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Phoenixes and Paulownia, late 1500s. Creator: Tosa Mitsuyoshi (Japanese, 1539-1613), attributed to

Framed Print : Phoenixes and Paulownia, late 1500s. Creator: Tosa Mitsuyoshi (Japanese, 1539-1613), attributed to
Framed Print : Phoenixes and Paulownia, late 1500s. Creator: Tosa Mitsuyoshi (Japanese, 1539-1613), attributed to
Framed Print : Phoenixes and Paulownia, late 1500s. Creator: Tosa Mitsuyoshi (Japanese, 1539-1613), attributed to
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Framed Print of Phoenixes and Paulownia, late 1500s. Creator: Tosa Mitsuyoshi (Japanese, 1539-1613), attributed to

Phoenixes and Paulownia, late 1500s. The immense heraldic birds on display in these byobu reflect the Momoyama eras spirit of newly gained self-confidence and an affinity for grand expressive statements in painting, architecture, the textile and ceramic arts, as well as garden design. The setting is composed of highly stylized lozenges of mineral green paint, suggesting the earth from which clumps of grass, flowering plants, and towering bamboo and paulownia trees emerge. Clusters of lumpy, blue-green rocks dotted with lichen provide stabilizing three-dimensional foils for these islands of vegetation as well as the all-encompassing flat, golden surface. The glorious artificiality of the setting precisely serves the artists effort to compose a credible yet other-worldly vista for depicting the legendary phoenix gazing across the landscape at the pair of peacocks. Rather than an emblem of immortality, as it is in Western lore, in Japan the phoenix evolved out of its origins in Chinese mythology to become, by the sixteenth century, an auspicious symbol of political authority. A characteristic infusion of temporality has been included also, through a seasonal flowering schema extending from spring to early summer (right) to fall and the advent of winter (left). Although traditionally attributed to the Tosa school master Tosa Mitsuyoshi (1539-1613), these byobu possess neither seals nor signatures to confirm that authorship. Known for his jewel-like, modest-sized album paintings of courtly narratives such as The Tale of Genji, it is likely both studio training and contemporary fashions in patronage conspired to produce a good number of such byobu. This example from the Momoyama era represents one such effort from a masterful Tosa painter, too little seen in Western collections. Heritage Images features heritage image collections. © Heritage Art/Heritage Images

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Media ID 19648998


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Modern Frame 14"x12" (36x31cm)

Ready to Hang Contemporary Framed Prints adds style, protection, and a polished touch to your space - effortlessly.

Your artwork will be printed as shown in the preview. To adjust please select Edit Printed Image under the Buy button

Wood effect frame, card mounted, 10x8 fade resistant photo print. Overall outside dimensions 14x12 inches (36x31cm). Environmentally and ozone friendly, 40mm wide x 15mm Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: measurements provided are estimated outer dimensions, which include both the image and the frame. While we aim to keep sizing consistent, exact dimensions may vary slightly due to differences in print size or production requirements, which may result in a variation in the overall size (up to approximately 2.5cm (1"))

These are individually made so all sizes are approximate

Estimated Image Size (if not cropped) is 24.4cm x 11.1cm (9.6" x 4.4")

Estimated Product Size is 36cm x 31cm (14.2" x 12.2")



 
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