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Millais Collection

Background imageMillais Collection: The Order of Release, 1746, 1852-1853. Artist: John Everett Millais

The Order of Release, 1746, 1852-1853. Artist: John Everett Millais
The Order of Release, 1746, 1852-1853. A barefoot Scottish woman with child in arms brings the official document releasing her wounded husband from prison after the failure of the Second Jacobite

Background imageMillais Collection: John Ruskin, 1853-1854, (1944). Creator: John Everett Millais

John Ruskin, 1853-1854, (1944). Creator: John Everett Millais
John Ruskin, 1853-1854, (1944). Portrait of English artist, critic and author John Ruskin (1819-1900), by his friend John Everett Millais

Background imageMillais Collection: My First Sermon, 1863, (1947). Creator: John Everett Millais

My First Sermon, 1863, (1947). Creator: John Everett Millais
My First Sermon, 1863, (1947). The Artists Daughter in Winchelsea Church : portrait of Millais daughter Effie, aged about five, sitting upright and somewhat daunted

Background imageMillais Collection: My Second Sermon, 1864, (1947). Creator: John Everett Millais

My Second Sermon, 1864, (1947). Creator: John Everett Millais
My Second Sermon, 1864, (1947). The Artists Daughter in Winchelsea Church : portrait of Millais daughter Effie, aged about five, having fallen asleep during the service

Background imageMillais Collection: Sir Isumbras at the Ford, 1857, (c1915). Artist: John Everett Millais

Sir Isumbras at the Ford, 1857, (c1915). Artist: John Everett Millais
Sir Isumbras at the Ford, 1857, (c1915). The painting is held by the Lady Lever Art Gallery, Port Sunlight. From International Art: Past and Present by Alfred Yockney

Background imageMillais Collection: Autumn Leaves, 1856, (c1915). Artist: John Everett Millais

Autumn Leaves, 1856, (c1915). Artist: John Everett Millais
Autumn Leaves, 1856, (c1915). The painting is held by the Manchester Art Gallery. From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]

Background imageMillais Collection: My First Sermon, 1863, (1912). Artist: John Everett Millais

My First Sermon, 1863, (1912). Artist: John Everett Millais
My First Sermon, 1863, (1912). A colour print from Famous Paintings, with an introduction by Gilbert Chesterton, Cassell and Company, (London, New York, Toronto, 1912)

Background imageMillais Collection: Scene from Framley Parsonage by Anthony Trollope, 1860. Artist: John Everett Millais

Scene from Framley Parsonage by Anthony Trollope, 1860. Artist: John Everett Millais
Scene from Framley Parsonage by Anthony Trollope, 1860. The Rev and Mrs Crawley at home with their young family which, as an impoverished parson, he has difficulty in supporting

Background imageMillais Collection: The Blind Girl, 1856, (1948). Creator: John Everett Millais

The Blind Girl, 1856, (1948). Creator: John Everett Millais
The Blind Girl, 1856, (1948). Two girls, the elder one blind and with a concertina in her lap, rest by a wayside stream after rain

Background imageMillais Collection: The Martyr of the Solway, 1871, (c1902). Creator: Unknown

The Martyr of the Solway, 1871, (c1902). Creator: Unknown
The Martyr of the Solway, 1871, (c1902). After a painting in the Walker Art Gallery, Liverpool. Margaret Wilson (c1667-1685), a young Scottish Presbyterian

Background imageMillais Collection: Ophelia, 1851-2, (1911). Artist: John Everett Millais

Ophelia, 1851-2, (1911). Artist: John Everett Millais
Ophelia, 1851-2. Here Millais shows a scene from Shakespeares Hamlet, in which Ophelia drowns herself in a stream, after been driven out of her mind when her father is murdered by her lover Hamlet

Background imageMillais Collection: Effie Gray, John Everett Millais, and their daughters Effie and Mary, 21 July 1865, (1948)

Effie Gray, John Everett Millais, and their daughters Effie and Mary, 21 July 1865, (1948)
Effie Gray, John Everett Millais, and their daughters Effie and Mary at 7 Cromwell Place, 21 July 1865, (1948). British Pre-Raphaelite painter Millais with his family

Background imageMillais Collection: The Vale of Rest, 1858-1859, (c1902). Creator: Unknown

The Vale of Rest, 1858-1859, (c1902). Creator: Unknown
The Vale of Rest, 1858-1859, (c1902). After a painting in the Tate Gallery, London. Subtitled, Where the weary find repose

Background imageMillais Collection: Parable of the Unmerciful Servant. c1850-1890, (1923). Artist: John Everett Millais

Parable of the Unmerciful Servant. c1850-1890, (1923). Artist: John Everett Millais
Parable of the Unmerciful Servant. c1850-1890, (1923). A parable of Jesus which appears in the Gospel of Matthew (18:21-35) illustrating it is important to forgive others as we are forgiven by God

Background imageMillais Collection: Equestrian Portrait (begun by Sir Edwin Landseer) 1882, (c1915)

Equestrian Portrait (begun by Sir Edwin Landseer) 1882, (c1915). Artists: Edwin Henry Landseer, John Everett Millais
Equestrian Portrait (begun by Sir Edwin Landseer) 1882, (c1915). Completed by Sir John Everett Millais. Held by the Tate, London. From Famous Pictures of the World, c1900

Background imageMillais Collection: Skit on Sir Isumbras and the P. R. B. (1923)

Skit on Sir Isumbras and the P. R. B. (1923)
Skit on Sir Isumbras and the P.R.B. (1923). Published in The Outline of Literature, by John Drinkwater, London, 1923

Background imageMillais Collection: The Blind Girl, 1856. Artist: John Everett Millais

The Blind Girl, 1856. Artist: John Everett Millais
The Blind Girl, 1856. Two beggar girls, the elder one blind and with a concertina rest by a wayside stream after rain. A double rainbow in background. Forget-me-nots bloom at bottom left

Background imageMillais Collection: Portrait of Alfred, Lord Tennyson (1809-1892). Creator: Millais, John Everett (1829-1896)

Portrait of Alfred, Lord Tennyson (1809-1892). Creator: Millais, John Everett (1829-1896)
Portrait of Alfred, Lord Tennyson (1809-1892). Private Collection

Background imageMillais Collection: A Widows Mite, 1870. Creator: John Everett Millais

A Widows Mite, 1870. Creator: John Everett Millais
A Widows Mite, 1870

Background imageMillais Collection: The Blind Girl, 1856. Creator: John Everett Millais

The Blind Girl, 1856. Creator: John Everett Millais
The Blind Girl, 1856. The distant background of this painting shows the village of Winchelsea in Sussex, painted in the autumn of 1854

Background imageMillais Collection: My Second Sermon, c1854 Creator: John Everett Millais

My Second Sermon, c1854 Creator: John Everett Millais
My Second Sermon, c1854

Background imageMillais Collection: Portrait of Mary Endicott (d. 1957), Mrs Joseph Chamberlain, 1890-91

Portrait of Mary Endicott (d. 1957), Mrs Joseph Chamberlain, 1890-91
Portrait of Mary Endicott (d.1957), Mrs Joseph Chamberlain, 1890-91

Background imageMillais Collection: Elgiva seized by order of Archbishop Odo, 1847. Creator: John Everett Millais

Elgiva seized by order of Archbishop Odo, 1847. Creator: John Everett Millais
Elgiva seized by order of Archbishop Odo, 1847

Background imageMillais Collection: Parable of the Tares, 1865. Creator: John Everett Millais

Parable of the Tares, 1865. Creator: John Everett Millais
The Parable of the Tares, 1865

Background imageMillais Collection: Stewart Harrisons The Iceberg - The Seamstress, 1860. Creator: John Everett Millais

Stewart Harrisons The Iceberg - The Seamstress, 1860. Creator: John Everett Millais
Stewart Harrisons The Iceberg - The Seamstress, 1860

Background imageMillais Collection: Three Swordhilts, 1839. Creator: John Everett Millais

Three Swordhilts, 1839. Creator: John Everett Millais
Three Swordhilts, 1839

Background imageMillais Collection: Ophelia (Shakespeare, Hamlet, Act 4, Scene 7), March 1, 1866. Creator: James Stephenson

Ophelia (Shakespeare, Hamlet, Act 4, Scene 7), March 1, 1866. Creator: James Stephenson
Ophelia (Shakespeare, Hamlet, Act 4, Scene 7), March 1, 1866

Background imageMillais Collection: The Proscribed Royalist, January 15, 1858. Creator: William Henry Simmons

The Proscribed Royalist, January 15, 1858. Creator: William Henry Simmons
The Proscribed Royalist, January 15, 1858

Background imageMillais Collection: James Clarke Hook, RA, 1884. 1884. Creator: Otto Theodor Leyde

James Clarke Hook, RA, 1884. 1884. Creator: Otto Theodor Leyde
James Clarke Hook, RA, 1884

Background imageMillais Collection: [John Everett Millais], 1860s. Creator: John & Charles Watkins

[John Everett Millais], 1860s. Creator: John & Charles Watkins
[John Everett Millais], 1860s

Background imageMillais Collection: Portia, 1886. Creator: John Everett Millais

Portia, 1886. Creator: John Everett Millais
Portia, 1886. Actress Ellen Terry (1847-1928) in one of her most famous roles, Portia in Shakespeares The Merchant of Venice

Background imageMillais Collection: Grey Seal, c1905, (1943). Creator: John Guille Millais

Grey Seal, c1905, (1943). Creator: John Guille Millais
Grey Seal, c1905, (1943). From " Mammals of Great Britain and Ireland" by John Guille Millais. [1904-1906]. Published in " Wildlife of Britain, by F. Fraser Darling

Background imageMillais Collection: Polecat, c1905, (1943). Creator: Archibald Thorburn

Polecat, c1905, (1943). Creator: Archibald Thorburn
Polecat, c1905, (1943). From " Mammals of Great Britain and Ireland" by John Guille Millais. [1904-1906]. Published in " Wildlife of Britain, by F. Fraser Darling

Background imageMillais Collection: Red Grouse, 1908, (1942). Creator: Archibald Thorburn

Red Grouse, 1908, (1942). Creator: Archibald Thorburn
Red Grouse, 1908, (1942). Game birds, from " Natural History of British Game Birds" by John Guille Millais. Published in " The Birds of Britain, by James Fisher. [Collins, London, 1942]

Background imageMillais Collection: The Convalescent, 1875, (c1930). Creator: John Everett Millais

The Convalescent, 1875, (c1930). Creator: John Everett Millais
The Convalescent, 1875, (c1930). Young girl recovering from illness. Painting in the Aberdeen Art Gallery & Museums collection, Aberdeen, Scotland

Background imageMillais Collection: The North-West Passage, 1874, (1901). Creator: Unknown

The North-West Passage, 1874, (1901). Creator: Unknown
The North-West Passage, 1874, (1901). An old seaman looks thoughtful as he considers the danger of an expedition to find the sea route round North America via the Canadian Arctic

Background imageMillais Collection: Alfred Lord Tennyson, 1881, (1908). Creator: Emery Walker

Alfred Lord Tennyson, 1881, (1908). Creator: Emery Walker
Alfred Lord Tennyson, 1881, (1908). Portrait of British poet Alfred, Lord Tennyson (1809-1892). In 1850 Tennyson was appointed Poet Laureate of the United Kingdom

Background imageMillais Collection: Ophelia, c1852, (1935). Creator: WF Mansell

Ophelia, c1852, (1935). Creator: WF Mansell
Ophelia, c1852, (1935). Scene from Shakespeares " Hamlet", in which Ophelia drowns herself in a stream, after having been driven out of her mind when her father is murdered by her lover

Background imageMillais Collection: Pathfinders - Sir Arthur Sullivan, 1888, (1922). Creator: John Everett Millais

Pathfinders - Sir Arthur Sullivan, 1888, (1922). Creator: John Everett Millais
Pathfinders - Sir Arthur Sullivan, 1888, (1922). Portrait of British composer Sir Arthur Seymour Sullivan (1842-1900). Musicologist Sullivan is famous for his co-operation with WS Gilbert on Savoy

Background imageMillais Collection: The Hidden Treasure, 1864, (1928). Creator: Dalziel Brothers

The Hidden Treasure, 1864, (1928). Creator: Dalziel Brothers
The Hidden Treasure, 1864, (1928). Engraving after John Everett Millais from the series The Parable of our Lord. Illustration originally published in " Illustrators of the Sixties" by

Background imageMillais Collection: Saint Stephen, 1895, (c1902). Creator: Unknown

Saint Stephen, 1895, (c1902). Creator: Unknown
Saint Stephen, 1895, (c1902). After a painting in the Tate Gallery, London. Saint Stephen was martyred by being stoned to death. From The Nations Pictures

Background imageMillais Collection: Autumn Leaves, 1856, (c1902). Creator: Unknown

Autumn Leaves, 1856, (c1902). Creator: Unknown
Autumn Leaves, 1856, (c1902). After a painting in the Manchester Art Gallery. Four melancholy young women gathering leaves. From The Nations Pictures

Background imageMillais Collection: The Knight Errant, 1870, (c1902). Creator: Unknown

The Knight Errant, 1870, (c1902). Creator: Unknown
The Knight Errant, 1870, (c1902). After a painting in the Tate Gallery, London. Victorian imagining of a medieval scene where a knight rescues a maiden in distress

Background imageMillais Collection: Death the Reaper, 1896. Artist: P Naumann

Death the Reaper, 1896. Artist: P Naumann
Death the Reaper, 1896. From The Magazine of Art. [Cassell & Company, London, Paris & Melbourne, 1896]

Background imageMillais Collection: Greenwich Pensioners at the Tomb of Nelson, c1868, (1896). Artist: Henry Macbeth-Raeburn

Greenwich Pensioners at the Tomb of Nelson, c1868, (1896). Artist: Henry Macbeth-Raeburn
Greenwich Pensioners at the Tomb of Nelson, c1868, (1896). Elderly seamen pay their respects at the tomb of British naval hero Admiral Horatio Nelson (1758-1805)

Background imageMillais Collection: My Second Sermon, 1864. Artist: John Everett Millais

My Second Sermon, 1864. Artist: John Everett Millais
My Second Sermon, 1864

Background imageMillais Collection: My First Sermon, 1863. Artist: John Everett Millais

My First Sermon, 1863. Artist: John Everett Millais
My First Sermon, 1863

Background imageMillais Collection: The Woodmans Daughter, 1851. Artist: John Everett Millais

The Woodmans Daughter, 1851. Artist: John Everett Millais
The Woodmans Daughter, 1851



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