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A Rivaud Collection (page 2)

Background imageA Rivaud Collection: Music concert, 13th century (1849). Artist: A Bisson

Music concert, 13th century (1849). Artist: A Bisson
Music concert, 13th century (1849). A 19th century version based on an original 13th century manuscript illustration held by the Bibliotheque Nationale, Paris

Background imageA Rivaud Collection: A violinist and two cellists, 16th century (1849). Artist: Jost Amman

A violinist and two cellists, 16th century (1849). Artist: Jost Amman
A violinist and two cellists, 16th century (1849). A 19th century version based on an original 16th century wood engraving

Background imageA Rivaud Collection: English trumpeters, 1375 (1849)

English trumpeters, 1375 (1849). A 19th century version based on an original 11th century manuscript illustration held by the British Museum, London

Background imageA Rivaud Collection: David playing the lyre, 10th century (1849)

David playing the lyre, 10th century (1849). A 19th century version based on an original 10th century manuscript illustration from the Abbey of St Germain des Pres

Background imageA Rivaud Collection: Double flute and nine-hole syrinx flute, 11th century (1849)

Double flute and nine-hole syrinx flute, 11th century (1849). A 19th century version based on an original 11th century manuscript illustration held by the Bibliotheque Nationale, Paris

Background imageA Rivaud Collection: Celestial concert, 15th century (1849). Artist: A Bisson

Celestial concert, 15th century (1849). Artist: A Bisson
Celestial concert, 15th century (1849). A 19th century version based on an original 15th century illustration on the front page of a 15th century breviary, held by the Royal Library, Brussels

Background imageA Rivaud Collection: The Sabbath in Vaudois, France, c13th century (1849)

The Sabbath in Vaudois, France, c13th century (1849)
The Sabbath in Vaudois, France, 13th century (1849). A 19th century version based on an original 13th century manuscript illustration held by the Bibliotheque Nationale, Paris

Background imageA Rivaud Collection: The Sabbath, 16th century (1849). Artist: A Bisson

The Sabbath, 16th century (1849). Artist: A Bisson
The Sabbath, 16th century (1849). A 19th century version based on an original manuscript illustration held by the Cabinet des Estampes, Bibliotheque Nationale, Paris

Background imageA Rivaud Collection: Costumes, 16th century (1849). Artist: Edward May

Costumes, 16th century (1849). Artist: Edward May
Costumes, 16th century (1849). Featured are a patrician (early 16th century), a man of quality (mid-16th century), a borgouise in festival clothes (late 16th century) and a squire (mid-16th century)

Background imageA Rivaud Collection: German costumes, 15th-16th century (1849). Artist: Edward May

German costumes, 15th-16th century (1849). Artist: Edward May
German costumes, 15th-16th century (1849). Featured are a chief magistrate of Cologne in his official garments (1572), an executioner of Cologne (16th century)

Background imageA Rivaud Collection: Swiss costumes, 15th-16th century (1849). Artist: Edward May

Swiss costumes, 15th-16th century (1849). Artist: Edward May
Swiss costumes, 15th-16th century (1849). Featured are a cook (first half of the 16th century), a doctor of Strasbourg (1572), a peasant (15th century) and a prostitute (16th century)

Background imageA Rivaud Collection: Women of Nuremberg, Germany, 16th century (1849). Artist: Edward May

Women of Nuremberg, Germany, 16th century (1849). Artist: Edward May
Women of Nuremberg, Germany, 16th century (1849). The women are wearing outfits for church (1500), the home (1500), the city (16th century) and the ball (1500)

Background imageA Rivaud Collection: Women and a man from the 15th and 16th centuries (1849). Artist: Thurwanger Freres

Women and a man from the 15th and 16th centuries (1849). Artist: Thurwanger Freres
Women and a man from the 15th and 16th centuries (1849). Featured are a common girl of 1560, a Gantois craftwoman of the 15th century

Background imageA Rivaud Collection: An English courtier of 1450 and an English gentleman of 1500 (1849). Artist: Edward May

An English courtier of 1450 and an English gentleman of 1500 (1849). Artist: Edward May
An English courtier of 1450 and an English gentleman of 1500 (1849). A 19th century version based on an original 1450 tapestry and a 1500 miniature from Roman de la Rose, held by the British Museum

Background imageA Rivaud Collection: English noblewomen, 15th-16th century (1849). Artist: Edward May

English noblewomen, 15th-16th century (1849). Artist: Edward May
English noblewomen, 15th-16th century (1849). A 19th century version based on original 15th-16th century manuscript illustrations

Background imageA Rivaud Collection: A noble French couple at the end of the 15th century (1849). Artist: Edward May

A noble French couple at the end of the 15th century (1849). Artist: Edward May
A noble French couple at the end of the 15th century (1849). A 19th century version based on an original 15th century tapestry in the church of St Paterne, Orleans, France

Background imageA Rivaud Collection: Mens hats of different classes of society, 13th-16th century (1849). Artist: Thurwanger Freres

Mens hats of different classes of society, 13th-16th century (1849). Artist: Thurwanger Freres
Mens hats of different classes of society, 13th-16th century (1849). A 19th century version based on original 13th-16th century manuscript illustrations

Background imageA Rivaud Collection: English hunter, gamekeeper and fisherman, 1435 (1849). Artist: Drouart

English hunter, gamekeeper and fisherman, 1435 (1849). Artist: Drouart
English hunter, gamekeeper and fisherman, 1435 (1849). A 19th century version based on an original 15th century manuscript illustration

Background imageA Rivaud Collection: French noblemen and women, a yeomen of the guard, and a gentleman, 15th century (1849)

French noblemen and women, a yeomen of the guard, and a gentleman, 15th century (1849)
French noblemen and women, a yeomen of the guard and a gentleman, 15th century (1849). The image of the yeoman comes from a tapestry in the Church of St Paterne a Orleans

Background imageA Rivaud Collection: Florentine plebeian and henchman, 14th century (1849)

Florentine plebeian and henchman, 14th century (1849)
Florentine plebeian and henchman, 16th century (1849). A 19th century version based on an original 14th century engraving

Background imageA Rivaud Collection: The Dance of Death, 15th century (1849)

The Dance of Death, 15th century (1849). Sections of the wall painting of Danse Macabre at Abbey Church of St-Robert in La Chaise-Dieu, France

Background imageA Rivaud Collection: Dukes of Bavaria, Germany, 16th century (1849). Artist: Franz Kellerhoven

Dukes of Bavaria, Germany, 16th century (1849). Artist: Franz Kellerhoven
Dukes of Bavaria, 16th century (1849). A 19th century version based on an original 16th century manuscript illustration held by the Bibliotheque Nationale, Paris

Background imageA Rivaud Collection: An English gatekeeper (1480) and domestic servant (1475), 15th century (1849)

An English gatekeeper (1480) and domestic servant (1475), 15th century (1849). Originally from a manuscript held by the British Museum

Background imageA Rivaud Collection: A German man of letters, 16th century (1849). Artist: Jost Amman

A German man of letters, 16th century (1849). Artist: Jost Amman
A German man of letters, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix

Background imageA Rivaud Collection: Italian doctors, 15th century (1849)

Italian doctors, 15th century (1849). A 19th century version based on an original 15th century manuscript illustration in Vie de St Catherine de Sienne, held by the Bibliotheque Nationale, Paris

Background imageA Rivaud Collection: Etienne de Poncher (1446-1524), Bishop of Paris, 16th century (1849)

Etienne de Poncher (1446-1524), Bishop of Paris, 16th century (1849). Original found in the collection of Mr Quedeville, Paris

Background imageA Rivaud Collection: St Louis (1274-1297), Bishop of Toulouse, 1849

St Louis (1274-1297), Bishop of Toulouse, 1849. Original found in the collection of Mr Quedeville, Paris. Reproduced here from Le Moyen Age et la Renaissance, by Paul Lacroix

Background imageA Rivaud Collection: Italian gardener and woodcutter, 15th century (1849)

Italian gardener and woodcutter, 15th century (1849). Originally from a contemporary manuscript. Reproduced here from Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Background imageA Rivaud Collection: Italian costumes of the 15th century (1849)

Italian costumes of the 15th century (1849). Notary and henchman. Originally from a contemporary manuscript. Reproduced here from Le Moyen Age et la Renaissance, by Paul Lacroix

Background imageA Rivaud Collection: Grand Swiss provost marshal, 15th century (1849)

Grand Swiss provost marshal, 15th century (1849). Originally from a painting in Danse des Morts, by Bale. Reproduced here from Le Moyen Age et la Renaissance, by Paul Lacroix

Background imageA Rivaud Collection: Costumes of the period of King Louis XII of France, 15th century (1849). Artist: Dumont

Costumes of the period of King Louis XII of France, 15th century (1849). Artist: Dumont
Costumes of the period of King Louis XII of France, 15th century (1849). A 19th century version based on an original 15th century manuscript illustration held by the Bibliotheque Nationale, Paris

Background imageA Rivaud Collection: Swiss courier, 15th century (1849)

Swiss courier, 15th century (1849). Originally from a statue on the Hotel de ville de Bale. Reproduced here from Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud

Background imageA Rivaud Collection: A young noble of the court of King Charles VIII of France, c15th century (1849)

A young noble of the court of King Charles VIII of France, c15th century (1849). A 19th century version based on an original 16th century manuscript illustration held by the Bibliotheque Nationale

Background imageA Rivaud Collection: Marie de Bourgogne, daughter of Charles le Temeraire, 16th century (1849)

Marie de Bourgogne, daughter of Charles le Temeraire, 16th century (1849). A 19th century version based on an original 16th century engraving held by the Cabinet des Estampes, Bibliotheque Nationale

Background imageA Rivaud Collection: Noble women and children, 14th century (1849)

Noble women and children, 14th century (1849). A 19th century version based on an original 14th century manuscript illustration in Merveilles du Monde, held by the Bibliotheque Nationale, Paris

Background imageA Rivaud Collection: A noblewoman, servant and member of the bourgeoisie, 14th century (1849)

A noblewoman, servant and member of the bourgeoisie, 14th century (1849). A 19th century version based on an original 14th century manuscript illustration in Merveilles du Monde

Background imageA Rivaud Collection: Clotaire I (497-560), King of the Franks, 1849

Clotaire I (497-560), King of the Franks, 1849
Clotaire I (497-560), King of the Franks, 1846. Originally from his tomb at the portal of the church of St Germain des Pres

Background imageA Rivaud Collection: King Charles V of France (1337-1380) and Joanna of Bourbon (1338-1378), 1849

King Charles V of France (1337-1380) and Joanna of Bourbon (1338-1378), 1849. Originally after their statues at the Church of Celestins, Paris

Background imageA Rivaud Collection: King Louis VII of France (1120-1180), 16th century (1849)

King Louis VII of France (1120-1180), 16th century (1849). A 19th century version based on an original 16th century manuscript illustration in the Rois de France, by du Tillet

Background imageA Rivaud Collection: Charles the Simple (879-929), 16th century (1849)

Charles the Simple (879-929), 16th century (1849). Also known as Charles III. A 19th century version based on an original 16th century manuscript illustration in the Rois de France, by du Tillet

Background imageA Rivaud Collection: Statue of Childebert, 13th century (1849)

Statue of Childebert, 13th century (1849). Originally from the refectory of the church of St Germain des Pres. Reproduced here from Le Moyen Age et la Renaissance, by Paul Lacroix

Background imageA Rivaud Collection: Childeberts tomb, 11th century (1849)

Childeberts tomb, 11th century (1849). Originally from his tomb at the church of St Germain des Pres. Reproduced here from Le Moyen Age et la Renaissance, by Paul Lacroix

Background imageA Rivaud Collection: Childeric II (c653-675), 12th century (1849)

Childeric II (c653-675), 12th century (1849). Originally from his tomb at the church of St Germain des Pres. Reproduced here from Le Moyen Age et la Renaissance, by Paul Lacroix

Background imageA Rivaud Collection: King Clotaire II (584-629) and Bertude (575-604), 12th century (1849)

King Clotaire II (584-629) and Bertude (575-604), 12th century (1849). A 19th century version based on images on their tombs in St Germain des Pres

Background imageA Rivaud Collection: North front of the Hotel des Ursins, Paris, c17th century (1849)

North front of the Hotel des Ursins, Paris, c17th century (1849). The hotel was built during the 14th century, restord in the 16th century and iwas destroyed some time after that

Background imageA Rivaud Collection: A bourgeoise, a peasant and a noble women, 14th century (1849). Artist: A Bisson

A bourgeoise, a peasant and a noble women, 14th century (1849). Artist: A Bisson
Bourgeoise, peasant and noble women, 14th century (1849). A 19th century version based on original painted windows in the church of Moulins, Bourbonnais, France

Background imageA Rivaud Collection: A young nobleman and of a member of the bourgeoisie, 14th century (1849)

A young nobleman and of a member of the bourgeoisie, 14th century (1849). A 19th century version based on an original painted window in the church of St Oen, Rouen, and from a window at Moulins

Background imageA Rivaud Collection: Barber, 16th century (1849). Artist: Jost Amman

Barber, 16th century (1849). Artist: Jost Amman
Barber, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud



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