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Correspondence Collection (page 7)

Background imageCorrespondence Collection: A letter written by John Dryden (1631-12700), English poet, 1699 (1840)

A letter written by John Dryden (1631-12700), English poet, 1699 (1840). From Historical and Literary Curiosities consisting of Fac-similies of Original Documents, by Charles John Smith

Background imageCorrespondence Collection: A letter relating to Charles Stuart, Bonnie Prince Charlie, 18th century

A letter relating to Charles Stuart, Bonnie Prince Charlie, 18th century

Background imageCorrespondence Collection: A hand-written letter, 1870 (1899)

A hand-written letter, 1870 (1899). From the first series of Facsimiles of Royal, Historical, Literary and Other Autographs in the Department of Manuscripts, British Museum: Series I - V (London)

Background imageCorrespondence Collection: A letter from Charles Barry, c1840 (1904). Artist: Sir Charles Barry

A letter from Charles Barry, c1840 (1904). Artist: Sir Charles Barry
A letter from Charles Barry, c1840 (1904). Sir Charles Barry (1795-1860) was an English architect best known for his work in the rebuilding of the Palace of Westminster

Background imageCorrespondence Collection: A letter from Francis Leggatt Chantrey, 1839 (1904). Artist: Francis Legatt Chantrey

A letter from Francis Leggatt Chantrey, 1839 (1904). Artist: Francis Legatt Chantrey
A letter from Francis Leggatt Chantrey, 1839 (1904). Francis Leggatt Chantrey(1781-1841), English sculptor. From The The Royal Academy From Reynolds to Millais Edited by Charles Holme

Background imageCorrespondence Collection: A letter from John Flaxman, 24 December 1819 (1904). Artist: John Flaxman

A letter from John Flaxman, 24 December 1819 (1904). Artist: John Flaxman
A letter from John Flaxman, 24 December 1819 (1904). John Flaxman (1755-1826), British sculptor and draughtsman. From The The Royal Academy From Reynolds to Millais Edited by Charles Holme

Background imageCorrespondence Collection: A letter from Charles Lock Eastlake, 1847 (1904). Artist: Charles Lock Eastlake

A letter from Charles Lock Eastlake, 1847 (1904). Artist: Charles Lock Eastlake
A letter from Charles Lock Eastlake, 1847 (1904). Charles Lock Eastlake (1793-1865), English painter and President of the Royal Academy

Background imageCorrespondence Collection: A letter from Martin Archer Shee, 1839 (1904). Artist: Sir Martin Archer Shee

A letter from Martin Archer Shee, 1839 (1904). Artist: Sir Martin Archer Shee
A letter from Martin Archer Shee, 1839 (1904). Martin Archer Shee(1769-1850), British portrait painter and President of the Royal Academy

Background imageCorrespondence Collection: A letter from James Ward, 1851 (1904). Artist: James Ward

A letter from James Ward, 1851 (1904). Artist: James Ward
A letter from James Ward, 1851 (1904). James Ward (1769-1859), English painter. From The Royal Academy From Reynolds to Millais Edited by Charles Holme

Background imageCorrespondence Collection: A letter from Augustus Wall Callcott, 7 May 1838 (1904). Artist: Augustus Wall Callcott

A letter from Augustus Wall Callcott, 7 May 1838 (1904). Artist: Augustus Wall Callcott
A letter from Augustus Wall Callcott, 7 May 1838 (1904). Augustus Wall Callcott (1779-1844), English landscape painter. From The Royal Academy From Reynolds to Millais Edited by Charles Holme

Background imageCorrespondence Collection: Letter from JMW Turner, c1840 (1904). Artist: JMW Turner

Letter from JMW Turner, c1840 (1904). Artist: JMW Turner
Letter from JMW Turner, c1840 (1904). Joseph Mallord William Turner (1775-1851) English landscape painter. From The Royal Academy From Reynolds to Millais Edited by Charles Holme

Background imageCorrespondence Collection: A letter from William Etty, 17 January 1844 (1904). Artist: William Etty

A letter from William Etty, 17 January 1844 (1904). Artist: William Etty
A letter from William Etty, 17 January 1844 (1904). William Etty (1787-1849), English painter. From The Royal Academy From Reynolds to Millais Edited by Charles Holme [Offices of The Studio, London

Background imageCorrespondence Collection: Facsimile of an original letter addressed by Titus Oates to Charles Howard, 1681, (1840)

Facsimile of an original letter addressed by Titus Oates to Charles Howard, 1681, (1840). Artist: Titus Oates
Facsimile of an original letter addressed by Titus Oates to Charles Howard, 1681, (1840). Letter addressed by Titus Oates to Charles Howard, son of Henry Frederick Howard, Earl of Arundel

Background imageCorrespondence Collection: Letter from Thomas Gray concerning the edition of his poetical pieces, c1753, (1840)

Letter from Thomas Gray concerning the edition of his poetical pieces, c1753, (1840). Artist: Thomas Gray
Facsimile of an original letter from Thomas Gray concerning the edition of his poetical pieces, c1753, (1840). Published in 1753, by Bentley

Background imageCorrespondence Collection: Part of a letter from Henry St John, 1st Viscount Bolingbroke, early 18th century, (1840)

Part of a letter from Henry St John, 1st Viscount Bolingbroke, early 18th century, (1840). Part of a letter from the Right Honorable Henry St John, 1st Viscount Bolingbroke, to Jonathan Swift

Background imageCorrespondence Collection: A letter letter from John, 1st Baron Somers, early 18th century, (1840). Artist: Sir Hans Sloane

A letter letter from John, 1st Baron Somers, early 18th century, (1840). Artist: Sir Hans Sloane
Part of an original letter letter from John Somers, 1st Baron Somers, early 18th century, (1840). Letter from John, 1st Baron Somers, to Sir Hans Sloane

Background imageCorrespondence Collection: Part of a letter from Thomas Secker, Bishop of Oxford, 17 August 1752, (1840). Artist: Thomas Secker

Part of a letter from Thomas Secker, Bishop of Oxford, 17 August 1752, (1840). Artist: Thomas Secker
Part of a letter from Thomas Secker, Bishop of Oxford, 17 August 1752, (1840). Letter from Thomas Secker, afterwards Archbishop of Canterbury, respecting the last illness of Martin Benson

Background imageCorrespondence Collection: Letter from Abraham Cowley, late 17th-early 18th century, (1840). Artist: Abraham Cowley

Letter from Abraham Cowley, late 17th-early 18th century, (1840). Artist: Abraham Cowley
Part of a letter from Abraham Cowley, and a view of his residence at Chertsey, Surrey, late 17th-early 18th century, (1840)

Background imageCorrespondence Collection: Part of a letter from James Boswell to David Garrick, Edinburgh, 11 April 1774, (1840)

Part of a letter from James Boswell to David Garrick, Edinburgh, 11 April 1774, (1840). Artist: James Boswell
Part of a letter from James Boswell to David Garrick, Edinburgh, 11 April 1774, (1840). Letter from James Boswell, the diarist and biographer of Samuel Johnson to the actor David Garrick

Background imageCorrespondence Collection: A letter from George Villiers about the Great Fire of London, 6 September 1666, (1840)

A letter from George Villiers about the Great Fire of London, 6 September 1666, (1840). A letter from George Villiers, 2nd Duke of Buckingham

Background imageCorrespondence Collection: A letter from Dr Johnson, on his finishing the Lives of the Poets, c1780, (1840)

A letter from Dr Johnson, on his finishing the Lives of the Poets, c1780, (1840). Artist: James Boswell
A letter from Dr Samuel Johnson, on his finishing the Lives of the Most Eminent English Poets, c1781, (1840). Illustration from Historical

Background imageCorrespondence Collection: A letter by John Howard, and a view of his residence at Cardington, mid-late 18th century, (1840)

A letter by John Howard, and a view of his residence at Cardington, mid-late 18th century, (1840). Artist: John Howard
Part of a letter by John Howard, and a view of his residence at Cardington, mid-late 18th century, (1840). View of the philanthropist and prison reformers birthplace at Clapton, Middlesex

Background imageCorrespondence Collection: A letter from Edward Young, and a view of his residence at Welwyn, Hertfordshire, 1740s, (1840)

A letter from Edward Young, and a view of his residence at Welwyn, Hertfordshire, 1740s, (1840). Artist: Edward Young
A letter from Edward Young, and a view of his residence at Welwyn, Hertfordshire, 1740s, (1840). A letter from Edward Young, author of Night Thoughts, addressed to Dodsley the bookseller

Background imageCorrespondence Collection: Letters from Dr Beattie to David Garrick and from Sir William Jones, 1771, (1840)

Letters from Dr Beattie to David Garrick and from Sir William Jones, 1771, (1840). Artist: James Beattie
Extract of a letter from Dr Beattie to David Garrick and from Sir William Jones, 1771, (1840). Extract of a letter from Dr Beattie to Garrick, presenting his poem of The Minstrel

Background imageCorrespondence Collection: A letter from Reverend James Granger, and a view of his residence at Shiplake, 1769, (1840)

A letter from Reverend James Granger, and a view of his residence at Shiplake, 1769, (1840). Artist: James Granger
A letter from Reverend James Granger, and a view of his residence at Shiplake, 1769, (1840). Extract of a letter from Granger to the Reverend Mr Cole, on the mania for collecting English portraits

Background imageCorrespondence Collection: Extract of a letter from Lord Orrery to Dr Birch, 1746, (1840)

Extract of a letter from Lord Orrery to Dr Birch, 1746, (1840). Artist: John Boyle, Earl of Corke and Orrery
Extract of a letter from Lord Orrery to Dr Birch, on the character of the English nation, 1746, (1840). Illustration from Historical

Background imageCorrespondence Collection: Extract of a letter from Lord Halifax to Dean Swift, with promises of promotion, 1709, (1840)

Extract of a letter from Lord Halifax to Dean Swift, with promises of promotion, 1709, (1840). Artist: Charles Montague
Extract of a letter from Lord Halifax to Dean Swift, with promises of promotion, 1709, (1840). Illustration from Historical and Literary Curiosities consisting of Fac-similies of Original Documents

Background imageCorrespondence Collection: A letter in rhyme from Cowper, the poet, to the Reverend John Newton, 1771, (1840)

A letter in rhyme from Cowper, the poet, to the Reverend John Newton, 1771, (1840). Artist: William Cowper
A letter in rhyme from William Cowper the poet, to the Reverend John Newton, 1771, (1840). Illustration from Historical and Literary Curiosities consisting of Fac-similies of Original Documents

Background imageCorrespondence Collection: A letter from Addison, and a view of his birthplace, late 17th-early 18th century, (1840)

A letter from Addison, and a view of his birthplace, late 17th-early 18th century, (1840). Artist: Joseph Addison
A letter from Addison, and a view of his birthplace at Milston, Wiltshire, late 17th-early 18th century, (1840). A letter from Joseph Addison (1672-1719), respecting a passage in the work of Statius

Background imageCorrespondence Collection: A letter from Graham of Claverhouse, Viscount Dundee, 1629, (1840). Artist: John Graham

A letter from Graham of Claverhouse, Viscount Dundee, 1629, (1840). Artist: John Graham
Facsimile of a letter from Graham of Claverhouse, Viscount Dundee, 1629, (1840). The letter was written upon his arrival at Glasgow, immediately after the fight at Drumclog

Background imageCorrespondence Collection: A letter and portrait of Francis Grose, 1772, (1840). Artist: Francis Grose

A letter and portrait of Francis Grose, 1772, (1840). Artist: Francis Grose
A letter and portrait of Francis Grose, 1772, (1840). A letter from Grose to Mr Gough, the antiquary, requesting information about Corfe Castle

Background imageCorrespondence Collection: A letter from Isaac Newton, and a view of his birthplace at Woolsthorpe, Lincolnshire, 1682, (1840)

A letter from Isaac Newton, and a view of his birthplace at Woolsthorpe, Lincolnshire, 1682, (1840)
A letter from Sir Isaac Newton, and a view of his birthplace at Woolsthorpe, Lincolnshire, 1682, (1840). Fac-simile extract from Sir Isaac Newtons letter to Dr Briggs

Background imageCorrespondence Collection: A letter from Sir Richard Steele, and a view of his cottage at Haverstock Hill, 1713, (1840)

A letter from Sir Richard Steele, and a view of his cottage at Haverstock Hill, 1713, (1840). Artist: Richard Steele
A letter from Sir Richard Steele, and a view of his cottage at Haverstock Hill, 1713, (1840). Illustration from Historical and Literary Curiosities consisting of Fac-similies of Original Documents

Background imageCorrespondence Collection: Letters from Potter, Bishop of Oxford, to Atterbury and Atterbury to Trelawney, 1722, (1840)

Letters from Potter, Bishop of Oxford, to Atterbury and Atterbury to Trelawney, 1722, (1840). Artist: Francis Atterbury
Part of a letter from John Potter, Bishop of Oxford, to Francis Atterbury and from Atterbury to Jonathan Trelawny, 3rd Baronet, 1722, (1840)

Background imageCorrespondence Collection: A letter from Miles Coverdale, Bishop of Exeter, to Thomas Lord Cromwell, 1538, (1840)

A letter from Miles Coverdale, Bishop of Exeter, to Thomas Lord Cromwell, 1538, (1840). Artist: Miles Coverdale
Copy of a letter from Miles Coverdale, Bishop of Exeter, to Thomas Lord Cromwell, 1538, (1840). A letter regarding his annotations on the bible

Background imageCorrespondence Collection: Part of a letter from John Locke to Sir Hans Sloane, late 17th-early 18th century, (1840)

Part of a letter from John Locke to Sir Hans Sloane, late 17th-early 18th century, (1840). Artist: John Locke
Part of a letter from John Locke to Sir Hans Sloane, late 17th-early 18th century, (1840). View of the birthplace of John Locke, at Wrington, Somerset

Background imageCorrespondence Collection: Portrait of Thomas Howard, 4th Duke of Norfolk, 1572, (1840)

Portrait of Thomas Howard, 4th Duke of Norfolk, 1572, (1840)
Portrait of Thomas Howard, 4th Duke of Norfolk, and copies of letters written by him in 1572, (1840). The farewell papers were written immediately before Howards execution in 1572

Background imageCorrespondence Collection: Part of a letter from Dr William Robertson concerning his History of Scotland, 1757, (1840)

Part of a letter from Dr William Robertson concerning his History of Scotland, 1757, (1840). Artist: William Robertson
Part of a letter from Dr William Robertson concerning his History of Scotland, 1757, (1840). Illustration from Historical and Literary Curiosities consisting of Fac-similies of Original Documents

Background imageCorrespondence Collection: Part of a letter from Bishop Warburton, respecting the poems of Milton, 1737, (1840)

Part of a letter from Bishop Warburton, respecting the poems of Milton, 1737, (1840). Artist: William Warburton
Part of a letter from Bishop Warburton, respecting the poems of Milton, 1737, (1840). Illustration from Historical and Literary Curiosities consisting of Fac-similies of Original Documents

Background imageCorrespondence Collection: Part of a letter from John Gay to Dean Swift, c1728, (1840). Artist: John Gay

Part of a letter from John Gay to Dean Swift, c1728, (1840). Artist: John Gay
Part of a letter from John Gay to Jonathan Dean Swift, describing the success of the Beggars Opera, c1728, (1840). Illustration from Historical

Background imageCorrespondence Collection: A letter from Samuel Richardson to Dr Smollett, 1756, (1840). Artist: Samuel Richardson

A letter from Samuel Richardson to Dr Smollett, 1756, (1840). Artist: Samuel Richardson
A letter from Samuel Richardson to Dr Smollett, 1756, (1840). The letter is reply to a letter by Smollett denying that he was the author of an article in the Critical Review

Background imageCorrespondence Collection: A letter from Dr Smollett to Samuel Richardson, 1756, (1840). Artist: Tobias George Smollett

A letter from Dr Smollett to Samuel Richardson, 1756, (1840). Artist: Tobias George Smollett
A letter from Dr Smollett to Samuel Richardson, 1756, (1840). View of Monmouth House at Chelsea, in which Smollett wrote his Roderick Random

Background imageCorrespondence Collection: Part of a letter from Horace Walpole to the Reverend Mr Cole, 1777, (1840). Artist: Horace Walpole

Part of a letter from Horace Walpole to the Reverend Mr Cole, 1777, (1840). Artist: Horace Walpole
Part of a letter from Horace Walpole to the Reverend Mr Cole, 1777, (1840). The letter is regarding the genius of Thomas Chatterton, and his pretended poems by Rowley

Background imageCorrespondence Collection: Letter from Alfonso XIII to Tomas Estrada Palma, c1910. Artist: King Alfonso XIII

Letter from Alfonso XIII to Tomas Estrada Palma, c1910. Artist: King Alfonso XIII
Letter from Alfonso XIII, King of Spain, to Tomas Estrada Palma, first President of Cuba, c1910. Cigar card from the History of Cuba, Geografico Universal

Background imageCorrespondence Collection: Part of a letter from Thomas Chatterton to Horace Walpole, late 18th century, (1840)

Part of a letter from Thomas Chatterton to Horace Walpole, late 18th century, (1840). Artist: Thomas Chatterton
Part of a letter from Thomas Chatterton to Horace Walpole, late 18th century, (1840). The letter is an account of his pretended discovery of Rowleys poems

Background imageCorrespondence Collection: Letter by William III King of England, 1695 (1865). Artist: Frederick George Netherclift

Letter by William III King of England, 1695 (1865). Artist: Frederick George Netherclift
Letter by William III King of England, 1695 (1865). A print from The Autograph Souvenir, A collection of Autograph Letters, Interesting Documents, &c, Executed in Facsimile

Background imageCorrespondence Collection: Letter by Arthur Wellesley, Duke of Wellington, to Field Marshal Lord Beresford, 1815 (1865)

Letter by Arthur Wellesley, Duke of Wellington, to Field Marshal Lord Beresford, 1815 (1865). Wellington and Beresford fought together in the Peninsular War

Background imageCorrespondence Collection: Letter by James Francis Edward Stuart (the Old Pretender ) to the Duc de Vendome, 1710 (1865)

Letter by James Francis Edward Stuart (the Old Pretender ) to the Duc de Vendome, 1710 (1865). A print from The Autograph Souvenir, A collection of Autograph Letters, Interesting Documents, &c



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