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Tenniel Collection (page 10)

Background imageTenniel Collection: Blind-Mans Buff, 1888. Artist: Joseph Swain

Blind-Mans Buff, 1888. Artist: Joseph Swain
Blind-Mans Buff, 1888. The policeman faces insurmountable odds in his attempts to catch the many villains operating on the streets of Britains towns and cities

Background imageTenniel Collection: The Cut Direct, 1888. Artist: Joseph Swain

The Cut Direct, 1888. Artist: Joseph Swain
The Cut Direct, 1888. The Democrat President of the United States, Grover Cleveland, was fighting for re-election. The young lady on the right offering the Fisheries Treaty will not

Background imageTenniel Collection: My Hearts in the Highlands!, 1888. Artist: Joseph Swain

My Hearts in the Highlands!, 1888. Artist: Joseph Swain
My Hearts in the Highlands!, 1888. The leader of the Home Rule Party, Charles Parnell, can be seen here setting his sights on the stag in the distance

Background imageTenniel Collection: Whos to Blame?, 1876. Artist: Joseph Swain

Whos to Blame?, 1876. Artist: Joseph Swain
Whos to Blame?, 1876. Father Thames is being buffeted by the waters of the capitals river, whilst London tries to lift her dripping skirts out of the waters reach

Background imageTenniel Collection: A Cold Reception and A Warm Welcome, 1876. Artist: Joseph Swain

A Cold Reception and A Warm Welcome, 1876. Artist: Joseph Swain
A Cold Reception and A Warm Welcome, 1876. In the lefthand cartoon, the Queen of the Arctic is perched on top of the snowy peaks of the Arctic

Background imageTenniel Collection: The Drowsy Pointsman, 1876. Artist: Joseph Swain

The Drowsy Pointsman, 1876. Artist: Joseph Swain
The Drowsy Pointsman, 1876. John Bull, the representative of the British people, prods a dozing Disraeli, now the Earl of Beaconsfield. This cartoon highlights two very topical stories

Background imageTenniel Collection: Friends or Foes?, 1876. Artist: Joseph Swain

Friends or Foes?, 1876. Artist: Joseph Swain
Friends or Foes?, 1876. The British Lion, travelling, meets the Russian Bear, who is armed, at the crossroads. This relates to the recent conflict between Turkey and Bulgaria

Background imageTenniel Collection: The Status Quo, 1876. Artist: Joseph Swain

The Status Quo, 1876. Artist: Joseph Swain
The Status Quo, 1876. Turkey holds out the hands of friendship to Britannia. However, just as the sword hanging from his wrist is dripping with the blood of his victims

Background imageTenniel Collection: Empress and Earl, 1876. Artist: Joseph Swain

Empress and Earl, 1876. Artist: Joseph Swain
Empress and Earl, 1876. The Conservative Prime Minister, Disraeli, accepts the title of Earl of Beaconsfield from Her Majesty, Queen Victoria

Background imageTenniel Collection: Left Luggage, 1876. Artist: Joseph Swain

Left Luggage, 1876. Artist: Joseph Swain
Left Luggage, 1876. Disraeli, the Conservative Prime Minister, stands with all his luggage on a railway platform. As the current session of parliament came to an end for the Summer Recess

Background imageTenniel Collection: Neutrality Under Difficulties, 1876. Artist: Joseph Swain

Neutrality Under Difficulties, 1876. Artist: Joseph Swain
Neutrality Under Difficulties, 1876. The Conservative Prime Minister, Benjamin Disraeli, sits comfortably in a chair, whilst Britannia urges him to look up from his book at the fighting in

Background imageTenniel Collection: Keeping the Ring, 1876. Artist: Joseph Swain

Keeping the Ring, 1876. Artist: Joseph Swain
Keeping the Ring, 1876. Turkey, brandishing a sword, is beset on all sides by the dogs of war, Servia, Montenegro, Herzegovina and Bosnia

Background imageTenniel Collection: The Sphinx is silent, 1876. Artist: Joseph Swain

The Sphinx is silent, 1876. Artist: Joseph Swain
The Sphinx is silent, 1876. The Conservative Prime Minister, Benjamin Disraeli, is here depicted as a great Sphinx, whilst, below him

Background imageTenniel Collection: Scinece and Stupidity, 1876. Artist: Joseph Swain

Scinece and Stupidity, 1876. Artist: Joseph Swain
Scinece and Stupidity, 1876. The policeman, clutching his Vivisection Bill, tries to move on the group of medical professors using a microscope to look at the results of their latest work

Background imageTenniel Collection: Counting Her Chicks, 1876. Artist: Joseph Swain

Counting Her Chicks, 1876. Artist: Joseph Swain
Counting Her Chicks, 1876. Britannia tries to console G Ward Hunt, the First Lord of the Admiralty, as he worries about his fleet at Besika Bay

Background imageTenniel Collection: A Voice from the Clouds, 1875. Artist: Joseph Swain

A Voice from the Clouds, 1875. Artist: Joseph Swain
A Voice from the Clouds, 1875. John Bull, the representative of the British people, stands up to his thighs in flood water, surrounded by the wreckage of household furniture

Background imageTenniel Collection: Disinterested Advisers, 1875. Artist: Joseph Swain

Disinterested Advisers, 1875. Artist: Joseph Swain
Disinterested Advisers, 1875. Turkey is surrounded by Disinterested Advisers in the shape of the Russian Bear and the Eagles representing Austria and Germany

Background imageTenniel Collection: Neptunes Warning, 1875. Artist: Joseph Swain

Neptunes Warning, 1875. Artist: Joseph Swain
Neptunes Warning, 1875. Neptune sits on a small raft, with Britannia held safely on his knee. Recently, two of the new iron-clad men of war ships

Background imageTenniel Collection: The Golden Wedding, 1875. Artist: Joseph Swain

The Golden Wedding, 1875. Artist: Joseph Swain
The Golden Wedding, 1875. Iron, represented by Vulcan, and steam, represented by Vapour, are congratulated by Mr Punch on their 50 harmonious years

Background imageTenniel Collection: The Flag of Freedom, 1875. Artist: Joseph Swain

The Flag of Freedom, 1875. Artist: Joseph Swain
The Flag of Freedom, 1875. An escaped slave clings to Britains flagpole as John Bull argues the toss with the First Lord of the Admiralty, G Ward Hunt

Background imageTenniel Collection: Whos to Blame?, 1875. Artist: Joseph Swain

Whos to Blame?, 1875. Artist: Joseph Swain
Whos to Blame?, 1875. Vulcan makes no excuse to Britannia as she shows him the bill for the loss of the iron-clad man-of-war vessel that sank after a collision off the coast of Ireland

Background imageTenniel Collection: Approaching Dissolution, 1875. Artist: Joseph Swain

Approaching Dissolution, 1875. Artist: Joseph Swain
Approaching Dissolution, 1875. Mrs Disraeli on the right runs a Baby Farm. Huddled in the corner behind her are all the Baby Bills

Background imageTenniel Collection: Loss and Gain, 1875. Artist: Joseph Swain

Loss and Gain, 1875. Artist: Joseph Swain
Loss and Gain, 1875. John Bull, the representative of the British people, stands with Mr Punch on the coast of Ireland and looks into the gloom

Background imageTenniel Collection: Waiting to be Won, 1875. Artist: Joseph Swain

Waiting to be Won, 1875. Artist: Joseph Swain
Waiting to be Won, 1875. The Queen of the Arctic is perched on an iceberg with two polar bears at her feet. This relates to the New Arctic Expedition at the start of which two ships

Background imageTenniel Collection: O, Lovely Peace, 1875. Artist: Joseph Swain

O, Lovely Peace, 1875. Artist: Joseph Swain
O, Lovely Peace, 1875. Bismarck plays a penny whistle and the Russian Bear dances. The German Emperor dances along happily

Background imageTenniel Collection: Cremation, 1875. Artist: Joseph Swain

Cremation, 1875. Artist: Joseph Swain
Cremation, 1875. A young man is dismayed to find his uncle helping himself to some snuff that he found in an urn on the mantelpiece of his nephews lodgings

Background imageTenniel Collection: A Red Study, 1875. Artist: Joseph Swain

A Red Study, 1875. Artist: Joseph Swain
A Red Study, 1875. This cartoon shows Dr Henry Edward Manning gazing into the fire. Manning had in fact been one of the leaders of the Oxford Movement, but converted to Roman Catholicism in 1851

Background imageTenniel Collection: Deserted !, 1875. Artist: Joseph Swain

Deserted !, 1875. Artist: Joseph Swain
Deserted !, 1875. Mr Disraeli, the Conservative Prime Minister, stands on the right with his Lord Chancellor, Hugh McCalmont Cairns, 1st Earl Cairns

Background imageTenniel Collection: A Nice Distinction, 1875. Artist: Joseph Swain

A Nice Distinction, 1875. Artist: Joseph Swain
A Nice Distinction, 1875. This cartoon shows Dr Edward Kenealy on the right preventing John Mitchell from entering the House of Commons

Background imageTenniel Collection: The Bow of Ulysses, 1875. Artist: Joseph Swain

The Bow of Ulysses, 1875. Artist: Joseph Swain
The Bow of Ulysses, 1875. The Liberal opposition had to choose a new leader following Mr Gladstones resignation from office following the Liberal defeat in the General Election of 1874

Background imageTenniel Collection: Good-Bye !, 1875. Artist: Joseph Swain

Good-Bye !, 1875. Artist: Joseph Swain
Good-Bye !, 1875. Mr Gladstone on the right shakes hands with Prime Minister Disraeli. In the previous year, Mr Gladstones Liberal government had lost the General Election to Disraelis Conservative

Background imageTenniel Collection: Between Two Fires, 1875. Artist: Joseph Swain

Between Two Fires, 1875. Artist: Joseph Swain
Between Two Fires, 1875. Pope Pius IX is on the left of this cartoon and Bismarck of Germany on the right. In the middle is the young son of the abdicated Queen Isabella of Spain

Background imageTenniel Collection: The North-West Passage, 1874. Artist: Joseph Swain

The North-West Passage, 1874. Artist: Joseph Swain
The North-West Passage, 1874. Mr Disraeli, the Conservative Prime Minister, looks thoughtfully into the distance. Charts and maps are spread out around him

Background imageTenniel Collection: The Voice of the Turtle, 1874. Artist: Joseph Swain

The Voice of the Turtle, 1874. Artist: Joseph Swain
The Voice of the Turtle, 1874. Gog and Magog represent the City of London in this cartoon which relates to the proposal to enlarge the Corporation

Background imageTenniel Collection: Our Merchant Navy, 1874. Artist: Joseph Swain

Our Merchant Navy, 1874. Artist: Joseph Swain
Our Merchant Navy, 1874. Alfred, Duke of Edinburgh refers to Britains need for fit and ready sailors. Mr Samuel Plimsoll was pursuing his fight against the often deliberate overloading

Background imageTenniel Collection: The Demon Rough, 1874. Artist: Joseph Swain

The Demon Rough, 1874. Artist: Joseph Swain
The Demon Rough, 1874. A bestial labourer crouches over the limp body of his wife whilst Justice stands over him, her scales and sword on her belt, and the cat o nine tails in her hand

Background imageTenniel Collection: Railway Responsability, 1874. Artist: Joseph Swain

Railway Responsability, 1874. Artist: Joseph Swain
Railway Responsability, 1874. Mr Punch tells a fat railway director that his train operators - seen in the background amidst the buffers

Background imageTenniel Collection: A Pleasure Excursion - First-Class!, 1824. Artist: Joseph Swain

A Pleasure Excursion - First-Class!, 1824. Artist: Joseph Swain
A Pleasure Excursion - First-Class!, 1824. A mixed group of passengers enjoy the comforts of first-class railway travel. The large gentleman in the top hat claims to be a director

Background imageTenniel Collection: Home-(Rule)-Opathy, 1874. Artist: Joseph Swain

Home-(Rule)-Opathy, 1874. Artist: Joseph Swain
Home-(Rule)-Opathy, 1874. Mr Isaac Butt, the moderate leader of the Irish Home Rule Party opens a box labelled Home Rule. Ireland sits by her small fire with her meagre possessions on a stool beside

Background imageTenniel Collection: Womans Wrongs, 1874. Artist: Joseph Swain

Womans Wrongs, 1874. Artist: Joseph Swain
Womans Wrongs, 1874. A brutish working-class husband prepares to beat his wife who still bears the insignia of previous violence

Background imageTenniel Collection: Black Sheep, 1874. Artist: Joseph Swain

Black Sheep, 1874. Artist: Joseph Swain
Black Sheep, 1874. This cartoon shows the Archbishop of Canterbury rooting out the black sheep from amongst his flock and sending them back towards Rome

Background imageTenniel Collection: The Good Little Vitler, 1874. Artist: Joseph Swain

The Good Little Vitler, 1874. Artist: Joseph Swain
The Good Little Vitler, 1874. The little victualler is rewarded by the new Conservative Home Secretary, RA Cross. The previous Home Secretary, HA Bruce

Background imageTenniel Collection: Dearly Bought, 1874. Artist: Joseph Swain

Dearly Bought, 1874. Artist: Joseph Swain
Dearly Bought, 1874. Sir Garnet Wolseley is depicted presenting Britannia with King King Coffees state umbrella. British troops in the background stand guard over the dejected native King

Background imageTenniel Collection: The Levee of the Season, 1874. Artist: Joseph Swain

The Levee of the Season, 1874. Artist: Joseph Swain
The Levee of the Season, 1874. Queen Victoria reviews her troops. These were the men who had fought in the Ashanti Campaign recently under the leadership of Sir Garnet Wolseley

Background imageTenniel Collection: Paradise and the Peri, 1874. Artist: Joseph Swain

Paradise and the Peri, 1874. Artist: Joseph Swain
Paradise and the Peri, 1874. Mr Disraeli is taken by the wings of happiness. The General Election of the 5th March 1874 had seen the Conservatives, under the leadership of Mr Disraeli

Background imageTenniel Collection: Degenerate Days!!, 1874. Artist: Joseph Swain

Degenerate Days!!, 1874. Artist: Joseph Swain
Degenerate Days!!, 1874. A publican and his customer discuss the forthcoming General Election. After being in power since 1868, the Liberal Prime Minister, Gladstone

Background imageTenniel Collection: General election, (1874?). Artist: Joseph Swain

General election, (1874?). Artist: Joseph Swain
General election, (1874?). A shrouded figure holds up the ballot box whilst, in the mists and gloom at the figures feet, the Liberal Prime Minister, Gladstone

Background imageTenniel Collection: The Latest in Russia Bonds, 1874. Artist: Joseph Swain

The Latest in Russia Bonds, 1874. Artist: Joseph Swain
The Latest in Russia Bonds, 1874. Mr Punch, trailing a garland of roses, stands atop a pedestal labelled Hymen. In the foreground



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