Wiltshire Collection (page 3)

A lecture on instrument flying at the Central Flying School at Upavon, Wiltshire, c1936 (c1937)
A lecture on instrument flying in progress at the Central Flying School at Upavon, Wiltshire, c1936 (c1937). The diagrams on the board represent turn indicators. From Wonders of World Aviation, Vol

Salisbury Cathedral, c1823. Artist: John Constable
Salisbury Cathedral, c1823. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Salisbury Cathedral and Leadenhall from the River Avon, 1820. Artist: John Constable
Salisbury Cathedral and Leadenhall from the River Avon, 1820. Painting held at The National Gallery, London. From The Studio Volume 113. [London Offices of the Studio, London, 1937]

Stonehenge, Wilts, 1776. Artist: Godfrey
Stonehenge, Wilts, 1776. [S. Hooper, 1776]

Council House, Salisbury, 1786. Artist: James Newton
Council House, Salisbury, 1786. [S. Hooper, London]

The Dinton Hermit, c19th century. John Bigg, the Dinton Hermit. A notable resident of Dinton in Buckinghamshire in the 17th century was John Bigg who lived in a cave in the village

Philipps House, Dinton, Wiltshire, c1930s. Philipps House (until 1916 Dinton House) is an early 19th century Neo-Grecian country house designed by Sir Jeffry Wyatville for William Wyndham (1769-1841)

Conkwell Grange, Wilts. E. Guy Dawber, Architect, c1907. Artist: Edward Guy Dawber
Conkwell Grange, Wilts. E. Guy Dawber, Architect, c1907. The design for Conkwell Grange, Wiltshire by Sir Edward Guy Dawber (1861-1938)

Drawn at Salisbury, c1800. Artist: George Scharf
Drawn at Salisbury, c1800. From The Connoisseur Volume LXXXIII, edited by C. Reginald Grundy. [The Connoisseur Ltd, London, 1929]

The circular dining-room, Longford Castle, Wiltshire, 1915. Plate XLIX from Old English Mansions by Charles Holme [The Studio Ltd, London & New York, 1915]

Hamptworth Lodge, Wiltshire, c1910. Artist: Edward Guy Dawber
Hamptworth Lodge, Wiltshire, c1910. Hamptworth Lodge is an Edwardian house built by Sir Guy Dawber between 1910-1914 in brick and timber in the Elizabethan/Jacobean styles

Salisbury Cathedral, c1829. (1911). Artist: John Constable
Salisbury Cathedral, c1829. Painting held at the Tate, London. From A History of Painting Volume VIII by Haldane MacFall [T. C. and E. C. Jack, Lodon & Edinburgh, 1911.]

Scene of the Terrible Railway Disaster at Salisbury, 1906. The Salisbury rail crash of 1 July 1906, occurred when a London

The Devonport Mail Near Amesbury, 1907. Artist: William Havell
The Devonport Mail Near Amesbury: Going Post through an Avalanche of Snow. Engraving by Robert Havell after a drawing by Henry Thomas Alken (1785-1851). From The Connoisseur 1907-8

Salisbury Cathedral, Wiltshire, c1870. Artist: WL Walton
Salisbury Cathedral, Wiltshire, c1870. The majority of Salisbury Cathedral was built between 1220 and 1266. At 404 feet in height, the spire, which was completed in 1320, is the tallest in Britain

Charlton House, Wiltshire, 1808. Artist:s Sparrow
Charlton House, Wiltshire, 1808. The seat of the Earl of Suffolk

Mahogany and gilt Georgian suite, Longford Castle, Wiltshire, 1911-1912. Artist: Edwin Foley
Mahogany and gilt Georgian suite, Longford Castle, Wiltshire, 1911-1912. A print from The Book of Decorative Furniture its Form, Colour and History, Volume II by Edwin Foley, TC and EC Jack Ltd

Bowood House, Wiltshire, 1811. Artist: J Storer
Bowood House, Wiltshire, 1811. Originally built in the 1720s, the house has interiors designed by Robert Adam and stands in what is regarded as one of Capability Browns finest parks

Shovelboard table in the hall of Littlecote, 1910. Artist: Edwin Foley
Shovelboard table in the hall of Littlecote, 1910. A print from The Book of Decorative Furniture, Volume I, TC and EC Jack Limited, 35 Paternoster Row, and Edinburgh, 1910

Salisbury Cathedral, from the South West, 1895. A print from The Magazine of Art, Cassell and Company, Limited, London, Paris and Melbourne, 1895

Longleat, home of the Marquess of Bath, Wiltshire, c1880. Designed by Robert Smythson, Longleat is regarded as one of the finest Elizabethan country houses in England

Wilton House, Wiltshire, home of the Earl of Pembroke and Montgomery, c1880. A print from A Series of Picturesque Views of Seats of the Noblemen and Gentlemen of Great Britain and Ireland

Corsham Court, Wiltshire, home of Lord Methuen, c1880. The manor of Corsham Court was in royal hands supposedly from the days of Ethelred the Unready until the reign of Elizabeth I

Trafalgar House, Wiltshire, home of Earl Nelson, c1880. The house, previously known as Standlynch House, was purchased in 1814 with £ 90

Bradford on Avon, Wiltshire, 19th century. Artist: E Francis
Bradford on Avon, Wiltshire, 19th century. View showing the Town Bridge over the River Avon, with its domed lock-up, which was formerly a chapel

Salisbury Cathedral, Wiltshire, 1924-1926. Artist: George F Nicholls
Salisbury Cathedral, Wiltshire, 1924-1926. A print from Hutchinsons Britain Beautiful, edited by Walter Hutchinson, Volume 4, 1924-1926

Sheep on the way to the Wilton Sheep Fair, Wilton, Wiltshire, 1924-1926. Artist: Charles E Brown
Sheep on the way to the Wilton Sheep Fair, Wilton, Wiltshire, 1924-1926. A print from Hutchinsons Britain Beautiful, edited by Walter Hutchinson, volume I, 1924-1926

Salisbury Cathedral, 1911-1912. Artist: FGO Stuart
Salisbury Cathedral, 1911-1912. From Penroses Pictorial Annual 1911-1912, The Process Year Book, volume 17, edited by William Gamble and published by AW Penrose (London, 1911-1912)

Lifting of an impost at Stonehenge, 1901, (c1920). Restoration of the ancient monument. The Stonehenge complex on Salisbury Plain in Wiltshire evolved in a series of stages between about 3100

Stonehenge, (c1920). A reconstruction of the stone circle as it looked up to 5, 000 years ago when it was built, and a view in modern times showing how the stones have fallen over time

Stonehenge after restoration, c1920. The Stonehenge complex on Salisbury Plain in Wiltshire evolved in a series of stages between about 3100 and 1600 BC

Salisbury Cathedral as seen from the River Avon, Salisbury, Wiltshire, early 20th century

John Halle Hall, Salisbury, Wiltshire, early 20th century. Artist: Francis Frith & Co
John Halle Hall, Salisbury, Wiltshire, early 20th century

North west view of Salisbury Cathedral, 1843. Artist: J Jackson
North west view of Salisbury Cathedral, 1843. An engraving from The Art-Union Scrap Book, Henry G Bohn, London, 1843

A letter from Addison, and a view of his birthplace, late 17th-early 18th century, (1840). Artist: Joseph Addison
A letter from Addison, and a view of his birthplace at Milston, Wiltshire, late 17th-early 18th century, (1840). A letter from Joseph Addison (1672-1719), respecting a passage in the work of Statius

Bowood Park, Wiltshire, home of the Marquess of Lansdowne, c1880. Originally built in the 1720s, the house has interiors designed by Robert Adam

Stonehenge, 1786. Artist: William Byrne
Stonehenge, 1786

State dining room, Longleat, 20th century

Monuments lately discovered on Salisbury Plain, 1782. The Prince Regent is attracted to the Marchioness of Salisbury. Illustration from Social Caricature in the Eighteenth Century

Stonehenge, Wiltshire, c1920s. The Stonehenge complex on Salisbury Plain evolved in a series of stages between about 3100 and 1600 BC

Meeting of agricultural Labourers at Wootton Bassett, Wiltshire, c19th century, (1900). Illustration from the book, The life and times of Queen Victoria, by Robert Wilson, (1900.)

Salisbury Cathedral, Wiltshire, England, 19th century. The spire of the cathedral seen from the River Avon

Salisbury Cathedral from Lower Marsh Close, 1820. Artist: John Constable
Salisbury Cathedral from Lower Marsh Close, 1820. From the collection of the National Gallery of Art, Washington DC, USA

Stonehenge, c1835. Artist: John Constable
Stonehenge, c1835. The Neolithic stone circle on Salisbury Plain is thought to have been used to observe the motions of the moon and sun, and was built about 2, 000 BC

Romano-British rendering of Roman God Mars, 3rd century
Roman period. Romano-British rendering of Roman God Mars, 3rd century. Bronze Statuette from cSouthbroom, Wiltshire. British Museum

Dawn at Stonehenge, Wiltshire, c20th century. Artist: CM Dixon
Dawn at Stonehenge, Wiltshire; with frost on grass. Sunrise at midsummer solstice

Sunrise on Megalithic Circle, Avebury, Wiltshire, 20th century. Artist: CM Dixon
Sunrise on Megalithic Circle, Avebury, Wiltshire, 20th century. Neolithic henge monument containing three stone circles, one of the best known prehistoric sites in Britain

Lacock Abbey, Wiltshire, 20th century. Artist: CM Dixon
Lacock Abbey, Wiltshire, 20th century. Founded in the early 13th century by Ela, Countess of Salisbury, as a nunnery of the Augustinian order, the Abbey served as a residence for the nobility

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