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Foreign Policy Collection (page 2)

Background imageForeign Policy Collection: Only His Play, 1885. Artist: Joseph Swain

Only His Play, 1885. Artist: Joseph Swain
Only His Play, 1885. The British Lion and the Indian Tiger watch in consternation as the Russian Bear attacks the Afghan wolves

Background imageForeign Policy Collection: Beauty and the Beast, 1885. Artist: Joseph Swain

Beauty and the Beast, 1885. Artist: Joseph Swain
Beauty and the Beast, 1885. The Russian Bear is seen making up to Beauty, alias the Liberal Prime Minister, Mr Gladstone. Recently, Russia had been seen advancing upon the Afghan holding of Penjdeh

Background imageForeign Policy Collection: No You Don t!, 1885. Artist: Joseph Swain

No You Don t!, 1885. Artist: Joseph Swain
No You Don t!, 1885. The British Lion warns the Russian Bear not to cross over into Afghanistan, seen in the distance in this cartoon

Background imageForeign Policy Collection: My Boys!, 1885. Artist: Joseph Swain

My Boys!, 1885. Artist: Joseph Swain
My Boys!, 1885. The British Lion watches with pride the young troops sent to help Britain by Australia, Canada and New Zealand

Background imageForeign Policy Collection: Too Late!, 1885. Artist: Joseph Swain

Too Late!, 1885. Artist: Joseph Swain
Too Late!, 1885. Britannia mourns the loss of General Gordon. When trouble started to loom in Egypt, the British government sent one of the countrys finest soldiers to sort the matter out

Background imageForeign Policy Collection: The Three Emperors, 1884. Artist: Joseph Swain

The Three Emperors, 1884. Artist: Joseph Swain
The Three Emperors, 1884. Prince Bismarck is the puppet-master in this cartoon. The puppets are the Emperors of Austria, Germany and Russia who had met at Skiernievice in Russian Poland

Background imageForeign Policy Collection: Why Should England Wait?, 1884

Why Should England Wait?, 1884. John Bull, the representative of the British people, urges the Liberal Prime Minister, Gladstone, to unmuzzle the British Lion

Background imageForeign Policy Collection: Getting a Lift, 1884

Getting a Lift, 1884. Across the crocodile infested waters of the Egyptian difficulty, General Gordon can be seen wading with the Liberal Prime Minister, Gladstone, perched on his back

Background imageForeign Policy Collection: The Beast of Burden, 1884. Artist: Joseph Swain

The Beast of Burden, 1884. Artist: Joseph Swain
The Beast of Burden, 1884. John Bull is depicted trying to persuade the camel representing Egypt and laden with political issues, to move, whilst France offers to take over the task

Background imageForeign Policy Collection: Snubbed!, 1883. Artist: Joseph Swain

Snubbed!, 1883. Artist: Joseph Swain
Snubbed!, 1883. Spain and Germany are shown taking a walk together, with France scowling jealously in the background. In November 1883

Background imageForeign Policy Collection: An Isthmian Game, 1883. Artist: Joseph Swain

An Isthmian Game, 1883. Artist: Joseph Swain
An Isthmian Game, 1883. The Liberal Prime Minister, Gladstone, scratches his head as he tries to keep score during a game of tennis with the Frenchman, M de Lesseps

Background imageForeign Policy Collection: A Mutual Understanding, 1883. Artist: Joseph Swain

A Mutual Understanding, 1883. Artist: Joseph Swain
A Mutual Understanding, 1883. The British Lion, clutching a bag of money, is seen negotiating with the foxy M de Lesseps. This relates to an ongoing discussion concerning the Suez Canal

Background imageForeign Policy Collection: The Lions Just Share, 1882. Artist: Joseph Swain

The Lions Just Share, 1882. Artist: Joseph Swain
The Lions Just Share, 1882. The British Lion stands proudly on his Egyptian captive. He is watched by Italy, a French poodle, the Russian Bear, Spain, Germany and the two headed eagle of Austria

Background imageForeign Policy Collection: Safe!, 1882. Artist: Joseph Swain

Safe!, 1882. Artist: Joseph Swain
Safe!, 1882. John Bull, able-seaman, is shown tenderly cradling the infant Suez Canal. On the 28th July 1882, it was agreed that the Canal should operate under the joint protection of the six great

Background imageForeign Policy Collection: The Modern Caesar, 1882. Artist: Joseph Swain

The Modern Caesar, 1882. Artist: Joseph Swain
The Modern Caesar, 1882. Sir Garnet Wolseley is depicted as the Modern Caesar in this cartoon. Following the uprising in Egypt

Background imageForeign Policy Collection: A Self-Denying Policy!, 1882. Artist: Joseph Swain

A Self-Denying Policy!, 1882. Artist: Joseph Swain
A Self-Denying Policy!, 1882. The French sailor congratulates John Bull on a job well done, and proposes to share in the glory

Background imageForeign Policy Collection: A Lion in the Path!, 1882. Artist: Joseph Swain

A Lion in the Path!, 1882. Artist: Joseph Swain
A Lion in the Path!, 1882. The British Lion is prepared to protect British interests. A nationalist uprising in Egypt had been led by Colonel Arabi in protest against European influence in Egyptian

Background imageForeign Policy Collection: Egyptian Bonds, 1882. Artist: Joseph Swain

Egyptian Bonds, 1882. Artist: Joseph Swain
Egyptian Bonds, 1882. John Bull represents the British Navy, and is tied to a small French sailor. At the right of the cartoon is Arabi Pasha who was generally viewed as the representative of a

Background imageForeign Policy Collection: Hold On!, 1882. Artist: Joseph Swain

Hold On!, 1882. Artist: Joseph Swain
Hold On!, 1882. John Bull and a sailor struggle to manage a recalcitrant Egyptian crocodile. Lord Granville, the Liberal Foreign Secretary

Background imageForeign Policy Collection: Times Waxworks, 1881. Artist: Joseph Swain

Times Waxworks, 1881. Artist: Joseph Swain
Times Waxworks, 1881. Father Time shows Mr Punch around Madame Tussauds, the waxwork museum of celebrities that opened in 1802

Background imageForeign Policy Collection: A Tiff, 1881. Artist: Joseph Swain

A Tiff, 1881. Artist: Joseph Swain
A Tiff, 1881. John Bull, the representative of the British people, is at odds with Madame France in this cartoon. This illustrates a dispute between the governments of the two countries after Frances

Background imageForeign Policy Collection: Feline Friends; or, The British Lion and the Persian Chat!, 1873. Artist: Joseph Swain

Feline Friends; or, The British Lion and the Persian Chat!, 1873. Artist: Joseph Swain
Feline Friends; or, The British Lion and the Persian Chat!, 1873. The Russian Bear is shackled in the background as the Persian Pussycat cuddles up to the great British Lion

Background imageForeign Policy Collection: Humble Pie, 1872. Artist: Joseph Swain

Humble Pie, 1872. Artist: Joseph Swain
Humble Pie, 1872. Mr Bull, the representative of the British people, is presented with a second humble pie by Mr Gladstone in his waiters outfit

Background imageForeign Policy Collection: The Loving Cup, 1872. Artist: Joseph Swain

The Loving Cup, 1872. Artist: Joseph Swain
The Loving Cup, 1872. Mr Bull shares a Loving Cup with Colombia. This cartoon relates to the ongoing Alabama dispute, brewing since the end of the American Civil War

Background imageForeign Policy Collection: Injured Innocence, 1872. Artist: Joseph Swain

Injured Innocence, 1872. Artist: Joseph Swain
Injured Innocence, 1872. Germany reels at the headline in the newspaper confirming the amount of money that France has raised to pay off her war indemnity

Background imageForeign Policy Collection: Adolphe the Alchemist, 1872. Artist: Joseph Swain

Adolphe the Alchemist, 1872. Artist: Joseph Swain
Adolphe the Alchemist, 1872. France kneels next to the alchemist, who is producing cash from his brew. Adolphe is Louis Adolphe Thiers, the first President of the Third Republic

Background imageForeign Policy Collection: The Men of Business, 1872. Artist: Joseph Swain

The Men of Business, 1872. Artist: Joseph Swain
The Men of Business, 1872. Columbia and Britannia discuss the differences between America and Britain. In the background the representatives of the two administrations sort out the details

Background imageForeign Policy Collection: Under the Dark Blue Waters, 1872. Artist: Joseph Swain

Under the Dark Blue Waters, 1872. Artist: Joseph Swain
Under the Dark Blue Waters, 1872. Father Neptune wishes to relax with his drink and a pipe. In front of him is the trans-Atlantic cable, the first of its kind

Background imageForeign Policy Collection: Yankee Doodle, 1872. Artist: Joseph Swain

Yankee Doodle, 1872. Artist: Joseph Swain
Yankee Doodle, 1872. America rides into Geneva on a spotted circus horse with Mr Punch heckling in the background. This cartoon relates to a matter that had been going on since the end of

Background imageForeign Policy Collection: A Still Bigger Claimant, 1872. Artist: Joseph Swain

A Still Bigger Claimant, 1872. Artist: Joseph Swain
A Still Bigger Claimant, 1872. John Bull, the representative of the British people, is dwarfed by a huge American claim. The claim is being inflated by the representative of the American

Background imageForeign Policy Collection: Remember!, 1888. Artist: Joseph Swain

Remember!, 1888. Artist: Joseph Swain
Remember!, 1888. John Bull, the representative of the British people, looks at a map to find out the location of Suakin (Sudan)

Background imageForeign Policy Collection: The Sphinx is silent, 1876. Artist: Joseph Swain

The Sphinx is silent, 1876. Artist: Joseph Swain
The Sphinx is silent, 1876. The Conservative Prime Minister, Benjamin Disraeli, is here depicted as a great Sphinx, whilst, below him

Background imageForeign Policy Collection: Looking Out for The Next Derby, 1863. Artist: John Tenniel

Looking Out for The Next Derby, 1863. Artist: John Tenniel
Looking Out for The Next Derby, 1863. Dizzy (The Tout) comments: Foreign Policy - Church - And Finance - Blow d If We Shall Win With That Lot

Background imageForeign Policy Collection: The New Orleans Plum, 1862

The New Orleans Plum, 1862. During the previous year, the Federals under General McLellan had been defeated at the Battle of Bulls Run, also called Manassas Junction

Background imageForeign Policy Collection: Hot Pies!, 1879. Artist: Joseph Swain

Hot Pies!, 1879. Artist: Joseph Swain
Hot Pies!, 1879. A group of politicians are devouring pies representing countries. Lord Lytton, the viceroy of India, dressed as a waiter, brings another pie, to which Disraeli ( Master Benjamin )



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