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Arthur Collection (page 6)

Background imageArthur Collection: The great general frightened by Don-Key, 1830. Artist: Henry Heath

The great general frightened by Don-Key, 1830. Artist: Henry Heath
The great general frightened by Don-Key, 1830; shows the Duke of Wellington running in alarm, from a donkey in mayoral cloak (Sir John Key)

Background imageArthur Collection: Civic anointing - or - the catastrophe of Lord Mayors Day 1827, vide Guildhall, 1827

Civic anointing - or - the catastrophe of Lord Mayors Day 1827, vide Guildhall, 1827
Civic anointing - or - the catastrophe of Lord Mayors Day 1827, vide Guildhall ; a large board containing fairy lamps plummets towards the new Lord Mayor, Matthias Prime Lucas and guests

Background imageArthur Collection: Bird s-eye view of the Royal Exchange, London, c1860

Bird s-eye view of the Royal Exchange, London, c1860. The statue of the Duke of Wellingtob, figures, horses and coaches can be discerned outside

Background imageArthur Collection: St Pauls Cathedral (new) interior, London, c1852. Artist: Andrew Maclure

St Pauls Cathedral (new) interior, London, c1852. Artist: Andrew Maclure
An interior view of St Pauls Cathedral, London, showing the funeral of the Duke of Wellington, 1852

Background imageArthur Collection: Wellingtons Monument in St Pauls Cathedral, City of London, 1877. Artist

Wellingtons Monument in St Pauls Cathedral, City of London, 1877. Artist
Wellingtons Monument in St Pauls Cathedral, City of London, 1877. The memorial to the Duke of Wellington, designed by Alfred Stevens, was completed in 1878

Background imageArthur Collection: A serio comic extravaganza... 1820

A serio comic extravaganza... 1820. George IV seems to be dismissing a petition from the Lord Mayor, John Thomas Thorp, introduced by Alderman Matthew Wood (?)

Background imageArthur Collection: The Cato Street conspirators... 1820. Artist: George Cruikshank

The Cato Street conspirators... 1820. Artist: George Cruikshank
The Cato Street conspirators... 1820. Three Bow Street officers have entered the loft above the stable; the foremost, Richard Smithers

Background imageArthur Collection: Jack Ketch executing sentence on a culprit, 1832. Artist

Jack Ketch executing sentence on a culprit, 1832. Artist
Jack Ketch executing sentence on a culprit, 1832. A hangman pulls at a rope secured around the neck of a bust of the Duke of Wellington; John Key, Matthew Wood and Robert Waithman cheer him

Background imageArthur Collection: The terror-stricken, horror-smitten ministers advice, or the R[oya]l visit postponed, 1830

The terror-stricken, horror-smitten ministers advice, or the R[oya]l visit postponed, 1830. The Duke of Wellington, attended by Sir Robert Peel, tells the King, William IV

Background imageArthur Collection: The self created brute... 1830

The self created brute... 1830. The Lord Mayors bedroom. A woman representing the City is ejecting the Lord Mayor, Sir John Key

Background imageArthur Collection: Ahithophel in the dumps, 1830. Artist: Henry Heath

Ahithophel in the dumps, 1830. Artist: Henry Heath
Ahithophel in the dumps, 1830. The Duke of Wellington on a donkey with a saddle resembling a mayoral gown approaching a gallows

Background imageArthur Collection: Locum Tenens, the celebrated Hunter, 1830

Locum Tenens, the celebrated Hunter, 1830. A donkey in aldermanic costume sitting astride a horse. The cartoon alludes to Sir Claudius Hunters involvement with the cancellation of the Royal visit to

Background imageArthur Collection: The Donkey Mare... 1830

The Donkey Mare... 1830
The Donkey Mare, braying Ecaw, ecaw loud and deep, from the great City to the great dictator, 1830. The Lord Mayor, Sir John Key, with asses ears

Background imageArthur Collection: The mares lamentation, or the self-willed Don-Key, 1830. Artist

The mares lamentation, or the self-willed Don-Key, 1830. Artist
The mares lamentation, or the self-willed Don-Key, 1830. Sir John Key, in mayoral robes, with asses ears and legs. The cartoon refers to the cancellation of the Lord Mayors show by Key for fear of

Background imageArthur Collection: Oh! Oh! Oh! Oh!... No go!!!, 1830

Oh! Oh! Oh! Oh!... No go!!!, 1830. The Lord Mayor, Sir John Key and a variety of City tradesmen and others, including a Christs Hospital scholar

Background imageArthur Collection: Bank of England, Threadneedle Street, London, (1840?) Artist: Henry Wallis

Bank of England, Threadneedle Street, London, (1840?) Artist: Henry Wallis
View of the Bank of England, Royal Exchange, Cornhill and King William Street, London, 1840(?); with a street scene and horse drawn carriages. Also showing a proposed statue of the Duke of Wellington

Background imageArthur Collection: New Royal Exchange, City of London, 1839

New Royal Exchange, City of London, 1839. View showing an alteration to the west front of design no 43 for the new Royal Exchange. Also showing figures and adjacent buildings. Below is a ground plan

Background imageArthur Collection: Apsley House, Westminster, London, 1853. Artist: William Greatbach

Apsley House, Westminster, London, 1853. Artist: William Greatbach
Interior view of Apsley House, Westminster, London, 1853; showing the Duke of Wellington giving the annual banquet for his companions in arms on the anniversary of the Battle of Waterloo

Background imageArthur Collection: View of the funeral car of the Duke of Wellington, 1852. Artist: Richard Redgrave

View of the funeral car of the Duke of Wellington, 1852. Artist: Richard Redgrave
View of the funeral car of the Duke of Wellington, 1852. Two horses pull a large hearse containing the coffin covered in flags and banners. The carraige is accompanied by two soldiers in uniform

Background imageArthur Collection: Plan of seating arrangements for the Duke of Wellingtons funeral, 1852

Plan of seating arrangements for the Duke of Wellingtons funeral, 1852
Plan showing the seating arrangements for the funeral of the Duke of Wellington, 1852 in St Pauls Cathedral, London

Background imageArthur Collection: An illustrated songsheet, 1831

An illustrated songsheet, 1831. Two images with the songs Gog and Magog rewarded and King William and the citizens of London beneath

Background imageArthur Collection: Works Austin 7 of Arthur Waite competing in the MAC Shelsley Walsh Hillclimb, Worcestershire, 1923

Works Austin 7 of Arthur Waite competing in the MAC Shelsley Walsh Hillclimb, Worcestershire, 1923
Austin 747 cc. Event Entry No: 2. Driver: Waite, A. Finished: 1st. in Class 1. The works racing car. Place: M.A.C Shelsley Walsh Hillclimb. Date: 8.9.23

Background imageArthur Collection: Austin Twenty open tourer of A Waite at the MAC Shelsley Walsh Hillclimb, Worcestershire, 1923

Austin Twenty open tourer of A Waite at the MAC Shelsley Walsh Hillclimb, Worcestershire, 1923
Austin Twenty Open tourer. 3610 cc. Vehicle Reg. No. OH6418. Event Entry No: 30. Driver: Waite, A. Place: M.A.C Shelsley Walsh Hillclimb. Date: 8.9.23

Background imageArthur Collection: ERAs of Raymond Mays and Arthur Dobson racing at Crystal Palace, London, 1939. Artist: Bill Brunell

ERAs of Raymond Mays and Arthur Dobson racing at Crystal Palace, London, 1939. Artist: Bill Brunell
ERA 1980S cc. Event Entry No: 16. Driver: Mays, R. Twin rear wheels. Background: ERA Driver: Dobson, A.C. Twin rear wheels. Place: Crystal Palace Race Meeting. Date: 26.8.39

Background imageArthur Collection: Riley of AD Whitworth and ERA of Arthur Dobson racing at Crystal Palace, London, 1939

Riley of AD Whitworth and ERA of Arthur Dobson racing at Crystal Palace, London, 1939
Left: Riley 1987 cc. Driver: Whitworth, A.D. Offset-bodied single-seater. Right: ERA 1488S cc. Event Entry No: 12. Driver: Dobson, A.C. Place: Crystal Palace Race Meeting. Date: 1.7.39

Background imageArthur Collection: ERA of Arthur Dobson racing at Crystal Palace, London, 1939. Artist: Bill Brunell

ERA of Arthur Dobson racing at Crystal Palace, London, 1939. Artist: Bill Brunell
ERA 1488S cc. Event Entry No: 12. Driver: Dobson, A.C. Place: Crystal Palace Race Meeting. Date: 1.7.39

Background imageArthur Collection: MG J2 of SV Arthur at the Sunbac Colmore Trial, near Winchcombe, Gloucestershire, 1934

MG J2 of SV Arthur at the Sunbac Colmore Trial, near Winchcombe, Gloucestershire, 1934
MG J2 847 cc.Reg. No. TV7827. Event Entry No: 138 Driver: Arthur, S.V. Chassis No. J2010. Gypsy Lane, near Winchcombe Gloucestershire. Sunbac Colmore Trial. Date: 24.2.34

Background imageArthur Collection: ERAs of Raymond Mays and AC Dobson, Imperial Trophy, Crystal Palace, 1939. Artist: Bill Brunell

ERAs of Raymond Mays and AC Dobson, Imperial Trophy, Crystal Palace, 1939. Artist: Bill Brunell
ERA 1980S cc. Event Entry No: 16 Driver: Mays, R. ERA 1488S cc. Event Entry No: 17 Driver: Dobson, A.C. Place: Crystal Palace. Imperial Trophy. Date: 26.8.39

Background imageArthur Collection: Riley of PW Maclure and ERAs of Raymond Mays and AC Dobson, Imperial Trophy, Crystal Palace, 1939

Riley of PW Maclure and ERAs of Raymond Mays and AC Dobson, Imperial Trophy, Crystal Palace, 1939
Left: Riley 1487S cc. Event No: 21 Driver: Maclure, P.W Right: ERA 1980S cc. Entry No: 16. Driver: Mays, R. Centre: ERA 1488S cc.t Entry No: 17. Driver: Dobson, A.C. Crystal Palace. Imperial Trophy

Background imageArthur Collection: Raymond Mays ERA leading an MG and another ERA, Imperial Trophy, Crystal Palace, 1939

Raymond Mays ERA leading an MG and another ERA, Imperial Trophy, Crystal Palace, 1939
ERA 1980S cc. Event Entry No: 16 Driver: Mays, R. MG 1087S cc. Event Entry No: 12 Driver: Nickols, I.H. ERA 1488S cc. Event Entry No: 17 Driver: Dobson, A.C. Place: Crystal Palace. Imperial Trophy

Background imageArthur Collection: Siegfrieds death, 1924. Artist: Arthur Rackham

Siegfrieds death, 1924. Artist: Arthur Rackham
Siegfrieds death, 1924. Illustration from Siegfried and the Twilight of the Gods. Siegfried, distracted by Wotans ravens, is then stabbed in the back

Background imageArthur Collection: Siegfried! Siegfried! Our warning is true: flee, oh flee from the curse!, 1924

Siegfried! Siegfried! Our warning is true: flee, oh flee from the curse!, 1924. Illustration from Siegfried and the Twilight of the Gods

Background imageArthur Collection: Swear to me, Hagen, my son!, 1924. Artist: Arthur Rackham

Swear to me, Hagen, my son!, 1924. Artist: Arthur Rackham
Swear to me, Hagen, my son!, 1924. Illustration from Siegfried and the Twilight of the Gods. Alberich goes to his son while he is sleeping and implores him to get the ring back

Background imageArthur Collection: O wife betrayed I will avenge they trust deceived!, 1924. Artist: Arthur Rackham

O wife betrayed I will avenge they trust deceived!, 1924. Artist: Arthur Rackham
O wife betrayed I will avenge they trust deceived!, 1924. Illustration from Siegfried and the Twilight of the Gods. Brunnhilde thinks Siegfried has intentionally deceived her by taking the ring

Background imageArthur Collection: The wooing of Grimhilde, the mother of Hagen, 1924. Artist: Arthur Rackham

The wooing of Grimhilde, the mother of Hagen, 1924. Artist: Arthur Rackham
The wooing of Grimhilde, the mother of Hagen, 1924. Illustration from Siegfried and the Twilight of the Gods. The conception of Hagen. The dwarf Alberich seducing Grimhilde

Background imageArthur Collection: The ring upon thy hand - ah be implored! For Wotan fling it away!, 1924. Artist

The ring upon thy hand - ah be implored! For Wotan fling it away!, 1924. Artist
The ring upon thy hand -..ah be implored! For Wotan fling it away!, 1924. Illustration from Siegfried and the Twilight of the Gods

Background imageArthur Collection: The ravens of Wotan, 1924. Artist: Arthur Rackham

The ravens of Wotan, 1924. Artist: Arthur Rackham
The ravens of Wotan, 1924. Illustration from Siegfried and the Twilight of the Gods. The ravens appear throughout the story

Background imageArthur Collection: Illustration from Siegfried and the Twilight of the Gods, 1924. Artist: Arthur Rackham

Illustration from Siegfried and the Twilight of the Gods, 1924. Artist: Arthur Rackham
Illustration from Siegfried and the Twilight of the Gods, 1924. Siegfried hands the drinking horn back to Gutrune, and gazes at her with sudden passion

Background imageArthur Collection: Brunnhilde kisses the ring that Siegfried has left with her, 1924

Brunnhilde kisses the ring that Siegfried has left with her, 1924. Illustration from Siegfried and the Twilight of the Gods

Background imageArthur Collection: Siegfried leaves Brunnhilde in search of adventure, 1924. Artist: Arthur Rackham

Siegfried leaves Brunnhilde in search of adventure, 1924. Artist: Arthur Rackham
Siegfried leaves Brunnhilde in search of adventure, 1924. Illustration from Siegfried and the Twilight of the Gods. Having given Brunnhilde the ring, Siegfried, dressed in full armour

Background imageArthur Collection: The Norns vanish, 1924. Artist: Arthur Rackham

The Norns vanish, 1924. Artist: Arthur Rackham
The Norns vanish, 1924. Illustration from Siegfried and the Twilight of the Gods. The cord which the Norns have been spinning snaps, they wrap the thread around themselves and disappear

Background imageArthur Collection: Brunnhilde throws herself into Siegfrieds arms, 1924. Artist: Arthur Rackham

Brunnhilde throws herself into Siegfrieds arms, 1924. Artist: Arthur Rackham
Brunnhilde throws herself into Siegfrieds arms, 1924. Illustration from Siegfried and the Twilight of the Gods. Brunnhilde sees Siegfried and also falls in love

Background imageArthur Collection: The three Norns, 1924. Artist: Arthur Rackham

The three Norns, 1924. Artist: Arthur Rackham
The three Norns, 1924. Illustration from Siegfried and the Twilight of the Gods. The three Norns, goddeses of Fate, sit spinning the thread of destiny on the summit of Brunnhildes rock

Background imageArthur Collection: Sun, I hail thee! Hail, O light! Hail, O glorious day!, 1924. Artist: Arthur Rackham

Sun, I hail thee! Hail, O light! Hail, O glorious day!, 1924. Artist: Arthur Rackham
Sun, I hail thee! Hail, O light! Hail, O glorious day!, 1924. Illustration from Siegfried and the Twilight of the Gods. Brunnhilde awakes and greets the Earth and sky. From a private collection

Background imageArthur Collection: The hot blood burns like fire!, 1924. Artist: Arthur Rackham

The hot blood burns like fire!, 1924. Artist: Arthur Rackham
The hot blood burns like fire!, 1924. Illustration from Siegfried and the Twilight of the Gods. Siegfried draws his sword from Fafners breast and in doing so gets sprinkled with the dragons blood

Background imageArthur Collection: The dwarves quarrelling over the body of Fafner, 1924. Artist: Arthur Rackham

The dwarves quarrelling over the body of Fafner, 1924. Artist: Arthur Rackham
The dwarves quarrelling over the body of Fafner, 1924. Illustration from Siegfried and the Twilight of the Gods. Alberich

Background imageArthur Collection: Siegfried kills Fafner, 1924. Artist: Arthur Rackham

Siegfried kills Fafner, 1924. Artist: Arthur Rackham
Siegfried kills Fafner, 1924. Illustration from Siegfried and the Twilight of the Gods. Mime takes Siegfried to Fafners cave and when Siegfried starts playing his horn, Fafner comes out

Background imageArthur Collection: The forging of Nothung, 1924. Artist: Arthur Rackham

The forging of Nothung, 1924. Artist: Arthur Rackham
The forging of Nothung, 1924. Illustration from Siegfried and the Twilight of the Gods. Wotan told Mime that only someone without fear would be able to forge Nothung



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