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Scrolling Floral Vines, 1755. Creator: Fayzullah (Indian, active c. 1730-1765)Scrolling Floral Vines, 1755
Women Enjoying the River at the Forests Edge, c. 1765. Creator: Hunhar II (IndianWomen Enjoying the River at the Forests Edge, c. 1765. The image of young women at play, in association with water and the fruiting of trees, such as this mango
Judge (Qazi) of Hamadan in a Drunken State, a scene from the Gulistan of Sa di, about 1550
Chained Prisoners are Brought Before a King, a scene from the Gulistan of Sa di, c. 1550
Yaja and Upayaja perform a sacrifice for the emergence of Dhrishtadyumna from the fire, from Adi-parva (volume one) of the Razm-nama (Book of Wars)
Todi Ragini, from a Ragamala Series, c. 1750-1775. Creator: UnknownTodi Ragini, from a Ragamala Series, c. 1750-1775. In the ragamala system, male ragas are married to female raginis. Todi Ragini is a " wife" of Hindola Raga
Stenciled Scenes of Lion and Gazelle (verso), c. 1710. Creator: UnknownA Princess and Demons before a Nobleman: A Leaf from a Poetical Romance Relating to Shah Alam I (recto); Stenciled Scenes of Lion and Gazelle (verso), c. 1710
Radha and Krishna meet in the forest during a storm, c. 1770. Creator: UnknownRadha and Krishna meet in the forest during a storm, c. 1770. This painting depicts the Hindu deity Krishna as a youth among the villagers of the cowherding community where he grew up
Portrait of Suraj Singh Rathor, Raja of Marwar and Maternal Uncle of Shah Jahan: A Page from the Prince Khurram Album, c. 1600
Mahliqa, Daughter of the Emperor of China, Pointing at the Bird-Man Khwaja Mubarak: A Leaf from a Poetical Romance Relating to Shah Alam I (verso); Stenciled Scenes of Lion and Gazelle (verso), c
Court lady pouring wine, c. 1760. Creator: Muhammad Rizavi Hindi (Indian, active mid-1700s)Court lady pouring wine, c. 1760. The artist has depicted a glass or crystal duck-headed decanter adorned with a gilded grapevine motif, signaling the contents
Flowering Marigold, c. 1765. Creator: Hunhar II (Indian, active mid-1700s), style ofFlowering Marigold, c. 1765. Trade with the Portuguese, which flourished through the 1500s to 1600s, brought many new plants to India from their territories in South America
A Night Scene of Shiva Puja, c. 1760-70. Creator: Muhammad Rizavi Hindi (Indian, active mid-1700s)A Night Scene of Shiva Puja, c. 1760-70. Hindu women had been prominent members of Mughal harems since the time of Akbar, whose chief queen was a Hindu princess from the kingdom of Amber
A Mughal courtier, c. 1575; border added probably 1700s. Creator: UnknownA Mughal courtier, c. 1575; border added probably 1700s
A Mughal Prince, Perhaps Danyal, Holding a Sprig of Flowers, c. 1580-1590. Creator: UnknownA Mughal Prince, Perhaps Danyal, Holding a Sprig of Flowers, c. 1580-1590
A princess with attendants on a terrace, c. 1720-1730. Creator: UnknownA princess with attendants on a terrace, c. 1720-1730
A Princess on a Terrace with Attendants at Night, c. 1760. Creator: UnknownA Princess on a Terrace with Attendants at Night, c. 1760. Before a terrace pavilion in the womens quarters of a palace, a royal woman stretches to show off her figure in accordance with age-old
A princess on a terrace with attendants at night (recto); Calligraphy (verso), c. 1760. Before a terrace pavilion in the womens quarters of a palace
A Princess and Demons before a Nobleman: A Leaf from a Poetical Romance…, cA Princess and Demons before a Nobleman: A Leaf from a Poetical Romance Relating to Shah Alam I, c. 1710
The Dream of Zuleykha, c. 1770. Creator: UnknownThe Dream of Zuleykha, c. 1770
The dream of Zulaykha, from the Amber Album, c. 1670. Creator: UnknownThe dream of Zulaykha, from the Amber Album, c. 1670. In Islamic texts, as in the Hebrew and Christian Old Testament traditions, Zulaykha is the unnamed wife of Potiphar, a wealthy Egyptian
A prince conversing with a woman while taking refreshments on a terrace, c. 1710-1720. A princess pours liquor from a golden bottle into a tiny cup for a prince visiting the womens quarters in a
A Man Dips His Hand into a Cauldron as Ladies of the Harem Stand in Amazement... cA Man Dips His Hand into a Cauldron as Ladies of the Harem Stand in Amazement: A Page from a Manuscript of Religious History, c. 1600
A House Burgled at Night, c. 1700. Creator: UnknownA House Burgled at Night, c. 1700. In this night scene a band of robbers have climbed over the walls of a Mughal house and, from a courtyard
Lovers parting, page from a book of fables, c. 1590-95. Creator: UnknownLovers parting, page from a book of fables, c. 1590-95. The lovers have met in a remote wilderness location, away from the city shown in the distance
Lovers and beloveds: A composite of scenes from Persian, Urdu, and Sanskrit literature, c. 1735. The figure of Joseph, identified by his halo
Portrait of a kneeling holy man, from the Prince Salim Album, c. 1556-60; border c. 1602. One of the few surviving works that appear to have been made by an artist brought from Iran by Akbars father
Jesus among the doctors in the Temple, c. 1760. Creator: Mir Kalan Khan (Indian, cJesus among the doctors in the Temple, c. 1760
Akbar and Jahangir Examine a Ghir Falcon while Prince Khusrau Stands Behind, c. 1602-1604. Emperor Akbar sits against a purple bolster under a canopy looking aged and careworn
A dancing dervish and three musicians…(Persian, 1555-1591), 1637. Creator: UnknownA dancing dervish and three musicians, from a Divan (Collected Poems) of Urfi (Persian, 1555-1591), 1637
A blindfolded suitor is brought before a princess; verso: scrolling floral vines, 1755. In a scene set on a carpeted terrace in the womens palace quarters
A female figure standing in a landscape holding a four-stringed khuuchir and a lotusA female figure standing in a landscape holding a four-stringed " khuuchir" and a lotus, c. 1590