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Stage Set Collection (page 4)

Background imageStage Set Collection: Stage design with allegorical figures on a staircase; from L Eta Dell Oro, ca. 1690

Stage design with allegorical figures on a staircase; from L Eta Dell Oro, ca. 1690

Background imageStage Set Collection: Stage design with allegorical figures; from L Idea di tutti le perfezioni... Piacenz

Stage design with allegorical figures; from L Idea di tutti le perfezioni... Piacenza, ca. 1690

Background imageStage Set Collection: Side Wings to Suit any Play, Plate 7 for a Toy Theater, 1870-90. 1870-90

Side Wings to Suit any Play, Plate 7 for a Toy Theater, 1870-90. 1870-90
Side Wings to Suit any Play, Plate 7 for a Toy Theater, 1870-90

Background imageStage Set Collection: Scene from the new opera of 'The Brides of Venice', at Drury-Lane Theatre, 1844

Scene from the new opera of "The Brides of Venice", at Drury-Lane Theatre, 1844
Scene from the new opera of " The Brides of Venice", at Drury-Lane Theatre, 1844. On Monday last Benedicts new opera entitled the " Brides of Venice" was produced with most

Background imageStage Set Collection: Stage Set for La Fedra, 1800-1900. Creator: Anon

Stage Set for La Fedra, 1800-1900. Creator: Anon
Stage Set for La Fedra, 1800-1900

Background imageStage Set Collection: Crypt with a Kneeling Mourner, 1830-40. Creator: Anon

Crypt with a Kneeling Mourner, 1830-40. Creator: Anon
Crypt with a Kneeling Mourner, 1830-40

Background imageStage Set Collection: Design for a Stage Set: Crypt Scene, 1830-40. Creator: Anon

Design for a Stage Set: Crypt Scene, 1830-40. Creator: Anon
Design for a Stage Set: Crypt Scene, 1830-40

Background imageStage Set Collection: Stage Set Design for a Ballet: Don Parasol, 1869. Creator: Carlo Ferrario

Stage Set Design for a Ballet: Don Parasol, 1869. Creator: Carlo Ferrario
Stage Set Design for a Ballet: Don Parasol, 1869

Background imageStage Set Collection: Design for a Stage Set at the Opera, Paris, 1828-90. Creator: Eugene Ciceri

Design for a Stage Set at the Opera, Paris, 1828-90. Creator: Eugene Ciceri
Design for a Stage Set at the Opera, Paris, 1828-90

Background imageStage Set Collection: Design for a theater set created by Giacomo Torelli da Fano for the ballet Les Noces de

Design for a theater set created by Giacomo Torelli da Fano for the ballet Les Noces de Thetis, from Decorations et machines aprestees aux nopces de Tetis, Ballet Royal, 1654

Background imageStage Set Collection: Stage Set Design of an Ancient Roman Ruin being Converted into a Barn

Stage Set Design of an Ancient Roman Ruin being Converted into a Barn, late 18th-mid-19th century

Background imageStage Set Collection: Design for a Stage Set at the Opera, Paris, 1830-90. Creator: Eugene Ciceri

Design for a Stage Set at the Opera, Paris, 1830-90. Creator: Eugene Ciceri
Design for a Stage Set at the Opera, Paris, 1830-90

Background imageStage Set Collection: Design of a Perspective for a Stage Set with Courtyard and Triumphal Arch. ca. 1675-1743

Design of a Perspective for a Stage Set with Courtyard and Triumphal Arch. ca. 1675-1743

Background imageStage Set Collection: Faust Town in the Felsenreitschule, Salzburg, Austria, c1935. Creator: Unknown

Faust Town in the Felsenreitschule, Salzburg, Austria, c1935. Creator: Unknown
Faust Town in the Felsenreitschule, Salzburg, Austria, c1935. The Felsenreitschule (literally rock riding school ), built in a former quarry, was originally used as a summer riding school

Background imageStage Set Collection: Last scene of Wests Lodoiska, or the Captive Princess 1824, (1948). Creator: M

Last scene of Wests Lodoiska, or the Captive Princess 1824, (1948). Creator: M
Last scene of Wests " Lodoiska, or the Captive Princess" 1824, (1948). The final scene from a production of " Lodoiska", an opera by Luigi Cherubini

Background imageStage Set Collection: Academie Nationale. - Mlle. L. Grandjean. - Role de Desdemone. - Othello, 1904

Academie Nationale. - Mlle. L. Grandjean. - Role de Desdemone. - Othello, 1904. Louise Grandjean (1870-1934) as Desdemona in Othello - an opera in four acts by Giuseppe Verdi to an Italian libretto

Background imageStage Set Collection: Theatre Du Vaudeville. - L Esboufe - Suzanne Despres, role de Mme Richter-Mme Belgrand, 1904

Theatre Du Vaudeville. - L Esboufe - Suzanne Despres, role de Mme Richter-Mme Belgrand, 1904
Theatre Du Vaudeville. - L Esboufe. Suzanne Despres, role de Mme Richter-Mme Belgrand, 1904. Suzanne Despres, (1875-1951) as Mademoiselle Richter in L Esbroufe by Abel Hermant

Background imageStage Set Collection: Theatre Municipal De La Gaite - La Montansier - Mme. Rejane. Saint-Phar: M. Coquelin Aine, 1904

Theatre Municipal De La Gaite - La Montansier - Mme. Rejane. Saint-Phar: M. Coquelin Aine, 1904
Theatre Municipal De La Gaite - La Montansier - La Montansier: Mme. Rejane. Saint-Phar: M. Coquelin Aine, 1904. Gabrielle Rejane (1856-1920)

Background imageStage Set Collection: Comedie-Francaise. Mlle. Marie Leconte. Role de Lisette. - Le Jeu De L Amour Et Du Hasard, 1904

Comedie-Francaise. Mlle. Marie Leconte. Role de Lisette. - Le Jeu De L Amour Et Du Hasard, 1904. Marie Leconte, (1874-1947)

Background imageStage Set Collection: Academie Nationale. - Othello - Othello - M. Alvarez, 1904. Creator: Unknown

Academie Nationale. - Othello - Othello - M. Alvarez, 1904. Creator: Unknown
Academie Nationale. - Othello - Othello - M. Alvarez, 1904. Albert Alvarez (1860-1933) as Othello - an opera in four acts by Giuseppe Verdi to an Italian libretto by Arrigo Boito

Background imageStage Set Collection: Academie Nationale. - Othello - Iago - M. Delmas, 1904. Creator: Unknown

Academie Nationale. - Othello - Iago - M. Delmas, 1904. Creator: Unknown
Academie Nationale. - Othello - Iago - M. Delmas, 1904. Jean-Francois Delmas, (1861-1933) as Iago in Othello - an opera in four acts by Giuseppe Verdi to an Italian libretto by Arrigo Boito

Background imageStage Set Collection: Theatre Des Varietes. La Chauve-Souris - Le Prince Orlofsky. - Mlle. Eve Lavalliere, 1904

Theatre Des Varietes. La Chauve-Souris - Le Prince Orlofsky. - Mlle. Eve Lavalliere, 1904. Eve Lavalliere, (1866-1929) as Prince Orlofsky in La Chauve-Souris or Die Fledermaus a Vienese operetta by

Background imageStage Set Collection: Theatre Des Varietes. - Paris Aux Varietes - La Commere. - Mlle. Saulier, 1904

Theatre Des Varietes. - Paris Aux Varietes - La Commere. - Mlle. Saulier, 1904. Jeanne Saulier as la Commere in Paris Aux Varietes by Paul Gavault. From " Le Theatre - Jan-June 1904"

Background imageStage Set Collection: Miss Isabel Jay, (1879-1927), as Christine in Dear Little Denmark'

Miss Isabel Jay, (1879-1927), as Christine in Dear Little Denmark"
Miss Isabel Jay, (1879-1927), as " Christine" in " Dear Little Denmark". c1909. was an English opera singer in Edwardian musical comedies. [Foulsham & Banfield, London]

Background imageStage Set Collection: The theatre proscenium, Normansfield Hospital, Richmond upon Thames, 1976

The theatre proscenium, Normansfield Hospital, Richmond upon Thames, 1976

Background imageStage Set Collection: Interior view of the Kings Theatre, Haymarket, London, 1795

Interior view of the Kings Theatre, Haymarket, London, 1795

Background imageStage Set Collection: Interior view of the Haymarket Theatre, Westminster, London, 1821

Interior view of the Haymarket Theatre, Westminster, London, 1821. The theatre opened in 1821

Background imageStage Set Collection: Noel Coward and Gertrude Lawrence in a scene from Private Lives, New York, USA, 1931

Noel Coward and Gertrude Lawrence in a scene from Private Lives, New York, USA, 1931. English actors Sir Noe l Peirce Coward (1899-1973), Gertrude Lawrence (1898-1952) starred in the play

Background imageStage Set Collection: Design for Stage Setting, c1927. Artist: Alexander Baranowsky

Design for Stage Setting, c1927. Artist: Alexander Baranowsky
Design for Stage Setting, c1927. From Design in the Theatre edited by Geoffrey Holme. [The Studio, Ltd. London, 1927]

Background imageStage Set Collection: Stage Setting for The Faithful Shepherdess, c1927. Artist: Norman Wilkinson of Four Oaks

Stage Setting for The Faithful Shepherdess, c1927. Artist: Norman Wilkinson of Four Oaks
Stage Setting for The Faithful Shepherdess, c1927. The Faithful Shepherdess is a Jacobean era stage play, the work that inaugurated the playwriting career of John Fletcher (1579-1625)

Background imageStage Set Collection: Scene painting, London, c1900 (1901)

Scene painting, London, c1900 (1901). From Living London, Vol. 1, edited by George R. Sims. [Cassell and Company, Limited, London, Paris, New York & Melbourne, 1901]

Background imageStage Set Collection: Scenery for As You Like It (Act I, Scene I) and Costumes of Amiens and Lebeau, 1919

Scenery for As You Like It (Act I, Scene I) and Costumes of Amiens and Lebeau, 1919. Artist: Claud Lovat Fraser
Scenery for As You Like It (Act I, Scene I) and Costumes of Amiens and Lebeau, 1919. In 1919 Claud Lovat Fraser produced the designs for Nigel Playfairs ground-breaking production of As You Like It

Background imageStage Set Collection: Isaacs Lodgings, 1924 (1925). Artist: George Sherringham

Isaacs Lodgings, 1924 (1925). Artist: George Sherringham
Isaacs Lodgings, 1924. Stage setting for Richard Brinsley Butler Sheridans (1751-1816) The Duenna. After original artwork by George Sheringham (1884-1937)

Background imageStage Set Collection: The Lottery, 1721. Artist: William Hogarth

The Lottery, 1721. Artist: William Hogarth
The Lottery, 1721. A theatre stage upon which the allegorical figures of virtue and vice perform a production. This was Hogarths way of criticising the government for raising money by lottery

Background imageStage Set Collection: A Variety Of Amusements, French Theatre, 1789, (1885)

A Variety Of Amusements, French Theatre, 1789, (1885). Illustration from 18th Century Institutions, Usages And Costumes, France 1700-1789, by Paul Lacroix, (Paris, 1885)

Background imageStage Set Collection: The Glorious Comedy Of Destouches, (1885). Artist: Lancret

The Glorious Comedy Of Destouches, (1885). Artist: Lancret
The Glorious Comedy Of Destouches, (1885). Illustration from 18th Century Institutions, Usages And Costumes, France 1700-1789, by Paul Lacroix, (Paris, 1885)

Background imageStage Set Collection: Scene from a play, (1885). Artist: Charpentier

Scene from a play, (1885). Artist: Charpentier
Scene from a play, (1885). Theatrical scene. Illustration from 18th Century Institutions, Usages And Costumes, France 1700-1789, by Paul Lacroix, (Paris, 1885)

Background imageStage Set Collection: Stage design for a theatre play, early 19th century. Artist: Domenico Corsini

Stage design for a theatre play, early 19th century. Artist: Domenico Corsini
Stage design for a theatre play, early 19th century. Found in the collection of the Russian State Archive of Literature and Art, Moscow

Background imageStage Set Collection: Old cemetery. Stage design for a theatre play, 1790. Artist: Henry Hudfield

Old cemetery. Stage design for a theatre play, 1790. Artist: Henry Hudfield
Old cemetery. Stage design for a theatre play, 1790. Found in the collection of the Museum Palace Theatre Ostankino, Moscow

Background imageStage Set Collection: Stage design for the opera Uriel Acosta, by Valentina Serova, 1885

Stage design for the opera Uriel Acosta, by Valentina Serova, 1885. Artist: Vasilij Dmitrievic Polenov
Stage design for the opera Uriel Acosta, by Valentina Serova, 1885. The opera, Serovas first, premiered at Moscows Bolshoi Theatre in 1885

Background imageStage Set Collection: Stage design for the play The Storm, by Alexander Ostrovsky, 1916. Artist: Aleksandr Golovin

Stage design for the play The Storm, by Alexander Ostrovsky, 1916. Artist: Aleksandr Golovin
Stage design for the play The Storm, by Alexander Ostrovsky, 1916.Found in the collection of the State Central A Bakhrushin Theatre Museum, Moscow

Background imageStage Set Collection: Stage design for the opera Sadko, by Nikolai Rimsky-Korsakov, Novgorod, Russia, 1917

Stage design for the opera Sadko, by Nikolai Rimsky-Korsakov, Novgorod, Russia, 1917. Artist: Konstantin Korovin
Stage design for the opera Sadko, by Nikolai Rimsky-Korsakov, Novgorod, Russia, 1917. Found in the collection of the State Open-air Museum of the Trinity Lavra of St Sergius, Sergyev Possad

Background imageStage Set Collection: Scene from Alexander Ostrovskys play False Dmitriy, Maly Theatre, Moscow, Russia, 1870s

Scene from Alexander Ostrovskys play False Dmitriy, Maly Theatre, Moscow, Russia, 1870s. Found in the collection of the The State Central A Bakhrushin Theatre Museum, Moscow

Background imageStage Set Collection: The Grand Ballet, Theatre du Chatelet, Paris, 1904

The Grand Ballet, Theatre du Chatelet, Paris, 1904. An illustration from Le Petit Journal, 27th November 1904

Background imageStage Set Collection: Mezzetin, 1718-1720. Artist: Jean-Antoine Watteau

Mezzetin, 1718-1720. Artist: Jean-Antoine Watteau
Mezzetin (half-measure), 1718-1720. Mezzetin, a stock character of the commedia dell arte, the improvisational theater form of Italian origin

Background imageStage Set Collection: Set design for Mozarts The Magic Flute, 1863

Set design for Mozarts The Magic Flute, 1863. The Magic Flute ( Die Zauberflote ), the opera by Wolfgang Amadeus Mozart (1756-1791) with libretto by Emanuel Schikaneder (1751-1812)

Background imageStage Set Collection: Set design for Mozarts Don Giovanni, 1875

Set design for Mozarts Don Giovanni, 1875
Design for Mozarts Don Giovanni, 1875. Don Giovannis Banqueting Hall from a design of 1875 for the opera by Wolfgang Amadeus Mozart (1756-1791), Austrian composer, first performed in Prague in 1787

Background imageStage Set Collection: Fire and Water, The Magic Flute, 1816. Artist: Karl Friedrich Schinkel

Fire and Water, The Magic Flute, 1816. Artist: Karl Friedrich Schinkel
Fire and Water, The Magic Flute, 1816. Stage design by Karl Freidrich Schinkel for The Magic Flute (Die Zauberflote), showing fire and water, two of the ordeals that Tamino, the hero



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