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Venice Collection (page 7)

Background imageVenice Collection: Various Sketches of the Madonna and Child, c. 1580. Creator: Paolo Veronese (Italian, 1528-1588)

Various Sketches of the Madonna and Child, c. 1580. Creator: Paolo Veronese (Italian, 1528-1588)
Various Sketches of the Madonna and Child, c. 1580. These studies for a Madonna and Child were used by Veronese in various paintings

Background imageVenice Collection: Views: Views of Mestre, a Town in the Province of Venice, 1735-1746. Creator: Antonio Canaletto

Views: Views of Mestre, a Town in the Province of Venice, 1735-1746. Creator: Antonio Canaletto
Views: Views of Mestre, a Town in the Province of Venice, 1735-1746

Background imageVenice Collection: Views: The Stone of Proclamation at Venice, 1735-1746. Creator: Antonio Canaletto (Italian

Views: The Stone of Proclamation at Venice, 1735-1746. Creator: Antonio Canaletto (Italian
Views: The Stone of Proclamation at Venice, 1735-1746

Background imageVenice Collection: Views: The Procurators Palace and the Church of St. Geminien, Venice, 1735-1746

Views: The Procurators Palace and the Church of St. Geminien, Venice, 1735-1746

Background imageVenice Collection: Views: The Prison, Venice, 1735-1746. Creator: Antonio Canaletto (Italian, 1697-1768)

Views: The Prison, Venice, 1735-1746. Creator: Antonio Canaletto (Italian, 1697-1768)
Views: The Prison, Venice, 1735-1746

Background imageVenice Collection: Views: Pra della Valle, Padua, 1735-1746. Creator: Antonio Canaletto (Italian, 1697-1768)

Views: Pra della Valle, Padua, 1735-1746. Creator: Antonio Canaletto (Italian, 1697-1768)
Views: Pra della Valle, Padua, 1735-1746

Background imageVenice Collection: Views: The Equestrian Monument, 1735-1746. Creator: Antonio Canaletto (Italian, 1697-1768)

Views: The Equestrian Monument, 1735-1746. Creator: Antonio Canaletto (Italian, 1697-1768)
Views: The Equestrian Monument, 1735-1746

Background imageVenice Collection: Views: La Maison a linscription, 1735-1746. Creator: Antonio Canaletto (Italian, 1697-1768)

Views: La Maison a linscription, 1735-1746. Creator: Antonio Canaletto (Italian, 1697-1768)
Views: La Maison a linscription, 1735-1746

Background imageVenice Collection: Views: Mountain Landscape with Five Bridges, 1735-1746. Creator: Antonio Canaletto (Italian)

Views: Mountain Landscape with Five Bridges, 1735-1746. Creator: Antonio Canaletto (Italian)
Views: Mountain Landscape with Five Bridges, 1735-1746

Background imageVenice Collection: Views: A Woman Drawing Water under an Arch, 1735-1746. Creator: Antonio Canaletto (Italian

Views: A Woman Drawing Water under an Arch, 1735-1746. Creator: Antonio Canaletto (Italian
Views: A Woman Drawing Water under an Arch, 1735-1746

Background imageVenice Collection: Views: A Pilgrim at Prayer, 1735-1746. Creator: Antonio Canaletto (Italian, 1697-1768)

Views: A Pilgrim at Prayer, 1735-1746. Creator: Antonio Canaletto (Italian, 1697-1768)
Views: A Pilgrim at Prayer, 1735-1746

Background imageVenice Collection: Virgin and Child with Saints, c. 1510. Creator: Unknown

Virgin and Child with Saints, c. 1510. Creator: Unknown
Virgin and Child with Saints, c. 1510

Background imageVenice Collection: Views: View of Burano, a Town on an Island in the Venetian Lagoon, 1735-1746. Creator

Views: View of Burano, a Town on an Island in the Venetian Lagoon, 1735-1746. Creator
Views: View of Burano, a Town on an Island in the Venetian Lagoon, 1735-1746

Background imageVenice Collection: Views: The Tower of Malghera, 1735-1746. Creator: Antonio Canaletto (Italian, 1697-1768)

Views: The Tower of Malghera, 1735-1746. Creator: Antonio Canaletto (Italian, 1697-1768)
Views: The Tower of Malghera, 1735-1746

Background imageVenice Collection: Views: Two Ruined Pillars, 1735-1746. Creator: Antonio Canaletto (Italian, 1697-1768)

Views: Two Ruined Pillars, 1735-1746. Creator: Antonio Canaletto (Italian, 1697-1768)
Views: Two Ruined Pillars, 1735-1746

Background imageVenice Collection: Views: Three Columns and a Statue on the Sea Coast, 1735-1746. Creator: Antonio Canaletto (Italian)

Views: Three Columns and a Statue on the Sea Coast, 1735-1746. Creator: Antonio Canaletto (Italian)
Views: Three Columns and a Statue on the Sea Coast, 1735-1746

Background imageVenice Collection: Views: The Portico with the Lantern, 1735-1746. Creator: Antonio Canaletto (Italian, 1697-1768)

Views: The Portico with the Lantern, 1735-1746. Creator: Antonio Canaletto (Italian, 1697-1768)
Views: The Portico with the Lantern, 1735-1746

Background imageVenice Collection: Views: The Market on the Molo, 1735-1746. Creator: Antonio Canaletto (Italian, 1697-1768)

Views: The Market on the Molo, 1735-1746. Creator: Antonio Canaletto (Italian, 1697-1768)
Views: The Market on the Molo, 1735-1746

Background imageVenice Collection: Views: Imaginary View of Padua, 1735-1746. Creator: Antonio Canaletto (Italian, 1697-1768)

Views: Imaginary View of Padua, 1735-1746. Creator: Antonio Canaletto (Italian, 1697-1768)
Views: Imaginary View of Padua, 1735-1746

Background imageVenice Collection: Views: Fragments of Sculpture, 1735-1746. Creator: Antonio Canaletto (Italian, 1697-1768)

Views: Fragments of Sculpture, 1735-1746. Creator: Antonio Canaletto (Italian, 1697-1768)
Views: Fragments of Sculpture, 1735-1746

Background imageVenice Collection: Views: A House Surrounded by Six Columns, 1735-1746. Creator: Antonio Canaletto (Italian

Views: A House Surrounded by Six Columns, 1735-1746. Creator: Antonio Canaletto (Italian
Views: A House Surrounded by Six Columns, 1735-1746

Background imageVenice Collection: Virgin and Child with Saints and Donors, c. 1515. Creator: Giovanni Battista Cima da Conegliano

Virgin and Child with Saints and Donors, c. 1515. Creator: Giovanni Battista Cima da Conegliano
Virgin and Child with Saints and Donors, c. 1515. This work reinterprets the most common subject in Renaissance art--the Madonna and Child

Background imageVenice Collection: Views: View of Dolo, A Town on the Brenta, West of Venice, 1735-1746. Creator: Antonio Canaletto

Views: View of Dolo, A Town on the Brenta, West of Venice, 1735-1746. Creator: Antonio Canaletto
Views: View of Dolo, A Town on the Brenta, West of Venice, 1735-1746

Background imageVenice Collection: Views: Title Page, 1735-1746. Creator: Antonio Canaletto (Italian, 1697-1768)

Views: Title Page, 1735-1746. Creator: Antonio Canaletto (Italian, 1697-1768)
Views: Title Page, 1735-1746

Background imageVenice Collection: Views: The Terrace, 1735-1746. Creator: Antonio Canaletto (Italian, 1697-1768)

Views: The Terrace, 1735-1746. Creator: Antonio Canaletto (Italian, 1697-1768)
Views: The Terrace, 1735-1746

Background imageVenice Collection: Views: The Sepulcher of a Bishop, 1735-1746. Creator: Antonio Canaletto (Italian, 1697-1768)

Views: The Sepulcher of a Bishop, 1735-1746. Creator: Antonio Canaletto (Italian, 1697-1768)
Views: The Sepulcher of a Bishop, 1735-1746

Background imageVenice Collection: Views: The Harbor at Dolo, 1735-1746. Creator: Antonio Canaletto (Italian, 1697-1768)

Views: The Harbor at Dolo, 1735-1746. Creator: Antonio Canaletto (Italian, 1697-1768)
Views: The Harbor at Dolo, 1735-1746

Background imageVenice Collection: Views: The Library, Venice, 1735-1746. Creator: Antonio Canaletto (Italian, 1697-1768)

Views: The Library, Venice, 1735-1746. Creator: Antonio Canaletto (Italian, 1697-1768)
Views: The Library, Venice, 1735-1746

Background imageVenice Collection: Views: The Canal Lock at Dolo, 1735-1746. Creator: Antonio Canaletto (Italian, 1697-1768)

Views: The Canal Lock at Dolo, 1735-1746. Creator: Antonio Canaletto (Italian, 1697-1768)
Views: The Canal Lock at Dolo, 1735-1746

Background imageVenice Collection: Views: Le Pilier isole, 1735-1746. Creator: Antonio Canaletto (Italian, 1697-1768)

Views: Le Pilier isole, 1735-1746. Creator: Antonio Canaletto (Italian, 1697-1768)
Views: Le Pilier isole, 1735-1746

Background imageVenice Collection: Views: Church of Saint Justina in Pra della Valle, Padua, 1735-1746. Creator

Views: Church of Saint Justina in Pra della Valle, Padua, 1735-1746. Creator
Views: Church of Saint Justina in Pra della Valle, Padua, 1735-1746

Background imageVenice Collection: Views: A City Beyond a River, 1735-1746. Creator: Antonio Canaletto (Italian, 1697-1768)

Views: A City Beyond a River, 1735-1746. Creator: Antonio Canaletto (Italian, 1697-1768)
Views: A City Beyond a River, 1735-1746

Background imageVenice Collection: Views, 1735-1746. Creator: Antonio Canaletto (Italian, 1697-1768)

Views, 1735-1746. Creator: Antonio Canaletto (Italian, 1697-1768)
Views, 1735-1746

Background imageVenice Collection: The Six Saints, c. 1535. Creator: Niccolo Boldrini (Italian, c. 1500-aft 1566)

The Six Saints, c. 1535. Creator: Niccolo Boldrini (Italian, c. 1500-aft 1566)
The Six Saints, c. 1535. At first, Titian utilized woodcut as a medium of direct expression. He most probably drew directly on the blocks for The Submersion of Pharaohs Army in the Red Sea

Background imageVenice Collection: The Adoration of the Magi, c. 1740. Creator: Giovanni Battista Tiepolo (Italian, 1696-1770)

The Adoration of the Magi, c. 1740. Creator: Giovanni Battista Tiepolo (Italian, 1696-1770)
The Adoration of the Magi, c. 1740. Considered by many to be the greatest Italian artist of the 18th century, Tiepolo made this drawing as an independent work of art

Background imageVenice Collection: Table Cover, late 1600s - early 1700s. Creator: Unknown

Table Cover, late 1600s - early 1700s. Creator: Unknown
Table Cover, late 1600s - early 1700s

Background imageVenice Collection: Procurators Velvet Stole, c. 1575- 1600. Creator: Unknown

Procurators Velvet Stole, c. 1575- 1600. Creator: Unknown
Procurators Velvet Stole, c. 1575- 1600. Venetian law obliged senators to wear coloured textiles, in contrast to other male citizens, who wore black

Background imageVenice Collection: Single Leaf from a Missal: The Crucifixion, late 1400s. Creator: Unknown

Single Leaf from a Missal: The Crucifixion, late 1400s. Creator: Unknown
Single Leaf from a Missal: The Crucifixion, late 1400s

Background imageVenice Collection: Single Leaf from a Missal: Two Male Saints, late 1400s. Creator: Unknown

Single Leaf from a Missal: Two Male Saints, late 1400s. Creator: Unknown
Single Leaf from a Missal: Two Male Saints, late 1400s

Background imageVenice Collection: Pattern for Lace with Small Section of Venetian Flat Point Lace worked on It, 17th century

Pattern for Lace with Small Section of Venetian Flat Point Lace worked on It, 17th century

Background imageVenice Collection: Saint Nicholas of Bari, 1472. Creator: Carlo Crivelli (Italian, 1430 / 35-1495)

Saint Nicholas of Bari, 1472. Creator: Carlo Crivelli (Italian, 1430 / 35-1495)
Saint Nicholas of Bari, 1472. Saint Nicolas of Bari, patron saint of children, sailors, and travelers, and the prototype of Father Christmas

Background imageVenice Collection: Portrait of Agostino Barbarigo, after about 1571. Creator: Paolo Veronese (Italian, 1528-1588)

Portrait of Agostino Barbarigo, after about 1571. Creator: Paolo Veronese (Italian, 1528-1588)
Portrait of Agostino Barbarigo, after about 1571. Barbarigo served as second in command of the Venetian naval forces during the Battle of Lepanto, fighting against the Ottoman Empire on October 7

Background imageVenice Collection: Piazza San Marco, Venice, 1780s. Creator: Francesco Guardi (Italian, 1712-1793)

Piazza San Marco, Venice, 1780s. Creator: Francesco Guardi (Italian, 1712-1793)
Piazza San Marco, Venice, 1780s. The plaza known as the Piazza San Marco in Venice was as popular among tourists in the 1700s as it is today

Background imageVenice Collection: Man with a Fur Cap, c. 1730 / 40s. Creator: Giovanni Battista Piazzetta (Italian, 1682-1754)

Man with a Fur Cap, c. 1730 / 40s. Creator: Giovanni Battista Piazzetta (Italian, 1682-1754)
Man with a Fur Cap, c. 1730/40s

Background imageVenice Collection: Initials from a Gradual: St. Augustine, c. 1420. Creator: Master of the Murano Gradual (Italian)

Initials from a Gradual: St. Augustine, c. 1420. Creator: Master of the Murano Gradual (Italian)
Initials from a Gradual: St. Augustine, c. 1420. This initial belongs to a large group of excised miniatures of saints once part of a gradual used in a Venetian Camaldolese monastery

Background imageVenice Collection: Initial C Excised from a Choral Book: St. Anthony with Antonite Friars, c. 1400-1440

Initial C Excised from a Choral Book: St. Anthony with Antonite Friars, c. 1400-1440. The focus of this initial is an imposing portrait of Saint Anthony

Background imageVenice Collection: Miniature Excised from a Book of Hours: The Annunciation, late 1200s. Creator: Unknown

Miniature Excised from a Book of Hours: The Annunciation, late 1200s. Creator: Unknown
Miniature Excised from a Book of Hours: The Annunciation, late 1200s

Background imageVenice Collection: Miniature from a Mariegola: The Flagellation, c. 1350-1375. Creator: Lorenzo Veneziano (Italian)

Miniature from a Mariegola: The Flagellation, c. 1350-1375. Creator: Lorenzo Veneziano (Italian)
Miniature from a Mariegola: The Flagellation, c. 1350-1375



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