Feeling Collection (page 2)

The Anatomist, 1811. Artist: Thomas Rowlandson
The Anatomist, 1811. Cartoon showing the terror of a patient and his wife as a surgeon opens his bag of instruments. Seeing the skeleton in the cupboard

Untitled (The Quarrel), 1777. Creator: Antoine Jean Duclos
Untitled (The Quarrel), 1777. Book: Collection complete des oeuvres de J.-J. Rousseau (London, 1774-1783), vol. 1, p. 347

Sadness (from Heads Representing the Various Passions of the Soul; as they are Expressed i... 1765. Creator: Anon)
Sadness (from Heads Representing the Various Passions of the Soul; as they are Expressed in the Human Countenance: Drawn by that Great Master Monsieur Le Brun), 1765

Simple Bodily Pain (from Heads Representing the Various Passions of the Soul; as they are... 1765. Creator: Anon)
Simple Bodily Pain (from Heads Representing the Various Passions of the Soul; as they are Expressed in the Human Countenance: Drawn by that Great Master Monsieur Le Brun), 1765

Hatred or Jealousy (from Heads Representing the Various Passions of the Soul; as they are... 1765. Creator: Anon)
Hatred or Jealousy (from Heads Representing the Various Passions of the Soul; as they are Expressed in the Human Countenance: Drawn by that Great Master Monsieur Le Brun), 1765

Terror or Fright (from Heads Representing the Various Passions of the Soul; as they are E... 1765. Creator: Anon)
Terror or Fright (from Heads Representing the Various Passions of the Soul; as they are Expressed in the Human Countenance: Drawn by that Great Master Monsieur Le Brun), 1765

Desire (from Heads Representing the Various Passions of the Soul; as they are Expressed in... 1765. Creator: Anon)
Desire (from Heads Representing the Various Passions of the Soul; as they are Expressed in the Human Countenance: Drawn by that Great Master Monsieur Le Brun), 1765

"Ride a Cock Horse to Banbury Cross";Blanche of Namur, Queen of Sweden, and her son... 1890. Creator: Unknown
" Ride a Cock Horse to Banbury Cross" ; Blanche of Namur, Queen of Sweden, and her son Prince Haquin, 1890

"Madame Leroux";By Francis Eleanor Trollope. "Good-bye Aunt Charlotte, "said Mildred, 1890
" Madame Leroux" ; By Francis Eleanor Trollope. " Good-bye Aunt Charlotte, " said Mildred, 1890

Ebisu flirting with a courtesan, no. 3 from a series of 12 prints, c. 1708

The Foolish Old Man and the Young Girl, c. 1480 / 1490. Creator: Israhel van Meckenem
The Foolish Old Man and the Young Girl, c. 1480/1490

L Eventail casse. Creator: Louis Marin Bonnet
L Eventail casse. [The broken fan]

Feelings, 1937. Creator: Ernst Kirchner
Feelings, 1937

La Veneration, Le Ravissement, Extreme Douleur corporelle (from Caractè
La Veneration, Le Ravissement, Extreme Douleur corporelle (from Caracteres des passions, graves sur les desseins de l illustre Monsieur le Brun), 1695-1720

Dotage, April 20, 1790. Creator: T. Smith
Dotage, April 20, 1790

Mouvement de douleur, Douleur aigue de corps et d Esprit, Mouvement compose (from Caracteres des passions, graves sur les desseins de l illustre Monsieur le Brun), 1695-1720

Le Colere (from Caracteres des passions, gravé
Le Colere (from Caracteres des passions, graves sur les desseins de l illustre Monsieur le Brun), 1695-1720

Le Pleurer and mouvement compose(from Caracteres des passions
Le Pleurer and mouvement compose (from Caracteres des passions, graves sur les desseins de l illustre Monsieur le Brun), 1695-1720

Mouvement Violent, Mouvement violent ou le coeur seroidit, La Jalousie (from Caracteres des passions, graves sur les desseins de l illustre Monsieur le Brun), 1695-1720

Infant Shakespeare Attended by Nature and the Passions, 1799. Creator: Benjamin Smith
Infant Shakespeare Attended by Nature and the Passions, 1799

Susanna and the Elders, early 17th-mid 17th century. Creator: Gerrit van Honthorst
Susanna and the Elders, early 17th-mid 17th century

Edmund Kean in the Character of Macbeth, 1814. Creator: George Henry Harlow
Edmund Kean in the Character of Macbeth, 1814

Figure 26: Expression of painful attention and attention, attentive gaze. 1854-56, printed 1862

Figure 53: Whimpering and false laughter, 1854-56, printed 1862

Figure 39: The attention attracted by an object that provokes lascivious ideas and desires. 1854-56, printed 1862

Figure 9: A study of m. frontalis in maximum contraction, 1854-56, printed 1862

Figure 15: Meditation, mental concentration, 1854-56, printed 1862

Figure 27: Expression proportionally more pained, 1854-56, printed 1862

Figure 81: Lady Macbeth, moderate expression of cruelty, 1854-56, printed 1862

Figure 42: Gaiety expressed by the ideas of lustfulness, cynicism, and lewdness. 1854-56, printed 1862

Figure 10: Showing the expressive lines of m. frontalis in a young girl, 1854-56, printed 1862

Figure 55: Astonishment badly rendered by the subject: a ridiculous and inane expression. 1854-56, printed 1862

Figure 21: Painful recollection and recollection or calling something to mind, 1854-56, printed 1862

Figure 71: Same head as in Plate 70, 1854-56, printed 1862. Creators: Duchenne de Boulogne, Adrien Alban Tournachon
Figure 71: Same head as in Plate 70, 1854-56, printed 1862

Figure 57: Astonishment, stupefaction, amazement, 1854-56, printed 1862

Figure 73: Head of Niobe, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 73: Head of Niobe, 1854-56, printed 1862

Figure 12: A study of the contraction of and the expression produced by the superior part of m. orbicularis oculi, 1854-56, printed 1862

Figure 47: A suggestion of this same weeping, 1854-56, printed 1862

Figure 56: Surprise, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 56: Surprise, 1854-56, printed 1862

Figure 63: Expression of terror, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 63: Expression of terror, 1854-56, printed 1862

Figure 34: Grimace, 1854-56, printed 1862. Creators: Duchenne de Boulogne
Figure 34: Grimace, 1854-56, printed 1862

Figure 4: The face in repose of a young man, 1854-56, printed 1862

Figure 3: The face of an old man... photographed in repose. 1854-56, printed 1862

Figure 83: Lady Macbeth, ferocious cruelty, 1854-56, printed 1862

Figure 82: Lady Macbeth, strong expression of cruelty, 1854-56, printed 1862

Figure 8: Contraction of the right m. frontalis. 1854-56, printed 1862

Figure 24: Extreme pain to the point of exhaustion, the head of Christ and memory of love or ecstatic gaze. 1854-56, printed 1862

Icono-photographique. Mecanisme de la Physionomie Humaine. Fig. 65, 1854-56, printed 1862

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