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Border Collection (page 18)

Background imageBorder Collection: Stirling Castle, Stirlingshire, 1814. Artist: John Greig

Stirling Castle, Stirlingshire, 1814. Artist: John Greig
Stirling Castle, Stirlingshire, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]

Background imageBorder Collection: Frontispiece - Lindisfarn, 1814. Artist: John Greig

Frontispiece - Lindisfarn, 1814. Artist: John Greig
Frontispiece - Lindisfarn, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]

Background imageBorder Collection: The Bill of Rights ratified at the Revolution by King William

The Bill of Rights ratified at the Revolution by King William, and Queen Mary previous to their Cor Artist: John Cary
The Bill of Rights ratified at the Revolution by King William, and Queen Mary previous to their Coronation, 1783. After Samuel Wale (c1721-1786)

Background imageBorder Collection: A British Sailor offering a Sword to an unarmed Spanish Officer to defend himself

A British Sailor offering a Sword to an unarmed Spanish Officer to defend himself, at the Attack of Fort Omoa, 1783. After William Hamilton (1751-1801)

Background imageBorder Collection: Canute the Great, at the request of his Sycophants and Flatterers

Canute the Great, at the request of his Sycophants and Flatterers, ridiculously Commanding the Sea Artist: John Hall
Canute the Great, at the request of his Sycophants and Flatterers, ridiculously Commanding the Sea to retire, 1783. After Edward Edwards (1738-1806)

Background imageBorder Collection: Fifth Avenue Cigarettes, 1946

Fifth Avenue Cigarettes, 1946. From Punch, or the London Charivari. - July 3, 1946. [Messrs. Bradbury, Agnew & Co. Limited, London, 1940]

Background imageBorder Collection: A Famous Edwardian Roue Abdullas for choice, 1939

A Famous Edwardian Roue Abdullas for choice, 1939
A Famous Edwardian Roue?Abdullas for choice, 1939. From Punch, or the London Charivari. - July 26, 1939. [Messrs. Bradbury, Agnew & Co. Limited, London, 1939]

Background imageBorder Collection: Alexander the great of Macedon wept Abdullas for choice, 1939

Alexander the great of Macedon wept Abdullas for choice, 1939
Alexander the great of Macedon wept?Abdullas for choice, 1939. From Punch, or the London Charivari. - June 21, 1939. [Messrs. Bradbury, Agnew & Co. Limited, London, 1939]

Background imageBorder Collection: A certain Famous Jockey Abdullas for choice, 1939

A certain Famous Jockey Abdullas for choice, 1939
A certain Famous Jockey?Abdullas for choice, 1939. From Punch, or the London Charivari. - September 13, 1939. [Messrs. Bradbury, Agnew & Co. Limited, London, 1927]

Background imageBorder Collection: Beginners please? Abdullas for choice, 1939

Beginners please? Abdullas for choice, 1939
Beginners please... Abdullas for choice, 1939. From Punch, or the London Charivari. - May 24, 1939. [Messrs. Bradbury, Agnew & Co. Limited, London, 1939]

Background imageBorder Collection: The Borderland, c1904. Artist: James Aumonier

The Borderland, c1904. Artist: James Aumonier
The Borderland, c1904. Painting held in The Gallery of New South Wales, Sydney. From The Studio Volume 48. [London Offices of the Studio, London, 1909-10]

Background imageBorder Collection: Rumania, Bulgaria, Serva and Montenegro, c1906, (1907)

Rumania, Bulgaria, Serva and Montenegro, c1906, (1907). From The Worlds History, Volume V, by Dr. H. F. Helmolt. [William Heinemann, London, 1907]

Background imageBorder Collection: The Coronation of Henry IV. Of England, c1399, (1907). Artist: M Pfauth

The Coronation of Henry IV. Of England, c1399, (1907). Artist: M Pfauth
The Coronation of Henry IV. Of England, c1399, (1907). From The Worlds History, Volume VI. Edited by Dr. H. F. Helmolt [William Heinemann, London, 1907]

Background imageBorder Collection: Germany about the Year 1000, c1906, (1907). Artist: Karl Wolf

Germany about the Year 1000, c1906, (1907). Artist: Karl Wolf
Germany about the Year 1000, c1906, (1907). From The Worlds History, Volume VI. Edited by Dr. H. F. Helmolt [William Heinemann, London, 1907]

Background imageBorder Collection: Siberia, c1903, (1904)

Siberia, c1903, (1904). From The Worlds History, Volume II, by Dr. H. F. Helmolt [William Heinemann, London, 1904]

Background imageBorder Collection: King Henry VI. Act 1. Scene 1, c1723, (1946)

King Henry VI. Act 1. Scene 1, c1723, (1946). King Henry VI. Act 1. Scene 1 by William Shakespeare (1564-1616). Jacob Tonson (1655-1736)

Background imageBorder Collection: Merlin Taketh the Child Arthur into His Keeping, c1893. Artist: Aubrey Beardsley

Merlin Taketh the Child Arthur into His Keeping, c1893. Artist: Aubrey Beardsley
Merlin Taketh the Child Arthur into His Keeping, c1893. An illustration for Sir Thomas Malory (d1471) reworking of Le Morte d Arthur

Background imageBorder Collection: Act of Trampling over the Images of Our Saviour & the Virgin Mary, 1765. Artist: John Hall

Act of Trampling over the Images of Our Saviour & the Virgin Mary, 1765. Artist: John Hall
Act of Trampling over the Images of Our Saviour & the Virgin Mary at the beginning of the New Year at Nagasaki, 1765. After Samuel Wale (c1721-1786)

Background imageBorder Collection: A General View of Palmira in Arabia, c1770. Artist: Edward Rooker

A General View of Palmira in Arabia, c1770. Artist: Edward Rooker
A General View of Palmira in Arabia, c1770

Background imageBorder Collection: Autumnal Fruit by Keats, c1900

Autumnal Fruit by Keats, c1900

Background imageBorder Collection: Nut-Gathering, by Thomson, c1900

Nut-Gathering, by Thomson, c1900

Background imageBorder Collection: The Harvest Moon by Kirke White, c1900

The Harvest Moon by Kirke White, c1900

Background imageBorder Collection: Fishing at Sea by Walter Scott, c1900

Fishing at Sea by Walter Scott, c1900

Background imageBorder Collection: Illuminated manuscript to illustrate Walter Scotts The Talisman, c1830

Illuminated manuscript to illustrate Walter Scotts The Talisman, c1830. Artist: Sangorski and Sutcliffe
Illuminated manuscript to illustrate Walter Scotts The Talisman, c1830. Walter Scotts The Talisman, 1825. From The Studio Volume 48. [London Offices of the Studio, London, 1909-10]

Background imageBorder Collection: Illuminated page, with bordering, c1480 (1905)

Illuminated page, with bordering, c1480 (1905). The illustration depicts Emperor Wenceslas in conference with King Charles VI of France at Rheims. From Cassells History of England, Vol

Background imageBorder Collection: Design for A Christmas Carol, c1898. Artist: James Allan Duncan

Design for A Christmas Carol, c1898. Artist: James Allan Duncan
Design for A Christmas Carol, c1898. From The Studio Volume 15. [London Offices of the Studio, London, 1898-9]

Background imageBorder Collection: The Recessional, c1900. Artist: EM Underwood

The Recessional, c1900. Artist: EM Underwood
The Recessional, c1900. The Recessional is a poem by Rudyard Kipling, which he composed for the Queen Victorias Diamond Jubilee in 1897. From The Studio Volume 20. [The Studio Ltd

Background imageBorder Collection: Visit of the Magi to Herod: Elizabethan Petit-Point Panel, c16th century

Visit of the Magi to Herod: Elizabethan Petit-Point Panel, c16th century. From The Connoisseur Volume LXXVII. [The Connoisseur Ltd, London, 1927]

Background imageBorder Collection: Ransomes Lawn Mowers advertisement, 1908

Ransomes Lawn Mowers advertisement, 1908. From The Connoisseur Vol. XX. [Otto Limited, London, 1908]

Background imageBorder Collection: Petrarca: Trionfi, 1488, (1917)

Petrarca: Trionfi, 1488, (1917)
Petrarca: Trionfi, 1488. Venetian illustration of Petrarchs Triumph of Fame. The Triumphs (I Trionfi) of Francesco Petrarch (1304-1374) is a 14th-century Italian poem

Background imageBorder Collection: The Long Border, Holme Lacy, (1903). Artist: Ernest Arthur Rowe

The Long Border, Holme Lacy, (1903). Artist: Ernest Arthur Rowe
The Long Border, Holme Lacy. After a water colour by Ernest Arthur Rowe (1863-1922). From The Studio Volume 28 [London Offices of the Studio, London, 1903.]

Background imageBorder Collection: The Nativity, from a Book of Hours and Missal c1370 (1958)

The Nativity, from a Book of Hours and Missal c1370 (1958)
The Nativity, from a Book of Hours and Missal, c1370 (1958). A print from The Fitzwilliam Museum An Illustrated Survey, By Trianon Press, 1958

Background imageBorder Collection: Landscape, 19th century (1925)

Landscape, 19th century (1925)
artistic school, Ukiyo-e, arts, b/w, border, century, 19th century, China, Chinese, Edo period, geographical feature, mountain, Japan, Japanese, jewellery, mythical creature, dragon

Background imageBorder Collection: The Birth of Venus, 1900

The Birth of Venus, 1900. Produced for the Brixton Theatre, London. A print from The Magazine of Art, Cassell and Company, Limited, 1900

Background imageBorder Collection: Mr Worldly Wiseman, 1895

Mr Worldly Wiseman, 1895. A character from John Bunyans The Pilgrims Progress. A print from The Magazine of Art, Cassell and Company, Limited, London, Paris and Melbourne, 1895

Background imageBorder Collection: Illustration from Francis Quarles Emblems, 1895

Illustration from Francis Quarles Emblems, 1895. Emblems was a work by the English poet Francis Quarles, first published in 1635

Background imageBorder Collection: The Darial Defile on the Russia / Georgia border, 1895

The Darial Defile on the Russia / Georgia border, 1895
The Darial Defile on the Russia/Georgia border, 1895. From The Universal Geography with Illustrations and Maps, division XII, written by Elisee Reclus and published by Virtue & Co

Background imageBorder Collection: Whos to Pay?, 1878. Artist: Swain

Whos to Pay?, 1878. Artist: Swain
Whos to Pay?, 1878. British prime minister Benjamin Disraeli and a personification of India wearing a sari. Behind is a map of Indias North West Frontier and Afghanistan

Background imageBorder Collection: The Splugen Pass, c1841, (1938). Artist: JMW Turner

The Splugen Pass, c1841, (1938). Artist: JMW Turner
The Splugen Pass, c1841, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe

Background imageBorder Collection: An English River at Sunset, in the distance the Welsh hills, c1760, (1938). Artist: Richard Wilson

An English River at Sunset, in the distance the Welsh hills, c1760, (1938). Artist: Richard Wilson
An English River at Sunset, in the distance the Welsh hills, c1760, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C

Background imageBorder Collection: The West Front of Jedburgh Abbey Church Roxburghshire, 1814. Artist: John Greig

The West Front of Jedburgh Abbey Church Roxburghshire, 1814. Artist: John Greig
The West Front of Jedburgh Abbey Church Roxburghshire, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]

Background imageBorder Collection: South East View of Jedburgh Abbey. Roxburghshire, 1814. Artist: John Greig

South East View of Jedburgh Abbey. Roxburghshire, 1814. Artist: John Greig
South East View of Jedburgh Abbey. Roxburghshire, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]

Background imageBorder Collection: Jedburgh Abbey, Roxburghshire, 1814. Artist: John Greig

Jedburgh Abbey, Roxburghshire, 1814. Artist: John Greig
Jedburgh Abbey, Roxburghshire. Pl. 3, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]

Background imageBorder Collection: Mitford Church, Northumberland, 1814. Artist: John Greig

Mitford Church, Northumberland, 1814. Artist: John Greig
Mitford Church, Northumberland, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]

Background imageBorder Collection: South Door - Mitford Church, Northumberland, 1814. Artist: John Greig

South Door - Mitford Church, Northumberland, 1814. Artist: John Greig
South Door - Mitford Church, Northumberland, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]

Background imageBorder Collection: West Entrance to Holyrood Chapel, Edinburgh, 1814. Artist: John Greig

West Entrance to Holyrood Chapel, Edinburgh, 1814. Artist: John Greig
West Entrance to Holyrood Chapel, Edinburgh, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]

Background imageBorder Collection: The Bugle Horn of the Castle of Carslogie & The Banner of Douglas at the Battle of Otterbourne

The Bugle Horn of the Castle of Carslogie & The Banner of Douglas at the Battle of Otterbourne, Artist: John Greig
The Bugle Horn of the Castle of Carslogie & The Banner of Douglas at the Battle of Otterbourne, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq

Background imageBorder Collection: Gillknocky Tower, Dunfrieshire, 1814. Artist: John Greig

Gillknocky Tower, Dunfrieshire, 1814. Artist: John Greig
Gillknocky Tower, Dunfrieshire. Pl. 1, 1814. From The Border Antiquities of England and Scotland, Vol. II, by Walter Scott, Esq. [Longman & Co. London, 1814]



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