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Doctor Syntax Taking Possession of His Living, 1820. Artist: Thomas RowlandsonDoctor Syntax Taking Possession of His Living, 1820. From The Second Tour of Doctor Syntax, In Search of Consolation, by William Combe. [Ackermann, London, 1820]
Dr Syntax Making a Discovery, 1820. Artist: Thomas RowlandsonDr Syntax Making a Discovery, 1820. From The Second Tour of Doctor Syntax, In Search of Consolation, by William Combe. [Ackermann, London, 1820]
Doctor Syntax Sketching The Lake, 1820. Artist: Thomas RowlandsonDoctor Syntax Sketching The Lake, 1820. From The Second Tour of Doctor Syntax, In Search of Consolation, by William Combe. [Ackermann, London, 1820]
Doctor Syntax Meditating on the Tombstones, 1820. Artist: Thomas RowlandsonDoctor Syntax Meditating on the Tombstones, 1820. From The Second Tour of Doctor Syntax, In Search of Consolation, by William Combe. [Ackermann, London, 1820]
Doctor Syntax Loses His Wig, 1820. Artist: Thomas RowlandsonDoctor Syntax Loses His Wig, 1820. From The Second Tour of Doctor Syntax, In Search of Consolation, by William Combe. [Ackermann, London, 1820]
Dr Syntax Lamenting the Loss of His Wife, 1820. Artist: Thomas RowlandsonDr Syntax Lamenting the Loss of His Wife, 1820. From The Second Tour of Doctor Syntax, In Search of Consolation, by William Combe. [Ackermann, London, 1820]
Marriage of Doctor Dicky Bend, 1820. Artist: Thomas RowlandsonMarriage of Doctor Dicky Bend, 1820. From The Second Tour of Doctor Syntax, In Search of Consolation, by William Combe. [Ackermann, London, 1820]
Dr Syntax Visits Eaton Hall, Cheshire, 1820. Artist: Thomas RowlandsonDr Syntax Visits Eaton Hall, Cheshire, 1820. From The Second Tour of Doctor Syntax, In Search of Consolation, by William Combe. [Ackermann, London, 1820]
Dr Syntax with the Skimmington Riders, 1820. Artist: Thomas RowlandsonDr Syntax with the Skimmington Riders, 1820. From The Second Tour of Doctor Syntax, In Search of Consolation, by William Combe. [Ackermann, London, 1820]
Dr. Syntax at the Funeral of His Wife, 1820. Artist: Thomas RowlandsonDr. Syntax at the Funeral of His Wife, 1820. From The Second Tour of Doctor Syntax, In Search of Consolation, by William Combe. [Ackermann, London, 1820]
The Banns Forbidden, 1820. Artist: Thomas RowlandsonThe Banns Forbidden, 1820. From The Second Tour of Doctor Syntax, In Search of Consolation, by William Combe. [Ackermann, London, 1820]
The Visist of Dr Syntax to the Widow Hopefull at York, 1820. Artist: Thomas RowlandsonThe Visist of Dr Syntax to the Widow Hopefull at York, 1820. From The Second Tour of Doctor Syntax, In Search of Consolation, by William Combe. [Ackermann, London, 1820]
Dr Syntax visits a Boarding School for young Ladies, 1820. Artist: Thomas RowlandsonDr Syntax visits a Boarding School for young Ladies, 1820. From The Second Tour of Doctor Syntax, In Search of Consolation, by William Combe. [Ackermann, London, 1820]
Dr Syntax & The Foundling, 1820. Artist: Thomas RowlandsonDr Syntax & The Foundling, 1820. From The Second Tour of Doctor Syntax, In Search of Consolation, by William Combe. [Ackermann, London, 1820]
Dr Syntax and the Superannuated Fox Hunter, 1820. Artist: Thomas RowlandsonDr Syntax and the Superannuated Fox Hunter, 1820. From The Second Tour of Doctor Syntax, In Search of Consolation, by William Combe. [Ackermann, London, 1820]
Doctor Syntax & The Bees, 1820. Artist: Thomas RowlandsonDoctor Syntax & The Bees, 1820. From The Second Tour of Doctor Syntax, In Search of Consolation, by William Combe. [Ackermann, London, 1820]
The Chess Players, 1948. Artist: Thomas RowlandsonThe Chess Players, 1948. From British Chess, by Kenneth Matthews. [Collins, London, 1948]
A Horse Fair at Southampton, c1820, (1918). Artist: Thomas RowlandsonA Horse Fair at Southampton, c1820, (1918). From The Studio Volume 74. [London Offices of the Studio, London, 1918]
Hampton Bridge, 1800. Artist: Thomas RowlandsonHampton Bridge, 1800. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe
An Idyll, c1815. Artist: Thomas RowlandsonAn Idyll, c1815. From The Connoisseur Volume 101. [The Connoisseur Ltd. London, 1938]
Box Lobby Loungers of 1785, c1785. Artists: Thomas Rowlandson, Otto LimitedBox Lobby Loungers of 1785, c1785. Painting held at the J. Paul Getty Museum, Los Angeles. From The Connoisseur Volume 105. [Otto Limited, London, 1940]
A Book Auction, c1810. Artists: Otto Limited, Thomas RowlandsonA Book Auction, c1810. Painting held at the Yale Center for British Art, Connecticut. From The Connoisseur Volume 103. [Otto Limited, London, 1939]
Doctor Syntax Made Free of the Cellar, 1817. Artist: Thomas RowlandsonDoctor Syntax Made Free of the Cellar, 1817. From The Tour of Dr Syntax in Search of the Picturesque, by William Combe. [R Ackerman, 101 Strand, London, 1812]
The Hunt Supper, c1780-1825. Painting housed at the Victoria & Albert Museum, London. From The Connoisseur Volume LXXVII. [The Connoisseur Ltd, London, 1927]
Weighing, c1789. Artist: Thomas RowlandsonWeighing, c1789. From Connoisseur Extra No. 5 - Old Sporting Prints by Ralph Nevill [The Connoisseur Magazine, London, 1908]
An old English Village Scene, c18th century. (1941). Artist: Thomas RowlandsonAn old English Village Scene, c18th century. From The Connoisseur, 1941 edited by H. Granville Fell. [The National Magazine Co. Ltd, London, 1941]
Vicissitudes of the road in 1787, the highwayman, Lord Barrymore stopped, 1890. Richard Barry, 7th Earl Barrymore (1769-1793) was a notorious gambler, sportsman, rake and womaniser
The kill, fox hunting, 1787 (1890). A print from The Graphic, 6 December 1890
The Tour of Dr. Syntax in Search of the Picturesque, 19th century, (1907) Artist: Thomas RowlandsonThe Tour of Dr Syntax in Search of the Picturesque: Dr Syntax Gazing at Some Ruins, 19th century. An Illustration apparently designed for The Tour of Dr Syntax in Search of the Picturesque but not
Old Q or A Worn Out Debauchee, c1790, (1902) Artist: Thomas RowlandsonOld Q or A Worn Out Debauchee, c1790. William Douglas, 3rd Earl March, Fourth Duke of Queensbury (1725-1810). From the original water-colour drawing in the possession of Lady Dorothy Nevill. 1902
Sheep-Shearing, c1776-1827, (1906). Artist: Thomas RowlandsonSheep-Shearing. From The Studio Volume 38 [London Offices of the Studio, London, 1906.]
A Field Day in Hyde Park, 1789, (1914). Artist: Thomas Malton IIA Field Day in Hyde Park, 1789. Coloured aquatint by Thomas Malton (1748-1804), after Thomas Rowlandson (1756-1827). From The Connoisseur Vol. XXXIX [Otto Limited, London, 1914.]
Military Scene: Landing Troops and Guns. 1801. (1914). Artist: Thomas RowlandsonMilitary Scene: Landing Troops and Guns, 1801. After an engraving by Thomas Rowlandson (1756-1827). From The Connoisseur Vol. XXXIX [Otto Limited, London, 1914.]
Coach and Six, 1907. Artist: Thomas RowlandsonCoach and Six. After an original work by Thomas Rowlandson (1756-1827). From The Connoisseur 1907-8
Mrs Rowlandson and the Indians, 1676 (c1880). The wife of a Puritan minister, Mary Rowlandson (c1637-1711) was a colonist living in the frontier village of Lancaster, Massachusetts
A Squall in Hyde Park, 1791, (1929). Artist: Thomas RowlandsonA Squall in Hyde Park, 1791, (1929). Illustration from the Apollo Volume X, no 55, July 1929
The Chelsea Mall, 1929. Artist: Thomas RowlandsonThe Chelsea Mall, 1929. Londoners watching boats on the River Thames. Illustration from the Apollo Volume X, no 55, (July 1929)
The Falmouth Road, late 18th-early 19th century, (1929). Artist: Thomas RowlandsonThe Falmouth Road, late 18th-early 19th century, (1929). Illustration from the Apollo Volume X, no 55, (July 1929)
The Interior of a French Barracks, 1787, (1929). Artist: Thomas RowlandsonThe Interior of a French Barracks, 1787, (1929). Satire showing French soldiers preening in mirrors, having pedicures and pampering their wigs. Illustration from the Apollo Volume X, no 55, July 1929
Mr H Angelos Fencing Academy, 1791, (1929). Artist: Thomas RowlandsonMr H Angelos Fencing Academy, 1791, (1929). Illustration from the Apollo Volume X, no 55, (July 1929)
A French Frigate Towing an English Man-of-War into Port, late 18th-early 19th century, (1929). Illustration from the Apollo Volume X, no 55, (July 1929)
The Admiralty. - Board Room, c1841. Artist: Henry MelvilleThe Admiralty. - Board Room, c1841. From London Interiors with their Costumes & Ceremonies from Drawings made by permission of the Public Offices
Box Lobby Loungers of 1785, c1785. Artist: Thomas RowlandsonBox Lobby Loungers of 1785, c1785. Etching held at The Victoria and Albert Museum, London. From The Studio Volume 124. [The Studio Ltd, London & New York, 1942]
Christies Auction Rooms, (1790), 1901. Artist: Augustus Charles PuginChristies Auction Rooms, 1790. After an original engraving from The Microcosm of London, illustrated by Augustus Charles Pugin (1762-1832) and Thomas Rowlandson (1757-1827)
English Travelling, or the First Stage from Dover, 1785. Artist: Thomas RowlandsonEnglish Travelling, or the First Stage from Dover, 1785. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily
French Travelling, or the First Stage from Calais, 1792. Artist: F DukesFrench Travelling, or the First Stage from Calais, 1792. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily
A French Family, 1790. Artist: Samuel AlkenA French Family, 1790. An anti-French view of our continental cousins: a dog wearing clothes, a man with an effete hairstyle, a child showing her legs
Reconciliation or the Return from Scotland, late 18th century. Illustration from Social Caricature in the Eighteenth Century
