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Tenniel Collection (page 13)

Background imageTenniel Collection: Rest, and be Very Thankful, 1866. Artist: John Tenniel

Rest, and be Very Thankful, 1866. Artist: John Tenniel
Rest, and be Very Thankful, 1866. An old and weary Lord Russell is being told by Britannia that he should now rest. This cartoon relates to the eight night debate on the second reading of

Background imageTenniel Collection: Wisdom and Wind-Bag, 1866. Artist: John Tenniel

Wisdom and Wind-Bag, 1866. Artist: John Tenniel
Wisdom and Wind-Bag, 1866. The master of rhetoric, Thomas Carlyle, is shown commenting on a speech being given to the masses by John Bright

Background imageTenniel Collection: The Yankee Fireman, 1866. Artist: John Tenniel

The Yankee Fireman, 1866. Artist: John Tenniel
The Yankee Fireman, 1866. The figure of Canada remarks They say theres Fire at Head-Centre House. If it Spreads to My Premises -. To which Fireman Johnson replies Guess its only Smoke, Miss

Background imageTenniel Collection: Pudding before Meat, 1866. Artist: John Tenniel

Pudding before Meat, 1866. Artist: John Tenniel
Pudding before Meat, 1866. Earl Gr-v-n-r exclaims Why, John! Beef before Pudding! Dizzy adds Ha! Ha! What an Absurd Idea! Lord Russell lifts the lid on the meat dish

Background imageTenniel Collection: The Reform Bill, 1866. Frantic Excitement!!!, 1866. Artist: John Tenniel

The Reform Bill, 1866. Frantic Excitement!!!, 1866. Artist: John Tenniel
The Reform Bill, 1866. Frantic Excitement!!!, 1866. Mr and Mrs John Bull, representing the people of Britain, doze over their newspapers which, without exception

Background imageTenniel Collection: Londons Nightmare, 1866. Artist: John Tenniel

Londons Nightmare, 1866. Artist: John Tenniel
Londons Nightmare, 1866. A man holding banner with the word Bumbledom on it, sits on the chest of a woman representing London. He has a particularly stupid expression on his face

Background imageTenniel Collection: The Fenian-Pest, 1866. Artist: John Tenniel

The Fenian-Pest, 1866. Artist: John Tenniel
The Fenian-Pest, 1866. Hibernia remarks O my dear Sister, What are we to do with these Troublesome People? Britannia replies Try Isolation first

Background imageTenniel Collection: The Battle of the Rubric, 1866. Artist: John Tenniel

The Battle of the Rubric, 1866. Artist: John Tenniel
The Battle of the Rubric, 1866. The Archbishop of Canterbury says My Friends! My Friends! You ll Destroy that good old Book of Prayer between You

Background imageTenniel Collection: Going Down to the House, 1866. Artist: John Tenniel

Going Down to the House, 1866. Artist: John Tenniel
Going Down to the House, 1866. Lord Russell remarks Well, Bright, What do you Want? Jonny Bright replies Anything your Honour is Willing to Give me Now

Background imageTenniel Collection: The New Workhouse Porter, 1866. Artist: John Tenniel

The New Workhouse Porter, 1866. Artist: John Tenniel
The New Workhouse Porter, 1866. Master Prig (prig is a contemporary word for thief) bemoans the fact that a policeman is now checking prospective entrants to the workhouse

Background imageTenniel Collection: The Officious Passenger, 1866. Artist: John Tenniel

The Officious Passenger, 1866. Artist: John Tenniel
The Officious Passenger, 1866. Lord Russell is shown here as the ships captain. The Officious Passenger is John Bright. At the beginning of January

Background imageTenniel Collection: The Real Irish Court; Or, The Head Centre And The Dis-Senters, 1866. Artist: John Tenniel

The Real Irish Court; Or, The Head Centre And The Dis-Senters, 1866. Artist: John Tenniel
The Real Irish Court; or, The Head Centre and The Dis-Senters, 1866.This cartoon depicts an outbreak of violence amongst the Irish Fenian movement

Background imageTenniel Collection: The Jamaica Question, 1865. Artist: John Tenniel

The Jamaica Question, 1865. Artist: John Tenniel
The Jamaica Question, 1865. The white planter asks Am not I a Man and Brother, Too, Mr. Stiggins? Punch shows a sullen black worker being led away from his plantation by a sanctimonious Baptist

Background imageTenniel Collection: Rebellion Had Bad Luck, 1865. Artist: John Tenniel

Rebellion Had Bad Luck, 1865. Artist: John Tenniel
Rebellion Had Bad Luck, 1865. An Irish Fenian activist is kicked out of the country by John Bull. This was a time when the Fenians, funded and supplemented with men from the Irish Americans

Background imageTenniel Collection: The Demon Butcher, or the Real Rinderpest, 1865. Artist: John Tenniel

The Demon Butcher, or the Real Rinderpest, 1865. Artist: John Tenniel
The Demon Butcher, or the Real Rinderpest, 1865. The demon butcher, with his hair styled into the shape of horns, stands in front of the animal carcasses declaring the price of beef

Background imageTenniel Collection: The New Foreign Secretary, 1865. Artist: John Tenniel

The New Foreign Secretary, 1865. Artist: John Tenniel
The New Foreign Secretary, 1865. Lord Russell introducing the Earl of Clarendon to Queen Victoria. After the death of Lord Palmerston, shortly after the general election of 1865

Background imageTenniel Collection: Fenians In A Fix, 1865. Artist: John Tenniel

Fenians In A Fix, 1865. Artist: John Tenniel
Fenians In A Fix, 1865. His Riverance remarks; Ah, Thin, Mr Bull, if the Boys had Listened to Me, they d have been out of that Ontirely. Two mutinous Fenians are clamped in the stocks

Background imageTenniel Collection: The Merry Swiss Boy The Return of the Tourist, 1865. Artist: John Tenniel

The Merry Swiss Boy The Return of the Tourist, 1865. Artist: John Tenniel
The Merry Swiss Boy The Return of the Tourist, 1865. On the one side, a jolly Swiss landlord sings as he counts his money

Background imageTenniel Collection: The Re-United States, 1865. Artist: John Tenniel

The Re-United States, 1865. Artist: John Tenniel
The Re-United States, 1865. Colonel North remarks to Colonel South, Wal, Brother; Guess we couldn t Both Win: So lets Shake Hands, and Just Liquor Up

Background imageTenniel Collection: Erins Little Difficulty, 1865. Artist: John Tenniel

Erins Little Difficulty, 1865. Artist: John Tenniel
Erins Little Difficulty, 1865. Britannia exclaims Yes, My Dear! Thats the sort of Drilling to do Him Most Good! Ireland, in the shape of Erin

Background imageTenniel Collection: Queen Hermione, 1865 Artist: John Tenniel

Queen Hermione, 1865 Artist: John Tenniel
Queen Hermione, 1865. Britannia as Paulina unveils the statue and remarks Tis Time! Descend; Be Stone No More! On behalf of the nation Britannia draws back the curtain

Background imageTenniel Collection: The Water Babies, 1865. Artist: John Tenniel

The Water Babies, 1865. Artist: John Tenniel
The Water Babies, 1865. Mrs Britannia turns to Madam France and comments Delightful to See the Children such Good Friends, Dear, Isn t it

Background imageTenniel Collection: Oxford in the Future, or the New Freshman, 1865. Artist: John Tenniel

Oxford in the Future, or the New Freshman, 1865. Artist: John Tenniel
Oxford in the Future, or the New Freshman, 1865. The Navvy says Gallon O Audit Ale, Guv nor, Please. Is got I Blunt to Pay Vor n The Liberal MP, Lord Palmerston

Background imageTenniel Collection: The Green-Backed Monster, 1865. Artist: John Tenniel

The Green-Backed Monster, 1865. Artist: John Tenniel
The Green-Backed Monster, 1865. Iago exclaims O, You are Well Tuned Now! But I ll set Down the Pegs that Make this Music. from Othelllo

Background imageTenniel Collection: Dizzys Arithmetic, 1865 Artist: John Tenniel

Dizzys Arithmetic, 1865 Artist: John Tenniel
Dizzys Arithmetic, 1865. Pam remarks Now, then, Youngster, You ve No Call to be a Chalking that Wall; and if You Must do a Sum, You might as well do it Right

Background imageTenniel Collection: A Word to the Mermaids, 1865. Artist: John Tenniel

A Word to the Mermaids, 1865. Artist: John Tenniel
A Word to the Mermaids, 1865. Neptune exclaims Aho-o-o-o-oy, There! Get Off O That Ere Cable, Can t Yer - Thats the Way T Other one was Wrecked!!

Background imageTenniel Collection: Pegasus Unharnessed, 1865. Artist: John Tenniel

Pegasus Unharnessed, 1865. Artist: John Tenniel
Pegasus Unharnessed, 1865. Mr Gladstone, the Pegasus of Free Thought and Free Trade, was, in July 1865, defeated at the Oxford University Elections

Background imageTenniel Collection: Waiting for the Verdict, 1865. Artist: John Tenniel

Waiting for the Verdict, 1865. Artist: John Tenniel
Waiting for the Verdict, 1865. Lord Derby (left) and Disraeli represent the Conservatives who awaited the verdict of the country following the 1865 General Election

Background imageTenniel Collection: The Golden Wedding; or, Fifty Years Jubilee of Peace, 1865. Artist: John Tenniel

The Golden Wedding; or, Fifty Years Jubilee of Peace, 1865. Artist: John Tenniel
The Golden Wedding; or, Fifty Years Jubilee of Peace, 1865. This Jubilee is celebrated by Punch and shows, left to right, John Bull, Napoleon III, France and Britannia

Background imageTenniel Collection: The Election Budget, 1865. Artist: John Tenniel

The Election Budget, 1865. Artist: John Tenniel
The Election Budget, 1865. Gladstone exclaims I Think, Mr Bull, We may now Reckon on Your Support! Gladstone gives John Bull some pennies and his wife a packet of tea

Background imageTenniel Collection: Britannia Sympathises with Columbia, 1865. Artist: John Tenniel

Britannia Sympathises with Columbia, 1865. Artist: John Tenniel
Britannia Sympathises with Columbia, 1865. Only days after the long and bitter Civil War in America had finally come to an end

Background imageTenniel Collection: The American Gladiators - Habet!, 1865. Artist: John Tenniel

The American Gladiators - Habet!, 1865. Artist: John Tenniel
The American Gladiators - Habet!, 1865. The gladiator representing the Northern States is finally overpowering his opponent, the Southern States

Background imageTenniel Collection: Father Thames Himself Again, 1865 Artist: John Tenniel

Father Thames Himself Again, 1865 Artist: John Tenniel
Father Thames Himself Again, 1865. Lor Bless Yer R Y L Ighness! I ain t the Same River since I Gave up Scavenging and Turned Waterman

Background imageTenniel Collection: The Agricultural Jeremy Diddler, 1865. Artist: John Tenniel

The Agricultural Jeremy Diddler, 1865. Artist: John Tenniel
The Agricultural Jeremy Diddler, 1865. Malt Tax Repealer asks: You don t happen to have Six or Seven Million about you, Sir? Gladstone replies: Yes, I Do - And I Mean to Keep Them About Me

Background imageTenniel Collection: The American Juggernaut, 1864. Artist: John Tenniel

The American Juggernaut, 1864. Artist: John Tenniel
The American Juggernaut, 1864.This cartoon depicts the horror of war. The old definition of juggernaut is a huge, unstoppable object

Background imageTenniel Collection: The Threatening Note, 1865. Artist: John Tenniel

The Threatening Note, 1865. Artist: John Tenniel
The Threatening Note, 1865. Attorney Lincoln. Now, Uncle Sam, You re in A Darned Hurry to Serve this Here Notice on John Bull

Background imageTenniel Collection: The Popes Mad Bull, 1865. Artist: John Tenniel

The Popes Mad Bull, 1865. Artist: John Tenniel
The Popes Mad Bull, 1865. At the end of 1864, Pope Pius IX had issued an Encyclical Letter that itemised all the practices and beliefs of the modern world previously condemned by his holiness

Background imageTenniel Collection: Medium and Re-Medium, 1864. Artist: John Tenniel

Medium and Re-Medium, 1864. Artist: John Tenniel
Medium and Re-Medium, 1864. Here, Punch has a topical dig at the spiritual industry and the idiots of fashion for providing such a fine harvest for the practitioners

Background imageTenniel Collection: Colonists and Convicts 1864. Artist: John Tenniel

Colonists and Convicts 1864. Artist: John Tenniel
Colonists and Convicts, 1864. Australian Colonist says: Now, Mr. Bull! Don t shoot any more of your Rubbish here, or I shall Quarrel

Background imageTenniel Collection: Mrs. North and Her Attorney, 1864. Artist: John Tenniel

Mrs. North and Her Attorney, 1864. Artist: John Tenniel
Mrs. North and Her Attorney, 1864. Mrs North says: You see, Mr. Lincoln, we have failed utterly in our course of Action; I want Peace, and so, if you cannot effect an Amicable Arrangement

Background imageTenniel Collection: Something for Paddy, 1864. Artist: John Tenniel

Something for Paddy, 1864. Artist: John Tenniel
Something for Paddy, 1864. Daniel O Connell says: Its a Repaler ye call yourself, ye Spalpeen, and you re goin to Die for the Union

Background imageTenniel Collection: Relieving Guard at The Vatican, 1864. Artist: John Tenniel

Relieving Guard at The Vatican, 1864. Artist: John Tenniel
Relieving Guard at The Vatican, 1864. France says to Italy: You mustn t let nobody outside annoy the Party inside; and you musn t let the Party inside annoy nobody Outside

Background imageTenniel Collection: Columbias Sewing-Machine, 1864. Artist: John Tenniel

Columbias Sewing-Machine, 1864. Artist: John Tenniel
Columbias Sewing-Machine, 1864. Britannia says: Ah, my dear Columbia, its all very well; But you ll find it difficult to join that neatly

Background imageTenniel Collection: The Fight at St. Stephens Academy, 1864. Artist: John Tenniel

The Fight at St. Stephens Academy, 1864. Artist: John Tenniel
The Fight at St. Stephens Academy, 1864. Mrs Gamp. Never Mind, My Dear! You done yer werry best to win; which that Master Gladsting is such a huncommon strong boy

Background imageTenniel Collection: The Beadle and The Dane, 1864. Artist: John Tenniel

The Beadle and The Dane, 1864. Artist: John Tenniel
The Beadle and The Dane, 1864. Lord John Russell says: Better take it! Half a Loafs better than no Bread, you know! In an effort to resolve the Schleswig-Holstein problem, Lord Russell

Background imageTenniel Collection: Out of The Race, 1864. Artist: John Tenniel

Out of The Race, 1864. Artist: John Tenniel
Out of The Race, 1864. Gladstone says: Permit me to explain - Democracy - Palmerston replies: Oh, bother your explanations! You ve blown your horse, and you re out of The Race

Background imageTenniel Collection: A Quack in the Right Place, 1864. Artist: John Tenniel

A Quack in the Right Place, 1864. Artist: John Tenniel
A Quack in the Right Place; Or, What we Should Like to See, 1864. A quack doctor is pelted with his own preparations, together with carrots and the occasional dead cat

Background imageTenniel Collection: Dressing for an Oxford Bal Masque, 1864. Artist: John Tenniel

Dressing for an Oxford Bal Masque, 1864. Artist: John Tenniel
Dressing for an Oxford Bal Masque, 1864. The Question is, is Man an Ape of an Angel? (A Laugh.) Now, I am on the side of the Angels. (Cheers.), from Disraelis Oxford Speech, Friday November 25



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