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Tenniel Collection (page 11)

Background imageTenniel Collection: The Vatican Hatter, 1874. Artist: Joseph Swain

The Vatican Hatter, 1874. Artist: Joseph Swain
The Vatican Hatter, 1874 - who looks very like Pope Pius IX - shows the new Archbishop of Westminster a cardinals hat and apologises that he hasn t got one to fit Dr Manning

Background imageTenniel Collection: Low(e) art and whitewash, 1873. Artist: Joseph Swain

Low(e) art and whitewash, 1873. Artist: Joseph Swain
Low(e) art and whitewash, 1873. Mr Robert Lowe slaps whitewash onto the sturdy figure of a policeman. The British police had been under fire in recent years following various scandals both in London

Background imageTenniel Collection: Neighbours In Council, 1869. Artist: John Tenniel

Neighbours In Council, 1869. Artist: John Tenniel
Neighbours In Council, 1869. France and Britannia were each facing their problems, although, as is often the case, France is depicted as a weaker version of Britannia

Background imageTenniel Collection: The Irish Treason Shop, 1869. Artist: Joseph Swain

The Irish Treason Shop, 1869. Artist: Joseph Swain
The Irish Treason Shop, 1869. The Fenian movement was still causing the British Government problems. The movement had not been pacified by the measures introduced through the recent Irish Bill

Background imageTenniel Collection: From The Great Pyramid. (A Bird s-Eye View of The Canal and Its Consequences. ), 1869

From The Great Pyramid. (A Bird s-Eye View of The Canal and Its Consequences. ), 1869. Artist: Joseph Swain
From The Great Pyramid. (A Bird s-Eye View of The Canal and Its Consequences.), 1869. In November 1869 the Suez Canal was formally opened

Background imageTenniel Collection: A Perilous Passage, 1869. Artist: Joseph Swain

A Perilous Passage, 1869. Artist: Joseph Swain
A Perilous Passage, 1869. Napoleon III of France was struggling against a wave of unpopularity at the time. He had introduced a number of measures to try and calm the situation

Background imageTenniel Collection: How Not To Do It, 1869. Artist: Joseph Swain

How Not To Do It, 1869. Artist: Joseph Swain
How Not To Do It, 1869. The Fenian movement was still causing the British Government problems. The movement had not been pacified by the measures introduced through the recent Irish Bill

Background imageTenniel Collection: Bob and The Bobby, Or Only His Fun, 1869. Artist: Joseph Swain

Bob and The Bobby, Or Only His Fun, 1869. Artist: Joseph Swain
Bob and The Bobby, Or Only His Fun, 1869. Robert Lowe, the Chancellor of the Exchequer, had proposed devaluing the sovereign by one per cent

Background imageTenniel Collection: Big Bogey in Ireland, 1869. Artist: Joseph Swain

Big Bogey in Ireland, 1869. Artist: Joseph Swain
Big Bogey in Ireland, 1869. The Cardinal forbids his little catholic children from joining their Protestant friends in the National School

Background imageTenniel Collection: Well Rowed All!, 1869. Artist: Joseph Swain

Well Rowed All!, 1869. Artist: Joseph Swain
Well Rowed All!, 1869. This cartoon refers to the development of a special relationship between Britain and the United States

Background imageTenniel Collection: Destiny and Fete, Or Time Works Wonders, 1869. Artist: Joseph Swain

Destiny and Fete, Or Time Works Wonders, 1869. Artist: Joseph Swain
Destiny and Fete, Or Time Works Wonders, 1869. Napoleon III of France was struggling against a wave of unpopularity at the time

Background imageTenniel Collection: A Change for The Better, 1869. Artist: Joseph Swain

A Change for The Better, 1869. Artist: Joseph Swain
A Change for The Better, 1869. After his success in the 1868 General Election, Mr Gladstone became the new Prime Minister

Background imageTenniel Collection: Easing The Curb, 1869. Artist: John Tenniel

Easing The Curb, 1869. Artist: John Tenniel
Easing The Curb, 1869. This cartoon depicts Napoleon easing the curb on the horse to allow its smoother handling and easier passage. Emperor Napoleon III was having difficulties at home

Background imageTenniel Collection: The Rival Con jurors, 1869. Artist: John Tenniel

The Rival Con jurors, 1869. Artist: John Tenniel
The Rival Con jurors, 1869. The new Liberal Chancellor for the Exchequer introduced his first Budget. Income tax was reduced by 1penny in the pound and the duty on foreign corn was abolished

Background imageTenniel Collection: Humble Pie (?), 1869. Artist: John Tenniel

Humble Pie (?), 1869. Artist: John Tenniel
Humble Pie (?), 1869. After the American Civil War, the US government claimed compensation was due from Britain in respect of the damage done by the Alabama

Background imageTenniel Collection: The Sunday Question, 1869. Artist: John Tenniel

The Sunday Question, 1869. Artist: John Tenniel
The Sunday Question, 1869. The drinking habits of the working classes was always a cause for concern amongst their social superiors

Background imageTenniel Collection: The Habitual Criminal Cure, 1869. Artist: John Tenniel

The Habitual Criminal Cure, 1869. Artist: John Tenniel
The Habitual Criminal Cure, 1869. This cartoon refers to what might be called an early stop and search. Recently, the Habitual Criminals Act passed through the House of Lords

Background imageTenniel Collection: Two Girls of The Period, 1869. Artist: John Tenniel

Two Girls of The Period, 1869. Artist: John Tenniel
Two Girls of The Period, 1869. This cartoon shows a fashionable protestant convert to Catholicism looking in horror at the Catholic nun

Background imageTenniel Collection: Our Siamese Twins, 1869. Artist: John Tenniel

Our Siamese Twins, 1869. Artist: John Tenniel
Our Siamese Twins, 1869. Mr Gladstone was the new Prime Minister following 1868s late General Election. One of his first acts was to start preparing for the disestablishment of the Irish Church

Background imageTenniel Collection: Committed for Trial, 1869. Artist: John Tenniel

Committed for Trial, 1869. Artist: John Tenniel
Committed for Trial, 1869. A ruined man consoles his daughter. This refers to the trial of the former members of the firm of Overend, Gurney & Co

Background imageTenniel Collection: Prevention Better Than Cure, 1869. Artist: John Tenniel

Prevention Better Than Cure, 1869. Artist: John Tenniel
Prevention Better Than Cure, 1869. The message implicit in this cartoon is that more bobbies on the beat will prevent crime

Background imageTenniel Collection: Justice to Ireland, 1869. Artist: John Tenniel

Justice to Ireland, 1869. Artist: John Tenniel
Justice to Ireland, 1869. The Liberal Party having won the General Election at the end of 1868, Mr Gladstone became Prime Minister

Background imageTenniel Collection: Turkey and Grease, 1869. Artist: John Tenniel

Turkey and Grease, 1869. Artist: John Tenniel
Turkey and Grease, 1869. At the end of December 1868, there was a divergence of opinion between Greece and Turkey that threatened to lead to armed conflict

Background imageTenniel Collection: The Chichester Extinguisher, 1868

The Chichester Extinguisher, 1868. This cartoon depicts the Bishop of Chichester berating his ritualist parson. The parson is wearing ornate vestments and is burning incense

Background imageTenniel Collection: Revised-and Corrected, 1868. Artist: John Tenniel

Revised-and Corrected, 1868. Artist: John Tenniel
Revised-and Corrected, 1868. During the General Election of 1868, the question of the enfranchisement of women came to fore

Background imageTenniel Collection: Viva La Libertad, 1868. Artist: John Tenniel

Viva La Libertad, 1868. Artist: John Tenniel
Viva La Libertad, 1868. In September 1868, Queen Isabella of Spain fled her country after the outbreak of revolution and the defeat of her troops by Serrano

Background imageTenniel Collection: A Dress Rehearsal, 1868. Artist: John Tenniel

A Dress Rehearsal, 1868. Artist: John Tenniel
A Dress Rehearsal, 1868. The campaigning for the General Election of 1868 was well under way, and it was apparent that the Liberal party were leading the race

Background imageTenniel Collection: Another Eclipse for India, 1868. Artist: John Tenniel

Another Eclipse for India, 1868. Artist: John Tenniel
Another Eclipse for India, 1868. Lord John Lawrence had been the Viceroy of India since 1863, but was now preparing to hand over his authority to Lord Mayo



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