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Rowlandson Collection (#22)

Background imageRowlandson Collection: The Departure, 1813. Creators: Joseph Constantine Stadler, Thomas Rowlandson

The Departure, 1813. Creators: Joseph Constantine Stadler, Thomas Rowlandson
The Departure, 1813. Tourists loading luggage onto a carriage in the rain as they leave their lodging house in Scarborough, Yorkshire

Background imageRowlandson Collection: Scene in a Coffee House, 1788, (1944). Creator: Thomas Rowlandson

Scene in a Coffee House, 1788, (1944). Creator: Thomas Rowlandson
Scene in a Coffee House, 1788, (1944). Diners in booths at a London coffee house, with dogs begging, and the clock showing 8.30. From " The English At Table", by John Hampson

Background imageRowlandson Collection: Lottery Drawing at Coopers Hall, 1809, (1948). Creator: Unknown

Lottery Drawing at Coopers Hall, 1809, (1948). Creator: Unknown
Lottery Drawing at Coopers Hall, 1809, (1948). Drawing of the state lottery in Coopers Hall, City of London. Officials sit on the platform, with audience witnessing the draw

Background imageRowlandson Collection: Smithfield Meat Market, c1816, (1944). Creator: Thomas Rowlandson

Smithfield Meat Market, c1816, (1944). Creator: Thomas Rowlandson
Smithfield Meat Market, c1816, (1944). Busy livestock market just outside the City of London, with prospective buyers talking in groups, and examining the animals in pens

Background imageRowlandson Collection: The Sands, 1813. Creator: J Green

The Sands, 1813. Creator: J Green
The Sands, 1813. Donkey cart on the beach at Scarborough in Yorkshire. The angry driver brandishes a whip as passengers look on in consternation

Background imageRowlandson Collection: The Last Heraldic Court, (1897). Creator: Unknown

The Last Heraldic Court, (1897). Creator: Unknown
The Last Heraldic Court, (1897). Court proceedings in 18th-century London. From Old and New London, Volume I, by Walter Thornbury. [Cassell and Company, Limited, London, Paris & Melbourne, 1897]

Background imageRowlandson Collection: Thomas Rowlandson (1756-1827), (c1900). Creator: Unknown

Thomas Rowlandson (1756-1827), (c1900). Creator: Unknown
Thomas Rowlandson (1756-1827), (c1900). Portrait of British artist and caricaturist Rowlandson depicted c1795. Rowlandson was known for his political satire and social observation

Background imageRowlandson Collection: At the Door of their Inn, (c1900). Creator: Unknown

At the Door of their Inn, (c1900). Creator: Unknown
At the Door of their Inn, (c1900). Regulars sit drinking outside a tavern: a sign on the right shows three barrels, chickens and pigs grub in the dirt

Background imageRowlandson Collection: The Cobblers Happy Family, (c1900). Creator: Unknown

The Cobblers Happy Family, (c1900). Creator: Unknown
The Cobblers Happy Family, (c1900). Domestic scene showing a cobblers workshop in the family home; the cobbler and his assistant making and repairing shoes

Background imageRowlandson Collection: Market Day outside the Old Red Lion at Greenwich, (1938). Artist: Thomas Rowlandson

Market Day outside the Old Red Lion at Greenwich, (1938). Artist: Thomas Rowlandson
Market Day outside the Old Red Lion at Greenwich, (1938). 18th-century scene outside a public house in the village of Greenwich on the River Thames, now part of London

Background imageRowlandson Collection: The Lawyers Last Circuit. c1800

The Lawyers Last Circuit. c1800. A damned lawyer riding a horse backwards on his way to Hell, accompanied by the Four Riders of the Apocalypse, with a quotation from Hamlet

Background imageRowlandson Collection: Lloyds Subscription Rooms As Seen By Rowlandson in 1800, 1928. Artists: Thomas Rowlandson

Lloyds Subscription Rooms As Seen By Rowlandson in 1800, 1928. Artists: Thomas Rowlandson
Lloyds Subscription Rooms As Seen By Rowlandson in 1800, 1928. From A History of Lloyd s, by Charles Wright and C. Ernest Fayle. [Macmillan and Company Limited, London, 1928]

Background imageRowlandson Collection: Smithfield Market, 1810, 1920. Artist: Thomas Rowlandson

Smithfield Market, 1810, 1920. Artist: Thomas Rowlandson
Smithfield Market, 1810, 1920. From Londoners Then and Now As Pictured By Their Contemporaries, edited by Geoffrey Holme. [The Studio Ltd. London, 1920]

Background imageRowlandson Collection: Covent Garden Market, 1811, (1920). Artist: J Bluck

Covent Garden Market, 1811, (1920). Artist: J Bluck
Covent Garden Market, 1811, 1920. From Londoners Then and Now As Pictured By Their Contemporaries, edited by Geoffrey Holme. [The Studio Ltd. London, 1920]

Background imageRowlandson Collection: The Quay, Blackwall Docks, 1810, (1920). Artist: Thomas Rowlandson

The Quay, Blackwall Docks, 1810, (1920). Artist: Thomas Rowlandson
The Quay, Blackwall Docks, 1810, 1920. From Londoners Then and Now As Pictured By Their Contemporaries, edited by Geoffrey Holme. [The Studio Ltd. London, 1920]

Background imageRowlandson Collection: Promenade in the Green Park, 1808, (1920). Artist: Thomas Rowlandson

Promenade in the Green Park, 1808, (1920). Artist: Thomas Rowlandson
Promenade in the Green Park, 1808, 1920. From Londoners Then and Now As Pictured By Their Contemporaries, edited by Geoffrey Holme. [The Studio Ltd. London, 1920]

Background imageRowlandson Collection: A Sudden Squall in Hyde Park, London, 1791. Artist: Thomas Rowlandson

A Sudden Squall in Hyde Park, London, 1791. Artist: Thomas Rowlandson
A Sudden Squall in Hyde Park, London, 1791. Scene showing a stampede for the park gates through which a coach, the Prince of Wales and a phaeton are passing

Background imageRowlandson Collection: Entrance to Oxford Street at the Tyburn Turnpike, London, 1798. Artist: Heinrich Schutz

Entrance to Oxford Street at the Tyburn Turnpike, London, 1798. Artist: Heinrich Schutz
Entrance to Oxford Street at the Tyburn Turnpike, London, 1798. View showing Park Lane, with figures, including an impoverished family, horses and carriages

Background imageRowlandson Collection: Interior of the Church of St Martin-in-the-Fields, Westminster, London, 1809. Artist

Interior of the Church of St Martin-in-the-Fields, Westminster, London, 1809. Artist
Interior of the Church of St Martin-in-the-Fields, Westminster, London, 1809. View looking east, with a service in progress. Designed by James Gibbs, the church was built in the 1720s

Background imageRowlandson Collection: Meeting of the Society of Arts in the Adelphi Buildings, Westminster, London, 1809

Meeting of the Society of Arts in the Adelphi Buildings, Westminster, London, 1809

Background imageRowlandson Collection: Covent Garden Market, Westminster, London, 1808. Artist: Augustus Charles Pugin

Covent Garden Market, Westminster, London, 1808. Artist: Augustus Charles Pugin
Covent Garden Market, Westminster, London, 1808. View of electioneering taking place at Covent Garden, with some spectators carrying banners

Background imageRowlandson Collection: Magdalen Chapel, St Georges Fields, Southwark, London, 1809

Magdalen Chapel, St Georges Fields, Southwark, London, 1809. Interior view showing a service in progress

Background imageRowlandson Collection: Pall Mall, 1807 Artist

Pall Mall, 1807 Artist
Pall Mall, 1807. Street scene in Pall Mall with coaches, a phaeton, and figures on foot

Background imageRowlandson Collection: Miseries of London... 1807. Artist: Thomas Rowlandson

Miseries of London... 1807. Artist: Thomas Rowlandson
Miseries of London... 1807. A congested London Street. Two coachmen threaten each other with their whips while two women have fallen over a wheelbarrow

Background imageRowlandson Collection: John Rosedale, mariner, exhibitor of the hall of Greenwich Hospital, 1807. Artist

John Rosedale, mariner, exhibitor of the hall of Greenwich Hospital, 1807. Artist
John Rosedale, mariner, exhibitor of the hall of Greenwich Hospital, 1807. An old sailor points with a pointer at a large decoration by JamesThornhill

Background imageRowlandson Collection: Miseries of London, 1807. Artist: Thomas Rowlandson

Miseries of London, 1807. Artist: Thomas Rowlandson
Miseries of London, 1807. A crowd assembled to watch two women fighting in the street. In the foreground a barrow of fruit has been knocked over, and a dog steals a chicken from the pavement

Background imageRowlandson Collection: Interior view of Covent Garden Theatre, Bow Street, Westminster, London, 1808. Artist

Interior view of Covent Garden Theatre, Bow Street, Westminster, London, 1808. Artist
Interior view of Covent Garden Theatre, Bow Street, Westminster, London, 1808. Looking towards the stage during a performance

Background imageRowlandson Collection: Royal Cock Pit, 1808. Artist: J Bluck

Royal Cock Pit, 1808. Artist: J Bluck
Royal Cock Pit, 1808. Interior view of the Royal Cockpit, Dartmouth Street, off Birdcage Walk, Westminster

Background imageRowlandson Collection: View showing figures in a rowing boat on the Thames at Chelsea Reach, London, 1799

View showing figures in a rowing boat on the Thames at Chelsea Reach, London, 1799. Chelsea Physic Garden can be seen on the far shore

Background imageRowlandson Collection: Philanthropic Society Institution Chapel, London Road, Southwark, London, 1809. Artist

Philanthropic Society Institution Chapel, London Road, Southwark, London, 1809. Artist
Philanthropic Society Institution Chapel, London Road, Southwark, London, 1809. Interior view of the chapel during a meeting

Background imageRowlandson Collection: The Westminster mendicant, 1784. Artist: Thomas Rowlandson

The Westminster mendicant, 1784. Artist: Thomas Rowlandson
The Westminster mendicant, 1784. A blind beggar, Sir Cecil Wray, being led by his dog. This satire is a reference to Wrays lack of success in contesting the Westminster constituency at the 1784

Background imageRowlandson Collection: Anticipation... 1784

Anticipation... 1784. Christopher Atkinson in the pillory between two sheaves of corn, outside the Corn Exchange, Mark Lane, London

Background imageRowlandson Collection: Liberty and Fame introducing Female Patriotism to Britania, 1784

Liberty and Fame introducing Female Patriotism to Britania, 1784. Britannia, seated on a throne holding out a laurel wreath towards the Duchess of Devonshire

Background imageRowlandson Collection: Wits last stake... 1784. Artist: Thomas Rowlandson

Wits last stake... 1784. Artist: Thomas Rowlandson
Wits last stake... 1784. Scene in a poor district of Westminster (Peter Street). The Duchess of Devonshire is canvassing a cobbler. She is supported on Charles James Foxs knee

Background imageRowlandson Collection: The Hanoverian horse and British lion, 1784. Artist: Thomas Rowlandson

The Hanoverian horse and British lion, 1784. Artist: Thomas Rowlandson
The Hanoverian horse and British lion, 1784. Scene in the House of Commons. On the left Charles James Fox is riding the British lion, facing William Pitt the Younger on the horse of Hanover

Background imageRowlandson Collection: The champion of the people, 1784. Artist

The champion of the people, 1784. Artist
The champion of the people, 1784. Charles James Fox attacking a many-headed monster, raising the Sword of Justice above his head. Behind him are his supporters, English, Irish and Indians

Background imageRowlandson Collection: The Westminster Watchman, 1784. Artist: Thomas Rowlandson

The Westminster Watchman, 1784. Artist: Thomas Rowlandson
The Westminster Watchman, 1784. Charles James Fox as a watchman. In the background, two sham watchmen, Lord Hood and Sir Cecil Wray

Background imageRowlandson Collection: Sir Cecils budget for paying the national debt, 1874

Sir Cecils budget for paying the national debt, 1874. Chelsea Hospital falling into ruins, whilst pensioners are fleeing. In the distance Sir Cecil Wray is being mobbed by a group of maid-servants

Background imageRowlandson Collection: The Westminster Deserter drum d out of the regiment, 1784. Artist

The Westminster Deserter drum d out of the regiment, 1784. Artist
The Westminster Deserter drum d out of the regiment, 1784. Sir Cecil Wray being drummed away from the hustings in Covent Garden. Sam House is in the centre and Charles James Fox is on the right

Background imageRowlandson Collection: The State Auction, 1784. Artist: Thomas Rowlandson

The State Auction, 1784. Artist: Thomas Rowlandson
The State Auction, 1784. William Pitt the Younger, as an auctioneer, disposing of British liberties in the House of Commons

Background imageRowlandson Collection: The apostate Jack R - the political rat catcher - NB. Rats taken alive!, 1784

The apostate Jack R - the political rat catcher - NB. Rats taken alive!, 1784. John Robinson, Secretary to the Treasury in the late government, on his hands and knees

Background imageRowlandson Collection: Brittannia roused or the Coalition Monsters Destroyed, 1784

Brittannia roused or the Coalition Monsters Destroyed, 1784. The giantess Britannia holding Charles James Fox above her head and grasping Lord North around the neck

Background imageRowlandson Collection: Procession to the hustings after a successful canvass, no: 14, 1784

Procession to the hustings after a successful canvass, no: 14, 1784
Procession to the hustings after a successful canvass, no:14, 1784. An election procession including the Duchess of Devonshire and two other ladies (probably Lady Duncannon and Mrs Crewe)

Background imageRowlandson Collection: Bow Street Police Court, Westminster, London, 1808. Artist: Augustus Charles Pugin

Bow Street Police Court, Westminster, London, 1808. Artist: Augustus Charles Pugin
Bow Street Police Court, Westminster, London, 1808. Interior view during a busy session, showing the Bow Street Runners

Background imageRowlandson Collection: The Overdrove ox, 1790

The Overdrove ox, 1790. A scene on London Bridge; on the right the Greenwich to Blackheath Machine has overturned; frightened citizens are fleeing from a bull

Background imageRowlandson Collection: Smithfield sharpers, or the countrymen defrauded, c1787

Smithfield sharpers, or the countrymen defrauded, c1787. Seven men round a card table in a Smithfield tavern include two countrymen, one old and sleeping

Background imageRowlandson Collection: Ragged musicians and dancers, 1791. Artist: Thomas Rowlandson

Ragged musicians and dancers, 1791. Artist: Thomas Rowlandson
Ragged musicians and dancers, 1791. The prospect before us (no 1), humanely inscrib d to all those professors of music and dancing whom the cap may fit

Background imageRowlandson Collection: Interior view of the royal stables, Kings Mews, Charing Cross, Westminster, London, 1808

Interior view of the royal stables, Kings Mews, Charing Cross, Westminster, London, 1808. Stables and horses can be seen as well as riders and stable boys



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