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Standing male nude, 1789, (1943). Creator: Francisco GoyaStanding male nude, 1789, (1943). Drawing in the Real Academia de Bellas Artes de San Carlos de Valencia, Spain. From " Europaische Handzeichnungen"
Young woman at the Well (Susanna and the Elders?) from the Madrid Album, 1795. Found in the Collection of Biblioteca Nacional, Madrid
Francisco de Paula Rius i Taulet (1833 - 1890), Spanish politician, major of Barcelona in 1877 and promoter of the Universal Exhibition of 1888
St. Teresa of Avila (1515-1582), Spanish writer and religious
Francisco Tarrega (1852-1909), Spanish guitarist and composer
Construction of the first Christian church in San Miguel de Piura (Peru), city founded by Pizarro in 1532 and the battle that Hernando de Soto had with the Indians, engraving, 1726
Los Caprichos, series of etchings by Francisco de Goya (1746-1828), plate 24: No hubo remedio (There was no help), first edition, 1799
Witches Sabbath, 1797-1798. Artist: Goya, Francisco, de (1746-1828)Witches Sabbath, 1797-1798. Found in the collection of the Museo Lazaro Galdiano, Madrid
The injured Mason, 1786-1787 (1939). Artist: Francisco GoyaThe injured Mason, 1786-1787 (1939). Two workers carry another, who has been wounded in a work accident. The scaffolding in the background reveals the underlying subject as workersś safety
La Gallina Ciega, (Blind Mans Buff), 1788, (c1934). Artist: Francisco GoyaLa Gallina Ciega, (Blind Mans Buff), 1788, (c1934). Rococo cartoon produced by Spanish artist Francisco de Goya for tapestries at the Royal Palace of El Pardo
El Pelele, (The Straw Manikin), 1791-1792, (c1934). Artist: Francisco GoyaEl Pelele, (The Straw Manikin), 1791-1792, (c1934). Four young women laugh and play, blanket-tossing a doll or manikin. The blanket-tossing of a doll is used here by Goya as a clear allegory of
Do not shout you idiot, 1799. Artist: Francisco GoyaDo not shout you idiot, 1799. Published in Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain
Portrait of the Countess del Carpio, Marquesa de la Solana (1757-1795), ca 1794. Found in the Collection of the Musee du Louvre, Paris
The Water Bearer (La Aguadora), 1810. Creator: Goya, Francisco, de (1746-1828)The Water Bearer (La Aguadora), 1810. Found in the Collection of the Museo Nacional de San Carlos
Portrait of a Lady with a Fan, 1806-1807. Creator: Goya, Francisco, de (1746-1828)Portrait of a Lady with a Fan, 1806-1807. Found in the Collection of the Musee du Louvre, Paris
Portrait of a man (Evaristo Perez de Castro), ca 1806. Found in the Collection of the Musee du Louvre, Paris
Mariana Waldstein (1763-1808), Ninth Marquise de Santa Cruz, c. 1797-1800. Found in the Collection of the Musee du Louvre, Paris
The Duke of Wellington, c. 1812. Creator: Workshop of Francisco de GoyaThe Duke of Wellington, c. 1812
Senora Sabasa Garcia, c. 1806 / 1811. Creator: Francisco GoyaSenora Sabasa Garcia, c. 1806/1811
Charles IV of Spain as Huntsman, c. 1799 / 1800. Creator: Workshop of Francisco de GoyaCharles IV of Spain as Huntsman, c. 1799/1800
BartolomeSureda y Miserol, c. 1803 / 1804. Creator: Francisco GoyaBartolome Sureda y Miserol, c. 1803/1804
Young Lady Wearing a Mantilla and Basquina, c. 1800 / 1805. Creator: Francisco GoyaYoung Lady Wearing a Mantilla and Basquina, c. 1800/1805
Maria Teresa de Borbon y Vallabriga, later Condesa de Chinchon, 1783
Victor Guye, 1810. Creator: Francisco GoyaVictor Guye, 1810
Therese Louise de Sureda, c. 1803 / 1804. Creator: Francisco GoyaTherese Louise de Sureda, c. 1803/1804
Don Antonio Noriega, 1801. Creator: Francisco GoyaDon Antonio Noriega, 1801
The Marquesa de Pontejos, c. 1786. Creator: Francisco GoyaThe Marquesa de Pontejos, c. 1786
Portrait of a Young Man, ca. 1820. Creator: Formerly attributed to GoyaPortrait of a Young Man, ca. 1820
Philip IV on horseback, after Velazquez, 1778. Creator: Francisco GoyaPhilip IV on horseback, after Velazquez, 1778
Plate 28 from The Disasters of War (Los Desastres de la Guerra): Rabble. (Populacho.), 1810 (published 1863)
Plate 79 from The Disasters of War (Los Desastres de la Guerra): Truth has died. (Murio la verdad.), after 1814-15 (published 1863)
Plate 26 from The Disasters of War (Los Desastres de la Guerra): One can t look. (No se puede mirar.), 1810-20, published 1863
Plate 32 from the Tauromaquia : Two teams of picadors thrown one after the other by aPlate 32 from the Tauromaquia :Two teams of picadors thrown one after the other by a single bull. 1816
Plate 31 of the Tauromaquia : Banderillas with firecrackers. 1816
Plate 30 of the Tauromaquia : Pedro Romero killing the halted bull. 1816
Plate 29 of the Tauromaquia : Pepe Illo making the pass of the recorte. 1816
Plate 24 of the Tauromaquia : The same Ceballos mounted on another bull breaks short spears in the ring at Madrid. 1816
Plate 22 from the Tauromaquia : Manly courage of the celebrated Pajuelera in [the ring]Plate 22 from the Tauromaquia :Manly courage of the celebrated Pajuelera in [the ring] at Saragossa. 1816
Plate 19 of the Tauromaquia : Another madness of his in the same ring. 1816
Plate 18 of the Tauromaquia : The daring of Martincho in the ring at Saragossa, 1816
Plate 13 of the Tauromaquia : A Spanish mounted knight in the ring breaking short spears without the help of assistants, , 1816
Plate 16 of the Tauromaquia : The same man throws a bull in the ring at Madrid. 1816
Plate 14 from the Tauromaquia : The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body. 1816
Plate 9 of the Tauromaquia : A Spanish knight kills the bull after having lost his horse. 1816
Plate 8 of the Tauromaquia : A Moor caught by the bull in the ring, 1816
Plate 1 from The Tauromaquia : The way in which the ancient Spaniards hunted bulls on horseback in the open country, 1816
Plate 3 of the Tauromaquia : The Moors settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open, 1816
Baltasar Carlos, Prince of Spain and Son of Philip IV (D. Baltasar Carlos Principe de Espana. Hijo del Rey D. Felipe IV), 1778