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Feeling Collection (page 3)

Background imageFeeling Collection: Figure 19: Suffering, 1854-56, printed 1862. Creators: Duchenne de Boulogne

Figure 19: Suffering, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 19: Suffering, 1854-56, printed 1862

Background imageFeeling Collection: Figure 48: Mild weeping, pity and feeble false laughter, 1854-56, printed 1862

Figure 48: Mild weeping, pity and feeble false laughter, 1854-56, printed 1862

Background imageFeeling Collection: Figure 25: Not an expression of pain, 1854-56, printed 1862

Figure 25: Not an expression of pain, 1854-56, printed 1862

Background imageFeeling Collection: Faradisation du muscle frontal, 1854-56, printed 1862. Creators: Duchenne de Boulogne

Faradisation du muscle frontal, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Faradisation du muscle frontal, 1854-56, printed 1862

Background imageFeeling Collection: Figure 52: Voluntary retraction of the lower lip, 1854-56, printed 1862

Figure 52: Voluntary retraction of the lower lip, 1854-56, printed 1862

Background imageFeeling Collection: Figure 54: Voluntary lowering of the lower jaw, 1854-56, printed 1862

Figure 54: Voluntary lowering of the lower jaw, 1854-56, printed 1862

Background imageFeeling Collection: Figure 66: Head of Arrotino (the spy, the knife grinder, and so on), 1854-56

Figure 66: Head of Arrotino (the spy, the knife grinder, and so on), 1854-56, printed 1862

Background imageFeeling Collection: Figure 22: No painful expression, 1854-56, printed 1862

Figure 22: No painful expression, 1854-56, printed 1862

Background imageFeeling Collection: Figure 49: Painful weeping and forward looking. 1854-56, printed 1862

Figure 49: Painful weeping and forward looking. 1854-56, printed 1862

Background imageFeeling Collection: Figure 18: Aggression, wickedness, 1854-56, printed 1862

Figure 18: Aggression, wickedness, 1854-56, printed 1862

Background imageFeeling Collection: Figure 17: On the right, electrization of m. procerus: severity, aggressi

Figure 17: On the right, electrization of m. procerus: severity, aggression. On the left: attention. 1854-56, printed 1862

Background imageFeeling Collection: Figure 60: Fright, 1854-56, printed 1862. Creators: Duchenne de Boulogne

Figure 60: Fright, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 60: Fright, 1854-56, printed 1862

Background imageFeeling Collection: Figure 70: Head of the Laocoon of Rome, 1854-56, printed 1862

Figure 70: Head of the Laocoon of Rome, 1854-56, printed 1862. Creators: Duchenne de Boulogne, Adrien Alban Tournachon
Figure 70: Head of the Laocoon of Rome, 1854-56, printed 1862

Background imageFeeling Collection: Figure 45: Pain and despair. 1854-56, printed 1862. Creators: Duchenne de Boulogne

Figure 45: Pain and despair. 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 45: Pain and despair. 1854-56, printed 1862

Background imageFeeling Collection: Figure 6: The grimace produced is similar to a tic of the face, 1854-56, printed 1862

Figure 6: The grimace produced is similar to a tic of the face, 1854-56, printed 1862

Background imageFeeling Collection: Figure 75: Nun saying her prayers, 1854-56, printed 1862

Figure 75: Nun saying her prayers, 1854-56, printed 1862

Background imageFeeling Collection: Figure 62: Terror, semiprofile, 1854-56, printed 1862. Creators: Duchenne de Boulogne

Figure 62: Terror, semiprofile, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 62: Terror, semiprofile, 1854-56, printed 1862

Background imageFeeling Collection: Figure 78: Scene of coquetry, 1854-56, printed 1862. Creators: Duchenne de Boulogne

Figure 78: Scene of coquetry, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 78: Scene of coquetry, 1854-56, printed 1862

Background imageFeeling Collection: Figure 16: Expression of severity, 1854-56, printed 1862

Figure 16: Expression of severity, 1854-56, printed 1862

Background imageFeeling Collection: Figure 50: Affected weeping and face in repose, 1854-56, printed 1862

Figure 50: Affected weeping and face in repose, 1854-56, printed 1862

Background imageFeeling Collection: Figure 36: Scornful laughter and scornful disgust, 1854-56, printed 1862

Figure 36: Scornful laughter and scornful disgust, 1854-56, printed 1862

Background imageFeeling Collection: Figure 20: Profound suffering, with resignation, 1854-56, printed 1862

Figure 20: Profound suffering, with resignation, 1854-56, printed 1862

Background imageFeeling Collection: Electro-Physiologie, Figure 64, 1854-56, printed 1862. Creator: Adrien Alban Tournachon

Electro-Physiologie, Figure 64, 1854-56, printed 1862. Creator: Adrien Alban Tournachon
Electro-Physiologie, Figure 64, 1854-56, printed 1862

Background imageFeeling Collection: The Angel which redeemed me from all evil, bless the lads, c1840. Creator: George Presbury

The Angel which redeemed me from all evil, bless the lads, c1840. Creator: George Presbury
The Angel which redeemed me from all evil, bless the lads, c1840. Biblical scene, from Genesis 48: 16: The Angel which redeemed me from all evil, bless the lads; and let my name be named on them

Background imageFeeling Collection: The voice is Jacobs voice, but the hands are the hands of Esau, 19th century? Creator

The voice is Jacobs voice, but the hands are the hands of Esau, 19th century? Creator
The voice is Jacobs voice, but the hands are the hands of Esau, 19th century? Biblical scene, from Genesis 27: 22: And Jacob went near unto Isaac his father; and he felt him, and said

Background imageFeeling Collection: Death of Sophonisba, 1890. Creator: Unknown

Death of Sophonisba, 1890. Creator: Unknown
Death of Sophonisba, 1890. From " Cassells Illustrated Universal History Vol. II - Rome", by Edmund Ollier. [Cassell and Company, Limited, London, Paris and Melbourne, 1890]

Background imageFeeling Collection: The Scream, 1893. Artist: Edvard Munch

The Scream, 1893. Artist: Edvard Munch
The Scream, 1893. The Scream is one of four versions painted by Edward Munch in 1893. The ghostly, agonised figure against the background of a red sunset is one of the most well known images in

Background imageFeeling Collection: Jealousy, 1895. Artist: Edvard Munch

Jealousy, 1895. Artist: Edvard Munch
Jealousy, 1895. From the Rasmus Meyers Samlingen, Bergen, Norway

Background imageFeeling Collection: Blind Mans Buff, 1812, (mid 19th century). Creator: William Greatbach

Blind Mans Buff, 1812, (mid 19th century). Creator: William Greatbach
Blind Mans Buff, 1812, (mid 19th century). A group of people playing a game - some young men take advantage of the situation to grab and kiss one of the women

Background imageFeeling Collection: L Avocat Invective, 1919. Artist: Jean Louis Forain

L Avocat Invective, 1919. Artist: Jean Louis Forain
L Avocat Invective, 1919. Dramatic scene in court. From Modern Woodcuts and Lithographs by British and French Artists, by Geoffrey Holme. [The Studio Ltd. London, Paris, New York, 1919]

Background imageFeeling Collection: Bank-notes - paper money - French alarmists... 1797. Artist

Bank-notes - paper money - French alarmists... 1797. Artist
Bank-notes - paper money - French alarmists... 1797. Showing the interior of the Bank of England. William Pitt is standing behind a counter

Background imageFeeling Collection: The March to Finchley, 1761. Artist

The March to Finchley, 1761. Artist
The March to Finchley, or A representation of the march of the guards towards Scotland in the year 1745, 1761. The Tottenham Court turnpike at the intersection with Euston Road

Background imageFeeling Collection: The Last Supper, c1810-c1844. Artist: Henry Corbould

The Last Supper, c1810-c1844. Artist: Henry Corbould
The Last Supper, c1810-c1844

Background imageFeeling Collection: Lizz Wright, Brighton Pavilion, East Sussex, November 2005. Artist: Brian O Connor

Lizz Wright, Brighton Pavilion, East Sussex, November 2005. Artist: Brian O Connor
Lizz Wright, Brighton Pavilion, East Sussex, November 2005

Background imageFeeling Collection: Sarah Jane Morris, Hawth, Crawley, January 2006. Artist: Brian O Connor

Sarah Jane Morris, Hawth, Crawley, January 2006. Artist: Brian O Connor
Sarah Jane Morris, Hawth, Crawley, January 2006

Background imageFeeling Collection: Bobby Wellins, Ronnie Scotts, London, 2003. Artist: Brian O Connor

Bobby Wellins, Ronnie Scotts, London, 2003. Artist: Brian O Connor
Bobby Wellins, Ronnie Scott s, London, 2003

Background imageFeeling Collection: Spike Robinson, Ronnie Scotts, London, 1993. Artist: Brian O Connor

Spike Robinson, Ronnie Scotts, London, 1993. Artist: Brian O Connor
Spike Robinson, Ronnie Scott s, London, 1993

Background imageFeeling Collection: Irene Reid, Ronnie Scotts, London, 1994. Artist: Brian O Connor

Irene Reid, Ronnie Scotts, London, 1994. Artist: Brian O Connor
Irene Reid, Ronnie Scott s, London, 1994

Background imageFeeling Collection: Havelock sat up surprised, 1910. Artist: John Henry Frederick Bacon

Havelock sat up surprised, 1910. Artist: John Henry Frederick Bacon
Havelock sat up surprised, 1910. A print from Hero Myths and Legends of the British Race by MI Ebbutt, 1910

Background imageFeeling Collection: Len Skeat and Digby Fairweather, Brecon Jazz Festival, Powys, Wales, 2009. Artist

Len Skeat and Digby Fairweather, Brecon Jazz Festival, Powys, Wales, 2009. Artist
Len Skeat and Digby Fairweather, Brecon Jazz Festival, Powys, Wales, 2009

Background imageFeeling Collection: Perico Sambeat, Ronnie Scotts, London, 1993. Artist: Brian O Connor

Perico Sambeat, Ronnie Scotts, London, 1993. Artist: Brian O Connor
Perico Sambeat, Ronnie Scott s, London

Background imageFeeling Collection: Herman Romero, Ronnie Scotts, London, 2002. Artist: Brian O Connor

Herman Romero, Ronnie Scotts, London, 2002. Artist: Brian O Connor
Herman Romero, Ronnie Scott s, London, 2002

Background imageFeeling Collection: Crowd outside London Stock Exchange after fall of the Hatry Group, 1929

Crowd outside London Stock Exchange after fall of the Hatry Group, 1929. On 20 September 1929 trading in shares in British financier Clarence Charles Hatrys (1888-1965) company, the Hatry group

Background imageFeeling Collection: Depositors of the Union Trust Company, Cleveland, Ohio, USA, Great Depression, July 1933

Depositors of the Union Trust Company, Cleveland, Ohio, USA, Great Depression, July 1933. Lining up to draw out what is left of their deposits

Background imageFeeling Collection: The Wall Street Crash, New York City, USA, Thursday, 24 October 1929

The Wall Street Crash, New York City, USA, Thursday, 24 October 1929. The panicking crowds that collected that morning outside the Stock Exchange building at Broad and Wall Streets

Background imageFeeling Collection: Stock-market listings as recorded in the New York Times, Wednesday, 30 October, 1929

Stock-market listings as recorded in the New York Times, Wednesday, 30 October, 1929. Printed the morning after the great liquidation, the famous sixteen-million-share day

Background imageFeeling Collection: Sir Walter Raleigh smoking a pipe, (c1900). Artist: Trelleek

Sir Walter Raleigh smoking a pipe, (c1900). Artist: Trelleek
Sir Walter Raleigh smoking a pipe, (c1900). Raleigh (1554-1618) was an English adventurer, explorer and writer, a favourite of Queen Elizabeth I, who knighted him in 1585

Background imageFeeling Collection: Head of Christ, c1480 (1945). Artist: Leonardo da Vinci

Head of Christ, c1480 (1945). Artist: Leonardo da Vinci
Head of Christ, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]



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