Rowlandson Collection (page 26)

How to escape winning, 1791. Artist: Thomas Rowlandson
How to escape winning, 1791. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)

Going to the races, late 18th century. Artist: Thomas Rowlandson
Going to the races, late 18th century. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds]

George Morland, 1786. Artist: Thomas Rowlandson
George Morland, 1786. Portrait of British artist George Morland (1763-1804). Illustration from Social Caricature in the Eighteenth Century

The Historian animating the mind of a young painter, 1784. Artist: Thomas Rowlandson
The Historian animating the mind of a young painter, 1784. Illustration from Social Caricature in the Eighteenth Century

Starving poet and publisher, late 18th century. Artist: Thomas Rowlandson
Starving poet and publisher, late 18th century. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse

James Boswell, his wife, and Dr Johnson at tea in Edinburgh, 1773, (1786). Artist: Thomas Rowlandson
James Boswell, his wife, and Dr Johnson at tea in Edinburgh, 1773, (1786). Scots writer James Boswell and his wife Margaret at tea with English lexicographer Dr Samuel Johnson

The Journalist with a view of Auchinleck or The Land of Stones, c 1786. Artist: Thomas Rowlandson
The Journalist with a view of Auchinleck or The Land of Stones, c 1786. Caricature of Scots writer James Boswell (1740-1795) on the coast near his family seat of Auchinleck in Scotland

Actor reciting to a manager, late 18th century. Artist: Thomas Rowlandson
Actor reciting to a manager, late 18th century. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse

The Prospect before us, 1791. Artist: Thomas Rowlandson
The Prospect before us, 1791. Respectfully dedicated to those singers, dancers and musical professors who are fortunately engaged with the proprietor of the Kings theatre at the pantheon

Comforts of Bath: The Games, or Assembly with Card Players, 1798. Artist: Thomas Rowlandson
Comforts of Bath: The Games, or Assembly with Card Players, 1798. The smart set enjoying the season at Bath, home of the famous Roman baths and Pump Room

A Sudden Squall in Hyde Park, c1791. Artist: Thomas Rowlandson
A Sudden Squall in Hyde Park, c1791. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London)

Vauxhall Gardens, 1795. Artist: Thomas Rowlandson
Vauxhall Gardens, 1795. Vauxhall Gardens in Lambeth, London, was a pleasure ground open for public amusement, and filled with statues, landscaped walks, theatrical arches, a Rotunda

1784, or the Fashions of the Day, 1784. Artist: Thomas Rowlandson
1784, or the Fashions of the Day, 1784. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds]

The Two Patriotic Duchesses on their canvass requesting the favour of an early poll, 1784. Artist: Thomas Rowlandson
The Two Patriotic Duchesses on their canvass requesting the favour of an early poll, 1784. Illustration from Social Caricature in the Eighteenth Century

The French coffee house, late 18th century. Artist: Thomas Rowlandson
The French coffee house, late 18th century. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds]

The Reverend Doctor Syntax, 1828

The Dinner, Humours of Fox Hunting, 1799. Artist: Thomas Rowlandson
The Dinner, Humours of Fox Hunting, 1799

The Betting Post, Humours of Fox Hunting, 1799. Artist: Thomas Rowlandson
The Betting Post, Humours of Fox Hunting, 1799

Exhibition Stare Case, 1811. Artist: Thomas Rowlandson
Exhibition Stare Case, 1811. Found in the collection of the State A Pushkin Museum of Fine Arts, Moscow

A Bawd on Her Last Legs, 1792. Artist: Thomas Rowlandson
A Bawd on Her Last Legs, 1792. Found in the collection of the State A Pushkin Museum of Fine Arts, Moscow

Doctor Syntax with My Lord, early 19th century. Artist: Thomas Rowlandson
Doctor Syntax with My Lord, early 19th century

Dr Syntax Loses his Money at the Race Ground at York, 1813. Artist: Thomas Rowlandson
Dr Syntax Loses his Money at the Race Ground at York, 1813

Cook, 1799. Artist: Thomas Rowlandson
Cook, 1799. From the collection of the National Maritime Museum, London

Lieutenant, 1799. Artist: Thomas Rowlandson
Lieutenant, 1799. From the collection of the National Maritime Museum, London

Cabin Boy, 1799. Artist: Thomas Rowlandson
Cabin Boy, 1799. From the collection of the National Maritime Museum, London

Ships Stores Clerk, 1799. Artist: Thomas Rowlandson
Ships Stores Clerk, 1799. From the collection of the National Maritime Museum, London

Sailor, 1799. Artist: Thomas Rowlandson
Sailor, 1799. From the collection of the National Maritime Museum, London

Candidate for the Marines, 1799. Artist: Thomas Rowlandson
Candidate for the Marines, 1799. From the collection of the National Maritime Museum, London

Lieutenant of the Guard, 1799. Artist: Thomas Rowlandson
Lieutenant of the Guard, 1799. From the collection of the National Maritime Museum, London

Carpenter, 1799. Artist: Thomas Rowlandson
Carpenter, 1799. From the collection of the National Maritime Museum, London

Fire in London, 1808. Artist: Thomas Rowlandson
Fire in London, 1808. Albion Mills, on the south side of Blackfriars Bridge, London, burning, on 3 March 1791, after the mills were set alight by arsonists

Syntax Star-gazing, c1815. Artist: Thomas Rowlandson
Syntax Star-gazing, c1815. Dr Syntax showing a young woman the stars with a small refracting telescope typical of this date, while a manservant trips over a dog and falls headlong down the stairs

Royal Menagerie, Exeter Change, Strand, London, c1820. Edward Cross kept his menagerie here until Exeter Change was demolished in 1829 and he moved it to the Surrey Gardens, Walworth c1830

General Post Office, Lombard Street, London, 1808. Artist: Thomas Rowlandson
General Post Office, Lombard Street, London, 1808. This shows the scene in a busy letter sorting office. The dozens of sorters, each with his own dedicated position

Fire in London, 1791. Artist: Thomas Rowlandson
Fire in London, 1791. The building on fire was Albion Mills, a corn mill erected by Matthew Boulton at the foot of Blackfriars Bridge in 1786

West India Docks, London, 1808-1810. Artist: Augustus Charles Pugin
West India Docks, London, 1808-1810. The docks were built in 1799-1802. The chief engineer was William Jessop, and the warehouses were built by George Gwilt (1746-1807)

The High Mettled Racer, 1789. Artist: Thomas Rowlandson
The High Mettled Racer, 1789. Found in the collection of the State A Pushkin Museum of Fine Arts, Moscow

A Little Bigger, 1791. Artist: Thomas Rowlandson
A Little Bigger, 1791. Found in the collection of the State A Pushkin Museum of Fine Arts, Moscow

Doctor Syntax making his will, c1816. Artist: Thomas Rowlandson
Doctor Syntax making his will, c1816. Servants leave the room so that he can speak with his lawyer in privacy. Illustration for Tours of Dr Syntax by William Combe. (London, c1816)

Dr Syntax watching his wifes coffin being lowered into the grave, 1820. Artist: Thomas Rowlandson
Dr Syntax watching his wifes coffin being lowered into the grave, 1820. From William Combes Dr Syntax. (London, 1820)

Womens ward in the Middlesex Hospital, London, 1808-1811. Artist: Thomas Rowlandson
Womens ward in the Middlesex Hospital, London, 1808-1811. From The Microcosm of London, illustrated by Pugin and Rowlandson and published by Ackermann. (London, 1808 -1811)

Syntax Preaching, 1813. Artist: Thomas Rowlandson
Syntax Preaching, 1813. Dr Syntax preaches from a pulpit with a sounding board over it. The pews are reserved for the moneyed classes (a servant sits outside the pew)

Dr Syntax in Danger, 1820. Artist: Thomas Rowlandson
Dr Syntax in Danger, 1820. A physician peers down Syntaxs throat, while a manservant rushes in holding a steaming plate and wooden bucket of cold water

Meeting of the Agricultural Society, London, 1808-1810. Artist: Augustus Charles Pugin
Meeting of the Agricultural Society, London, 1808-1810. Great improvements in agricultural practice and machinery were made in the late 18th and early 19th centuries

Misfortune in the Tulip Hall, c1816. Artist: Thomas Rowlandson
Misfortune in the Tulip Hall, c1816. Dr Syntax is bitten by a dog and falls over, upsetting some of the potted plants arranged on staging in the conservatory

St Lukes Hospital, Old Street, London, 1808-1811. Artist: Thomas Rowlandson
St Lukes Hospital, Old Street, London, 1808-1811. Female patients in their day gallery. St Lukes Hospital was a lunatic asylum designed by the architect George Dance jnr (1741-1825)

Library of the Royal Institution, Albermarle Street, London, 1808-1811. Artist: Thomas Rowlandson
Library of the Royal Institution, Albermarle Street, London, 1808-1811. Interior view of the library showing gentlemen reading and engaged in discussion

The Mint, London, 1808-1811 Artist: Augustus Charles Pugin
The Mint, London, 1808-1811. Coins being produced with coining presses. From The Microcosm of London, published by Ackermann, London 1808-1811

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