mail_outline sales@mediastorehouse.com
Thimble makers, 16th century (1849). Artist: Jost AmmanThimble makers, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
Clasp-maker, 16th century (1849). Artist: Jost AmmanClasp-maker, 16th century (1849). A 19th century version based on an original wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume III (Paris)
Tinman, 16th century (1849). Artist: Jost AmmanTinman, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
The market, 15th century (1849). Artist: H MoulinThe market, 15th century, (1849). Stained glass from the Cathedral of Tournai. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume III (Paris, 1849)
Barber and wigmaker, 16th century (1849). Artist: H MoulinBarber and wigmaker, 16th century (1849). Swiss stained glass in the collection of the Musee de Cluny, Paris. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
The ancient Pont aux Changers, Paris, France, c16th century (1849). A 19th century version based on an original illustration in a manuscript on the topography of Paris
Commemorative painting of the Union of the Merchants of Rouen, late 17th century (1849). A 19th century version based on an original 17th century manuscript illustration
Wholesale dealers, 15th century (1849). Artist: Thurwanger FreresWholesale dealers, 15th century (1849). Stained glass from the Cathedral of Tournai. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume III (Paris, 1849)
A brewery, 15th century (1849). Artist: Franz KellerhovenA brewery, 15th century (1849). Stained glass from the Cathedral of Tournai. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume III (Paris, 1849)
Brussels town hall, 17th century (1849). A 19th century version based on an original 17th century manuscript illustration
A carpenters apprentice working at a trial piece, 15th century (1849). From one of the stalls called Misericordes in Rouen Cathedral, France
Professional tradesmen, 14th century (1849). A 19th century version based on an original manuscript illustration held by the Bibliotheque Royale in Brussels
Merchants, 14th century (1849). A 19th century version based on an original manuscript illustration held by the Bibliotheque Royale in Brussels
Monnoyeurs et Changeurs, 13th century (1849). Artist: Thurwanger FreresMonnoyeurs et Changeurs, 13th century (1849). Stained glass from the chapel dedicated to the Virgin Mary in Le Mans Cathedral
Toll bridge, 15th century (1849). Artist: H MoulinToll bridge, 15th century (1849). Stained glass from the Cathedral of Tournai. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume III (Paris, 1849)
Wine making, 13th century (1849). Artist: Thurwanger FreresWine making, 13th century (1849). Stained glass window from Le Mans Cathedral. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume III (Paris, 1849)
Saint Colette (1381-1447), c16th century (1849). A 19th century version based on an original earlier manuscript illustration
Ship carpenter, 15th century (1849). A 19th century version based on an original 15th century manuscript illustration in Chronique de Nuremberg
Boat and ship carpenters, c late 11th / early 12th century (1849)Boat and ship carpenters, c late 11th/early 12th century (1849). A 19th century version based on a fragment of the Bayeux Tapestry
King Philip II of France (1165-1223), 16th century (1849). Artist: DutilletKing Philip II of France (1165-1223), 16th century (1849). A 19th century version based on an original 16th century miniature in Rois de France, held by the Bibliotheque Nationale, Paris
Tomb of Dagobert I (603-689), Merovingian king, Basilisque Saint-Denis, 1849. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume III (Paris, 1849)
Dagobert I (603-689), Merovingian king, c16th century (1849). A 19th century version based on an original manuscript illustration from the Gaignieres Collection, held by the Cabinet des Estampes
Building construction, France, 15th century (1849). Artist: Franz KellerhovenBuilding construction, France, 15th century (1846). A 19th century version based on an original 15th century manuscript illustration in From Le Moyen Age et la Renaissance, by Paul Lacroix
Entry of the King of Epinette, 16th century (1849). A 19th century version based on an original manuscript illustration held by the Library of Rouen
Officers of the table and the chamber of the imperial court, 1512 (1849). Artist: J ReschOfficers of the table and the chamber of the imperial court, 1512 (1849). Featured are a cup-bearer, a cook, a barber, a tailor and a shoemaker
Meeting at the Field of the Cloth of Gold, c16th century (1849). A 19th century version based on an original bas-relief on the Hotel Bourgtheroulde, Rouen
The Congress of Wartburg, 15th century (1849). Artist: A BissonThe Congress of Wartburg, 15th century (1849). A 19th century version based on an original manuscript illustration in the Minnesoenger, held by the Bibliotheque Nationale, Paris
Sergeant at arms, 14th century (1849). Artist: Edward MaySergeant at arms, 14th century (1849). A 19th century version based on a 14th century carving at the Church of St catherine du Val des Ecoliers
Imperial procession, 1529-1530 (1849). Artist: Lucas Cranach the ElderImperial procession, 1529-1530 (1849). A 19th century version based on an original 16th century manuscript illustration in Solemn Entry of Charles V and Clement VII into Bologna
The entry of Queen Isabel into Paris, 15th century (1849). A 19th century version based on an original 15th century manuscript illustration in Chroniques of Froissart, volume IV
Standards of the church and the empire, 1529-1530 (1849). Artist: Lucas Cranach the ElderStandards of the church and the empire, 1529-1530 (1849). A 19th century version based on an original 16th century manuscript illustration in Entry of Charles V and Clement VII into Bologna
Grand procession of the Doge, Venice, Italy, 16th century (1849). One of fourteen engravings representing this ceremony. From Le Moyen Age et la Renaissance, by Paul Lacroix
The Duke of Saxony and the Marquis of Brandenburg, c16th century (1849). A 19th century version based on an original manuscript illustration in Theatrum Orbis Terrarum
Royal garments of Charlemagne (742-814), 15th century (1849). Artist: A BissonRoyal garments of Charlemagne (742-814), 15th century (1849). Dalmatica and sandals of Charlemagne, and insignia of the kings of France as used during their coronations
The coronation of Emperor Sigismund (1368-1437) by Pope Eugene IV, 15th century (1849). Sigismund was crowned in 1433. A 19th century version based on a 15th century bronze bas-relief in the church
A herald, 14th century (1849). A 19th century version based on an original manuscript illustration in the Chroniques de Saint-Denis, held by the Bibliotheque Nationale, Paris
The coronation of King Charles V of France (1337-1380), 14th century (1849). Artist: A BissonThe coronation of King Charles V of France (1337-1380), 14th century (1849). A 19th century version based on an original manuscript illustration in Chroniques de Froissart, volume IV
Abbey of Saint-Denis, late 16th century (1849). A 19th century version based on an original 16th century manuscript illustration held by the Cabinet des Estampes, Bibliotheque Nationale, Paris
Grand costume of a Supreme Commander of the French armies, 16th century (1849). Artist: A BissonGrand costume of a Supreme Commander of the French armies, 16th century (1849). A 19th century version based on an original manuscript illustration held in the collection of the Cabinet des Estampes
Commemoration of the second council of Nice, 9th-10th century (1849). A 19th century version based on an original 9th-10th manuscript illustration in the Monologue Grec
The costume worn by emperors during their coronations since the time of Charlemagne, 1579 (1846). Artist: A BissonThe costume worn by emperors during their coronations since the time of Charlemagne, 1579 (1849). A 19th century version based on an original manuscript illustration in Insignia Sacre Majistatis
Facade of the ancient church of the Abbey of Sainte-Genevieve, Paris, France, 1849Facade of the ancient church of the Abbey of Sainte-Genevieve, Paris, France, 1846. Founded by Clovis, the church was rebuilt from the 11th to the 13th century
Funeral in St Cesaire, 9th century (1849)Funeral in St Cesaire, 9th century, (1849). A 19th century version based on an original 9th century manuscript illustration found in the collection of the Bibliotheque Nationale de France, Paris
Baptism, 15th century (1849). Artist: A BissonBaptism, 15th century (1849). A 19th century version based on an original manuscript illustration in l Hostorie de la Belle Helene, in the collection of the Royal Library of Belgium
Religious procession, 1449-1456 (1849). Artist: A BissonReligious procession, 1449-1456 (1849). A 19th century version based on an original manuscript illustration in the book of common prayer of Jacques Juvenal the Ursins (1449-1456)
Pope Sylvester I (d335), 1849. Sylvester was pope between 314 and 335. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume III (Paris, 1849)
Pope Gregory IX (c1143-1241), 1849. Gregory was pope from 1227 to 1242. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume III (Paris, 1849)
Pope Innocent IV (1180-1254), 1849Pope Innocent IV (c1180/1190-1254), 1849. Innocent was Pope between 1243 and 1254. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume III (Paris, 1849)