mail_outline sales@mediastorehouse.com
Bookbinder, 16th century (1849). Artist: Jost AmmanBookbinder, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
Coppersmith, 16th century (1849). Artist: Jost AmmanCoppersmith, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
Spur maker, 16th century (1849). Artist: Jost AmmanSpur maker, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
Coin maker, 16th century (1849). Artist: Jost AmmanCoin maker, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
Goldbeater, 16th century (1849). Artist: Jost AmmanGoldbeater, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
Jean Jouvenel des Ursins his wife, Michelle de Vitry, praying, 14th or 15th century (1849)Jean Jouvenel des Ursins and his wife, Michelle de Vitry, praying, 14th or 15th century (1849). Jouvenel des Ursins (c1360-1431) was provost of the merchants of Paris
Miner, 16th century (1849). Artist: Jost AmmanMiner, 16th century (184). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
Dentist, 16th century (1849). Artist: Jost AmmanDentist, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
The bourgeoisie of Gand praying, 15th century (1846). A 19th century version based on an original 15th century stained glass window
Tailor, 16th century (1849). Artist: Jost AmmanTailor, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
Cobbler, 16th century (184). Artist: Jost AmmanCobbler, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
Wheelwright, 16th century (1849). Artist: Jost AmmanWheelwright, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
Cooper, 16th century (1849). Artist: Jost AmmanCooper, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
Carpenters, 16th century (1849). Artist: Jost AmmanCarpenters, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
Inside the physicians house, 15th century (1849). Artist: A BissonInside the physicians house, 15th century (1849). A 19th century version based on an original 15th century manuscript illustration in Othea, held by the Royal Library, Brussels
Dyer, 16th century (1849). Artist: Jost AmmanDyer, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
Bell and cannon caster, 16th century (1849). Artist: Jost AmmanBell and cannon caster, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix
Armourer, 16th century (1849). Artist: Jost AmmanArmourer, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
The new-born child, 15th century (1849). Artist: A BissonThe new-born child, 15th century (1849). A 19th century version based on an original 15th century manuscript illustration in the Histoire de la Belle Helaine, held by the Royal Library, Brussels
Philip the Good (1396-1467), Duke of Burgundy, 15th century (1849). A 19th century version based on an original 15th century manuscript illustration held by the Bibliotheque Nationale, Paris
Louis de Mallet, Lord of Graville and Admiral of France, 16th century (1849). Seen here in a war and tournament costume. A 19th century version based on an original 16th century engraving in
A knight and a lady, 15th century (1849). Artist: A BissonA knight and a lady, 15th century (1849). Private quarters in a chateau in the Court of Burgundy, France. A 19th century version based on an original 15th century manuscript illustration in Othea
Leonardo da Vinci (1452-1519), 16th century (1849). Da Vinvi was an Italian artist, engineer, scientist and inventor whose drawings featured ideas such as a spinning wheel and a flying machine
Chateau de Marcoussis, Paris, France, 17th century (1849)Chateau de Marcoussis, Paris, France, 17th century (1846). A 19th century version based on an original 17th century manuscript illustration held by the Cabinet des Estampes, Bibliotheque Nationale
Equestrian statue of King Philip le Bel, 1575 (1849)Statue of King Philip le Bel, 1575 (1849). Wooden equestrian statue placed in Notre Dame Cathedral, Paris, 1328, destroyed in 1772
Costumes of the Bourgeoisie, 13th century (1849). A 19th century version based on an original 13th century manuscript illustration (ms. no 6820), held by the Bibliotheque Nationale, Paris
Playing chess, 13th century (1849). A 19th century version based on an original 13th century manuscript illustration (ms. no 7266), held by the Bibliotheque Nationale, Paris
A royal banquet, 13th century (1849). A 19th century version based on an original 13th century manuscript illustration in l Histoire de St Graal (ms. no 6769), held by Bibliotheque Nationale, Paris
A knight and a maiden, 13th century (1849). A 19th century version based on an original 13th century manuscript illustration in Psautier Latin (ms. no 175), held by the Bibliotheque Nationale, Paris
Nobelwomen, 9th century (1849). A 19th century version based on an original 9th century manuscript illustration in the bible of Charles le Chauve, held by the Bibliotheque Nationale, Paris
Statue of Charlemagne (712-814), St Julien le Pauvre, Paris, 11th-12th century (1849). A 19th century version based on an original 11th or 12th century manuscript illustration
The Chair of Dagobert, 7th century, (1849). Made of gilt bronze, this was originally a folding chair. A 19th century version based on an original manuscript illustration held by the Bibliotheque
The Palace of Treves, France, c17th century (1849). From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume III (Paris, 1849)
Arquebusier, 16th century (1849). Artist: Jost AmmanArquebusier, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
Wire worker, 16th century (1849). Artist: Jost AmmanWire worker, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
Sword maker, 16th century (1849). Artist: Jost AmmanSword maker, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
Fisherman, 16th century (1849). Artist: Jost AmmanFisherman, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
Physician, 16th century (1849). Artist: Jost AmmanPhysician, 16th century, (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
Painter, 16th century (1849). Artist: Jost AmmanPainter, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
Painter of popular pictures, 16th century (1849). Artist: Jost AmmanPainter of popular pictures, 16th century (1849). A 19th century version based on an original 16th century wood engraving
Illuminator, 16th century (1849). Artist: Jost AmmanIlluminator, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
Wood engraver, 16th century (1849). Artist: Jost AmmanWood engraver, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
Draughtsman, 16th century (1849). Artist: Jost AmmanDraughtsman, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
Paper maker, 16th century, (1849). Artist: Jost AmmanPaper-maker, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
Hatter, 16th century (1849). Artist: Jost AmmanHatter, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
Clockmaker, 16th century (1849). Artist: Jost AmmanClockmaker, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
Weaver, 16th century (1849). Artist: Jost AmmanWeaver, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
The manufacture of oil, 16th century (1849). Artist: Jost AmmanThe manufacture of oil, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix