Punchinello Collection (page 2)

The Stirrup-cup, 1882. Artist: Joseph Swain
The Stirrup-cup, 1882. Mr Punch raises the stirrup-cup in a toast to Prince Leopold, Duke of Albany, and Queen Victorias youngest and last-married son

Times Waxworks, 1881. Artist: Joseph Swain
Times Waxworks, 1881. Father Time shows Mr Punch around Madame Tussauds, the waxwork museum of celebrities that opened in 1802

A Holiday Task, 1880. Artist: Joseph Swain
A Holiday Task, 1880. A bewhiskered aristocrat is handed a broom by Mr Punch and told to begin cleaning up. Great pieces of the inner cities were owned by the aristocracy

Conscience makes Cowards!, 1873. Artist: Joseph Swain
Conscience makes Cowards!, 1873. Mr Punch confronts a railway director. The director is emphatic that he would not imperil the lives of his wife

Yankee Doodle, 1872. Artist: Joseph Swain
Yankee Doodle, 1872. America rides into Geneva on a spotted circus horse with Mr Punch heckling in the background. This cartoon relates to a matter that had been going on since the end of

The Monster Slain, 1872. Artist: Joseph Swain
The Monster Slain, 1872. The monster of perjury and injustice lies dead, slain with the trusty sword of truth and justice

Bottoms Dream, 1872. Artist: Joseph Swain
Bottoms Dream, 1872. Nick Bottom, representative of the British labourer, is being relieved of the asss head by Mr Punch in a scene from A Midsummer Nights Dream

Nothing in the Papers!, 1871. Artist: Joseph Swain
Nothing in the Papers!, 1871. Mr Punch stamping and kicking the newspapers. He struggling to find some meaty story to highlight in the journals main cartoon

Obstructives, 1870. Artist: Joseph Swain
Obstructives, 1870. In the doorway of the school, a variety of Ministers and Nonconformists argue, whilst Mr Punch tells Policeman Bull that this prevents the two working-class children from entering

A Cold Reception and A Warm Welcome, 1876. Artist: Joseph Swain
A Cold Reception and A Warm Welcome, 1876. In the lefthand cartoon, the Queen of the Arctic is perched on top of the snowy peaks of the Arctic

Left Luggage, 1876. Artist: Joseph Swain
Left Luggage, 1876. Disraeli, the Conservative Prime Minister, stands with all his luggage on a railway platform. As the current session of parliament came to an end for the Summer Recess

Keeping the Ring, 1876. Artist: Joseph Swain
Keeping the Ring, 1876. Turkey, brandishing a sword, is beset on all sides by the dogs of war, Servia, Montenegro, Herzegovina and Bosnia

The Golden Wedding, 1875. Artist: Joseph Swain
The Golden Wedding, 1875. Iron, represented by Vulcan, and steam, represented by Vapour, are congratulated by Mr Punch on their 50 harmonious years

Loss and Gain, 1875. Artist: Joseph Swain
Loss and Gain, 1875. John Bull, the representative of the British people, stands with Mr Punch on the coast of Ireland and looks into the gloom

Railway Responsability, 1874. Artist: Joseph Swain
Railway Responsability, 1874. Mr Punch tells a fat railway director that his train operators - seen in the background amidst the buffers

The Latest in Russia Bonds, 1874. Artist: Joseph Swain
The Latest in Russia Bonds, 1874. Mr Punch, trailing a garland of roses, stands atop a pedestal labelled Hymen. In the foreground

The Irish Treason Shop, 1869. Artist: Joseph Swain
The Irish Treason Shop, 1869. The Fenian movement was still causing the British Government problems. The movement had not been pacified by the measures introduced through the recent Irish Bill

Well Rowed All!, 1869. Artist: Joseph Swain
Well Rowed All!, 1869. This cartoon refers to the development of a special relationship between Britain and the United States

Theatrical Christmas, 1866. Artist: Charles Henry Bennett
Theatrical Christmas, 1866. Mr Punch acts as a snake charmer. One of Punchs illustrated capital letters. From Punch, or the London Charivari, January 6, 1866

The Water Babies, 1865. Artist: John Tenniel
The Water Babies, 1865. Mrs Britannia turns to Madam France and comments Delightful to See the Children such Good Friends, Dear, Isn t it

The Golden Wedding; or, Fifty Years Jubilee of Peace, 1865. Artist: John Tenniel
The Golden Wedding; or, Fifty Years Jubilee of Peace, 1865. This Jubilee is celebrated by Punch and shows, left to right, John Bull, Napoleon III, France and Britannia

Our Play Box. Mr Punchs Delight at Finding His Dear Old Puppets where He Left Them in July, 1865. As the new Session of Parliament is about to commence

This is The Noblest Roman of Them All!, 1864. Artist: John Tenniel
This is The Noblest Roman of Them All!, 1864. A toga-clad Mr Punch, honours the arrival at Southampton of General Garibaldi on a visit to England

What The Nation Hopes Soon To See, 1863. Artist: John Tenniel
What The Nation Hopes Soon To See, 1863. On 8th January 1864, the New Year was celebrated by the birth of a son, Albert Victor, afterwards Duke of Clarence, to the Prince and Princess of Wales

Taking The Doctors Advice, 1863. Artist: John Tenniel
Taking The Doctors Advice, 1863. Napoleon III had long had his French fingers in a variety of different European pies. At the beginning of November 1863

The Derby 1863 - Portrait of The Winner, 1863. Artist: John Tenniel
The Derby 1863 - Portrait of The Winner, 1863. A topical cartoon from Punch. Palmerston, trainer of the British people, welcomes home the Derby winner

Beware!, 1863. Artist: John Tenniel
Beware!, 1863. The keeper, ( Mr Punch), says: He Ain t Asleep, Young Jonathan; So You d Best Not Irritate Him. President Lincoln pokes a cautious sword-point at the quiet British Lion

A New Judgement of Paris, 1862. Artist: John Tenniel
A New Judgement of Paris, 1862. Mr. Punch says: Surely, My Dear Emperor, You Cannot Doubt Which is The Right Man for Italy. This cartoon refers to Garibaldis plan to conquer Rome

Sawney Stops The Way, 1862. A Bill was presented to parliament which would give the Metropolitan Board of Works the authority to embank the River Thames from Westminster to Blackfriars

The British Tar of The Future, 1862. With the advances in ship building racing ahead after the move from wood to iron, here Mr Punch shows the Jack Tar of the future clad

The Next Dance!, 1860. The Prince of Wales had left England at the beginning of July 1860 for a visit to America and Canada

To the Temple of Fame, 1858. Mr. Punch (with the Greatest Respect). After you, my Lord! This cartoon shows Mr Punch respectfully deferring to Lord Brougham

Soapey Samuel Kisses the Rod, 1858. Samuel Wilberforce, Bishop of Oxford, was a reformer of the Church of England who dragged his priests into greater spirituality and efficiency

How Dirty Old Father Thames was Whitewashed, 1858. A British workman in overalls and boots holds a large brush in one hand, and a handkerchief to his nose with the other

A Plaister for Pam. 1858. Like a whipped schoolboy, and rubbing his bruises, Palmerston is receiving from Mr Punch (who had been vociferous in his opposition to the Bill)

A National Toast, 1858. Health and Happiness to the Bride and Bridegroom! (Hoorah!). Mr Punch, as the Peoples representative

An Arduous Quest, 1878. Artist: Joseph Swain
An Arduous Quest, 1878. Mr Punch asks Father Christmas what he is looking for. Father Christmas replies that he is looking for peace on earth, and goodwill towards men

Seasonable Advice - Put by for a Frosty Day, 1861. Mr Punch encourages a labourer to join the queue of fellow workers at the Post Office rather than spend his money on drink

A Christmas Tree for the young French Prince, 1859. Mr Punch There, my dear, put away that nasty thing, and plant this. Mr Punch reflects the mood of the people when he expresses his fears about

One of Punchs little capital letter illustrations

The First Lesson!, 1859. Not so Bad for a Beginner! In this cartoon, Liberty in the role of a schoolmistress helps a childish Napoleon III to write the word Amnesty on the blackboard

Cricket - Capital Practice for the Round Bowling of the Period, 1859. This cartoon shows cricket practice being enlivened by the use of a cannon to replace the more traditional bowler

Balm for the Wounded, 1859. Queen Victoria says Poor little man, Did he have a nasty tumble? Heres something to make him all right again

Men for the Fleet!, 1859. In May 1959, Prince Alfred, Queen Victorias second son, was appointed aboard HMS Euryalus. Although he is depicted as a child in this cartoon

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