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The Old Marble Hall, Venice, c1904. Artist: Thomas Robert WayThe Old Marble Hall, Venice, c1904. After James McNeil Whistler (1834-1903). From The Studio Volume 32. [London Offices of the Studio, London, 1904]
Bead Stringers, Venice, c1904. Artist: Thomas Robert WayBead Stringers, Venice, c1904. After James McNeil Whistler (1834-1903). From The Studio Volume 32. [London Offices of the Studio, London, 1904]
A Street in Venice, 1895. Artist: Charles Edward HollowayA Street in Venice, 1895. From The Studio Volume 10. [London Offices of the Studio, London, 1897]
A Renaissance Doorway, Venice, c1903. Artist: Reginald BarrattA Renaissance Doorway, Venice, c1903. From The Studio Volume 72. [London Offices of the Studio, London, 1917-18]
Venetian Street, 1900. Artist: David Young CameronVenetian Street, 1900. From Modern Pen Drawings: European and American, Edited by Charles Holme. [The Offices of the Studio, London, Paris, New York, 1900-01]
San Giorgio Maggiore. Moonlight, 19th century. Artist: Charles George LewisSan Giorgio Maggiore. Moonlight, 19th century
The Bridge of Sighs, c1860. Artist: Charles Edward HollowayThe Bridge of Sighs, c1860. From The Studio Volume 41. [London Offices of the Studio, London, 1907]
The English Room, Venice International Exhibition, 1907. Artist: A TivoliThe English Room, Venice International Exhibition, 1907. The seventh International Exhibition of Art (Esposizione biennale artistica nazionale). From The Studio Volume 41
A Venetian Canal, c1880. Artist: James Abbott McNeill WhistlerA Venetian Canal, c1880. From The Studio Volume 31. [London Offices of the Studio, London, 1904]
Fondaco De Turchi, Venice, c1853. Artist: John RuskinFondaco De Turchi, Venice, c1853. From The Studio Volume 19. [London Offices of the Studio, London, 1900]
Nocturne c1924. Artist: Edgar L PattisonNocturne c1924. From The Studio Volume 87. [London Offices of the Studio, London, 1924]
View on the Grand Canal, 19th century. Artist: Richard Parkes BoningtonView on the Grand Canal, 19th century. From The Studio Volume 123 [The Studio Ltd, London & New York, 1942.]
Early Morning. Venetian Lagoons, c1917. Artist: Wilfrid Williams BallEarly Morning. Venetian Lagoons, c1917. From The Studio Volume 70, [London Offices of the Studio, London, 1917]
View in Venice, c1853. Painting held by Leeds Museums and Galleries, Leeds. From The Connoisseur Volume LXXXIII, edited by C. Reginald Grundy. [The Connoisseur Ltd, London, 1929]
Venice: Entrance to the Cannaregio, c19th century. Painting held in The National Gallery, London. From A History of Painting, Volume III by Haldane MacFall. [T. C. and E. C
Sunset: Venice, c1880 (1903-1904). Artist: James Abbott McNeill WhistlerSunset: Venice, c1880 (1903-1904). From The Studio Volume 30. [The Offices of the Studio Ltd. London, 1903-1904]
San Agostino Canal, Venice, c1905 (1914-1915). Artist: Clarence GagnonSan Agostino Canal, Venice, c1905 (1914-1915). From The Studio Volume 63. [The Offices of the Studio, London, 1914-1915]
Venice, c19th century, (1911). Artist: Gaston la ToucheVenice, c19th century. From A History of Painting Volume VIII by Haldane MacFall [T. C. and E. C. Jack, Lodon & Edinburgh, 1911.]
Petrarca: Trionfi, 1488, (1917)Petrarca: Trionfi, 1488. Venetian illustration of Petrarchs Triumph of Fame. The Triumphs (I Trionfi) of Francesco Petrarch (1304-1374) is a 14th-century Italian poem
A Shrine In Venice, c1820-1870, (1924). Artist: James HollandA Shrine In Venice. From The Connoisseur Vol LXVIII [Otto Limited, London, 1924.]
The Salute, c1854-1903, (1906-7). Artist: James Abbott McNeill WhistlerThe Salute, From The Studio Volume 39 [London Offices of the Studio, London, 1906-7.]
Evening Glow, St. Marks, Venice. (1914). Artist: Helen Donald-SmithEvening Glow, St. Mark s, Venice. After a work by Helen Donald-Smith (fl. 1880-1930) From The Connoisseur Vol. XXXIX [Otto Limited, London, 1914.]
On a Venetian Canal, c1854-1903, (1903). Artist: James Abbott McNeill WhistlerOn a Venetian Canal. After a drawing in pastel by James Abbott McNeill Whistler (1834-1903). From The Studio Volume 29 [London Offices of the Studio, London, 1903.]
Doge Leonardo Loredan, 1501-2, (1911). Artist: Giovanni BelliniDoge Leonardo Loredan, 1501-2. Leonardo Loredan was the Doge of Venice from 1501-21. He is shown here wearing his robes of state. After a work by Giovanni Bellini (c1430-1516)
The Grey Salute, 1894, (1906). Artist: Arthur MelvilleThe Grey Salute, 1894. Santa Maria della Salute is a Roman Catholic church and minor basilica located in the Italian city of Venice. It stands between the Grand Canal and the Bacino di San Marco
Venice: The Feast Day of Saint Roch, 1735, (1938). Artist: CanalettoVenice: The Feast Day of Saint Roch, 1735. Also known as Scuola Di San Rocco. The feast commemorated the end of the terrible plague of 1576. After an original work after Canaletto (1697-1768)
The Sun of Venice Going to Sea, exhibited 1843, (1937) Artist: JMW TurnerThe Sun of Venice Going to Sea, exhibited 1843. After an original work by Joseph Mallord William Turner (1775?1851). Original housed in the Tate, London. From The Studio Vol
Doge Leonardo Loredan (1436-1521), 1501-2. (1912)Doge Leonardo Loredan (1436-1521), 1501-2. Leonardo Loredan was the Doge of Venice from 1501-21. In this formal portrait he is shown here wearing his robes of state
Ca d Oro, Venice, Italy, late 19th or early 20th century. This palace on the Grand Canal was built in the first half of the 15th century
Giants Staircase, Doges Palace, Venice, Italy, late 19th or early 20th century. The Giants Staircase (Scala dei Giganti) was designed by Antonio Rizzo and built in the 15th century
Venetian woodcut, c1500 (1964). An illustration from Luigi Pulcis Driadeo d Amore. A print from A History of Wood Engraving, by Douglas Percy Bliss, Spring Books, London, 1964
The Lover in the Wood, 1499 (1964). From the Hypnerotomachia Poliphili (Poliphilos Strife of Love in a Dream), a romance attributed to Francesco Colonna, printed in Venice in 1499
Thais and the youth, 1487 (1964). From Aesopus Fabulae, Venice, 1487. A print from A History of Wood Engraving, by Douglas Percy Bliss, Spring Books, London, 1964
American actor and film director Douglas Fairbanks, Sr on board HMS Malaya, Venice, Italy 1938. Fairbanks (1883-1939) on board the battleship during its visit to the city
British sailors visiting the Doges Palace, Venice, Italy, 1938. Members of the crew of the British battleship HMS Malaya during the warships visit to the city
Woman surrounded by pigeons, St Marks Square, Venice, Italy, 1938. During the visit of the British battleship HMS Malaya
The Presentation of the Ring, 1534 (1870). Artist: Roland BrunierThe Presentation of the Ring, 1534 (1870). The giving of a ring to the Doge of Venice. After the painting by Paris Bordone in the collection of the Gallerie dell Accademia, Venice
The Grand Canal, Venice, Italy. Artist: Underwood & UnderwoodThe Grand Canal, Venice, Italy. The 17th century Church of Santa Maria della Salute, designed by Baldassare Longhena, is in the background. Stereoscopic card detail
The cover of The Illustrated London News, 24th April 1875. The Emperor of Austrias visit to Venice: The Emperor taking leave of the Princess of Piedmont
Venice, Italy, late 19th or early 20th century(?). View showing the Doges Palace, built between 1309 and 1424
Rialto Bridge, Venice, Italy, 19th century(?). Artist: KirchmaynRialto Bridge, Venice, Italy, 19th century(?). The Rialto Bridge, which spans the Grand Canal, was designed by Antonio da Ponte and Antonio Contino and built between 1588 and 1591
St Marks Square, Venice, Italy, 19th century. Artist: KirchmayrSt Marks Square, Venice, Italy, 19th century. The Doges Palace is on the left
Nocturne: Palaces, c1879 (1904). Artist: James Abbott McNeill WhistlerNocturne: Palaces, c1879 (1904). Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)
A Bye Canal, Venice, 19th century, (1904). Artist: James Abbott McNeill WhistlerA Bye Canal, Venice, 19th century, (1904). From a pastel. Plate taken from Whistler As I Knew Him, by Mortimer Menpes, published by Adam and Charles Black (London, 1904)
Greek Canal, Venice, 1930. Artist: JF Barry PittarGreek Canal, Venice, 1930. Illustration from Apollo, A Journal of the Arts, (London 1930)
Grimari Canal, Venice, 1930. Artist: JF Barry PittarGrimari Canal, Venice, 1930. Illustration from Apollo, A Journal of the Arts, (London 1930)
The Church of St Jeremiah, Venice, Italy, late 19th century. Stereoscopic card. Detail
Plaza San Marco, Venice, Italy, 1908-1909. Artist: Homer L KnightPlaza San Marco, Venice, Italy, 1908-1909. From Penroses Pictorial Annual 1908-1909, An Illustrated Review of the Graphic Arts, volume 14
