Framed Prints
Framed Print of Yaja and Upayaja perform a sacrifice for the emergence of Dhrishtadyumna from the fire
Yaja and Upayaja perform a sacrifice for the emergence of Dhrishtadyumna from the fire, from Adi-parva (volume one) of the Razm-nama (Book of Wars) adapted and translated into Persian by Mir Ghiyath al-Din Ali Qazvini, known as Naqib Khan (Persian, d. 1614) from the Sanskrit Mahabharata, 1598. Fire sacrifice was central to the Indo-European people who entered the Indian subcontinent as early as 1800 BC. Only Brahmins, a social class of priests, had access to the sacred texts called the Vedas, which explained the meaning and process of the fire sacrifice, considered by orthodox Hindus as a way to communicate with the gods. A king named Drupada in ancient India sponsored this fire sacrifice in order to generate a powerful warrior who would be able to slay the enemy who took half his kingdom. Seated around an altar in the sacrificial enclosure, Brahmins pour oblations into the fire and recite the prayers necessary to generate the divine warrior Dhrishtadyumna, shown here in full battle armor at birth. The inscription below gives the title and the name of the artist, Habshi, which means Ethiopian, suggesting the presence of Africans in the royal Mughal workshop. The story of how the warrior Dhrishtadyumna was generated from the fire sacrifice is written on this page. When King Drupada lost half his kingdom to a military master named Drona, he needed a gift from the gods to defeat him: a new warrior born to accomplish this mission. In order to obtain this gift, King Drupada went to the banks of the Ganges to find two powerful Brahmins to whom the gods would respond favorably. After serving them faithfully and offering payment of 100, 000 cows, the Brahmins Yaja and Upayaja agreed to perform the sacrifice. The text is written in a form of Arabic script, called naskh, in the Persian language, as translated from the original Sanskrit epic Mahabharata for emperor Akbar (r. 1556-1605). The passages of dialogue are written diagonally. Heritage Images features heritage image collections. © Heritage Art/Heritage Images
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Media ID 19649035
Attributed To Late 16th Century Mughal Opaque Watercolour With Gold On Paper Text On Verso
Modern Frame 14"x12" (36x31cm)
Ready to Hang Contemporary Framed Prints adds style, protection, and a polished touch to your space - effortlessly.
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Wood effect frame, card mounted, 10x8 fade resistant photo print. Overall outside dimensions 14x12 inches (36x31cm). Environmentally and ozone friendly, 40mm wide x 15mm Polycore® moulding has the look of real wood, is durable and light and easy to hang. Biodegradable and made with non-chlorinated gases (no toxic fumes) it is efficient; producing 100 tons of polystyrene can save 300 tons of trees! Prints are glazed with lightweight, shatterproof, optical clarity acrylic (providing the same general protection from the environment as glass). The back is stapled hardboard with a sawtooth hanger attached. Note: measurements provided are estimated outer dimensions, which include both the image and the frame. While we aim to keep sizing consistent, exact dimensions may vary slightly due to differences in print size or production requirements, which may result in a variation in the overall size (up to approximately 2.5cm (1"))
These are individually made so all sizes are approximate
Estimated Image Size (if not cropped) is 12.7cm x 24.4cm (5" x 9.6")
Estimated Product Size is 31cm x 36cm (12.2" x 14.2")
