Images Dated 31st October 2006 (page 4)

Officer of Hussars, Officer, infantry of the Line, Gunner, horse artillery, 19th century
Officer of Hussars; Officer, infantry of the Line; Gunner, horse artillery, 19th century

Prussian soldiers of 1813. Artist: E Burger
Prussian soldiers of 1813. Landwehr infantry; Volunteer Jager; Silesian grenadier; Dragoon; Cuirassier; Landwehr cavalry; Landwehr officer

Trooper of the camel corps of the First Napoleons Egyptian Army, 1790s (20th century). Napoleon invaded Egypt in March 1798

George IV and the Duke of York, The Royal Stand, Ascot, early 19th century. King George IV (1762-1830) and his brother Prince Frederick, Duke of York and Albany, watching horse racing in Berkshire

Gillingham, Kent, England, 19th century. View of a country church and graves

Rochester Castle, Kent, 19th century

Joseph Interpreting Pharaohs Dream, early 20th century. Artist: Margaret Dovaston
Joseph Interpreting Pharaohs Dream, early 20th century. Modern depiction of a story from the Bible, showing Joseph with the Egyptian pharaoh

Painted screen, St Georges Chapel, 19th century

Choir of Ely Cathedral, Cambridgeshire, 19th century. The cathedral was begun in 1083 under William I

The west front, Exeter Cathedral, 19th century. The cathedral dates from 1050

Chantry Chapel, Adjoining the Beauchamp Chapel, Warwick, 1845. Artist: John Scandrett Harford
Chantry Chapel, Adjoining the Beauchamp Chapel, Warwick, 1845. The chapel is attached to the Church of St Mary, Warwick, and commemorates Richard Beauchamp, Earl of Warwick, who died in 1439

The Castle Spectre and her ernest admirer, 1793. Scene from The Castle Spectre by Matthew Gregory Lewis. Illustration from Social Caricature in the Eighteenth Century

Actor reciting to a manager, late 18th century. Artist: Thomas Rowlandson
Actor reciting to a manager, late 18th century. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse

The Prospect before us, 1791. Artist: Thomas Rowlandson
The Prospect before us, 1791. Respectfully dedicated to those singers, dancers and musical professors who are fortunately engaged with the proprietor of the Kings theatre at the pantheon

Chaos is Come Again... 1791
Chaos is Come Again: Music hath charms to soothe the savage breast, to soften bricks and bend the knotted oak, 1791. A quote from The Mourning Bride by William Congreve

Melpomene, 1784. Melpomene, meaning to sing or the one that is melodious, was the Muse of tragedy in Greek mythology. Illustration from Social Caricature in the Eighteenth Century

Dr Arne, 1782. Artist: Francesco Bartolozzi
Dr Arne, 1782. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)

Satire on Vestris, 1781. Artist: Paul Sandby
Satire on Vestris, 1781. The French dancer Marie-Jean-Augustin Vestris, known as Auguste Vestris (1760-1842). Illustration from Social Caricature in the Eighteenth Century

Fitz-Giggo: A New English Uproar 1763. Artist: LP Boitard
Fitz-Giggo: A New English Uproar 1763. Some excited members of the audience are invading the stage. Illustration from Social Caricature in the Eighteenth Century

The Buck Metamorphosed... 1754.Artist: G Smith
The Buck Metamorphosed or Mr Foote in the character of the Englishman return d from Paris, 1754. A comment on French fashions which were seen as foppish by the British

James Boswell, esq in the dress of an armed Corsican Chief, 1769. Artist: James Wale
James Boswell, esq in the dress of an armed Corsican Chief, as he appeared at Shakespeares Jubilee, at Stratford upon Avon, September 1769. Portrait of Scots writer James Boswell (1740-1795)

The Theatrical Steel Yards of 1750, (1751). Artist: Patrick O Brian
The Theatrical Steel Yards of 1750, (1751). Players hang from scales surmounted by the motto Totus mundus agit histrionem, - All the worlds a stage

The Charming Brute, (A satire on Handel), 1754. The German composer Handel, here depicted as a pig, had a huge appetite. Here he is at his organ, sitting on a barrel of ale, surrounded by poultry

Mr Woodward in the character of Mercutio, 1753. Actor Henry Woodward (1717-1777) in the part of Mercutio from Shakespeares Romeo and Juliet

The judgement of the Queens Common Sense, 1736. Address d to Henry Fielding esq. Illustration from Social Caricature in the Eighteenth Century

Richs Glory: or his triumphant entry in Covent Garden, 1732. Artist: William Hogarth
Richs Glory: or his triumphant entry in Covent Garden, 1732. A procession marking John Richs entry into Covent Garden. On the right a carriage is being pulled by satyrs

The Stages Glory, 18th century. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds], (London, 1905)

If musicks charms can hearts enthral, 1730. Artist: William Hogarth
If musicks charms can hearts enthral, this consorts sure above em all. How sweet the sound where cats and bears, with brutish noise offend our ears, just so the foreign singers move

The Stage Medley, 18th century
The Stage Medley: representing the state of the town and the matchless merits of poet G---Polly Peachum and Captain Macheath, 18th century. Scenes from The Beggars Opera, written in 1728 by John Gay

Berenstat, Cuzzoni and Senesino c1725. Artist: William Hogarth
Berenstat, Cuzzoni and Senesino c1725. The Italian opera singers Gaetano Berenstadt (c1687-1735), Francesca Cuzzoni Sandoni (1700-1770) and Francesco Bernardi

The Landing of Senesino, 1720. The Italian castrato opera singer (Francesco Bernardi, 1686-1758) arrives in England. Illustration from Social Caricature in the Eighteenth Century

High Change in Bond Street - ou - la Politesse du Grand Monde, 1796. Illustration from Social Caricature in the Eighteenth Century

People of consequence, 1794. Artist: John O Keeffe
People of consequence, 1794. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)

Such things are, That such things are we must allow, but such things never were till now, 1787. A satire on the unflattering fashions of the day

Comforts of Bath: The Games, or Assembly with Card Players, 1798. Artist: Thomas Rowlandson
Comforts of Bath: The Games, or Assembly with Card Players, 1798. The smart set enjoying the season at Bath, home of the famous Roman baths and Pump Room

And catch the living manners as they rise, 1794. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse

Shepherds, I have lost my waist! Have you seen my body?... 1795. Artist: Richard Newton
Shepherds, I have lost my waist! Have you seen my body? Sacrificed to modern taste, I m quite a hoddy doddy!, 1795. A satire on the unflattering fashions of the day

The Return from St James after the honour of Knighthood, 1792. Illustration from Social Caricature in the Eighteenth Century

Parasols for 1795. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)

A Spencer and a Threadpaper, 1792. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London)

A Sudden Squall in Hyde Park, c1791. Artist: Thomas Rowlandson
A Sudden Squall in Hyde Park, c1791. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London)

A Lady putting on her cap, June 1795. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds]

Exaltation of Faros daughters, 1796. Albinia, Countess of Buckinghamshire (left) and Lady Archer are ridiculed in the stocks, as the mob throw rotten vegetables at them

Characters in High Life... 1795
Characters in High Life sketched at The New Rooms Opera House - Delightful Task! to teach the young idea how to shoot, 1795. Illustration from Social Caricature in the Eighteenth Century

Waggoners Frocks or No Bodys of 1795, 1795. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds]

Modern Elegance: A Portrait, 1796. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London)

The Scotch Wedding, 18th century. In Hollands Exhibition Rooms may be seen the largest collection in Europe of Humorous Prints. Admittance, one shilling

Enter Cowslip with a bowl of cream, 1795. As a cedar tall and slender, sweet cowslips grace, is her nom tive case, and shes of the feminine gender - John O Keefe (1747-1833)

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