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Mending the Lesson, 1873. Artist: Joseph SwainMending the Lesson, 1873. A skinny Britannia tells John Bull to beware of handing out too much charity to the needy. This relates to the serious famine blighting the lives of the inhabitants of
The School (Board) Match, 1873. Artist: Joseph SwainThe School (Board) Match, 1873. Various nonconformist factions are involved in the School (Board) Match being umpired by Mr William Forster
Conscience makes Cowards!, 1873. Artist: Joseph SwainConscience makes Cowards!, 1873. Mr Punch confronts a railway director. The director is emphatic that he would not imperil the lives of his wife
Between Two Terrors, 1873. Artist: Joseph SwainBetween Two Terrors, 1873. (White and Red). Louis Adolphe Thiers, the first President of the Third Republic, is being embraced by a pleading France
Souvenir de Folkestone (Arrival of the Boulogne Boat), 1873. Artist: Joseph SwainSouvenir de Folkestone (Arrival of the Boulogne Boat), 1873. The boat from Boulogne brings French citizens escaping from the troubles of France. From Punch, or the London Charivari, October 11, 1873
A Friend in Need, 1873. Artist: Joseph SwainA Friend in Need, 1873. Mr Gladstone is seen here with John Bright. In the background, an African man, dressed in skins and feathers is nonetheless armed with a very modern rifle
Au Revoir, 1873. Artist: Joseph SwainAu Revoir, 1873. Germany, carrying a bag stuffed with cash, says farewell to France. A defiant France insists it is not farewell, just au revoir
Self and Partner, 1873. Artist: Joseph SwainSelf and Partner, 1873. Mr Gladstone, Liberal Prime Minister, shakes hands warmly with Mr Gladstone, Chancellor of the Exchequer
Pilgrims and Pilgrims, 1873. Artist: Joseph SwainPilgrims and Pilgrims, 1873. A nattily dressed modern pilgrim casually lights a cigar as he talks about the perils of pilgrimage with the Ancient Pilgrim, dressed in the clothes of the past
The Old, Old Tune, 1873. Artist: Joseph SwainThe Old, Old Tune, 1873. Prince Alfred serenades his bride to be. Her Russian ancestry is illustrated in the two bears on the crest beneath her windowsill
The Liberation Society, 1873. Artist: Joseph SwainThe Liberation Society, 1873. The Archbishops of York and Canterbury carry a scroll entitled Auricular Confession. Behind them, Edward Miall thanks them for their support
Persia Won!, 1873. Artist: Joseph SwainPersia Won!, 1873. Britannia says farewell to the Shah of Persia (now Iran) after his successful visit to Britain. It was believed that whilst good relations were maintained with Persia
Will He Clear It?, 1873. Artist: Joseph SwainWill He Clear It?, 1873. The horse being ridden by Liberal Prime Minister, Mr Gladstone, approaches the stone wall entitled Irish Education
Feline Friends; or, The British Lion and the Persian Chat!, 1873. Artist: Joseph SwainFeline Friends; or, The British Lion and the Persian Chat!, 1873. The Russian Bear is shackled in the background as the Persian Pussycat cuddles up to the great British Lion
The Ugly Duckling, 1873. Artist: Joseph SwainThe Ugly Duckling, 1873. Britannia and Neptune watch one of the new iron-clad ships Devastation leave port. Such ships were armed with giant guns
The Great Self-Taxed, 1873. Artist: Joseph SwainThe Great Self-Taxed, 1873. The Liberal Chancellor of the Exchequer, Robert Lowe, makes off with a sack labelled Surplus £ 5, 000, 000
Punchs Essence of Parliament, 1873. Mr Gladstone, the Liberal Prime Minister, runs on the everlasting wheel of the Houses of Parliament, watched by a gleeful squirrel
Come a Cropper!, 1873. Artist: Joseph SwainCome a Cropper!, 1873. Mr Gladstone, the Liberal Prime Minister, stands beside his fallen steed, as a bunch of assorted Irish priests and peasants shuffle off
The Coffin-Ships, 1873. Artist: Joseph SwainThe Coffin-Ships, 1873. Jack Tar is embraced by his lover as he prepares to board his ship. This relates to recent agitation on the part of Samuel Plimsoll for a Royal Commission into the condition
The Hampton Hydra, 1873. Artist: Joseph SwainThe Hampton Hydra, 1873. Lord Salisbury faces up to the Hampton Hydra. From Punch, or the London Charivari, March 8, 1873
The True Hidalgo, 1873. Artist: Joseph SwainThe True Hidalgo, 1873. King Amadeus remarks to the crowd A Gentleman, and a Son of Savoy, will not Reign on Sufferance! King Amadeus of Spain is seen throwing his crown to the mob
A Rank Deception, 1873. Artist: Major HG RobleyA Rank Deception, 1873. Britains troops are on manoeuvres. Private Leary warns Private Smithers that if the officer hears him say he has lost half a stone through marching
Khi-Va La?, 1873. Artist: John TennielKhi-Va La?, 1873. Earl Granville, the Liberal Foreign Secretary in Mr Gladstones government since 1870, stands guard at Indias northern border
Little Gulliver, 1873. Artist: Joseph SwainLittle Gulliver, 1873. Gulliver exclaims Make your Game, my Little Men! It Amuses you, and it won t Hinder me In the guise of Gulliver, this shows the first president of Frances Third Republic
Mrs Taffys Elixir, 1873. Artist: Joseph SwainMrs Taffys Elixir, 1873. The Union representative in the centre is told that, had the workers had a vote, they would not have voted to strike
Sweet Girl-Graduates... Afternoon Tea Versus Wine, 1872. Artist: Joseph SwainSweet Girl-Graduates... Afternoon Tea Versus Wine, 1872. The ladies, all of whom look very studious, drink tea, whilst the men would prefer a beer. A man leaning on the piano stares into space
A Sop to Cerberus, 1872. Artist: Joseph SwainA Sop to Cerberus, 1872. This cartoon shows Louis Adolphe Thiers, the first president of the Third Republic, and Leon Gambetta, the deputy for Marseilles
My Old Friend Homer, 1872. Artist: Joseph SwainMy Old Friend Homer, 1872. Mr Gladstone, the Liberal Prime Minister, was known to read Homer regularly, and here, the ghost of the great man has come to ask Gladstone how he could allow his authority
Christmas Bills, 1872. A husband and wife take very different views of the benefits of striking. There had been many strikes in London, and throughout England, during 1872
Pro Ar(e)is Et Focis, 1872. Artist: Joseph SwainPro Ar(e)is Et Focis, 1872. A disgusted housemaid shuts the gate to the basement kitchen to the local bobby. There had been a rash of strikes during the year including bakers and carpenters
A Brave Lady, 1872. Voting at the local elections had been open to women rate-payers since 1869. Punch here takes a sardonic look at the ability of women to cast a thoughtful and considered vote
The Return of Ulysses, 1872. Americas Republican President, Ulysses Grant, was re-elected in 1872 and stands proudly by Columbias side
Humble Pie, 1872. Artist: Joseph SwainHumble Pie, 1872. Mr Bull, the representative of the British people, is presented with a second humble pie by Mr Gladstone in his waiters outfit
Pity the Poor Garotters!, 1872. A ruffian is howling even before the first blow. Watching is John Bull and assorted policemen. This relates to a new wave of garrotting
Likes His Moneys Worth, 1872. The discomforts of the night trains are highlighted in this cartoon. Bunks were not provided in second class and passengers had to find their comfort where they might
Strike Home!, 1872. Artist: Joseph SwainStrike Home!, 1872. The baker is on strike and the British worker wonders where he will get his dinner from. This relates to the strike amongst bakers which followed hard on the heels of
Muddleby Junction, 1872. Artist: Joseph SwainMuddleby Junction, 1872. A signalman wonders what train should be running on which line, and what order all the trains will come through
The Loving Cup, 1872. Artist: Joseph SwainThe Loving Cup, 1872. Mr Bull shares a Loving Cup with Colombia. This cartoon relates to the ongoing Alabama dispute, brewing since the end of the American Civil War
The Coming Race, 1872. This cartoon shows one of the new female doctors asking for assistance from a manly and upright male surgeon
Education, 1872. The Squire is told why his farmworkers child has been withdrawn from school. Whilst much had been done to promote the value of educating children
Jeddo and Belfast; or, a Puzzle for Japan, 1872. Artist: Joseph SwainJeddo and Belfast; or, a Puzzle for Japan, 1872. The Archbishop of Canterbury greets the Japanese Ambassador. The Ambassador
Defiant Definition, 1872. This cartoon illustrates a common difference of opinion on what exactly represents enough. From Punch, or the London Charivari, August 17, 1872
A Good Beginning 1872. Artist: Joseph SwainA Good Beginning.. 1872. The new Ballot Bill had recently been passed into law and here Britannia drops a slight curtsey to the lanky figure of the Ballot. The man to the left is Hugh Childers
Injured Innocence, 1872. Artist: Joseph SwainInjured Innocence, 1872. Germany reels at the headline in the newspaper confirming the amount of money that France has raised to pay off her war indemnity
Adolphe the Alchemist, 1872. Artist: Joseph SwainAdolphe the Alchemist, 1872. France kneels next to the alchemist, who is producing cash from his brew. Adolphe is Louis Adolphe Thiers, the first President of the Third Republic
Prosperous John, 1872. Artist: Joseph SwainProsperous John, 1872. John Bull is the representative of the British people and the people are being raided of their earnings through income tax. He also represents the national purse
That Ballot-Boy Again!, 1872. Artist: Joseph SwainThat Ballot-Boy Again!, 1872. The Ballot Bill stands up to the House of Lords. This relates to the Ballot Bills passage through the Lords in June 1872. Two amendments had been made
Just Hint a Fault, 1872. Punch takes a regular look at the absurd world of ladies fashions. From Punch, or the London Charivari, July 13, 1872