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After Collection (page 5)

Background imageAfter Collection: The Death of Procris, c. 1540. Creator: Giorgio Ghisi (Italian, 1520-1582)

The Death of Procris, c. 1540. Creator: Giorgio Ghisi (Italian, 1520-1582)
The Death of Procris, c. 1540. In the complicated tale of Procris and Cephalus, told by the poet Ovid (43 BC-AD 17), jealousy tragically thwarts their true love and fidelity

Background imageAfter Collection: The Body of Christ in the Sepulchre, 1654. Creator: Nicolas de Platte-Montagne (French, 1631-1706)

The Body of Christ in the Sepulchre, 1654. Creator: Nicolas de Platte-Montagne (French, 1631-1706)
The Body of Christ in the Sepulchre, 1654. In addition to his activities as a portrait and history painter, Plattemontagne was one of the greatest printmakers in France during the 17th century

Background imageAfter Collection: The Blind Leading the Blind. Creator: Pieter van der Heyden (Netherlandish, c. 1530-c

The Blind Leading the Blind. Creator: Pieter van der Heyden (Netherlandish, c. 1530-c
The Blind Leading the Blind

Background imageAfter Collection: The Blacksmith, 1771. Creator: Richard Earlom (British, 1743-1822)

The Blacksmith, 1771. Creator: Richard Earlom (British, 1743-1822)
The Blacksmith, 1771. Joseph Wright of Derbys fame as a painter was enhanced by prints based on his compositions since works on paper, being relatively cheap and widely available

Background imageAfter Collection: The Holy Land, Syria, Idumea, Arabia, Egypt & Nubia (Vol. III): Petra, Looking South, 1842

The Holy Land, Syria, Idumea, Arabia, Egypt & Nubia (Vol. III): Petra, Looking South, 1842

Background imageAfter Collection: The Holy Family with Saint John, c. 1710-1715. Creator: Cosimo Mogalli (Italian, 1667-1730)

The Holy Family with Saint John, c. 1710-1715. Creator: Cosimo Mogalli (Italian, 1667-1730)
The Holy Family with Saint John, c. 1710-1715

Background imageAfter Collection: The Judgment of Paris, c. 1545. Creator: Jean Mignon (French)

The Judgment of Paris, c. 1545. Creator: Jean Mignon (French)
The Judgment of Paris, c. 1545. Paris was a shepherd who was called upon to decide which of three goddesses (Juno, Minerva, or Venus) was the fairest

Background imageAfter Collection: The Judgment of Midas, 1589. Creator: Nicolaes Clock (Dutch)

The Judgment of Midas, 1589. Creator: Nicolaes Clock (Dutch)
The Judgment of Midas, 1589. Karel van Mander (1548-1606) is best known as an author, although he was most active as an artist under the influence of Goltzius

Background imageAfter Collection: The Indiscretion, 1788. Creator: Jean Francois Janinet (French, 1752-1814)

The Indiscretion, 1788. Creator: Jean Francois Janinet (French, 1752-1814)
The Indiscretion, 1788. The Indiscretion is from a suite of three scenes of women sharing secrets in the privacy of their boudoirs

Background imageAfter Collection: Christ Giving the Keys to Peter. Creator: Pieter I de Jode (Flemish, 1570-1634)

Christ Giving the Keys to Peter. Creator: Pieter I de Jode (Flemish, 1570-1634)
Christ Giving the Keys to Peter

Background imageAfter Collection: Churchyard with Snow, c. 1835. Creator: Andreas Borum (German, 1799-1853)

Churchyard with Snow, c. 1835. Creator: Andreas Borum (German, 1799-1853)
Churchyard with Snow, c. 1835

Background imageAfter Collection: Cephalus and Procris in two Niches, 1538-1540. Creator: Rene Boyvin (French, c

Cephalus and Procris in two Niches, 1538-1540. Creator: Rene Boyvin (French, c
Cephalus and Procris in two Niches, 1538-1540. In Greek mythology, Cephalus and Procris were a young couple, newly married, whose love ended in tragedy

Background imageAfter Collection: Christ and the Apostles: St. Thomas (with the Square), 1600s. Creator: Ludolph Büsinck

Christ and the Apostles: St. Thomas (with the Square), 1600s. Creator: Ludolph Büsinck
Christ and the Apostles: St. Thomas (with the Square), 1600s

Background imageAfter Collection: Christ and the Apostles: St. Judas Thaddeus (with the Club), 1600s. Creator: Ludolph Büsinck

Christ and the Apostles: St. Judas Thaddeus (with the Club), 1600s. Creator: Ludolph Büsinck
Christ and the Apostles: St. Judas Thaddeus (with the Club), 1600s

Background imageAfter Collection: Bridgenorth, 1885. Creator: Frank Short (British, 1857-1945)

Bridgenorth, 1885. Creator: Frank Short (British, 1857-1945)
Bridgenorth, 1885

Background imageAfter Collection: Christ Healing the Lepers, 1608. Creator: Guiseppe Rossigliani (Italian, c. 1510-)

Christ Healing the Lepers, 1608. Creator: Guiseppe Rossigliani (Italian, c. 1510-)
Christ Healing the Lepers, 1608. The double A cipher in the lower-right corner belongs to Andrea Andreani who, after 1599

Background imageAfter Collection: Christ at Emmaus. Creator: Benjamin West (American, 1738-1820), attributed to

Christ at Emmaus. Creator: Benjamin West (American, 1738-1820), attributed to
Christ at Emmaus

Background imageAfter Collection: Charles Thevenin, after Ingres, 1800s. Creator: Anonymous

Charles Thevenin, after Ingres, 1800s. Creator: Anonymous
Charles Thevenin, after Ingres, 1800s

Background imageAfter Collection: Drummer, 1587. Creator: Jacob de Gheyn II (Dutch, 1565-1629); Hendrick Goltzius (Dutch, 1558-1617)

Drummer, 1587. Creator: Jacob de Gheyn II (Dutch, 1565-1629); Hendrick Goltzius (Dutch, 1558-1617)
Drummer, 1587. Jacques de Gheyn II (Dutch, 1565-1629) Drummer from Soldiers and Officers, 1587 Engraving John L. Severance Fund 1997.31 The moment I beat my drum strung with cowhide

Background imageAfter Collection: Love Requests Venus to Return His Weapons to Him, 1768. Creator: Louis-Marin Bonnet (French)

Love Requests Venus to Return His Weapons to Him, 1768. Creator: Louis-Marin Bonnet (French)
Love Requests Venus to Return His Weapons to Him, 1768. For his aristocratic patrons, Boucher made numerous paintings of intriguing female nudes, thinly veiled as Roman goddesses lounging in luxury

Background imageAfter Collection: Love and Cupid Carried by Dolphins, 1500s. Creator: Marco Dente (Italian, c. 1486-1527)

Love and Cupid Carried by Dolphins, 1500s. Creator: Marco Dente (Italian, c. 1486-1527)
Love and Cupid Carried by Dolphins, 1500s

Background imageAfter Collection: Lord Rich, 1794. Creator: Francesco Bartolozzi (British, 1727-1815); John Chamberlaine

Lord Rich, 1794. Creator: Francesco Bartolozzi (British, 1727-1815); John Chamberlaine
Lord Rich, 1794

Background imageAfter Collection: Madonna and Child with Saints, 1700s. Creator: Unknown

Madonna and Child with Saints, 1700s. Creator: Unknown
Madonna and Child with Saints, 1700s

Background imageAfter Collection: Madonna and Child (after Francisco Bayeu y Subias). Creator: Ramon Bayeu y Subias (Spanish

Madonna and Child (after Francisco Bayeu y Subias). Creator: Ramon Bayeu y Subias (Spanish
Madonna and Child (after Francisco Bayeu y Subias)

Background imageAfter Collection: Lot and His Daughters, 1600s. Creator: Jan Georg van Vliet (Dutch, c. 1610-1635)

Lot and His Daughters, 1600s. Creator: Jan Georg van Vliet (Dutch, c. 1610-1635)
Lot and His Daughters, 1600s

Background imageAfter Collection: Pan Pursuing Syrinx, c. 1589. Creator: Unknown

Pan Pursuing Syrinx, c. 1589. Creator: Unknown
Pan Pursuing Syrinx, c. 1589

Background imageAfter Collection: Diana and Endymion. Creator: Nicolas LeSueur (French, 1691-1764)

Diana and Endymion. Creator: Nicolas LeSueur (French, 1691-1764)
Diana and Endymion. Chiaroscuro drawings were executed on paper coloured a middle tone. While black or brown wash was used to create shadows

Background imageAfter Collection: Diogenes, c. 1524-1527. Creator: Ugo da Carpi (Italian, c. 1479-c. 1532)

Diogenes, c. 1524-1527. Creator: Ugo da Carpi (Italian, c. 1479-c. 1532)
Diogenes, c. 1524-1527. Diogenes was a Greek philosopher who lived during the 300s BC. The bird in the background alludes to his cynical response to Plato

Background imageAfter Collection: Beauty with Fireflies, early 1800s. Creator: Unknown

Beauty with Fireflies, early 1800s. Creator: Unknown
Beauty with Fireflies, early 1800s

Background imageAfter Collection: Bazin de Besons, Claude, 1673. Creator: Pierre Louis van Schuppen (Flemish, 1627-1702)

Bazin de Besons, Claude, 1673. Creator: Pierre Louis van Schuppen (Flemish, 1627-1702)
Bazin de Besons, Claude, 1673

Background imageAfter Collection: Benjamin Franklin, 1779. Creator: Justus Chevillet (French, 1729-1802); Published

Benjamin Franklin, 1779. Creator: Justus Chevillet (French, 1729-1802); Published
Benjamin Franklin, 1779

Background imageAfter Collection: Bellona Leading the Armies of the Emperor against the Turks, 1600. Creator: Jan Muller (Dutch)

Bellona Leading the Armies of the Emperor against the Turks, 1600. Creator: Jan Muller (Dutch)
Bellona Leading the Armies of the Emperor against the Turks, 1600. The central, striding figure, Bellona (the Roman goddess of war), is said to be either the sister or the wife of Mars, god of war

Background imageAfter Collection: Baccio Bandinelli, 1548. Creator: Nicolo della Casa (French, active 1543-48)

Baccio Bandinelli, 1548. Creator: Nicolo della Casa (French, active 1543-48)
Baccio Bandinelli, 1548. This image promotes the proud Florentine sculptor Bandinelli in heroic terms. He sits like a giant among ancient statues, sources of inspiration that he has mastered

Background imageAfter Collection: Landscape with a Chateau at the right, 1630. Creator:; ; Hieronymus Cock (Netherlandish

Landscape with a Chateau at the right, 1630. Creator:; ; Hieronymus Cock (Netherlandish
Landscape with a Chateau at the right, 1630

Background imageAfter Collection: Ben Arthur, Scotland, 1884. Creator: Frank Short (British, 1857-1945)

Ben Arthur, Scotland, 1884. Creator: Frank Short (British, 1857-1945)
Ben Arthur, Scotland, 1884

Background imageAfter Collection: Along a Dutch Shore, 1811-1816. Creator: Ferdinand I Piloty (German, 1786-1844)

Along a Dutch Shore, 1811-1816. Creator: Ferdinand I Piloty (German, 1786-1844)
Along a Dutch Shore, 1811-1816

Background imageAfter Collection: Allegory of the Rescue of Humanity: Virtus Deserta, c

Allegory of the Rescue of Humanity: Virtus Deserta, c. 1500-1505

Background imageAfter Collection: Allegory of the Fall of Ignorant Humanity: Virtus Combusta, c. 1500-1505. Creator

Allegory of the Fall of Ignorant Humanity: Virtus Combusta, c. 1500-1505. Creator
Allegory of the Fall of Ignorant Humanity: Virtus Combusta, c. 1500-1505

Background imageAfter Collection: Allegory of the Fall of Ignorant Humanity, c. 1500-1505. Creator: Giovanni Antonio da Brescia

Allegory of the Fall of Ignorant Humanity, c. 1500-1505. Creator: Giovanni Antonio da Brescia
Allegory of the Fall of Ignorant Humanity, c. 1500-1505

Background imageAfter Collection: Bacchanal with Silenus. Creator: Giovanni Antonio da Brescia (Italian)

Bacchanal with Silenus. Creator: Giovanni Antonio da Brescia (Italian)
Bacchanal with Silenus

Background imageAfter Collection: Book of Fountains: No. 6, c. 1736. Creator: Gabriel Huquier (French, 1695-1772)

Book of Fountains: No. 6, c. 1736. Creator: Gabriel Huquier (French, 1695-1772)
Book of Fountains: No. 6, c. 1736. French prints promoting l art rocaille (rock and shell art) or gout pittoresque (picturesque taste)

Background imageAfter Collection: Book of Fountains: No. 7, c. 1736. Creator: Gabriel Huquier (French, 1695-1772)

Book of Fountains: No. 7, c. 1736. Creator: Gabriel Huquier (French, 1695-1772)
Book of Fountains: No. 7, c. 1736. Boucher was one of the most prolific designers of ornament prints. With their aquatic motifs and gracefully curving and scalloped forms

Background imageAfter Collection: Book of Fountains: No. 5, c. 1736. Creator: Gabriel Huquier (French, 1695-1772)

Book of Fountains: No. 5, c. 1736. Creator: Gabriel Huquier (French, 1695-1772)
Book of Fountains: No. 5, c. 1736. Boucher was one of the most prolific designers of ornament prints. With their aquatic motifs and gracefully curving and scalloped forms

Background imageAfter Collection: Book of Fountains: No. 3, c. 1736. Creator: Gabriel Huquier (French, 1695-1772)

Book of Fountains: No. 3, c. 1736. Creator: Gabriel Huquier (French, 1695-1772)
Book of Fountains: No. 3, c. 1736. Boucher was one of the most prolific designers of ornament prints. With their aquatic motifs and gracefully curving and scalloped forms

Background imageAfter Collection: Book of Fountains: No. 4, c. 1736. Creator: Gabriel Huquier (French, 1695-1772)

Book of Fountains: No. 4, c. 1736. Creator: Gabriel Huquier (French, 1695-1772)
Book of Fountains: No. 4, c. 1736. French prints promoting l art rocaille (rock and shell art) or gout pittoresque (picturesque taste)

Background imageAfter Collection: Book of Fountains: No. 2, c. 1736. Creator: Gabriel Huquier (French, 1695-1772)

Book of Fountains: No. 2, c. 1736. Creator: Gabriel Huquier (French, 1695-1772)
Book of Fountains: No. 2, c. 1736. Boucher was one of the most prolific designers of ornament prints. With their aquatic motifs and gracefully curving and scalloped forms

Background imageAfter Collection: Book of Fountains: No. 1, Title Page, c. 1736. Creator: Gabriel Huquier (French, 1695-1772)

Book of Fountains: No. 1, Title Page, c. 1736. Creator: Gabriel Huquier (French, 1695-1772)
Book of Fountains: No. 1, Title Page, c. 1736. Boucher was one of the most prolific designers of ornament prints. With their aquatic motifs and gracefully curving and scalloped forms

Background imageAfter Collection: Allegory of Death and Fame, 1518. Creator: Agostino Musi (Italian, 1490-1540)

Allegory of Death and Fame, 1518. Creator: Agostino Musi (Italian, 1490-1540)
Allegory of Death and Fame, 1518. The opposite of the beautiful temptress, the hag embodied the nature of witchcraft. Old and hideous, the hag was associated with Invidia



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