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Chest Plate Collection (page 3)

Background imageChest Plate Collection: Breastplate, Milan, c. 1560, refashioned 1600-10. Creator: Unknown

Breastplate, Milan, c. 1560, refashioned 1600-10. Creator: Unknown
Breastplate, Milan, c. 1560, refashioned 1600-10

Background imageChest Plate Collection: Cuirass and Pauldrons for a Papal Swiss Guard, Brescia, 1590; decoration 1623 / 44

Cuirass and Pauldrons for a Papal Swiss Guard, Brescia, 1590; decoration 1623 / 44
Cuirass and Pauldrons for a Papal Swiss Guard, Brescia, 1590; decoration 1623/44

Background imageChest Plate Collection: Portions of a Jousting Armor, Italy, c. 1560 with some modern restorations

Portions of a Jousting Armor, Italy, c. 1560 with some modern restorations

Background imageChest Plate Collection: Breastplate, Italy, c. 1600. Creator: Unknown

Breastplate, Italy, c. 1600. Creator: Unknown
Breastplate, Italy, c. 1600

Background imageChest Plate Collection: Breastplate, France, 1670-1700. Creator: Unknown

Breastplate, France, 1670-1700. Creator: Unknown
Breastplate, France, 1670-1700

Background imageChest Plate Collection: Breastplate, Italy, c. 1580 / 90. Creator: Unknown

Breastplate, Italy, c. 1580 / 90. Creator: Unknown
Breastplate, Italy, c. 1580/90

Background imageChest Plate Collection: Breastplate, Milan, c. 1580 with some modern restorations. Creator: Unknown

Breastplate, Milan, c. 1580 with some modern restorations. Creator: Unknown
Breastplate, Milan, c. 1580 with some modern restorations

Background imageChest Plate Collection: The Count, from The Dance of Death, ca. 1526, published 1538. Creator: Hans Lützelburger

The Count, from The Dance of Death, ca. 1526, published 1538. Creator: Hans Lützelburger
The Count, from The Dance of Death, ca. 1526, published 1538

Background imageChest Plate Collection: Three Men standing beside a Horse, from the Scherzi, ca. 1740

Three Men standing beside a Horse, from the Scherzi, ca. 1740

Background imageChest Plate Collection: Untitled [soldiers on parade], 1857. Creator: Gustave Le Gray

Untitled [soldiers on parade], 1857. Creator: Gustave Le Gray
Untitled [soldiers on parade], 1857. Albumen print, from the album " Souvenirs du Camp de Chalons"

Background imageChest Plate Collection: Mounted Sentry (1st Life Guards), Whitehall, 1933. Creator: C. T. Howard

Mounted Sentry (1st Life Guards), Whitehall, 1933. Creator: C. T. Howard
Mounted Sentry (1st Life Guards), Whitehall, 1933. Member of the Queens Life Guard on sentry duty at Whitehall in London

Background imageChest Plate Collection: Francesco Sforza, probably c. 1480 / 1500. Creator: Unknown

Francesco Sforza, probably c. 1480 / 1500. Creator: Unknown
Francesco Sforza, probably c. 1480/1500

Background imageChest Plate Collection: Iron Breast Plate, 1935 / 1942. Creator: Unknown

Iron Breast Plate, 1935 / 1942. Creator: Unknown
Iron Breast Plate, 1935/1942

Background imageChest Plate Collection: Saint Helena, c. 1495. Creator: Giovanni Battista Cima da Conegliano

Saint Helena, c. 1495. Creator: Giovanni Battista Cima da Conegliano
Saint Helena, c. 1495

Background imageChest Plate Collection: Henry, Duke of Gloucester, c. 1653. Creator: Adriaen Hanneman

Henry, Duke of Gloucester, c. 1653. Creator: Adriaen Hanneman
Henry, Duke of Gloucester, c. 1653

Background imageChest Plate Collection: Portions of an armour for Vincenzo Luigi di Capua (d. 1627), Italian, Milan, ca. 1595

Portions of an armour for Vincenzo Luigi di Capua (d. 1627), Italian, Milan, ca. 1595

Background imageChest Plate Collection: Portions of a Field armour, German, probably Augsburg, dated 1524. Creator: Unknown

Portions of a Field armour, German, probably Augsburg, dated 1524. Creator: Unknown
Portions of a Field armour, German, probably Augsburg, dated 1524

Background imageChest Plate Collection: Breastplate with Tassets, German, Augsburg, ca. 1530. Creator: Unknown

Breastplate with Tassets, German, Augsburg, ca. 1530. Creator: Unknown
Breastplate with Tassets, German, Augsburg, ca. 1530

Background imageChest Plate Collection: Cuirass of a Haramaki, Japanese, 15th century. Creator: Unknown

Cuirass of a Haramaki, Japanese, 15th century. Creator: Unknown
Cuirass of a Haramaki, Japanese, 15th century

Background imageChest Plate Collection: Cuirass and Tassets (Torso and Hip Defense), German, Augsburg, ca. 1510-20

Cuirass and Tassets (Torso and Hip Defense), German, Augsburg, ca. 1510-20

Background imageChest Plate Collection: Armour, Japanese, late 18th-19th century. Creator: Unknown

Armour, Japanese, late 18th-19th century. Creator: Unknown
Armour, Japanese, late 18th-19th century

Background imageChest Plate Collection: Cuirass, Indian, Hyderabad, dated A. H. 1192 / A. D. 1778-79. Creator: Unknown

Cuirass, Indian, Hyderabad, dated A. H. 1192 / A. D. 1778-79. Creator: Unknown
Cuirass, Indian, Hyderabad, dated A.H. 1192/ A.D. 1778-79

Background imageChest Plate Collection: Cuirass and Greaves, Japanese, probably late 18th-early 19th century. Creator: Unknown

Cuirass and Greaves, Japanese, probably late 18th-early 19th century. Creator: Unknown
Cuirass (armour for the Torso and Hips) and Greaves (Lower Leg Defenses), Japanese, probably late 18th-early 19th century

Background imageChest Plate Collection: Armour of the Maeda Family, Japanese, 18th century. Creator: Unknown

Armour of the Maeda Family, Japanese, 18th century. Creator: Unknown
Armour of the Maeda Family, Japanese, 18th century

Background imageChest Plate Collection: Breastplate from an armour of Francesco Maria II della Rovere

Breastplate from an armour of Francesco Maria II della Rovere (1548-1631), Duke of Urbino, Italian, probably Milan, ca. 1570

Background imageChest Plate Collection: Cuirass of a Tanko, Japanese, late 5th-6th century. Creator: Unknown

Cuirass of a Tanko, Japanese, late 5th-6th century. Creator: Unknown
Cuirass of a Tanko, Japanese, late 5th-6th century

Background imageChest Plate Collection: Cuirass of a Do-maru, Japanese, ca. 1550. Creator: Unknown

Cuirass of a Do-maru, Japanese, ca. 1550. Creator: Unknown
Cuirass of a Do-maru, Japanese, ca. 1550

Background imageChest Plate Collection: Queen Zenobia Addressing Her Soldiers, 1725 / 1730. Creator: Giovanni Battista Tiepolo

Queen Zenobia Addressing Her Soldiers, 1725 / 1730. Creator: Giovanni Battista Tiepolo
Queen Zenobia Addressing Her Soldiers, 1725/1730

Background imageChest Plate Collection: Pikemans armour, British, probably Greenwich or London, ca. 1620-30

Pikemans armour, British, probably Greenwich or London, ca. 1620-30. The quality of this armor and its decoration suggest that it was worn by an officer

Background imageChest Plate Collection: Elements of a Light-Cavalry armour, Austrian, Innsbruck or Mühlau, ca. 1505-10

Elements of a Light-Cavalry armour, Austrian, Innsbruck or Mühlau, ca. 1505-10
Elements of a Light-Cavalry armour, Austrian, Innsbruck or Muhlau, ca. 1505-10

Background imageChest Plate Collection: Helmet of the Italo-Chalcidian Type, Anatomical Cuirass, and Left Greave

Helmet of the Italo-Chalcidian Type, Anatomical Cuirass, and Left Greave, Etruscan, probably Vulci, late 5th-4th century B.C

Background imageChest Plate Collection: Portrait of a Member of the Haarlem Civic Guard, c. 1636 / 1638. Creator: Frans Hals

Portrait of a Member of the Haarlem Civic Guard, c. 1636 / 1638. Creator: Frans Hals
Portrait of a Member of the Haarlem Civic Guard, c. 1636/1638

Background imageChest Plate Collection: Aspiration, 1866. Creator: George Frederick Watts

Aspiration, 1866. Creator: George Frederick Watts
Aspiration, 1866

Background imageChest Plate Collection: A soldier sliding his right hand along the training-pike, from the Lansquenets series

A soldier sliding his right hand along the training-pike, from the Lansquenets series, plate 22, in Wapenhandelinghe van Roers Musquetten Ende Spiessen (The Exercise of Arms)

Background imageChest Plate Collection: The second movement for bringing the pike on to the shoulder and holding it horizontally

The second movement for bringing the pike on to the shoulder and holding it horizontally, from the Lansquenet series, plate 9

Background imageChest Plate Collection: A soldier on guard freeing his right hand, from the Marksmen series, plate 37

A soldier on guard freeing his right hand, from the Marksmen series, plate 37, in Wapenhandelinghe van Roers Musquetten Ende Spiessen (The Exercise of Arms)

Background imageChest Plate Collection: A soldier on guard shaping the match between his thumb and his forefinger

A soldier on guard shaping the match between his thumb and his forefinger, from the Marksmen series, plate 41, in Wapenhandelinghe van Roers Musquetten Ende Spiessen (The Exercise of Arms)

Background imageChest Plate Collection: Fortune Making a Prince Drink, ca. 1543. Creator: Antonio Fantuzzi

Fortune Making a Prince Drink, ca. 1543. Creator: Antonio Fantuzzi
Fortune Making a Prince Drink, ca. 1543. After Rosso Fiorentino

Background imageChest Plate Collection: Two-handed Sword, from the Arms of All Nations series (N3) for Allen &

Two-handed Sword, from the Arms of All Nations series (N3) for Allen &
Two-handed Sword, from the Arms of All Nations series (N3) for Allen & Ginter Cigarettes Brands, 1887

Background imageChest Plate Collection: Andre Francois Alloys de Theys d Herculais (1692-1779), 1727. Creator: Nicolas

Andre Francois Alloys de Theys d Herculais (1692-1779), 1727. Creator: Nicolas
Andre Francois Alloys de Theys d Herculais (1692-1779), 1727

Background imageChest Plate Collection: Anthony Count Hamilton, c1680, (c1880). Creator: Unknown

Anthony Count Hamilton, c1680, (c1880). Creator: Unknown
Anthony Count Hamilton, c1680, (c1880). Antoine Hamilton (1646-1720) soldier and writer who fought in the Franco-Dutch War (1672-1678) and was in the Irish Army in the Williamite War (1688-1690)

Background imageChest Plate Collection: Frederick II Of Germany, (1194-1250), 1890. Creator: Unknown

Frederick II Of Germany, (1194-1250), 1890. Creator: Unknown
Frederick II Of Germany, (1194-1250), 1890. Frederick II, Holy Roman Emperor (1194-1250) King of Germany from 1212, King of Italy and Holy Roman Emperor from 1220

Background imageChest Plate Collection: Orithie & Antiope - Reines Des Amazones, 1403, (1939). Artist: Master of Berrys Cleres Femmes

Orithie & Antiope - Reines Des Amazones, 1403, (1939). Artist: Master of Berrys Cleres Femmes
Orithie & Antiope - Reines Des Amazones, 1403, (1939). The illustration is part of the manuscript De Claris mulieribus, traduction anonyme en francais (Livre des femmes nobles et renommees)

Background imageChest Plate Collection: Sir Philip Sidney, 1845

Sir Philip Sidney, 1845. Sir Philip Sidney (1554-1586) was an English poet, courtier, scholar, and soldier, who is remembered as one of the most prominent figures of the Elizabethan age

Background imageChest Plate Collection: Bodyguard of His Highness Dogra Sowar Kashmir, 1903. Artist: Mortimer L Menpes

Bodyguard of His Highness Dogra Sowar Kashmir, 1903. Artist: Mortimer L Menpes
Bodyguard of His Highness Dogra Sowar Kashmir, 1903. Also known as the Imperial Durbar, the Delhi Durbar was held three times, in 1877, 1903, and 1911

Background imageChest Plate Collection: A Formidable Warrior of Rewa, 1903. Artist: Mortimer L Menpes

A Formidable Warrior of Rewa, 1903. Artist: Mortimer L Menpes
A Formidable Warrior of Rewa, 1903. From The Durbar, by Mortimer Menpes. Text by Dorothy Menpes. [Adam and Charles Black, London, 1903]

Background imageChest Plate Collection: Let me the Canakin Clink, c1875. Artist: Sir John Gilbert

Let me the Canakin Clink, c1875. Artist: Sir John Gilbert
Let me the Canakin Clink, c1875. Act II, Scene II, from Shakespeares Othello. Lago, Cassio and Montano drinking in the hall of the castle. From The Illustrated Library Shakespeare

Background imageChest Plate Collection: Illustration to Spensers Faerie Queene. Canto II. Verse 30, c1895. Artist: Louis Fairfax Muckley

Illustration to Spensers Faerie Queene. Canto II. Verse 30, c1895. Artist: Louis Fairfax Muckley
Illustration to Spensers Faerie Queene. Canto II. Verse 30, c1895. An illustration for Edmund Spensers (1553-1599) Faerie Queene. From The Studio Volume 4. [London Offices of the Studio, London, 1894]



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