher John Boydell commissioned paintings illustrating subjects from Shakespeares plays

The Historian animating the mind of a young painter, 1784. Artist: Thomas Rowlandson
The Historian animating the mind of a young painter, 1784. Illustration from Social Caricature in the Eighteenth Century

Starving poet and publisher, late 18th century. Artist: Thomas Rowlandson
Starving poet and publisher, late 18th century. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse

The Macaroni Print Shop, 1772. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)

James Boswell, his wife, and Dr Johnson at tea in Edinburgh, 1773, (1786). Artist: Thomas Rowlandson
James Boswell, his wife, and Dr Johnson at tea in Edinburgh, 1773, (1786). Scots writer James Boswell and his wife Margaret at tea with English lexicographer Dr Samuel Johnson

The Journalist with a view of Auchinleck or The Land of Stones, c 1786. Artist: Thomas Rowlandson
The Journalist with a view of Auchinleck or The Land of Stones, c 1786. Caricature of Scots writer James Boswell (1740-1795) on the coast near his family seat of Auchinleck in Scotland

Dr Johnson in his travelling dress, as described in Boswells Tour, c1773, (1786). Artist: Thomas Trotter
Dr Johnson in his travelling dress, as described in Boswells Tour, c1773, (1786). The famous English lexicographer wearing tricorne hat, frock coat, waistcoat, breeches and boots

The Paintress of Macaroni s, 1770. Artist: Richard Dighton
The Paintress of Macaroni s, 1770. A macaroni was a dandy who wore exaggerated fashions. Illustration from Social Caricature in the Eighteenth Century

Old Wisdom blinking at the stars, 1782. Artist: W Rennie
Old Wisdom blinking at the stars, 1782. Man of letters and lexicographer Samuel Johnson (1709-1784), as a wise owl, looks at busts of Milton and Pope

The Macaroni Painter, or Billy Dimple sitting for his picture, 1770. Artist: Robert Dighton
The Macaroni Painter, or Billy Dimple sitting for his picture, 1770. The painter Richard Cosway paints a macaroni or dandy in this satire on exaggerated fashions of the day

The Reviewers Cave, 1765. Artist: Mortimer
The Reviewers Cave, 1765. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)

Sterne and Death. 1768. Artist: Thomas Patch
Sterne and Death. 1768. Portrait of Irish-born author and clergyman Laurence Sterne (1713-1768) who is best known for his novels The Life and Opinions of Tristram Shandy, Gentleman

Frontispiece to the artists catalogue, c1760s. Artist: Charles Grignion
Frontispiece to the artists catalogue, c1760s. Britannia waters Architecture, Painting and Sculpture with water from George IIIs monument

Burlesque sur le burlesque, 1753. Artist: Paul Sandby
Burlesque sur le burlesque avec privilege du roi December 1st, 1753. An art critic watches Hogarth painting a cherub pissing on the sparking chamber of a gun

The burning of the Temple at Ephesus, 1753. Artist: Paul Sandby
The burning of the Temple at Ephesus, 1753. The Temple of Artemis (Diana) at Ephesus (in modern Turkey) was destroyed in 356 BC in an act of arson

False Perspective, 1753. Artist: Luke Sullivan
False Perspective, 1753. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)

An Ape painting an Ass, 1753. Artist: George Bickham
An Ape painting an Ass, 1753. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)

The Battle of the Pictures, 1745. Artist: William Hogarth
The Battle of the Pictures, 1745. The bearer hereof is entitled (if he thinks proper) to be a bidder for Mr Hogarths pictures, which are to be sold on the last day of this month

Sir Horace Mann, 18th century. Artist: Thomas Patch
Sir Horace Mann, 18th century. Caricature of British diplomat Mann with Florences Duomo in the background. Uni se humiliat exaltabitut chi si umilia salta salta

Satire on a picture auction, 1730. Artist: William Henry Toms
Satire on a picture auction, 1730. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London)

The phiz and character of an Alexandrine hyper-critch and comentator, 1728. His Holiness [The Pope, as a monkey] and his Prime Minister [a donkey]

A Satire on the Altar-piece by Kent in St Clement Danes Church, Westminster, 1725. Artist: William Hogarth
A Satire on the Altar-piece by Kent in St Clement Danes Church, Westminster, 1725. Illustration from Social Caricature in the Eighteenth Century

Taste: The Gate of Burlington House, 1731. Artist: William Hogarth
Taste: The Gate of Burlington House, 1731. Contemplations upon a coronet. 1797. Illustration from Social Caricature in the Eighteenth Century

Holdl! - Pizarro - Hear me! If not always justly, at least act always greatly, 1799. Artist: Robert Dighton
Holdl! - Pizarro - Hear me! If not always justly, at least act always greatly, 1799. Contemplations upon a coronet, 1797. Illustration from Social Caricature in the Eighteenth Century

Contemplations upon a coronet, 1797. Caricature of the actress Elizabeth Farren (c1759-1829) who became Countess of Derby. She admires a coronet on a stand

The Marriage of Cupid and Psyche, 1797. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds]

Tom and Jerry, catching Kate and Sue on the fly, having their fortunes told, 19th century. Kate and Sue having their fortunes read in the cards (Cartomancy) by an old woman

Costume design for Dear Little Denmark, Prince of Wales Theatre, 1909

Mrs Coutts, English actress, 19th century. Portrait of Harriot Mellon (c1777-1837) who married Thomas Coutts, founder of Coutts & Co, the royal bank

Carisbrooke Castle and village, Isle of Wight, 19th century

Lady Emily Dungarvon, 19th century. Artist: WH Mote
Lady Emily Dungarvon, 19th century

Mrs Granvilles cottage, Great Missenden, Buckinghamshire, 19th century. Artist: J Perry
Rosemont, Mrs Granvilles cottage, Great Missenden, Buckinghamshire, 19th century

Albert Durers Designs for the Prayer Book, 1817. Artist: Albrecht Durer
Albert Durers Designs for the Prayer Book, 1817

Alice Bridgenorth, a character in Walter Scotts novel Peveril of the Peak, 19th century. Alice Bridgenorth is a Roundheads daughter in the novel which was published in 1822

St Marys, Drogheda, Ireland, 1791
St Mary s, Drogheda, Ireland, 1791

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