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Venetian Collection (page 10)

Background imageVenetian Collection: Sibenik cathedral, Croatia

Sibenik cathedral, Croatia. The Cathedral of St James in Sibenik was built in the 15th and 16th centuries, initially in Gothic then in Renaissance style. In 2000 UNESCO made it a World Heritage Site

Background imageVenetian Collection: St Annes Venetian Fortress, Sibenik, Croatia

St Annes Venetian Fortress, Sibenik, Croatia. In common with the rest of Dalmatia, the town of Sibenik fell under Venetian control in 1412

Background imageVenetian Collection: The Grand Canal and San Salute from Accademia bridge, Venice, Italy

The Grand Canal and San Salute from Accademia bridge, Venice, Italy

Background imageVenetian Collection: Arsenale, Venice, Italy

Arsenale, Venice, Italy. Founded by Doge Ordelafo Falier in 1104, the Arsenale was the centre of Venices sea power. It was a naval base

Background imageVenetian Collection: Church of Santa Maria della Salute, Venice, Italy

Church of Santa Maria della Salute, Venice, Italy. In 1630 the Venetian Senate decreed that if the city was delivered from an outbreak of the plague gripping it at the time

Background imageVenetian Collection: St Marks Square and Basilica, Venice, Italy

St Marks Square and Basilica, Venice, Italy
St Marks Basilica, Venice, Italy. The Basilica of St Mark was built in Byzantine style and modelled on two basilicas from the city of Byzantium, the Holy Apostles and the Hagia Sophia

Background imageVenetian Collection: Church of Santa Maria Gloriosa Dei Frari, Venice, Italy

Church of Santa Maria Gloriosa Dei Frari, Venice, Italy. Known at the time as the Ca Grande (large house), this was the second largest church in Venice when it was completed in the 15th century

Background imageVenetian Collection: St Marks Basilica, Venice, Italy

St Marks Basilica, Venice, Italy. The Basilica of St Mark was built in Byzantine style and modelled on two basilicas from the city of Byzantium, the Holy Apostles and the Hagia Sophia

Background imageVenetian Collection: Mosaics on the facade of St Marks Basilica, Venice, Italy

Mosaics on the facade of St Marks Basilica, Venice, Italy. The Basilica of St Mark was built in Byzantine style and modelled on two basilicas from the city of Byzantium

Background imageVenetian Collection: Marco Barbarigo, c. 1450. Artist: Eyck, Jan van, (School)

Marco Barbarigo, c. 1450. Artist: Eyck, Jan van, (School)
Marco Barbarigo, c. 1450. Found in the collection of the National Gallery, London

Background imageVenetian Collection: Marco Polo, Medieval Venetian merchant and traveller

Marco Polo, Medieval Venetian merchant and traveller. Together with his father and uncle, Marco Polo (1254-1324) set off from Venice for Asia in 1271

Background imageVenetian Collection: Le Palais Blanc, Automne, Venise, c1906, (1918). Artist: Henri Eugene Le Sidaner

Le Palais Blanc, Automne, Venise, c1906, (1918). Artist: Henri Eugene Le Sidaner
Le Palais Blanc, Automne, Venise, c1906, (1918). From The Studio Volume 74. [London Offices of the Studio, London, 1918]

Background imageVenetian Collection: Grand Canal and Church of Santa Maria della Salute, Venice, Italy, 1927. Artist: Eugen Poppel

Grand Canal and Church of Santa Maria della Salute, Venice, Italy, 1927. Artist: Eugen Poppel
Grand Canal and Church of Santa Maria della Salute, Venice, Italy, 1927. In 1630 the Venetian Senate decreed that if the city was delivered from an outbreak of the plague gripping it at the time

Background imageVenetian Collection: Courtyard of the Doges Palace, Venice, Italy, 1927. Artist: Eugen Poppel

Courtyard of the Doges Palace, Venice, Italy, 1927. Artist: Eugen Poppel
Courtyard of the Doges Palace, Venice, Italy, 1927. View looking towards St Marks Basilica. The Doges Palace (Palazzo Ducale) as it appears today was completed in 1424

Background imageVenetian Collection: Part of the Doges Palace, Venice, Italy, 1927. Artist: Eugen Poppel

Part of the Doges Palace, Venice, Italy, 1927. Artist: Eugen Poppel
Part of the Doges Palace, Venice, Italy, 1927. The Doges Palace (Palazzo Ducale) as it appears today was completed in 1424

Background imageVenetian Collection: St Marks Basilica, Venice, Italy, 1927. Artist: Eugen Poppel

St Marks Basilica, Venice, Italy, 1927. Artist: Eugen Poppel
St Marks Basilica, Venice, Italy, 1927. The Basilica of St Mark was built in Byzantine style and modelled on two basilicas from the city of Byzantium, the Holy Apostles and the Hagia Sophia

Background imageVenetian Collection: Church of Santa Maria della Salute and the Dogana, Venice, Italy, 1927. Artist: Eugen Poppel

Church of Santa Maria della Salute and the Dogana, Venice, Italy, 1927. Artist: Eugen Poppel
Church of Santa Maria della Salute and the Dogana (Customs House) from the Riva degli Schiavoni, Venice, Italy, 1927. In 1630 the Venetian Senate decreed that if the city was delivered from an

Background imageVenetian Collection: Main front of the Doges Palace with Riva degli Schiavoni, Venice, Italy, 1927. Artist: Eugen Poppel

Main front of the Doges Palace with Riva degli Schiavoni, Venice, Italy, 1927. Artist: Eugen Poppel
Main front of the Doges Palace with Riva degli Schiavoni, Venice, Italy, 1927. The Doges Palace (Palazzo Ducale) as it appears today was completed in 1424

Background imageVenetian Collection: Corner of the Doges Palace on the Piazzetta di San Marco, Venice, Italy, 1927. Artist: Eugen Poppel

Corner of the Doges Palace on the Piazzetta di San Marco, Venice, Italy, 1927. Artist: Eugen Poppel
Corner of the Doges Palace on the Piazzetta di San Marco, Venice, Italy, 1927. The Doges Palace (Palazzo Ducale) as it appears today was completed in 1424

Background imageVenetian Collection: Bridge of Sighs, Venice, Italy, 1927. Artist: Eugen Poppel

Bridge of Sighs, Venice, Italy, 1927. Artist: Eugen Poppel
Bridge of Sighs, Venice, Italy, 1927. Designed by Antonio Contino and built in 1600, the Bridge of Sighs connects the old prison of Venice to the interrogation rooms in the Doges Palace

Background imageVenetian Collection: Rialto Bridge, Venice, Italy, 1927. Artist: Eugen Poppel

Rialto Bridge, Venice, Italy, 1927. Artist: Eugen Poppel
Rialto Bridge, Venice, Italy, 1927. The Rialto Bridge, which spans the Grand Canal, was designed by Antonio da Ponte and Antonio Contino and built between 1588 and 1591

Background imageVenetian Collection: Venice: A Fair in the Piazza San Marco Seen through an Archway at the South-West End, c1863

Venice: A Fair in the Piazza San Marco Seen through an Archway at the South-West End, c1863. Painting held at the Victoria And Albert Museum, London. From The Connoisseur Volume LXXXII

Background imageVenetian Collection: Grand Canal, Venice, c1850. Artist: James Holland

Grand Canal, Venice, c1850. Artist: James Holland
Grand Canal, Venice, c1850. From The Connoisseur Volume LXXXI. [The Connoisseur Ltd. London, 1928]

Background imageVenetian Collection: Venetian Street, 1900. Artist: David Young Cameron

Venetian Street, 1900. Artist: David Young Cameron
Venetian Street, 1900. From Modern Pen Drawings: European and American, Edited by Charles Holme. [The Offices of the Studio, London, Paris, New York, 1900-01]

Background imageVenetian Collection: A Venetian Canal, c1880. Artist: James Abbott McNeill Whistler

A Venetian Canal, c1880. Artist: James Abbott McNeill Whistler
A Venetian Canal, c1880. From The Studio Volume 31. [London Offices of the Studio, London, 1904]

Background imageVenetian Collection: Early Morning. Venetian Lagoons, c1917. Artist: Wilfrid Williams Ball

Early Morning. Venetian Lagoons, c1917. Artist: Wilfrid Williams Ball
Early Morning. Venetian Lagoons, c1917. From The Studio Volume 70, [London Offices of the Studio, London, 1917]

Background imageVenetian Collection: San Agostino Canal, Venice, c1905 (1914-1915). Artist: Clarence Gagnon

San Agostino Canal, Venice, c1905 (1914-1915). Artist: Clarence Gagnon
San Agostino Canal, Venice, c1905 (1914-1915). From The Studio Volume 63. [The Offices of the Studio, London, 1914-1915]

Background imageVenetian Collection: Petrarca: Trionfi, 1488, (1917)

Petrarca: Trionfi, 1488, (1917)
Petrarca: Trionfi, 1488. Venetian illustration of Petrarchs Triumph of Fame. The Triumphs (I Trionfi) of Francesco Petrarch (1304-1374) is a 14th-century Italian poem

Background imageVenetian Collection: On a Venetian Canal, c1854-1903, (1903). Artist: James Abbott McNeill Whistler

On a Venetian Canal, c1854-1903, (1903). Artist: James Abbott McNeill Whistler
On a Venetian Canal. After a drawing in pastel by James Abbott McNeill Whistler (1834-1903). From The Studio Volume 29 [London Offices of the Studio, London, 1903.]

Background imageVenetian Collection: Doge Leonardo Loredan (1436-1521), 1501-2. (1912)

Doge Leonardo Loredan (1436-1521), 1501-2. (1912)
Doge Leonardo Loredan (1436-1521), 1501-2. Leonardo Loredan was the Doge of Venice from 1501-21. In this formal portrait he is shown here wearing his robes of state

Background imageVenetian Collection: Ca d Oro, Venice, Italy, late 19th or early 20th century

Ca d Oro, Venice, Italy, late 19th or early 20th century. This palace on the Grand Canal was built in the first half of the 15th century

Background imageVenetian Collection: Giants Staircase, Doges Palace, Venice, Italy, late 19th or early 20th century

Giants Staircase, Doges Palace, Venice, Italy, late 19th or early 20th century. The Giants Staircase (Scala dei Giganti) was designed by Antonio Rizzo and built in the 15th century

Background imageVenetian Collection: Venetian woodcut, c1500 (1964)

Venetian woodcut, c1500 (1964). An illustration from Luigi Pulcis Driadeo d Amore. A print from A History of Wood Engraving, by Douglas Percy Bliss, Spring Books, London, 1964

Background imageVenetian Collection: The Lover in the Wood, 1499 (1964)

The Lover in the Wood, 1499 (1964). From the Hypnerotomachia Poliphili (Poliphilos Strife of Love in a Dream), a romance attributed to Francesco Colonna, printed in Venice in 1499

Background imageVenetian Collection: Thais and the youth, 1487 (1964)

Thais and the youth, 1487 (1964). From Aesopus Fabulae, Venice, 1487. A print from A History of Wood Engraving, by Douglas Percy Bliss, Spring Books, London, 1964

Background imageVenetian Collection: British sailors visiting the Doges Palace, Venice, Italy, 1938

British sailors visiting the Doges Palace, Venice, Italy, 1938. Members of the crew of the British battleship HMS Malaya during the warships visit to the city

Background imageVenetian Collection: Woman surrounded by pigeons, St Marks Square, Venice, Italy, 1938

Woman surrounded by pigeons, St Marks Square, Venice, Italy, 1938. During the visit of the British battleship HMS Malaya

Background imageVenetian Collection: Head of a Youth, c1750-1753 (1958)

Head of a Youth, c1750-1753 (1958). Red and white chalk on grey-blue paper. A print from The Fitzwilliam Museum an Illustrated Survey, Trianon Press, 1958

Background imageVenetian Collection: Jupiter Hurling Thunderbolts at the Vices, 1554-1556 (1870). Artist: L Chapon

Jupiter Hurling Thunderbolts at the Vices, 1554-1556 (1870). Artist: L Chapon
Jupiter Hurling Thunderbolts at the Vices, 1554-1556 (1870). After the painting by Paolo Veonese in the collection of the Musee du Louvre, Paris

Background imageVenetian Collection: The Miracle of St Mark Freeing the Slave, 1548 (1870). Artist: Jules Lavee

The Miracle of St Mark Freeing the Slave, 1548 (1870). Artist: Jules Lavee
The Miracle of St Mark Freeing the Slave, 1548 (1870). Found in the collection of the Gallerie dell Accademia, Venice. A print from Les Chef D oeuvre de la Peinture Italienne by Paul Mantz, Paris

Background imageVenetian Collection: The Presentation of the Ring, 1534 (1870). Artist: Roland Brunier

The Presentation of the Ring, 1534 (1870). Artist: Roland Brunier
The Presentation of the Ring, 1534 (1870). The giving of a ring to the Doge of Venice. After the painting by Paris Bordone in the collection of the Gallerie dell Accademia, Venice

Background imageVenetian Collection: St Lorenzo Giustiniani and Other Saints, 1532 (1870)

St Lorenzo Giustiniani and Other Saints, 1532 (1870). Lorenzo Giustiniani (1381-1456) was Bishop and First Patriarch of Venice. Found in the collection of the Gallerie dell Accademia, Venice

Background imageVenetian Collection: Assumption of the Virgin, 1516-1518 (1870). Artist: Roland Brunier

Assumption of the Virgin, 1516-1518 (1870). Artist: Roland Brunier
Assumption of the Virgin, 1516-1518 (1870). After the painting by Titian in the collection of the Santa Maria Gloriosa dei Frari, Venice

Background imageVenetian Collection: Madonna of Victory, 1496 (1870). Artist: Franz Kellerhoven

Madonna of Victory, 1496 (1870). Artist: Franz Kellerhoven
Madonna of Victory, 1496 (1870). Found in the collection of the Louvre, Paris. A print from Les Chef D oeuvre de la Peinture Italienne by Paul Mantz, Paris, 1870

Background imageVenetian Collection: Judith and Holofernes, 1870

Judith and Holofernes, 1870. After the painting of c1495 by Andrea Mantegna in the collection of the Louvre, Paris. The Jewish heroine Judith was living in Bethulia when it was besieged by

Background imageVenetian Collection: San Giobbe Altarpiece, c1478 (1870). Artist: Franz Kellerhoven

San Giobbe Altarpiece, c1478 (1870). Artist: Franz Kellerhoven
San Giobbe Altarpiece, c1478 (1870). Found in the collection of the Gallerie dell Accademia, Venice. A print from Les Chef D oeuvre de la Peinture Italienne by Paul Mantz, Paris, 1870

Background imageVenetian Collection: The Piazza, Venice, c1756 (1956)

The Piazza, Venice, c1756 (1956). A view of St Marks Square with the basilica and campanile in the background. From the National Gallery, London

Background imageVenetian Collection: The Grand Canal, Venice, Italy. Artist: Underwood & Underwood

The Grand Canal, Venice, Italy. Artist: Underwood & Underwood
The Grand Canal, Venice, Italy. The 17th century Church of Santa Maria della Salute, designed by Baldassare Longhena, is in the background. Stereoscopic card detail



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