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William Collection (page 16)

Background imageWilliam Collection: The Sanctuary, Lansdown Tower, 1845. Creator: Unknown

The Sanctuary, Lansdown Tower, 1845. Creator: Unknown
The Sanctuary, Lansdown Tower, 1845. Interior of an architectural folly built for British art collector William Beckford near Bath, Somerset. It was designed by Henry Goodridge

Background imageWilliam Collection: Lansdown Tower and garden, 1845. Creator: Smyth

Lansdown Tower and garden, 1845. Creator: Smyth
Lansdown Tower and garden, 1845. View of the tower of an architectural folly built for British art collector William Beckford near Bath, Somerset. It was designed by Henry Goodridge

Background imageWilliam Collection: The Etruscan Library, 1845. Creator: Unknown

The Etruscan Library, 1845. Creator: Unknown
The Etruscan Library, 1845. Interior of Lansdown Tower, an architectural folly built for British art collector William Beckford near Bath, Somerset

Background imageWilliam Collection: St. Pauls Church, New Zealand, 1845. Creator: Unknown

St. Pauls Church, New Zealand, 1845. Creator: Unknown
St. Pauls Church, New Zealand, 1845. The foundation stone of the Metropolitan Church of St. Paul, Auckland, was laid by his Excellency Governor Hobson, on the 28th July, 1841

Background imageWilliam Collection: Bringing in Christmas - drawn by William Harvey, 1845. Creator: George Dalziel

Bringing in Christmas - drawn by William Harvey, 1845. Creator: George Dalziel
Bringing in Christmas - drawn by William Harvey, 1845. Children stagger under an enormous bowl of punch as a cheery figure (the Spirit of Chrismas? Santa Claus?) is carried in on mens shoulders

Background imageWilliam Collection: Rare Chinese coffee-pot, 1845. Creator: John Wykeham Archer

Rare Chinese coffee-pot, 1845. Creator: John Wykeham Archer
Rare Chinese coffee-pot, 1845. Item from the collection of British critic, travel writer and slaveowner William Beckford, who was also an art collector and patron of works of decorative art

Background imageWilliam Collection: Rare Venetian glass, 1845. Creator: John Wykeham Archer

Rare Venetian glass, 1845. Creator: John Wykeham Archer
Rare Venetian glass, 1845. Item from the collection of British critic, travel writer and slaveowner William Beckford, who was also an art collector and patron of works of decorative art

Background imageWilliam Collection: Rare old India China stork, 1845. Creator: Unknown

Rare old India China stork, 1845. Creator: Unknown
Rare old India China stork, 1845. Item from the collection of British critic, travel writer and slaveowner William Beckford, who was also an art collector and patron of works of decorative art

Background imageWilliam Collection: Statue of St. Antony, of Padua - by Rossi, 1845. Creator: Unknown

Statue of St. Antony, of Padua - by Rossi, 1845. Creator: Unknown
Statue of St. Antony, of Padua - by Rossi, 1845. Item from the collection of British critic, travel writer and slaveowner William Beckford

Background imageWilliam Collection: Staircase and Tazza, Lansdown Tower, 1845. Creator: Unknown

Staircase and Tazza, Lansdown Tower, 1845. Creator: Unknown
Staircase and Tazza, Lansdown Tower, 1845. Interior of an architectural folly built for British art collector William Beckford near Bath, Somerset. It was designed by Henry Goodridge

Background imageWilliam Collection: Interior of the Lantern, Lansdown Tower, 1845. Creator: Unknown

Interior of the Lantern, Lansdown Tower, 1845. Creator: Unknown
Interior of the Lantern, Lansdown Tower, 1845. Interior of an architectural folly built for British art collector William Beckford near Bath, Somerset. It was designed by Henry Goodridge

Background imageWilliam Collection: Shakspeares Jug, 1844. Creator: Unknown

Shakspeares Jug, 1844. Creator: Unknown
Shakspeares Jug, 1844. An accredited relic of Shakespeare. The accompanying details are from a handbill, printed by Mr, Bennett, of Tewkesbury: " This Jug is of cream-coloured earthenware

Background imageWilliam Collection: William Etty, 1845. Creator: Unknown

William Etty, 1845. Creator: Unknown
William Etty, 1845. Portrait of British painter William Etty, ...a great artist - an honour to the English school, and one who will live hereafter

Background imageWilliam Collection: The Whistonian Controversy, from the picture by Mulready R. A

The Whistonian Controversy, from the picture by Mulready R. A
The Whistonian Controversy, from the picture by Mulready R.A. in the Exhibition of the Royal Academy, 1844. Illustration after a painting by William Mulready

Background imageWilliam Collection: William Mulready, 1845. Creator: Unknown

William Mulready, 1845. Creator: Unknown
William Mulready, 1845. Portrait of British artist William Mulready, who...was never a very regular or a very industrious workman

Background imageWilliam Collection: Mr. Farren, as 'Sir Simon Sage', 1845. Creator: Unknown

Mr. Farren, as "Sir Simon Sage", 1845. Creator: Unknown
Mr. Farren, as " Sir Simon Sage", 1845. British actor William Farren in " The Maiden Aunt" by Richard Brinsley Knowles, at the Haymarket Theatre in London

Background imageWilliam Collection: Lansdown Tower - the Scarlet Drawing-Room, 1845. Creator: Unknown

Lansdown Tower - the Scarlet Drawing-Room, 1845. Creator: Unknown
Lansdown Tower - the Scarlet Drawing-Room, 1845. Interior of an architectural folly built for British art collector William Beckford near Bath, Somerset. It was designed by Henry Goodridge

Background imageWilliam Collection: The late Sir William Follett M. P. 1845. Creator: Unknown

The late Sir William Follett M. P. 1845. Creator: Unknown
The late Sir William Follett M.P. 1845. Portrait of British lawyer and politician William Webb Follett, Attorney-General. Sir W

Background imageWilliam Collection: English theatricals at Paris - the Salle Ventador, 1844. Creator: Unknown

English theatricals at Paris - the Salle Ventador, 1844. Creator: Unknown
English theatricals at Paris - the Salle Ventador, 1844. A production of Shakespeares Othello on the French stage. The Salle itself is perhaps the most beautiful in the world

Background imageWilliam Collection: Lloyds Commercial Room - admission of the public, 1844. Creator: Unknown

Lloyds Commercial Room - admission of the public, 1844. Creator: Unknown
Lloyds Commercial Room - admission of the public, 1844. Visitors in the newly opened Royal Exchange building in the City of London

Background imageWilliam Collection: Scene from 'Harlequin £. S. D', at the Surrey Theatre, 1844

Scene from "Harlequin £. S. D", at the Surrey Theatre, 1844
Scene from " Harlequin £.S.D", at the Surrey Theatre, 1844. London stage production. This house opened with, as the bill says

Background imageWilliam Collection: The new Royal Exchange - the south entrance, 1844. Creator: Unknown

The new Royal Exchange - the south entrance, 1844. Creator: Unknown
The new Royal Exchange - the south entrance, 1844. View of the Royal Exchange in the City of London, designed by Sir William Tite. From " Illustrated London News", 1844, Vol V

Background imageWilliam Collection: Scene from 'Harlequin and Johnnys Ride', at Astley s, 1844. Creator: Unknown

Scene from "Harlequin and Johnnys Ride", at Astley s, 1844. Creator: Unknown
Scene from " Harlequin and Johnnys Ride", at Astley s, 1844. London stage production at Astleys Royal Amphitheatre

Background imageWilliam Collection: The new Royal Exchange - the north entrance, 1844. Creator: Unknown

The new Royal Exchange - the north entrance, 1844. Creator: Unknown
The new Royal Exchange - the north entrance, 1844. View of the Royal Exchange in the City of London, designed by Sir William Tite. From " Illustrated London News", 1844, Vol V

Background imageWilliam Collection: The new Royal Exchange - the east and south fronts, 1844. Creator: Unknown

The new Royal Exchange - the east and south fronts, 1844. Creator: Unknown
The new Royal Exchange - the east and south fronts, 1844. View of the Royal Exchange in the City of London, designed by Sir William Tite. From " Illustrated London News", 1844, Vol V

Background imageWilliam Collection: The Ouse Bridge, York, 1844. Creator: Smyth

The Ouse Bridge, York, 1844. Creator: Smyth
The Ouse Bridge, York, 1844. Meetings of the British Association for the Advancement of Science were held in York, and... have continued through the week with increasing interest and popularity

Background imageWilliam Collection: The Queens Drawing Room - Her Majesty inspecting Mr. Tites models of the Royal Exchange

The Queens Drawing Room - Her Majesty inspecting Mr. Tites models of the Royal Exchange, 1844. Queen Victoria looks at architect William Tites design for the Royal Exchange building in the City of

Background imageWilliam Collection: Sir William Molesworth, Bart. M. P. 1845. Creator: Unknown

Sir William Molesworth, Bart. M. P. 1845. Creator: Unknown
Sir William Molesworth, Bart. M.P. 1845. Portrait of British politician Sir William Molesworth, 8th Baronet....the successful candidate for the [London] Borough of Southwark in the recent

Background imageWilliam Collection: Mr. Macready, as Hamlet, at the Princesss Theatre, 1845. Creator: Unknown

Mr. Macready, as Hamlet, at the Princesss Theatre, 1845. Creator: Unknown
Mr. Macready, as Hamlet, at the Princesss Theatre, 1845. William Macready on the London stage in Shakespeares " Hamlet" :the appearance of Mr

Background imageWilliam Collection: Otello: a Tale of the Opera, 1845. Creator: Unknown

Otello: a Tale of the Opera, 1845. Creator: Unknown
Otello: a Tale of the Opera, 1845. Illustration to a serialised short story. From " Illustrated London News", 1845, Vol VII

Background imageWilliam Collection: Yet she must die: plate 11 from Othello (Act 5, Scene 2), etched 1844, reprinted 1900

Yet she must die: plate 11 from Othello (Act 5, Scene 2), etched 1844, reprinted 1900

Background imageWilliam Collection: O my fair warrior!: plate 5 from Othello (Act 2, Scene 1), etched 1844, reprinted 1900

O my fair warrior!: plate 5 from Othello (Act 2, Scene 1), etched 1844, reprinted 1900

Background imageWilliam Collection: The Conclusion of the Treaty of Troye, Where Henry the V, King of England

The Conclusion of the Treaty of Troye, Where Henry the V, King of England, Receives the Princess of France in Marriage, 1788

Background imageWilliam Collection: Pisanio and Imogen (Shakespeare, Cymbeline, Act 3, Scene 4)

Pisanio and Imogen (Shakespeare, Cymbeline, Act 3, Scene 4), first published 1801; reissued 1852

Background imageWilliam Collection: Les Invisibles (The Invisible Ones), 1810. Creator: William Brocas

Les Invisibles (The Invisible Ones), 1810. Creator: William Brocas
Les Invisibles (The Invisible Ones), 1810

Background imageWilliam Collection: King Henry IV, ca. 1827. Creator: William Heath

King Henry IV, ca. 1827. Creator: William Heath
King Henry IV, ca. 1827

Background imageWilliam Collection: The Royal Allied Oak and Self-Created Mushroom Kings, May 29, 1815

The Royal Allied Oak and Self-Created Mushroom Kings, May 29, 1815

Background imageWilliam Collection: The Rival Richards, or Sheakspear in Danger, May 18, 1814. Creator: William Heath

The Rival Richards, or Sheakspear in Danger, May 18, 1814. Creator: William Heath
The Rival Richards, or Sheakspear in Danger, May 18, 1814

Background imageWilliam Collection: Modern Oddities by P. Pry Esq. Plate 1st: The Sleeves Curiously Cut, Ay There s

Modern Oddities by P. Pry Esq. Plate 1st: The Sleeves Curiously Cut, Ay There s
Modern Oddities by P. Pry Esq. Plate 1st: The Sleeves Curiously Cut, Ay Theres the Villainy - vide Shakespeare, June 30, 1829

Background imageWilliam Collection: Away!: plate 7 from Othello (Act 3, Scene 4), etched 1844, reprinted 1900

Away!: plate 7 from Othello (Act 3, Scene 4), etched 1844, reprinted 1900

Background imageWilliam Collection: Portrait of William Dobson, 1645-49 (?). Creator: Josias English

Portrait of William Dobson, 1645-49 (?). Creator: Josias English
Portrait of William Dobson, 1645-49 (?)

Background imageWilliam Collection: Ophelia (Shakespeare, Hamlet, Act 4, Scene 7), March 1, 1866. Creator: James Stephenson

Ophelia (Shakespeare, Hamlet, Act 4, Scene 7), March 1, 1866. Creator: James Stephenson
Ophelia (Shakespeare, Hamlet, Act 4, Scene 7), March 1, 1866

Background imageWilliam Collection: Fluellen Making Pistol Eat the Leek (Shakespeare, Henry V, Act 5, Scene 1), August 1

Fluellen Making Pistol Eat the Leek (Shakespeare, Henry V, Act 5, Scene 1), August 1, 1795

Background imageWilliam Collection: Falstaff at Justice Shallows Mustering His Recruits (Shakespeare, Henry IV, Part

Falstaff at Justice Shallows Mustering His Recruits (Shakespeare, Henry IV, Part II, Act 3, Scene 2), June 1, 1792

Background imageWilliam Collection: Dandies in Rotten Row, January 21, 1819. Creator: William Heath

Dandies in Rotten Row, January 21, 1819. Creator: William Heath
Dandies in Rotten Row, January 21, 1819

Background imageWilliam Collection: Long Thomas and Mad-le G-d Going to the Pantheon in Their Natural Masks, May 1, 1773

Long Thomas and Mad-le G-d Going to the Pantheon in Their Natural Masks, May 1, 1773

Background imageWilliam Collection: Frontispiece, from Othello, 1900. Creator: Theodore Chasseriau

Frontispiece, from Othello, 1900. Creator: Theodore Chasseriau
Frontispiece, from Othello, 1900

Background imageWilliam Collection: Oh! Oh! Oh!: plate 14 from Othello (Act 5, Scene 2), etched 1844, r

Oh! Oh! Oh!: plate 14 from Othello (Act 5, Scene 2), etched 1844, reprinted 1900



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