Heritage Image Partnership Collection (page 2)

Master Ritchies Easter-Egg, 1888. Artist: Joseph Swain
Master Ritchies Easter-Egg, 1888. This cartoon shows Charles Thomson Ritchie, a member of the Conservative party. He had recently introduced a new Local Government Bill

Consol-ation, 1888. Artist: Joseph Swain
Consol-ation, 1888. Mr George Goschen is the Conservative Chancellor of the Exchequer, appointed by Salisbury after the resignation of Lord Randolph Churchill

Faust and Mephistopheles, 1888. Faust is the House of Lords and Mr Henry Labouchere MP is Mephistopheles. Labouchere was the latest in a long line of MPs to introduce a proposal to reform the House

Germany. March 9, 1888, 1888. Artist: Joseph Swain
Germany. March 9, 1888, 1888. The German Eagle sits mournfully on a rock high above the sinking sun. This cartoon illustrates the recent death of the German Emperor, Wilhelm I of Prussia

The Best of Friends, 1888. Artist: Joseph Swain
The Best of Friends, 1888. The Liberal Leader of the Opposition, Mr Gladstone (left), takes a drink with Mr WH Smith from the Conservative Party

Such Good Boys!, 1888. Artist: Joseph Swain
Such Good Boys!, 1888. Master Gladstone, the Liberal Leader of the Opposition, and the Conservative Prime Minister, Lord Salisbury, promise to be good boys as Mr Speaker reaches for his birch

Hercules in the Augean Stable, 1888. Hercules attempts to clean the Augean Stables. Recent abuses in the sport of racing had led to an enquiry being set up

The Return of the Wanderer, 1888. Artist: Joseph Swain
The Return of the Wanderer, 1888. Little Lord Randolph Churchill returns in a furtive manner, watched by a couple of astute journalists

The New Junction, 1888. Artist: Joseph Swain
The New Junction, 1888. The two pointsmen are Sir William Harcourt and Spencer Cavendish Hartington. Recently, two railways lines had combined at a key junction to put in a state of the art

The Grand Old Janus, 1887. Artist: Joseph Swain
The Grand Old Janus, 1887. Gladstone is the statue of Janus, the Roman god of doorways. Janus is usually depicted with two faces looking in different directions

The Schoolmaster of the Future, 1887. Artist: Joseph Swain
The Schoolmaster of the Future, 1887. The British workman has come into school to take the boy away in order to teach him a trade that will be more useful to him in life than Trigonometry or Geology

Convention-al Politeness, 1887. Artist: Joseph Swain
Convention-al Politeness, 1887. John Bull, the representative of the British people, handed over the Suez Canal Convention to France

The Not-At-All-At-Home Secretary, 1887. Artist: Edward Linley Sambourne
The Not-At-All-At-Home Secretary, 1887. The Home Secretary on the left is attempting to involve himself in a meeting being held in Trafalgar Square

The Two Voices, 1887. Artist: Joseph Swain
The Two Voices, 1887. One of Britains genuine unemployed walks away from a meeting that was supposed to have been a respectable debate on the plight of the unemployed

The Messenger of Peace, 1887. Artist: Joseph Swain
The Messenger of Peace, 1887. The radical Liberal, Joseph Chamberlain, is here the Messenger of Peace. He had become the Conservatives Colonial Secretary

The New North-West Passage, 1887. Artist: Joseph Swain
The New North-West Passage, 1887. Britannia points towards the Canadian train and says that no more will lives have to be lost, as were those of Franklin and his crew

Justice at Fault, 1887. Artist: Joseph Swain
Justice at Fault, 1887. Mr Punch tells the policeman holding the train driver captive that he has one of those responsible for the latest railway crash but

An Appeal from Science, 1887. Artist: Edward Linley Sambourne
An Appeal from Science, 1887. Science holds out a hand to John Bull. Science, in the mid-Victorian period, was gaining a high profile with each new technological and medical development

Newton and the Apple, 1887. Artist: Joseph Swain
Newton and the Apple, 1887. The perils of being a politician and thus a servant to public opinion. Such opinion can change in line with the latest controversial case to hit the headlines

The New Hatch, 1887. Artist: Joseph Swain
The New Hatch, 1887. Mr George Goschen, the Conservative Chancellor of the Exchequer, is the mother hen in this cartoon. In Queen Victorias Golden Jubilee Year

After the Jubilee, 1887. Artist: Joseph Swain
After the Jubilee, 1887. In a companion cartoon to that issued on 18th June 1887, the British Lion has to come back to reality after the celebration of Queen Victorias Golden Jubilee

The British Lion Prepares for the Jubilee, 1887. Artist: Joseph Swain
The British Lion Prepares for the Jubilee, 1887. The British Lion prepares himself with great care to take part in Queen Victorias Golden Jubilee celebrations

A Late Spring Cleaning, 1887. Artist: Joseph Swain
A Late Spring Cleaning, 1887. The charwoman pumps vigorously at the barrel of disinfectant under the watchful eye of Mr Punch. The scene is, of course, the House of Commons

The Music of the Future, 1887. Wagners conception of opera as a unification of musical, poetic and scenic elements, which revolutionised the 19th century conception of the genre

The Vultures, 1887. Artist: Joseph Swain
The Vultures, 1887. The vultures of the War Office and Contractor hover over a fallen soldier. This concerned a great scandal over the supply of defective weapons to the armed forces

Salisbury Sisyphus, 1887. Artist: Joseph Swain
Salisbury Sisyphus, 1887. Lord Salisbury, the Conservative Prime Minister, pushes the boulder of Irish Difficulty up a steep slope

Sending Round the Hat, 1887. Artist: Joseph Swain
Sending Round the Hat, 1887. John Bull, the representative of the British people, opens his purse to make a donation to the Church of England

The Knight and his Companion, 1887. Artist: Joseph Swain
The Knight and his Companion, 1887. The Knight in this cartoon is Prince Bismarck of Germany. A General Election had been held in Germany in mid-February 1887

Hope I Don t Intrude!!!, 1887. Artist: Joseph Swain
Hope I Don t Intrude!!!, 1887. The former Liberal Prime Minister, William Gladstone, makes his first appearance in the House of Commons during the current Session of Parliament

A Real Jubilee Memorial, 1887. In Queen Victorias Golden Jubilee Year, one hundred debtors found themselves unexpectedly freed from their obligations

Turning the Tables, 1887. Artist: Joseph Swain
Turning the Tables, 1887. The Lord Chancellor yawns as he queries why the House of Commons is not getting on with its business

The New Science, 1887. Palm-reading and spiritualism were popular pastimes in the Victorian period. However, the damage that a reading could do to a happy relationship is illustrated in this cartoon

Churchillius; or, an Alarming Sacrifice!, 1887. Artist: Joseph Swain
Churchillius; or, an Alarming Sacrifice!, 1887. Little Lord Randolph Churchill, in full Roman battledress, bounces on his horse, Retrenchment

Velvet and Iron!, 1887. Artist: Joseph Swain
Velvet and Iron!, 1887. Germanys Prince Bismarck here sidles up to France and pays lavish compliments. After Frances disastrous war against Germany in the previous decade

A Young Humanitarian, 1887. Artist: George du Maurier
A Young Humanitarian, 1887. A little girl, hearing the bagpipes music, is scared that the gentleman in a kilt is hurting some poor animal

The Great-Little Random, 1887. Artist: Joseph Swain
The Great-Little Random, 1887. Little Lord Randolph Churchill is seen storming off in a huff, refusing to obey the Ringmasters instructions

The Spirit of Christmas, 1886. Artist: Joseph Swain
The Spirit of Christmas, 1886. Charity sweeps aside the unfeeling Beadle in her determination to relieve the terrible suffering of a poor family

The Tempter, 1886. Artist: Joseph Swain
The Tempter, 1886. The spectre of Anarchy looms tall over the working class man as, blindly, he heads towards the edge of a precipice

A satirical look at the chances of the average police constables ability to catch a cold, 1886
A satirical look at the chances of the average police constables ability to catch a cold. From Punch, or the London Charivari, October 30, 1886

Swag!, 1886. Artist: Joseph Swain
Swag!, 1886. The Conservative Chancellor of the Exchequer, Lord Randolph Churchill is caught in the act of stealing Liberal policy documents by the former Prime Minister

The Latest Trick, 1886. Artist: Joseph Swain
The Russian in this cartoon is probably General Kaulbars, the agent left to manage Bulgarian affairs after the recent abdication of Prince Alexander

Our Medical Students, 1886. Artist: Joseph Swain
Our Medical Students, 1886. The developments in doctors training is illustrated in this cartoon. Major advances in medical technology and research had been made during the course of the century

High Jinks!, 1886. Artist: Joseph Swain
High Jinks!, 1886. The Russian Bear can be seen dancing on Bulgarian soil, watched by Prince Bismarck of Germany and Britains representative of law and order, Policeman A1 John Bull

Dressing the Window, 1886. Artist: Joseph Swain
Dressing the Window, 1886. The new Conservative Prime Minister, Lord Salisbury, decides upon the new shop window. He is being shown a bolt of Irish Policy by his young Chancellor of the Exchequer

Youth on the Prow and Pleasure at the Helm!, 1886. Artist: Joseph Swain
Youth on the Prow and Pleasure at the Helm!, 1886. Lord Randolph Churchill, the new Conservative Chancellor of the Exchequer, has found himself doing most of the work on the parliamentary ship

The Grand Young Man!!, 1886. Artist: Joseph Swain
The Grand Young Man!!, 1886. Lord Randolph Churchill strikes a pose which mirrors the one of Benjamin Disraeli, Lord Beaconsfield, who appears in ghostly form in this cartoon

Cross-roads, 1886. Artist: Joseph Swain
Cross-roads, 1886. The new Conservative Prime Minister, Lord Salisbury, pulls up at a crossroads. Two former Liberals, Lord Hartington, and, with the monocle

The Old Umbrella!!!, 1886. Artist: Joseph Swain
The Old Umbrella!!!, 1886. This cartoon shows the former Prime Minister, William Gladstone. The Liberal Party had recently lost the General Election to the Conservatives, and their leader

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