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Molière ayant la douleur de s'entendre interpreter avec une pratique, 1864. Creator: ChamMoliere ayant la douleur de s'entendre interpreter avec une pratique, 1864. Caricature of the playwright Moliere covering his ears on seeing his play Tartuffe performed at a Punch-and-Judy puppet
Le Nouveau polichinelle napolitain.. 1855. Creator: Honore DaumierLe Nouveau polichinelle napolitain.. 1855. Le Nouveau polichinelle napolitain recevant les felicitations du DIABLE, au lieu d'etre emporte par lui
Winter: Assembling for Shrove Tuesday, 1705. Creator: Jan van der MeerWinter: Assembling for Shrove Tuesday, 1705
Punch Boxer with Blue Coat, c. 1937. Creator: Ruth AbramsPunch Boxer with Blue Coat, c. 1937
Puppet: "Punch", c. 1937. Creator: Edward Strzalkowski. Puppet: "Punch", c. 1937Puppet: "Punch", c. 1937
Punch's Head, c. 1937. Creator: Edward StrzalkowskiPunch's Head, c. 1937
Punch as Clown, c. 1936. Creator: Lillian StahlPunch as Clown, c. 1936
Cigar Store Figure: "Punch", 1935/1942. Creator: Raymond NeumannCigar Store Figure: "Punch", 1935/1942
Punch and Judy at Christmas - drawn by Leech, 1850. Creator: UnknownPunch and Judy at Christmas - drawn by Leech, 1850. Illustration to "Christmas Interiors", an article by the Old Batchelor. "This ere's a nice party, " [Mr
Kasperltheater I, mid-late 19th century, (c1924). Creator: Carl SpitzwegKasperltheater I, mid-late 19th century, (c1924). Punch and Judy show. From " Die gute alte Zeit: Zeichnungen von Karl Spitzweg", (The Good Old Days: drawings by Karl Spitzweg)
Punch or May Day, 1829, (c1915). Artist: Benjamin Robert HaydonPunch or May Day, 1829, (c1915). The painting is part of the collection of the Tate Gallery, London. From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]
The Imperial Witches, 1872. Artist: Joseph SwainThe Imperial Witches, 1872. Mr Punch plays Macbeth to the three witches who represent the Emperors of Germany, Austria and Russia
An Unexpected Cut, 1874. Artist: Joseph SwainAn Unexpected Cut, 1874. With a felled tree entitled Irish Established Church behind him, Mr Gladstone, the Liberal Leader of the Opposition
A caricature figure representing a poor itinerant artist loaded with various implem... ca. 1640-60. Creator: AnonA caricature figure representing a poor itinerant artist loaded with various implements relating to his trade, ca. 1640-60
A caricature figure (a carpenter?) with a toad on his nose, carrying various implem... ca. 1640-60. Creator: AnonA caricature figure (a carpenter?) with a toad on his nose, carrying various implements walking to the left, ca. 1640-60
Hand Puppet "Punch", c. 1936. Creator: William KerbyHand Puppet " Punch", c. 1936
Punch Clown Puppet, c. 1937. Creator: Florian RokitaPunch Clown Puppet, c. 1937
Cigar Store Figure: Punch, c. 1939. Creator: Elmer R. KottcampCigar Store Figure: Punch, c. 1939
The Discovery of the Tomb of Punchinello, from the Scherzi, ca. 1743-50
Kasperltheater, 1910. Creator: Hans KalmsteinerKasperltheater, 1910
Sheet 14 of figures for Chinese shadow puppets, 1859. Creator: Juan LlorensSheet 14 of figures for Chinese shadow puppets, 1859
Sheet 1 of figures for Chinese shadow puppets, ca. 1850-70. Creator: Juan LlorensSheet 1 of figures for Chinese shadow puppets, ca. 1850-70
Sheet 7 of figures for Chinese shadow puppets, 1859. Creator: Juan LlorensSheet 7 of figures for Chinese shadow puppets, 1859
Pantomime, c. 1898. Creator: Ibels, Henri Gabriel (1867-1936)Pantomime, c. 1898. Private Collection
Plate 14: Richardsons Show, from World in Miniature, 1816. 1816Plate 14: Richardsons Show, from " World in Miniature", 1816
Punch and Judy, late 18th-early 19th century? Creator: UnknownPunch and Judy, late 18th-early 19th century? Scene from a traditional Punch and Judy puppet show
Punch dropping the baby, late 18th-early 19th century? Creator: UnknownPunch dropping the baby, late 18th-early 19th century? Scene from a traditional Punch and Judy puppet show
The Constable and Punch, late 18th-early 19th century? Creator: UnknownThe Constable and Punch, late 18th-early 19th century? Scene from a traditional Punch and Judy puppet show
Mr Punch (or Pulcinella) and other commedia dell arte characters, 19th century. Creator: UnknownMr Punch (or Pulcinella) and other commedia dell arte characters, 19th century
Kasperltheater II, mid-late 19th century, (c1924). Creator: Carl SpitzwegKasperltheater II, mid-late 19th century, (c1924). Punch and Judy show. From " Die gute alte Zeit: Zeichnungen von Karl Spitzweg", (The Good Old Days: drawings by Karl Spitzweg)
Jesters, c1955. Creator: Shirley MarkhamJesters, c1955. Jesters and fools through the ages. Page from " Marvelman" comic. Shirley Markham (1931-1999) studied Graphic Design
Pulcinelli, mid 18th century, (1928). Artist: Giovanni Battista TiepoloPulcinelli, mid 18th century, (1928). Group of Pulcinelli, pen with wash on paper. At one time known to have been in the collection of Henry Oppenheimer, London
Punch, 1874-1876, (1946). Artist: Edouard ManetPunch, 1874-1876, (1946). The face of Punch (or Polichinelle in the Commedia dell Arte), resembles that of the conservative president of the Third Republic, Patrice de MacMahon (1808-1893)
Children watching a Punch and Judy show in a London street, 1936. Artist: Donald McLeishChildren watching a Punch and Judy show in a London street, 1936. From Peoples of the World in Pictures, edited by Harold Wheeler, published by Odhams Press Ltd (London, 1936)
A Masquerade Scene at the Pantheon, 1773. Artist: Charles WhiteA Masquerade Scene at the Pantheon, 1773. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds]
Polichinelle, 1874. Artist: Manet, Edouard (1832-1883)Polichinelle, 1874. Found in the collection of the Zimmerli Art Museum
Mr Punch thanking Marconi for wireless telegraphy which was saving lives at sea, 1913. Artist: Leonard Raven-HillMr Punch thanking Marconi for wireless telegraphy which was saving lives at sea, 1913. Marconi (1874-1937) discovered a way in which waves could be used to send messages from one place to another
Honour to Agneta Frances Ramsay! Cambridge, June, 1887. Artist: George du MaurierHonour to Agneta Frances Ramsay! Cambridge, June, 1887. Mr Punch bows to Agneta Frances Ramsay who sat, and passed with First Class Honours, the papers set
The Irish Horse and Master (?), 1885. Artist: John TennielThe Irish Horse and Master (?), 1885. Mr Punch tells John Bull to ignore Charles Stewart Parnell (1846-1891), Irish politician, as he is sure to come a cropper riding the Irish horse
Great Cattle Show, 1850. The Roman Bull that didn t get the prize. Mr Punch and John Bull viewing the Bull (Papal edict on the restoration of the English Roman Catholic Church) with distaste
Justice at Fault, 1887. Artist: Joseph SwainJustice at Fault, 1887. Mr Punch tells the policeman holding the train driver captive that he has one of those responsible for the latest railway crash but
A Late Spring Cleaning, 1887. Artist: Joseph SwainA Late Spring Cleaning, 1887. The charwoman pumps vigorously at the barrel of disinfectant under the watchful eye of Mr Punch. The scene is, of course, the House of Commons
The Budget Stakes, 1885. Artist: Joseph SwainThe Budget Stakes, 1885. The Liberal Prime Minister, Gladstone, also doubled in his cabinet as the Chancellor of the Exchequer. This cartoon relates to his 1885 Budget
Can t Get Away!, 1884. Artist: Joseph SwainCan t Get Away!, 1884. Mr Punch holds a handkerchief to his nose as Father Thames tells him his worries. Despite sporadic efforts to cleanse the capitals river
The Real Parliamentary Whip, 1884. Artist: Joseph SwainThe Real Parliamentary Whip, 1884. Mr Punch encourages Mr John Bull as, armed with a whip labelled public opinion he heads in a determined fashion for the House of Commons
Seeings Believing, 1883. Artist: Joseph SwainSeeings Believing, 1883. Mr Punch watches approvingly as the President of the Local Government Board goes into the courts
Police Intelligence, 1883. Artist: Joseph SwainPolice Intelligence, 1883. The Liberal Home Secretary, Sir William Harcourt, accepts Mr Punchs salute. In the background, a line of brave British policemen stand to attention
Our Vigilance Committee, 1883. Mr Punch prods the Public Prosecutor, who snoozes the day away under his handkerchief. Behind Mr Punch are representatives of the church and the general public