Sir Walter Collection (page 4)

Naworth Castle, Cumberland, 1814. Artist: John Greig
Naworth Castle, Cumberland, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]

Interior of Carlisle Cathedral. Cumberland, 1814. Artist: John Greig
Interior of Carlisle Cathedral. Cumberland, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]

Carlisle Cathedral, Cumberland. 1814. Artist: John Greig
Carlisle Cathedral, Cumberland. 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]

Carlisle Castle, Cumberland, 1814. Artist: John Greig
Carlisle Castle, Cumberland. Pl.1, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]

Part of the Interior of the Castle at Newcastle, Northumberland, 1814. Artist: John Greig
Part of the Interior of the Castle at Newcastle, Northumberland, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]

Interior of Lindisfarn. West End, 1814. Artist: John Greig
Interior of Lindisfarn. West End, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]

Lindisfarne Abbey. West Front, 1814. Artist: John Greig
Lindisfarn Abbey. West Front, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]

Holy Island Castle, 1814. Artist: John Greig
Holy Island Castle. Pl. 1, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]

Lindisfarne, 1814. Artist: John Greig
Lindisfarne, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]

Smallholm Tower, Roxburghshire, 1814. Artist: John Greig
Smallholm Tower, Roxburghshire, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]

Hermitage Castle. Liddisdale, 1814. Artist: John Greig
Hermitage Castle. Liddisdale, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]

Elibank Tower, Peeblesshire, 1814. Artist: John Greig
Elibank Tower, Peeblesshire, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]

Bamborough Castle, Northumberland, 1814. Artist: John Greig
Bamborough Castle, Northumberland, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]

West Front of Lanercost Priory. Cumberland, 1814. Artist: John Greig
West Front of Lanercost Priory. Cumberland, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]

Interior of Lanercost Priory. Cumberland, 1814. Artist: John Greig
Interior of Lanercost Priory. Cumberland. Pl. 2, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]

Bamburgh Castle, Northumberland, 1814. Artist: John Greig
Bamburgh Castle, Northumberland. Pl. 3, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]

Wetheral Priory, Cumberland, 1814. Artist: John Greig
Wetheral Priory, Cumberland, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]

Part of Tynemouth Monastery. Northumberland, 1814. Artist: John Greig
Part of Tynemouth Monastery. Northumberland, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]

Monumental Pillar, near Wooler, Northumberland, 1814. Artist: John Greig
Monumental Pillar, near Wooler, Northumberland, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]

Dunfermline Abbey, Fifeshire, 1814. Artist: John Greig
Dumfermline Abbey, Fifeshire, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]

Stirling Castle, Stirlingshire, 1814. Artist: John Greig
Stirling Castle, Stirlingshire, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]

Frontispiece - Lindisfarn, 1814. Artist: John Greig
Frontispiece - Lindisfarn, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]

Lord of the Isles, 1823. Artists: Charles Theodosius Heath, Robert the Bruce
Lord of the Isles, 1823. The Lord of the Isles is a rhymed, romantic, narrative-poem by Sir Walter Scott, written in 1815. After Robert Smirke (1753-1845). [Hurst, Robinson & Co. London, 1823]

Old Pye Street and the Ragged School, c1897. Artist: William Patten
Old Pye Street and the Ragged School, c1897. Ragged schools were charitable organisations dedicated to the free education of destitute children in 19th-century Britain

Miltons House in Petty France, c1897. Artist: William Patten
Miltons House in Petty France, c1897. The home of John Milton (1608-1674), English poet, at No. 19 York Street. Miltons most famous work is his epic Paradise Lost, first published in 1667

The Entrance to Speakers Ward as it appeared before the fire, c1897. Artist: William Patten
The Entrance to Speakers Yard, from New Palace Yard, as it appeared before the fire, c1897. From Westminster, by Walter Besant. [Chatto & Windus, London, 1897]

The House of Commons at the Beginning of the Century, c1897. Artist: William Patten
The House of Commons at the Beginning of the Century, c1897. From Westminster, by Walter Besant. [Chatto & Windus, London, 1897]

The House of Lords at the Beginning of the Century, c1897. Artist: William Patten
The House of Lords at the Beginning of the Century, c1897. From Westminster, by Walter Besant. [Chatto & Windus, London, 1897]

A Reduced Copy of Fishers Ground Plan of the Royal Palace of Whitehall, Taken in the Reign of Char Artist
A Reduced Copy of Fishers Ground Plan of the Royal Palace of Whitehall, Taken in the Reign of Charles II. 1680, c1897. Copied from a survey of 1680 by John Fisher. From Westminster, by Walter Besant

The Water Gate, New Palace Yard, c1897. Artist: William Patten
The Water Gate, New Palace Yard, c1897. From Westminster, by Walter Besant. [Chatto & Windus, London, 1897]

The Waterside Elevation of Inigo Jones Proposed Palace, c1897. Artist: William Patten
The Waterside Elevation of Inigo Jones Proposed Palace, c1897. The Palace of Whitehall (or Palace of White Hall) was the main residence of the English monarchs in London from 1530 until 1698 when

Facsimile of the Game and Playe of the Chesse, c1470. The Rook - An illustration from the Game and Playe of the Chesse: Book Two by William Caxton

Broken Cross Within The Abbey Precincts, c1897. Artist: William Patten
Broken Cross Within The Abbey Precincts, c1897. From Westminster, by Walter Besant. [Chatto & Windus, London, 1897]

The Boars Head Inn, King Street, c1897. Artist: William Patten
The Boars Head Inn, King Street, c1897. The rebuilt Blue Boars Head at 34, Kings Street, Westminster. It was demolished, along with what was left of King Street, in 1899

The King Street Gate, Westminster, Demolished 1723, c1897. Artist: William Patten
The King Street Gate, Westminster, Demolished 1723, c1897. From Westminster, by Walter Besant. [Chatto & Windus, London, 1897]

The Westminster Schoolroom, Formerly The Abbots Dormitory, c1897. Artist: William Patten
The Westminster Schoolroom, Formerly The Abbots Dormitory, c1897. The Great Hall of Westminster School. From Westminster, by Walter Besant. [Chatto & Windus, London, 1897]

Monk of the Order of St. Benedict, c1897. Artist: William Patten
Monk of the Order of St. Benedict, c1897. From Westminster, by Walter Besant. [Chatto & Windus, London, 1897]

Jerusalem Chamber. Abbots Residence, Westminster, c1897. Artist: William Patten
Jerusalem Chamber. Abbots Residence, Westminster, c1897. Historic room in the Abbey where sections of the Authorised Version of the Bible were translated

Door to the Chapel of Edward The Confessor; Now Pyx Office, c1897. Artist: William Patten
Door to the Chapel of Edward The Confessor; Now Pyx Office, c1897. The Pyx Office of Westminster Abbey. From Westminster, by Walter Besant. [Chatto & Windus, London, 1897]

Entrance to Chapter House, c1897. Artist: William Patten
Entrance to Chapter House, c1897. The entrance to the Chapter House of Westminster Abbey. From Westminster, by Walter Besant. [Chatto & Windus, London, 1897]

Plan of the Benedictine Abbey of Westminster, c1897. Artist: William Patten
Plan of the Benedictine Abbey of Westminster, c1897. From Westminster, by Walter Besant. [Chatto & Windus, London, 1897]

The Star Chamber. Demolished in 1834, c1897. Artist: William Patten
The Star Chamber. Demolished in 1834, c1897. From Westminster, by Walter Besant. [Chatto & Windus, London, 1897]

East Front of St. Stephens Chapel as it appeared after the fire of 1834, c1897. Artist: William Patten
East Front of St. Stephens Chapel as it appeared after the fire of 1834, c1897. From Westminster, by Walter Besant. [Chatto & Windus, London, 1897]

Interior of the Crypt Called the Powder Plot Cellar beneath the Old Palace of Westminster, c1883 Artist: William Patten
Interior of the Crypt Called the Powder Plot Cellar beneath the Old Palace of Westminster, c1883. The cellar was destroyed in the fire of 1834 that devastated the mediaeval Houses of Parliament

The Monument, City of London, c1755 (1903). Artist: Thomas Bowles
The Monument, City of London, c1755 (1903). The Monument comprises a fluted Doric column built of Portland stone topped with a gilded urn of fire

A perspective view of the Bank of England, 1743 (1903). Artist: Robert West
A perspective view of the Bank of England, 1743 (1903). From London in the Time of the Stuarts, by Sir Walter Besant. [Adam & Charles Black, London, 1903]

Charles II touching a patient for the Kings evil, c1680 (1903). Artist: Frederick-Hendrik van den Hove
Charles II touching a patient for the Kings evil, c1680 (1903).The royal touch was a form of laying on of hands, whereby French and English monarchs would touch their subjects

The execution of the Duke of Monmouth, Tower Hill, London, 15 July 1685 (1903). James Scott, 1st Duke of Monmouth (1649-1685), an illegitimate son of Charles II (1630-1685)

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