Heritage Image Partnership Collection (page 9)

The Golden Wedding, 1875. Artist: Joseph Swain
The Golden Wedding, 1875. Iron, represented by Vulcan, and steam, represented by Vapour, are congratulated by Mr Punch on their 50 harmonious years

The Flag of Freedom, 1875. Artist: Joseph Swain
The Flag of Freedom, 1875. An escaped slave clings to Britains flagpole as John Bull argues the toss with the First Lord of the Admiralty, G Ward Hunt

In Propria Persona, 1875. Artist: Charles Samuel Keene
In Propria Persona, (1875?). Two young medical students debate the merits of vivisection. From Punch, or the London Charivari, September 25, 1875

Whos to Blame?, 1875. Artist: Joseph Swain
Whos to Blame?, 1875. Vulcan makes no excuse to Britannia as she shows him the bill for the loss of the iron-clad man-of-war vessel that sank after a collision off the coast of Ireland

Approaching Dissolution, 1875. Artist: Joseph Swain
Approaching Dissolution, 1875. Mrs Disraeli on the right runs a Baby Farm. Huddled in the corner behind her are all the Baby Bills

Loss and Gain, 1875. Artist: Joseph Swain
Loss and Gain, 1875. John Bull, the representative of the British people, stands with Mr Punch on the coast of Ireland and looks into the gloom

Tout Vient A Qui Sait Attendre, 1875. Artist: Charles Samuel Keene
Tout Vient A Qui Sait Attendre, 1875. Frightened passengers in the first-class compartment call to the guard, asking why the train has had to come to such a sudden halt

Waiting to be Won, 1875. Artist: Joseph Swain
Waiting to be Won, 1875. The Queen of the Arctic is perched on an iceberg with two polar bears at her feet. This relates to the New Arctic Expedition at the start of which two ships

O, Lovely Peace, 1875. Artist: Joseph Swain
O, Lovely Peace, 1875. Bismarck plays a penny whistle and the Russian Bear dances. The German Emperor dances along happily

Cremation, 1875. Artist: Joseph Swain
Cremation, 1875. A young man is dismayed to find his uncle helping himself to some snuff that he found in an urn on the mantelpiece of his nephews lodgings

A Red Study, 1875. Artist: Joseph Swain
A Red Study, 1875. This cartoon shows Dr Henry Edward Manning gazing into the fire. Manning had in fact been one of the leaders of the Oxford Movement, but converted to Roman Catholicism in 1851

Deserted !, 1875. Artist: Joseph Swain
Deserted !, 1875. Mr Disraeli, the Conservative Prime Minister, stands on the right with his Lord Chancellor, Hugh McCalmont Cairns, 1st Earl Cairns

A Nice Distinction, 1875. Artist: Joseph Swain
A Nice Distinction, 1875. This cartoon shows Dr Edward Kenealy on the right preventing John Mitchell from entering the House of Commons

The Bow of Ulysses, 1875. Artist: Joseph Swain
The Bow of Ulysses, 1875. The Liberal opposition had to choose a new leader following Mr Gladstones resignation from office following the Liberal defeat in the General Election of 1874

Good-Bye !, 1875. Artist: Joseph Swain
Good-Bye !, 1875. Mr Gladstone on the right shakes hands with Prime Minister Disraeli. In the previous year, Mr Gladstones Liberal government had lost the General Election to Disraelis Conservative

Between Two Fires, 1875. Artist: Joseph Swain
Between Two Fires, 1875. Pope Pius IX is on the left of this cartoon and Bismarck of Germany on the right. In the middle is the young son of the abdicated Queen Isabella of Spain

The North-West Passage, 1874. Artist: Joseph Swain
The North-West Passage, 1874. Mr Disraeli, the Conservative Prime Minister, looks thoughtfully into the distance. Charts and maps are spread out around him

The Voice of the Turtle, 1874. Artist: Joseph Swain
The Voice of the Turtle, 1874. Gog and Magog represent the City of London in this cartoon which relates to the proposal to enlarge the Corporation

Our Merchant Navy, 1874. Artist: Joseph Swain
Our Merchant Navy, 1874. Alfred, Duke of Edinburgh refers to Britains need for fit and ready sailors. Mr Samuel Plimsoll was pursuing his fight against the often deliberate overloading

The Demon Rough, 1874. Artist: Joseph Swain
The Demon Rough, 1874. A bestial labourer crouches over the limp body of his wife whilst Justice stands over him, her scales and sword on her belt, and the cat o nine tails in her hand

Railway Responsability, 1874. Artist: Joseph Swain
Railway Responsability, 1874. Mr Punch tells a fat railway director that his train operators - seen in the background amidst the buffers

The Question Settled, 1874. Artist: Charles Samuel Keene
The Question Settled, 1874. A Mrs Malaprop-like elderly lady, dressed in frills and lace rather unbecoming to one of her years, is taking a journey by railway

A Pleasure Excursion - First-Class!, 1824. Artist: Joseph Swain
A Pleasure Excursion - First-Class!, 1824. A mixed group of passengers enjoy the comforts of first-class railway travel. The large gentleman in the top hat claims to be a director

Home-(Rule)-Opathy, 1874. Artist: Joseph Swain
Home-(Rule)-Opathy, 1874. Mr Isaac Butt, the moderate leader of the Irish Home Rule Party opens a box labelled Home Rule. Ireland sits by her small fire with her meagre possessions on a stool beside

Female School of Art, 1874. Artist: Joseph Swain
Female School of Art, 1874. An elegant young man with time on his hands poses for a roomful of young women in a straight reversal of the usual roles

Womans Wrongs, 1874. Artist: Joseph Swain
Womans Wrongs, 1874. A brutish working-class husband prepares to beat his wife who still bears the insignia of previous violence

Black Sheep, 1874. Artist: Joseph Swain
Black Sheep, 1874. This cartoon shows the Archbishop of Canterbury rooting out the black sheep from amongst his flock and sending them back towards Rome

The Good Little Vitler, 1874. Artist: Joseph Swain
The Good Little Vitler, 1874. The little victualler is rewarded by the new Conservative Home Secretary, RA Cross. The previous Home Secretary, HA Bruce

Dearly Bought, 1874. Artist: Joseph Swain
Dearly Bought, 1874. Sir Garnet Wolseley is depicted presenting Britannia with King King Coffees state umbrella. British troops in the background stand guard over the dejected native King

The Levee of the Season, 1874. Artist: Joseph Swain
The Levee of the Season, 1874. Queen Victoria reviews her troops. These were the men who had fought in the Ashanti Campaign recently under the leadership of Sir Garnet Wolseley

The Police and the Public, 1874. Artist: Charles Samuel Keene
The Police and the Public, 1874. A labourer faces the court to make a complaint against the constable standing next to him

Paradise and the Peri, 1874. Artist: Joseph Swain
Paradise and the Peri, 1874. Mr Disraeli is taken by the wings of happiness. The General Election of the 5th March 1874 had seen the Conservatives, under the leadership of Mr Disraeli

Degenerate Days!!, 1874. Artist: Joseph Swain
Degenerate Days!!, 1874. A publican and his customer discuss the forthcoming General Election. After being in power since 1868, the Liberal Prime Minister, Gladstone

Necessitas Non Habet Bye-Laws!, 1874. Artist: Charles Samuel Keene
Necessitas Non Habet Bye-Laws!, 1874. The perils of over-indulgence and mistaking the alarm bell for one that summons servants are illustrated in this cartoon about the gentleman travelling first

General election, (1874?). Artist: Joseph Swain
General election, (1874?). A shrouded figure holds up the ballot box whilst, in the mists and gloom at the figures feet, the Liberal Prime Minister, Gladstone

Terrible Result of the Higher Education of Women!, 1874. Artist: Joseph Swain
Terrible Result of the Higher Education of Women!, 1874. The beautiful young women go into dinner on the arms of the elderly professors

The Latest in Russia Bonds, 1874. Artist: Joseph Swain
The Latest in Russia Bonds, 1874. Mr Punch, trailing a garland of roses, stands atop a pedestal labelled Hymen. In the foreground

A Hitch, 1874. Artist: Charles Samuel Keene
A Hitch, 1874. The traffic manager receives with annoyance the station masters report. There was growing disquiet at the number of accidents that happened each year on Britains railway network

The Vatican Hatter, 1874. Artist: Joseph Swain
The Vatican Hatter, 1874 - who looks very like Pope Pius IX - shows the new Archbishop of Westminster a cardinals hat and apologises that he hasn t got one to fit Dr Manning

Low(e) art and whitewash, 1873. Artist: Joseph Swain
Low(e) art and whitewash, 1873. Mr Robert Lowe slaps whitewash onto the sturdy figure of a policeman. The British police had been under fire in recent years following various scandals both in London

Nothing in The Papers?!, 1870. A schoolboy reading an article to his friend, from the Times. In the days when corporal punishment was a regular and painful feature of public school life

Neighbours In Council, 1869. Artist: John Tenniel
Neighbours In Council, 1869. France and Britannia were each facing their problems, although, as is often the case, France is depicted as a weaker version of Britannia

The Irish Treason Shop, 1869. Artist: Joseph Swain
The Irish Treason Shop, 1869. The Fenian movement was still causing the British Government problems. The movement had not been pacified by the measures introduced through the recent Irish Bill

Chronology, 1869. Artist: Charles Samuel Keene
Chronology, 1869. Ever since the geologist, Sir Charles Lyell, had proposed in the 1830s that the world was much older than had previously been supposed

From The Great Pyramid. (A Bird s-Eye View of The Canal and Its Consequences. ), 1869. Artist: Joseph Swain
From The Great Pyramid. (A Bird s-Eye View of The Canal and Its Consequences.), 1869. In November 1869 the Suez Canal was formally opened

A Perilous Passage, 1869. Artist: Joseph Swain
A Perilous Passage, 1869. Napoleon III of France was struggling against a wave of unpopularity at the time. He had introduced a number of measures to try and calm the situation

How Not To Do It, 1869. Artist: Joseph Swain
How Not To Do It, 1869. The Fenian movement was still causing the British Government problems. The movement had not been pacified by the measures introduced through the recent Irish Bill

Bob and The Bobby, Or Only His Fun, 1869. Artist: Joseph Swain
Bob and The Bobby, Or Only His Fun, 1869. Robert Lowe, the Chancellor of the Exchequer, had proposed devaluing the sovereign by one per cent

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