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Single Leaf from a Book of Hours: Pieta, c. 1475-1485. Creator: Francesco dai Libri (Italian, c)Single Leaf from a Book of Hours: Pieta, c. 1475-1485
Sketch Page with Birds and Spider. Creator: Katsushika Hokusai (Japanese, 1760-1849)Sketch Page with Birds and Spider
Seated Man Holding a Snuff Box, c. 1750-1760. Creator: Louis Aubert (French), attributed toSeated Man Holding a Snuff Box, c. 1750-1760
Single Leaf from a Missal: The Crucifixion, c. 1390. Creator: Nicolo da Bologna (Italian, c)Single Leaf from a Missal: The Crucifixion, c. 1390. Symbolizing the Eucharist, this leaf depicts angels holding chalices to collect blood from Christs five wounds
Sketch of a Heads after Giambolognas Neptune Fountain, c. 1654. Creator: Christophe VeyrierSketch of a Heads after Giambolognas Neptune Fountain, c. 1654
Study of a Head seen from Below, third quarter 1600s. Creator: Francisque Millet (FrenchStudy of a Head seen from Below, third quarter 1600s
Study of a Fallen Soldier (possibly the Conversion of Saul) (recto)... c. 1525. CreatorStudy of a Fallen Soldier (possibly the Conversion of Saul) (recto); A Draped Female Figure (possibly an Amazon) and Architectural Studies (verso), c. 1525
Study for The Presentation of Christ in the Temple (for Saint Ulrich, Vienna), cStudy for " The Presentation of Christ in the Temple" (for Saint Ulrich, Vienna), c. 1750. This loosely painted sketch is the preliminary design for an altarpiece in the Church of Saint
Peafowl and Phoenixes, late 1500s. Creator: Tosa Mitsuyoshi (Japanese, 1539-1613), attributed toPeafowl and Phoenixes, late 1500s. In this extraordinary pair of screens, pairs of peafowl and phoenixes stand among bamboo and paulownia trees
Paysage de la Grande Chartreuse, late 1700s-1800s. Creator: Jean Lubin Vauzelle (FrenchPaysage de la Grande Chartreuse, late 1700s-1800s
Rearing Horse and Rider, c. 1600. Creator: Antonio Tempesta (Italian, 1555-1630), attributed toRearing Horse and Rider, c. 1600
Roman Subject, 1700s. Creator: Philibert Benoit Delarue (French, 1718-1780), attributed toRoman Subject, 1700s
Senator George Ellis Pugh of Ohio, c. 1857. Creator: Whitehurst Studio (American), attributed toSenator George Ellis Pugh of Ohio, c.1857. Photographing prominent politicians or other celebrities was an effective advertisement for the quality and prestige of a portrait studio
Shah Jahan holding a spinel and a long Deccan sword, from the Late Shah Jahan Album, c. 1650. This page came from an imperial album assembled for Shah Jahan toward the end of his reign
No Title. Creator: Kubo Shunman (1757-1820), attributed toNo Title
Portrait of the Aged Akbar, c. 1640-1650. Creator: Govardhan (Indian, active c. 1596-1645)Portrait of the Aged Akbar, c. 1640-1650. The soulful modeling of Akbars aged but dignified face argues strongly in favor of the attribution of this work to the imperial court artist Govardhan
Portrait of Suraj Singh Rathor, Raja of Marwar and Maternal Uncle of Shah Jahan: A Page from the Prince Khurram Album, c. 1600
Portrait of Kinokuniya Bunzaemon, 19th century. Creator: Utagawa Toyokuni (JapanesePortrait of Kinokuniya Bunzaemon, 19th century. Kinokuniya Bunzaemon was one of Edos first millionaire merchants. He made his fortune selling lumber
Portrait of a Youth as Saint Sebastian, late 1480s. Creator: Marco d Oggiono (ItalianPortrait of a Youth as Saint Sebastian, late 1480s. Sebastian, a bodyguard for the Roman emperor Diocletian, was shot with arrows and was eventually drowned for his commitment to Christianity
Piazza San Marco, Venice, c. 1740. Creator: Bernardo Bellotto (Italian, 1721-1780), attributed toPiazza San Marco, Venice, c. 1740. This view of the Piazza San Marco, Venice shows Bellottos devotion to faithful observation. At the left is the church of St
Portrait of Raja Jagat Singh of Nurpur (reigned 1618-46), probably 1619. Creator: Bichitr (Indian)Portrait of Raja Jagat Singh of Nurpur (reigned 1618-46), probably 1619. Jagat Singh was a prince from a small kingdom in the western Himalayan foothills who grew up at the imperial Mughal court of
Portrait of Pope Sixtus IV della Rovere, early 1500s. Creator: Pedro Berruguete (Castilian, c)Portrait of Pope Sixtus IV della Rovere, early 1500s
Pheasant and Grasses, late 17th-early 18th century. Creator: Ogata Korin (JapanesePheasant and Grasses, late 17th-early 18th century. Korin was a founder of the Rimpa (decorative) school of painting and was a keen observer of nature. The pheasant is often associated with autumn
Portrait of Murad Bakhsh (1624-1661), c. 1635. Creator: Balchand (Indian, active 1595-cPortrait of Murad Bakhsh (1624-1661), c. 1635. The youngest son of Shah Jahan wears a stylish jama not unlike the example on view on the adjacent wall
Portrait of Maharaja Pratap Singh (1764-1803), c. 1793. Creator: Sahib Ram (IndianPortrait of Maharaja Pratap Singh (1764-1803), c. 1793. Maharaja Pratap Singh came to the throne in the princely state of Jaipur in 1778 at the age of 14
Portrait of Arthur Wellesley, later 1st Duke of Wellington, c. 1806-1807. CreatorPortrait of Arthur Wellesley, later 1st Duke of Wellington, c. 1806-1807
Portrait of an Old Man, mid-1500s. Creator: Giulio Campi (Italian, c. 1500-1572), attributed toPortrait of an Old Man, mid-1500s
Rocky Landscape with a Cave Chapel, 19th century. Creator: Johann Martin von Rohoden (Flemish)Rocky Landscape with a Cave Chapel, 19th century
Rocks at Livermead near Torquay (England), c. 1852. Creator: John Dillwyn Llewelyn (British)Rocks at Livermead near Torquay (England), c. 1852
Man Entwined by Two Snakes, c. 1527. Creator: Giovanni Antonio da Pordenone (ItalianMan Entwined by Two Snakes, c. 1527. Although not exact copies, the compositions of both this bronze plaque and drawing derive from the Laocoon group
Illuminated Folio from a Gulistan (Rose Garden) of Sadi (c. 1213-1291), c. 1525-30. The Gulistan, completed around 1258, is one of the most celebrated works of Persian literature
Initial R from a Choral Book with King David(?), c. 1470-1480. This sumptuous initial is painted in deep hues set against a burnished gold ground in order to achieve a rich jewel-like effect
Initial A from a Choral Book with King David, c. 1470-1480
In the Housatonic Valley, late 1850s. Creator: Homer Dodge Martin (American, 1836-1897)In the Housatonic Valley, late 1850s
Head of a Young Girl Turning toward the Right, 1758?. Creator: Francois Hubert DrouaisHead of a Young Girl Turning toward the Right, 1758?. Although once attributed to the painter Louis Tocque (1696-1772), this beautiful drawing of a young girl is closer to the work of another
Icon of the Mother of God and Infant Christ (Virgin Eleousa), c. 1425-50. CreatorIcon of the Mother of God and Infant Christ (Virgin Eleousa), c. 1425-50. This type of icon is known as the Virgin Eleousa (Virgin of Tenderness)
Hunting with Falcons in a Landscape, c. 1558-1560; borders added probably 1700s. CreatorHunting with Falcons in a Landscape, c. 1558-1560; borders added probably 1700s. The Mughals hunted on horseback with falcons. The hunting party would ride out into the wild and flush the prey
John the Baptist being carried to Zacharias, c. 1510. Creator: Francesco Granacci (ItalianJohn the Baptist being carried to Zacharias, c. 1510
Figures on a Terrace, not dated. Creator: Adolphe Monticelli (French, 1824-1886), attributed toFigures on a Terrace, not dated
Faggot Gatherer, third quarter 1600s. Creator: Francisque Millet (French, 1642-1679)Faggot Gatherer, third quarter 1600s
Faggot Gatherer (recto) Study of a Head seen from Below (verso), third quarter 1600s
Historiated Initial (P) Excised from a Gradual: The Nativity, c. 1350-1375. CreatorHistoriated Initial (P) Excised from a Gradual: The Nativity, c. 1350-1375
His First Model-Miss Russell, c. 1873. Creator: William Morris Hunt (American, 1824-1879)His First Model-Miss Russell, c. 1873
Court lady singing and playing the vina, c. 1760. Creator: Muhammad Rizavi Hindi (IndianCourt lady singing and playing the vina, c. 1760. Her mouth open slightly in song, the womans hennaed fingers strum a three-string vina
Courtesan and Attendants, c. 1748-1751. Creator: Engetsudo (Japanese), attributed toCourtesan and Attendants, c. 1748-1751. The courtesan wears a pair of tall, lacquered wooden clogs and heavy robes, indicating it is winter
Court lady pouring wine, c. 1760; borders c. 1830s. Creator: Muhammad Rizavi Hindi (IndianCourt lady pouring wine, c. 1760; borders c. 1830s. The artist has depicted a glass or crystal duck-headed decanter adorned with a gilded grapevine motif, signaling the contents
Court lady pouring wine, c. 1760. Creator: Muhammad Rizavi Hindi (Indian, active mid-1700s)Court lady pouring wine, c. 1760. The artist has depicted a glass or crystal duck-headed decanter adorned with a gilded grapevine motif, signaling the contents
Court Ladies Making Dolls, 1790s. Creator: Kubo Shunman (1757-1820), attributed toCourt Ladies Making Dolls, 1790s. Since ancient times dolls were used in Japan for religious purposes, especially for the healing of impurities or illness