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Venetian Collection (page 11)

Background imageVenetian Collection: Church of Santa Maria della Salute and the Dogana, Venice, Italy, 1927. Artist: Eugen Poppel

Church of Santa Maria della Salute and the Dogana, Venice, Italy, 1927. Artist: Eugen Poppel
Church of Santa Maria della Salute and the Dogana (Customs House) from the Riva degli Schiavoni, Venice, Italy, 1927. In 1630 the Venetian Senate decreed that if the city was delivered from an

Background imageVenetian Collection: Main front of the Doges Palace with Riva degli Schiavoni, Venice, Italy, 1927. Artist: Eugen Poppel

Main front of the Doges Palace with Riva degli Schiavoni, Venice, Italy, 1927. Artist: Eugen Poppel
Main front of the Doges Palace with Riva degli Schiavoni, Venice, Italy, 1927. The Doges Palace (Palazzo Ducale) as it appears today was completed in 1424

Background imageVenetian Collection: Corner of the Doges Palace on the Piazzetta di San Marco, Venice, Italy, 1927. Artist: Eugen Poppel

Corner of the Doges Palace on the Piazzetta di San Marco, Venice, Italy, 1927. Artist: Eugen Poppel
Corner of the Doges Palace on the Piazzetta di San Marco, Venice, Italy, 1927. The Doges Palace (Palazzo Ducale) as it appears today was completed in 1424

Background imageVenetian Collection: Bridge of Sighs, Venice, Italy, 1927. Artist: Eugen Poppel

Bridge of Sighs, Venice, Italy, 1927. Artist: Eugen Poppel
Bridge of Sighs, Venice, Italy, 1927. Designed by Antonio Contino and built in 1600, the Bridge of Sighs connects the old prison of Venice to the interrogation rooms in the Doges Palace

Background imageVenetian Collection: Rialto Bridge, Venice, Italy, 1927. Artist: Eugen Poppel

Rialto Bridge, Venice, Italy, 1927. Artist: Eugen Poppel
Rialto Bridge, Venice, Italy, 1927. The Rialto Bridge, which spans the Grand Canal, was designed by Antonio da Ponte and Antonio Contino and built between 1588 and 1591

Background imageVenetian Collection: Venice: A Fair in the Piazza San Marco Seen through an Archway at the South-West End, c1863

Venice: A Fair in the Piazza San Marco Seen through an Archway at the South-West End, c1863. Painting held at the Victoria And Albert Museum, London. From The Connoisseur Volume LXXXII

Background imageVenetian Collection: Grand Canal, Venice, c1850. Artist: James Holland

Grand Canal, Venice, c1850. Artist: James Holland
Grand Canal, Venice, c1850. From The Connoisseur Volume LXXXI. [The Connoisseur Ltd. London, 1928]

Background imageVenetian Collection: Venetian Street, 1900. Artist: David Young Cameron

Venetian Street, 1900. Artist: David Young Cameron
Venetian Street, 1900. From Modern Pen Drawings: European and American, Edited by Charles Holme. [The Offices of the Studio, London, Paris, New York, 1900-01]

Background imageVenetian Collection: A Venetian Canal, c1880. Artist: James Abbott McNeill Whistler

A Venetian Canal, c1880. Artist: James Abbott McNeill Whistler
A Venetian Canal, c1880. From The Studio Volume 31. [London Offices of the Studio, London, 1904]

Background imageVenetian Collection: Early Morning. Venetian Lagoons, c1917. Artist: Wilfrid Williams Ball

Early Morning. Venetian Lagoons, c1917. Artist: Wilfrid Williams Ball
Early Morning. Venetian Lagoons, c1917. From The Studio Volume 70, [London Offices of the Studio, London, 1917]

Background imageVenetian Collection: San Agostino Canal, Venice, c1905 (1914-1915). Artist: Clarence Gagnon

San Agostino Canal, Venice, c1905 (1914-1915). Artist: Clarence Gagnon
San Agostino Canal, Venice, c1905 (1914-1915). From The Studio Volume 63. [The Offices of the Studio, London, 1914-1915]

Background imageVenetian Collection: Petrarca: Trionfi, 1488, (1917)

Petrarca: Trionfi, 1488, (1917)
Petrarca: Trionfi, 1488. Venetian illustration of Petrarchs Triumph of Fame. The Triumphs (I Trionfi) of Francesco Petrarch (1304-1374) is a 14th-century Italian poem

Background imageVenetian Collection: On a Venetian Canal, c1854-1903, (1903). Artist: James Abbott McNeill Whistler

On a Venetian Canal, c1854-1903, (1903). Artist: James Abbott McNeill Whistler
On a Venetian Canal. After a drawing in pastel by James Abbott McNeill Whistler (1834-1903). From The Studio Volume 29 [London Offices of the Studio, London, 1903.]

Background imageVenetian Collection: Doge Leonardo Loredan (1436-1521), 1501-2. (1912)

Doge Leonardo Loredan (1436-1521), 1501-2. (1912)
Doge Leonardo Loredan (1436-1521), 1501-2. Leonardo Loredan was the Doge of Venice from 1501-21. In this formal portrait he is shown here wearing his robes of state

Background imageVenetian Collection: Ca d Oro, Venice, Italy, late 19th or early 20th century

Ca d Oro, Venice, Italy, late 19th or early 20th century. This palace on the Grand Canal was built in the first half of the 15th century

Background imageVenetian Collection: Giants Staircase, Doges Palace, Venice, Italy, late 19th or early 20th century

Giants Staircase, Doges Palace, Venice, Italy, late 19th or early 20th century. The Giants Staircase (Scala dei Giganti) was designed by Antonio Rizzo and built in the 15th century

Background imageVenetian Collection: Venetian woodcut, c1500 (1964)

Venetian woodcut, c1500 (1964). An illustration from Luigi Pulcis Driadeo d Amore. A print from A History of Wood Engraving, by Douglas Percy Bliss, Spring Books, London, 1964

Background imageVenetian Collection: The Lover in the Wood, 1499 (1964)

The Lover in the Wood, 1499 (1964). From the Hypnerotomachia Poliphili (Poliphilos Strife of Love in a Dream), a romance attributed to Francesco Colonna, printed in Venice in 1499

Background imageVenetian Collection: Thais and the youth, 1487 (1964)

Thais and the youth, 1487 (1964). From Aesopus Fabulae, Venice, 1487. A print from A History of Wood Engraving, by Douglas Percy Bliss, Spring Books, London, 1964

Background imageVenetian Collection: British sailors visiting the Doges Palace, Venice, Italy, 1938

British sailors visiting the Doges Palace, Venice, Italy, 1938. Members of the crew of the British battleship HMS Malaya during the warships visit to the city

Background imageVenetian Collection: Woman surrounded by pigeons, St Marks Square, Venice, Italy, 1938

Woman surrounded by pigeons, St Marks Square, Venice, Italy, 1938. During the visit of the British battleship HMS Malaya

Background imageVenetian Collection: Head of a Youth, c1750-1753 (1958)

Head of a Youth, c1750-1753 (1958). Red and white chalk on grey-blue paper. A print from The Fitzwilliam Museum an Illustrated Survey, Trianon Press, 1958

Background imageVenetian Collection: The Miracle of St Mark Freeing the Slave, 1548 (1870). Artist: Jules Lavee

The Miracle of St Mark Freeing the Slave, 1548 (1870). Artist: Jules Lavee
The Miracle of St Mark Freeing the Slave, 1548 (1870). Found in the collection of the Gallerie dell Accademia, Venice. A print from Les Chef D oeuvre de la Peinture Italienne by Paul Mantz, Paris

Background imageVenetian Collection: The Presentation of the Ring, 1534 (1870). Artist: Roland Brunier

The Presentation of the Ring, 1534 (1870). Artist: Roland Brunier
The Presentation of the Ring, 1534 (1870). The giving of a ring to the Doge of Venice. After the painting by Paris Bordone in the collection of the Gallerie dell Accademia, Venice

Background imageVenetian Collection: St Lorenzo Giustiniani and Other Saints, 1532 (1870)

St Lorenzo Giustiniani and Other Saints, 1532 (1870). Lorenzo Giustiniani (1381-1456) was Bishop and First Patriarch of Venice. Found in the collection of the Gallerie dell Accademia, Venice

Background imageVenetian Collection: Assumption of the Virgin, 1516-1518 (1870). Artist: Roland Brunier

Assumption of the Virgin, 1516-1518 (1870). Artist: Roland Brunier
Assumption of the Virgin, 1516-1518 (1870). After the painting by Titian in the collection of the Santa Maria Gloriosa dei Frari, Venice

Background imageVenetian Collection: Madonna of Victory, 1496 (1870). Artist: Franz Kellerhoven

Madonna of Victory, 1496 (1870). Artist: Franz Kellerhoven
Madonna of Victory, 1496 (1870). Found in the collection of the Louvre, Paris. A print from Les Chef D oeuvre de la Peinture Italienne by Paul Mantz, Paris, 1870

Background imageVenetian Collection: Judith and Holofernes, 1870

Judith and Holofernes, 1870. After the painting of c1495 by Andrea Mantegna in the collection of the Louvre, Paris. The Jewish heroine Judith was living in Bethulia when it was besieged by

Background imageVenetian Collection: San Giobbe Altarpiece, c1478 (1870). Artist: Franz Kellerhoven

San Giobbe Altarpiece, c1478 (1870). Artist: Franz Kellerhoven
San Giobbe Altarpiece, c1478 (1870). Found in the collection of the Gallerie dell Accademia, Venice. A print from Les Chef D oeuvre de la Peinture Italienne by Paul Mantz, Paris, 1870

Background imageVenetian Collection: The Piazza, Venice, c1756 (1956)

The Piazza, Venice, c1756 (1956). A view of St Marks Square with the basilica and campanile in the background. From the National Gallery, London

Background imageVenetian Collection: The Grand Canal, Venice, Italy. Artist: Underwood & Underwood

The Grand Canal, Venice, Italy. Artist: Underwood & Underwood
The Grand Canal, Venice, Italy. The 17th century Church of Santa Maria della Salute, designed by Baldassare Longhena, is in the background. Stereoscopic card detail

Background imageVenetian Collection: Venice, Italy, late 19th or early 20th century(?)

Venice, Italy, late 19th or early 20th century(?). View showing the Doges Palace, built between 1309 and 1424

Background imageVenetian Collection: Rialto Bridge, Venice, Italy, 19th century(?). Artist: Kirchmayn

Rialto Bridge, Venice, Italy, 19th century(?). Artist: Kirchmayn
Rialto Bridge, Venice, Italy, 19th century(?). The Rialto Bridge, which spans the Grand Canal, was designed by Antonio da Ponte and Antonio Contino and built between 1588 and 1591

Background imageVenetian Collection: St Marks Square, Venice, Italy, 19th century. Artist: Kirchmayr

St Marks Square, Venice, Italy, 19th century. Artist: Kirchmayr
St Marks Square, Venice, Italy, 19th century. The Doges Palace is on the left

Background imageVenetian Collection: Raised Venetian or rose point lace, 17th century, (1901). Artist: Bemrose

Raised Venetian or rose point lace, 17th century, (1901). Artist: Bemrose
Raised Venetian or rose point lace, 17th century, (1901). Illustration from The Connoisseur, (December 1901)

Background imageVenetian Collection: The Church of St Jeremiah, Venice, Italy, late 19th century

The Church of St Jeremiah, Venice, Italy, late 19th century. Stereoscopic card. Detail

Background imageVenetian Collection: The Dogana and Salute, Venice, c1775, (1938). Artist: Francesco Guardi

The Dogana and Salute, Venice, c1775, (1938). Artist: Francesco Guardi
The Dogana and Salute, Venice, c1775, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe

Background imageVenetian Collection: The Island of San Giorgio, Venice, c1770, (1938). Artist: Francesco Guardi

The Island of San Giorgio, Venice, c1770, (1938). Artist: Francesco Guardi
The Island of San Giorgio, Venice, c1770, (1938). Painting held at the Scottish National Gallery, Edinburgh. From A Catalogue of the Pictures

Background imageVenetian Collection: Francis I of France recives a mirror from the Venetian ambassador, 1515-1547 (1882-1884)

Francis I of France recives a mirror from the Venetian ambassador, 1515-1547 (1882-1884). Artist: Ruesnel
Francis I of France recives a mirror from the ambassador of the Republic of Venice, 1515-1547 (1882-1884). A print from La France et les Francais a Travers les Siecles, Volume II, F Roy editor

Background imageVenetian Collection: Venice in 1338, (1892)

Venice in 1338, (1892). An illustration from A Short History of the English People, by J R Green, illustrated edition, Volume I, Macmillan and Co, London, New York, 1892

Background imageVenetian Collection: The Embarkation of the Doge of Venice to Marry the Sea, 1829. Artist: William Cooke

The Embarkation of the Doge of Venice to Marry the Sea, 1829. Artist: William Cooke
The Embarkation of the Doge of Venice to Marry the Sea, 1829. Published by W Marshall (London, 1829)

Background imageVenetian Collection: Hall of the Council of Five Hundred, Venice, Italy, 19th century. Artist: E Challis

Hall of the Council of Five Hundred, Venice, Italy, 19th century. Artist: E Challis
Hall of the Council of Five Hundred, Venice, Italy, 19th century

Background imageVenetian Collection: The Dogana, Venice, Italy, 19th century. Artist: E Goodall

The Dogana, Venice, Italy, 19th century. Artist: E Goodall
The Dogana, Venice, Italy, 19th century

Background imageVenetian Collection: The Ca d Oro, Venice, Italy, c19th century

The Ca d Oro, Venice, Italy, c19th century. The Ca d Oro (correctly Palazzo Santa Sofia) is regarded as one of the most beautiful palazzos on the Grand Canal in Venice

Background imageVenetian Collection: The Bridge of Sighs and Doges Palace, Venice, 1937. Artist: Martin Hurlimann

The Bridge of Sighs and Doges Palace, Venice, 1937. Artist: Martin Hurlimann
The Bridge of Sighs and Doges Palace, Venice, 1937. Designed by Antonio Contino and built in 1600, the Bridge of Sighs connects the old prison of Venice to the interrogation rooms in the Doges

Background imageVenetian Collection: Rialto Bridge, Venice

Rialto Bridge, Venice. The Rialto Bridge, which spans the Grand Canal, was designed by Antonio da Ponte and Antonio Contino and built between 1588 and 1591

Background imageVenetian Collection: Bridge of Sighs, Venice

Bridge of Sighs, Venice. Designed by Antonio Contino and built in 1600, the Bridge of Sighs connects the old prison of Venice to the interrogation rooms in the Doges Palace

Background imageVenetian Collection: St Marks Square, Venice

St Marks Square, Venice. The main square of Venice, the Piazza San Marco originated as a small open space in front of the original St Marks Basilica in the 9th century



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