Millais Collection (page 2)

John Everett Millais as Dante. Private Collection

Chill October, 1870. Artist: Millais, John Everett (1829-1896)
Chill October, 1870. Private Collection

Pizarro Seizing the Inca of Peru, 1846. Artist: Millais, John Everett (1829-1896)
Pizarro Seizing the Inca of Peru, 1846. Found in the collection of Victoria and Albert Museum

Ducklings. Artist: Millais, John Everett (1829-1896)
Ducklings. Found in the collection of National Museum of Western Art, Tokyo

The captive, 1882. Artist: Millais, John Everett (1829-1896)
The captive, 1882. Found in the collection of the Art Gallery of New South Wales

Illustration from Sister Annes Probation, c1850-1890, (1923). Artist: John Everett Millais
Illustration from Sister Annes Probation, c1850-1890, (1923). Harriet Martineau (1802-1876) was a British social theorist and Whig writer, often cited as the first female sociologist

Millaiss Studio, 1890. From Picturesque London, by Percy Fitzgerald. [Ward & Downey, London, 1890] The studio was at No 2 Palace Gate, Kensington, London

Souvenir by Velazquez, 1868 (c1927). Artist: John Everett Millais
Souvenir by Velazquez, 1868 (c1927). After Diego Velazquez (1599-1660). Portrait of the Infanta Margaret Theresa of Spain (1651-1673), daughter of Philip IV of Spain

The North-West Passage, 1874 (1906). Artist: John Everett Millais
The North-West Passage, 1874 (1906). From Cassells History of England, Vol. VI. [Cassell and Company, Limited, London, Paris, New York & Melbourne, 1906]

Thomas Carlyle, 1877 (1906). Artist: John Everett Millais
Thomas Carlyle, 1877 (1906). Carlyle (1795-1881) was a Scottish, philosopher, historian and writer. From Cassells Illustrated History of England, Vol. VIII

Miss Eveleen Tennant, 1874 (1906). Artist: John Everett Millais
Miss Eveleen Tennant, 1874. After an original painting by Sir John Everett Millais (1829-1896). From The Connoisseur VOL. XIV, 1906

William Ewart Gladstone, taken from a series of cigarette cards, 1935
William Ewart Gladstone. From the painting by Sir John E. Millais, at the National Portrait Gallery. Taken from a series of cigarette cards entitled Celebrities of British History produced by Carreas

Ivy Millais and Marie Leonhard, actresses, c1900s(?). Artist: Foulsham and Banfield
Ivy Millais and Marie Leonhard, actresses, c1900s(?). Ivy Millais as Stephanus and Marie Leonhard as Marcia in The Sign of the Cross

Death the Reaper, 1895. Artist: P Naumann
Death the Reaper, 1895. A print from The Magazine of Art, Cassell and Company, Limited, London, Paris and Melbourne, 1895

Autumn Leaves, 1895. Artist: Henry Macbeth-Raeburn
Autumn Leaves, 1895. A print from The Magazine of Art, Cassell and Company, Limited, London, Paris and Melbourne, 1895

The Pearl of Great Price, 1864 (1901). A print from The Magazine of Art, Cassell and Company, Limited, 1901

The studio of John Everett Millais, c1880-1882. A print from Modern Artists, prepared under the direction of F G Dumas, Js Virtue and Co, London, c1880-1882

Forbidden Fruit, c1880-1882. Artist: Charles Waltner
Forbidden Fruit, c1880-1882. After the painting by John Everett Millais. A print from Modern Artists, prepared under the direction of FG Dumas, JS Virtue and Co, London, c1880-1882

A Ruined Devotee of the Turf, c1880-1882. Artist: John Everett Millais
A Ruined Devotee of the Turf, c1880-1882. Facsimile of the original drawing by John Everett Millais. A print from Modern Artists, prepared under the direction of FG Dumas, JS Virtue and Co, London

Study for The Ransom, 1899. Artist: Andre & Sleigh
Study for The Ransom, 1899. A print from The Magazine of Art, Cassell and Company, Limited, 1899

John Everett Millais (1829-1896), British artist, 1898. Artist: Charles Samuel Keene
John Everett Millais (1829-1896), British artist, 1898. Plate taken from The Studio magazine, volume 13, no 59 (London, 15th February 1898)

The Boyhood of Raleigh, 1908-1909. Sir Walter Raleigh (1554-1618) was a famed English writer, poet, courtier and explorer

Mercy during the Massacre of St Bartholomews Day, 1926. From An Outline of Christianity, The Story of Our Civilisation, volume 3: The Rise of the Modern Church, edited by RG Parsons and AS Peake

Sir Isumbras at the Ford, c19th century (1923). Artist: John Everett Millais
Sir Isumbras at the Ford, c19th century (1923). Published in The Outline of Literature, by John Drinkwater, London, 1923

Saint Stephen, 1895 (1926). Artist: John Everett Millais
Saint Stephen, 1895 (1926). From An Outline of Christianity, The Story of Our Civilisation, volume 1: The Birth of Christianity, edited by RG Parsons and AS Peake

A study of a nude, 1913. Artist: John Everett Millais
A study of a nude, 1913. Attributed to Sir John Millais. Sir John Everett Millais, 1st Baronet, (1829-1896) was a British painter and illustrator

James Clarke Hook, British artist, c1880-1882. Artist: Otto Theodor Leyde
James Clarke Hook, British artist, c1880-1882. A print from Modern Artists, prepared under the direction of FG Dumas, JS Virtue and Co, London, c1880-1882

The North West Passage, 1874 (c1880-1882). Artist: A Mongin
The North West Passage, 1874 (c1880-1882). A print from Modern Artists, prepared under the direction of FG Dumas, JS Virtue and Co, London, c1880-1882

John Everett Millais, British artist, c1880-1882. Artist: Charles Waltner
John Everett Millais, British artist, c1880-1882. Millais (1829-1896) was a founder member of the Pre-Raphaelite Brotherhood in 1848. After 1870 he painted mainly portraits and landscapes

Youth, 19th century. Artist: John Everett Millais
Youth, 19th century

Sir John Everett Millais, 1st Baronet, British painter and illustrator, c1890. Artist: Cassell, Petter & Galpin
Sir John Everett Millais, 1st Baronet, British painter and illustrator, c1890. Millais (1829-1896) was a founder member of the Pre-Raphaelite Brotherhood in 1848

A Yeoman of the Guard, c1905. Print published in Parliament Past and Present by Arnold Wright and Philip Smith, (London, c1905). Original painting by Sir John Everett Millais

Walter William Ouless, portrait painter, 1880. Artist: Lock & Whitfield
Walter William Ouless, portrait painter, 1880. He first exhibited at the Royal Academy in 1869. He was elected Associate of the Academy in 1877, and Royal Academician in 1881

JE Millais, RA, British artist and founder member of the Pre-Raphaelite Brotherhood, 1876. Artist: Lock & Whitfield
JE Millais, RA, British artist and founder member of the Pre-Raphaelite Brotherhood, 1876. From Men of Mark: a gallery of contemporary portraits of men distinguished in the Senate, the Church

Speak! Speak!, 1895, (1912). Artist: John Everett Millais
Speak! Speak!, 1895, (1912). A colour print from Famous Paintings, with an introduction by Gilbert Chesterton, Cassell and Company, (London, New York, Toronto, 1912)

Sir John Everett Millais, Pre-Raphaelite painter, (1899). Artist: E Stodart
Sir John Everett Millais, Pre-Raphaelite painter, (1899). An engraving from James Taylors The Victorian Empire, William Mackenzie, (London, 1899)

Benjamin Disraeli, Earl of Beaconsfield, (detail), 1881. Artist: John Everett Millais
Benjamin Disraeli, Earl of Beaconsfield, (detail), 1881

Margaret Wilson, 1862. Artist: Millais, John Everett (1829-1896)
Margaret Wilson, 1862. Found in the collection of the Yale University

The Bishop and the Knight, 1862. Artist: John Everett Millais
The Bishop and the Knight, 1862. The Knight kneels in penitence before the Bishop who, on hearing his sin, refuses to shrive him. From The Cornhill Magazine. (London, 1862)

Illustration for the poem Last Words by Owen Meredith, 1860. Artist: John Everett Millais
Illustration for the poem Last Words by Owen Meredith, 1860. Will watching and listening at his friends deathbed. Owen Meredith was the pseudonym of Edward Robert Bulwer Lytton (1831-1891)

John Everett Millais, British Pre-Raphaelite painter, c1880
John Everett Millais, British Pre-Raphaelite painter, c1870. Millais (1829-1896) was a founder member of the Pre-Raphaelite Brotherhood in 1848. After 1870 he painted mainly portraits and landscapes

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