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Chateau de Marcoussis, Paris, France, 17th century (1849)Chateau de Marcoussis, Paris, France, 17th century (1846). A 19th century version based on an original 17th century manuscript illustration held by the Cabinet des Estampes, Bibliotheque Nationale
Equestrian statue of King Philip le Bel, 1575 (1849)Statue of King Philip le Bel, 1575 (1849). Wooden equestrian statue placed in Notre Dame Cathedral, Paris, 1328, destroyed in 1772
Costumes of the Bourgeoisie, 13th century (1849). A 19th century version based on an original 13th century manuscript illustration (ms. no 6820), held by the Bibliotheque Nationale, Paris
Playing chess, 13th century (1849). A 19th century version based on an original 13th century manuscript illustration (ms. no 7266), held by the Bibliotheque Nationale, Paris
A royal banquet, 13th century (1849). A 19th century version based on an original 13th century manuscript illustration in l Histoire de St Graal (ms. no 6769), held by Bibliotheque Nationale, Paris
A knight and a maiden, 13th century (1849). A 19th century version based on an original 13th century manuscript illustration in Psautier Latin (ms. no 175), held by the Bibliotheque Nationale, Paris
Nobelwomen, 9th century (1849). A 19th century version based on an original 9th century manuscript illustration in the bible of Charles le Chauve, held by the Bibliotheque Nationale, Paris
Statue of Charlemagne (712-814), St Julien le Pauvre, Paris, 11th-12th century (1849). A 19th century version based on an original 11th or 12th century manuscript illustration
The Chair of Dagobert, 7th century, (1849). Made of gilt bronze, this was originally a folding chair. A 19th century version based on an original manuscript illustration held by the Bibliotheque
The Palace of Treves, France, c17th century (1849). From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume III (Paris, 1849)
Arquebusier, 16th century (1849). Artist: Jost AmmanArquebusier, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
Wire worker, 16th century (1849). Artist: Jost AmmanWire worker, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
Sword maker, 16th century (1849). Artist: Jost AmmanSword maker, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
Fisherman, 16th century (1849). Artist: Jost AmmanFisherman, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
Physician, 16th century (1849). Artist: Jost AmmanPhysician, 16th century, (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
Painter, 16th century (1849). Artist: Jost AmmanPainter, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
Painter of popular pictures, 16th century (1849). Artist: Jost AmmanPainter of popular pictures, 16th century (1849). A 19th century version based on an original 16th century wood engraving
Illuminator, 16th century (1849). Artist: Jost AmmanIlluminator, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
Wood engraver, 16th century (1849). Artist: Jost AmmanWood engraver, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
Draughtsman, 16th century (1849). Artist: Jost AmmanDraughtsman, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
Paper maker, 16th century, (1849). Artist: Jost AmmanPaper-maker, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
Hatter, 16th century (1849). Artist: Jost AmmanHatter, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
Clockmaker, 16th century (1849). Artist: Jost AmmanClockmaker, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
Weaver, 16th century (1849). Artist: Jost AmmanWeaver, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
The manufacture of oil, 16th century (1849). Artist: Jost AmmanThe manufacture of oil, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix
Thimble makers, 16th century (1849). Artist: Jost AmmanThimble makers, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
Clasp-maker, 16th century (1849). Artist: Jost AmmanClasp-maker, 16th century (1849). A 19th century version based on an original wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume III (Paris)
Tinman, 16th century (1849). Artist: Jost AmmanTinman, 16th century (1849). A 19th century version based on an original 16th century wood engraving. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
The market, 15th century (1849). Artist: H MoulinThe market, 15th century, (1849). Stained glass from the Cathedral of Tournai. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume III (Paris, 1849)
Barber and wigmaker, 16th century (1849). Artist: H MoulinBarber and wigmaker, 16th century (1849). Swiss stained glass in the collection of the Musee de Cluny, Paris. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud
The ancient Pont aux Changers, Paris, France, c16th century (1849). A 19th century version based on an original illustration in a manuscript on the topography of Paris
Commemorative painting of the Union of the Merchants of Rouen, late 17th century (1849). A 19th century version based on an original 17th century manuscript illustration
Wholesale dealers, 15th century (1849). Artist: Thurwanger FreresWholesale dealers, 15th century (1849). Stained glass from the Cathedral of Tournai. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume III (Paris, 1849)
A brewery, 15th century (1849). Artist: Franz KellerhovenA brewery, 15th century (1849). Stained glass from the Cathedral of Tournai. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume III (Paris, 1849)
Brussels town hall, 17th century (1849). A 19th century version based on an original 17th century manuscript illustration
A carpenters apprentice working at a trial piece, 15th century (1849). From one of the stalls called Misericordes in Rouen Cathedral, France
Professional tradesmen, 14th century (1849). A 19th century version based on an original manuscript illustration held by the Bibliotheque Royale in Brussels
Merchants, 14th century (1849). A 19th century version based on an original manuscript illustration held by the Bibliotheque Royale in Brussels
Monnoyeurs et Changeurs, 13th century (1849). Artist: Thurwanger FreresMonnoyeurs et Changeurs, 13th century (1849). Stained glass from the chapel dedicated to the Virgin Mary in Le Mans Cathedral
Toll bridge, 15th century (1849). Artist: H MoulinToll bridge, 15th century (1849). Stained glass from the Cathedral of Tournai. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume III (Paris, 1849)
Wine making, 13th century (1849). Artist: Thurwanger FreresWine making, 13th century (1849). Stained glass window from Le Mans Cathedral. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume III (Paris, 1849)
Saint Colette (1381-1447), c16th century (1849). A 19th century version based on an original earlier manuscript illustration
Ship carpenter, 15th century (1849). A 19th century version based on an original 15th century manuscript illustration in Chronique de Nuremberg
Boat and ship carpenters, c late 11th / early 12th century (1849)Boat and ship carpenters, c late 11th/early 12th century (1849). A 19th century version based on a fragment of the Bayeux Tapestry
King Philip II of France (1165-1223), 16th century (1849). Artist: DutilletKing Philip II of France (1165-1223), 16th century (1849). A 19th century version based on an original 16th century miniature in Rois de France, held by the Bibliotheque Nationale, Paris
Tomb of Dagobert I (603-689), Merovingian king, Basilisque Saint-Denis, 1849. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume III (Paris, 1849)
Dagobert I (603-689), Merovingian king, c16th century (1849). A 19th century version based on an original manuscript illustration from the Gaignieres Collection, held by the Cabinet des Estampes
Building construction, France, 15th century (1849). Artist: Franz KellerhovenBuilding construction, France, 15th century (1846). A 19th century version based on an original 15th century manuscript illustration in From Le Moyen Age et la Renaissance, by Paul Lacroix