Skip to main content

After Collection (page 2)

Background imageAfter Collection: The Triumph of Julius Caesar: Soldiers Carrying the Pictures of War, 1593-99. Creator

The Triumph of Julius Caesar: Soldiers Carrying the Pictures of War, 1593-99. Creator
The Triumph of Julius Caesar: Soldiers Carrying the Pictures of War, 1593-99. Commissioned by Duke Vincenzo Gonzaga, this series of chiaroscuro woodcuts reproduces Andrea Mantegnas Triumph of Julius

Background imageAfter Collection: The Triumph of Julius Caesar: Frontispiece, 1593-99. Creator: Andrea Andreani (Italian

The Triumph of Julius Caesar: Frontispiece, 1593-99. Creator: Andrea Andreani (Italian
The Triumph of Julius Caesar: Frontispiece, 1593-99. Commissioned by Duke Vincenzo Gonzaga, this series of chiaroscuro woodcuts reproduces Andrea Mantegnas Triumph of Julius Caesar

Background imageAfter Collection: The Triumph of Julius Caesar: Colossal Statues and Siege Equipment, 1593-99. Creator

The Triumph of Julius Caesar: Colossal Statues and Siege Equipment, 1593-99. Creator
The Triumph of Julius Caesar: Colossal Statues and Siege Equipment, 1593-99. Commissioned by Duke Vincenzo Gonzaga, this series of chiaroscuro woodcuts reproduces Andrea Mantegnas Triumph of Julius

Background imageAfter Collection: The Triumph of Julius Caesar, 1593-99. Creator: Andrea Andreani (Italian, about 1558-1610)

The Triumph of Julius Caesar, 1593-99. Creator: Andrea Andreani (Italian, about 1558-1610)
The Triumph of Julius Caesar, 1593-99. Commissioned by Duke Vincenzo Gonzaga, this series of chiaroscuro woodcuts reproduces Andrea Mantegnas Triumph of Julius Caesar, painted a century earlier

Background imageAfter Collection: The Three Graces, 1786. Creator: Jean Francois Janinet (French, 1752-1814)

The Three Graces, 1786. Creator: Jean Francois Janinet (French, 1752-1814)
The Three Graces, 1786. Since ancient times, art critics had praised painters for their ability to portray subjects so lifelike that they might be mistaken for the real thing

Background imageAfter Collection: The Three Fates, Costume Designs, c. 1534. Creator: Pierre Milan (French)

The Three Fates, Costume Designs, c. 1534. Creator: Pierre Milan (French)
The Three Fates, Costume Designs, c. 1534. This engraving reproduces a trio of costume designs by Rosso Fiorentino. They were likely meant for a masquerade ball held at the court of King Francis I

Background imageAfter Collection: The Temptation of Eve, c. 1545 / 1547. Creator: Jean Mignon (French)

The Temptation of Eve, c. 1545 / 1547. Creator: Jean Mignon (French)
The Temptation of Eve, c. 1545/1547. Although not related to any specific projects created at Fontainebleau, this print is a beautifully example of the influence of the style of wall decoration

Background imageAfter Collection: The Story of Elisha, 1643. Creator: Nicolaes Rijckmans (Flemish, 1616-)

The Story of Elisha, 1643. Creator: Nicolaes Rijckmans (Flemish, 1616-)
The Story of Elisha, 1643

Background imageAfter Collection: The Six Saints, c. 1535. Creator: Niccolo Boldrini (Italian, c. 1500-aft 1566)

The Six Saints, c. 1535. Creator: Niccolo Boldrini (Italian, c. 1500-aft 1566)
The Six Saints, c. 1535. At first, Titian utilized woodcut as a medium of direct expression. He most probably drew directly on the blocks for The Submersion of Pharaohs Army in the Red Sea

Background imageAfter Collection: The Proposal. Creator: Francois Boucher (French, 1703-1770)

The Proposal. Creator: Francois Boucher (French, 1703-1770)
The Proposal

Background imageAfter Collection: The Prophet Joel, early 1570s. Creator: Giorgio Ghisi (Italian, 1520-1582)

The Prophet Joel, early 1570s. Creator: Giorgio Ghisi (Italian, 1520-1582)
The Prophet Joel, early 1570s. This series represents six of the Old Testament Prophets, as depicted in Michelangelos Sistine Chapel ceiling frescos, painted between 1508 and 1512

Background imageAfter Collection: The Prediction of Ahijah, 1604. Creator: Jan Saenredam (Dutch, 1565-1607); Jan Saenredam (Dutch)

The Prediction of Ahijah, 1604. Creator: Jan Saenredam (Dutch, 1565-1607); Jan Saenredam (Dutch)
The Prediction of Ahijah, 1604. As punishment for the kings sins, the prophet predicts disaster saying, " those of your people who die in the city shall be eaten by dogs

Background imageAfter Collection: The Pieta. Creator: Marcantonio Raimondi (Italian, 1470 / 82-1527 / 34)

The Pieta. Creator: Marcantonio Raimondi (Italian, 1470 / 82-1527 / 34)
The Pieta

Background imageAfter Collection: The Picnic. Creator: Charles Philibert Lasteyrie du Saillant (French, 1759-1849)

The Picnic. Creator: Charles Philibert Lasteyrie du Saillant (French, 1759-1849)
The Picnic. Lithography did not really get under way in France until 1816 when Lasteyrie and Godefroy Engelmann, both trained in the shop of lithography inventor Alois Senefelder (1771-1834)

Background imageAfter Collection: Two Figures, 1800s. Creator: Unknown

Two Figures, 1800s. Creator: Unknown
Two Figures, 1800s

Background imageAfter Collection: The Adoration of the Magi, c. 1545. Creator: Jean Mignon (French)

The Adoration of the Magi, c. 1545. Creator: Jean Mignon (French)
The Adoration of the Magi, c. 1545. Printmaking at Fontainebleau flourished briefly during the 1540s and seems to have stopped altogether by 1547

Background imageAfter Collection: The Abduction of the Sabine Women, 1585. Creator: Andrea Andreani (Italian, about 1558-1610)

The Abduction of the Sabine Women, 1585. Creator: Andrea Andreani (Italian, about 1558-1610)
The Abduction of the Sabine Women, 1585. The legend of the Sabine women relates to Romes early history when, to ensure the future population of the city

Background imageAfter Collection: The Abduction of a Sabine Woman. Creator: Andrea Andreani (Italian, about 1558-1610)

The Abduction of a Sabine Woman. Creator: Andrea Andreani (Italian, about 1558-1610)
The Abduction of a Sabine Woman. Andreanis woodcut presents a view of Giambolognas marble sculpture The Abduction of a Sabine Woman, unveiled in 1583 in Florence

Background imageAfter Collection: The Maidservant, after H. Leys, 1868. Creator: Felix Bracquemond (French, 1833-1914)

The Maidservant, after H. Leys, 1868. Creator: Felix Bracquemond (French, 1833-1914)
The Maidservant, after H. Leys, 1868

Background imageAfter Collection: The Miraculous Draught of Fishes. Creator: Ugo da Carpi (Italian, c. 1479-c. 1532)

The Miraculous Draught of Fishes. Creator: Ugo da Carpi (Italian, c. 1479-c. 1532)
The Miraculous Draught of Fishes

Background imageAfter Collection: The Large Landscapes: Solicitudo Rustica, c. 1555-1558. Creator: Jan van Doetechum (Flemish)

The Large Landscapes: Solicitudo Rustica, c. 1555-1558. Creator: Jan van Doetechum (Flemish)
The Large Landscapes: Solicitudo Rustica, c. 1555-1558. Solicitudo Rustica (meaning Rustic Solicitude or Rustic Cares) was based on drawings Pieter Bruegel made during his trip to Italy through

Background imageAfter Collection: The Ladies Amabel and Mary Jemima Yorke, c. 1761. Creator: Edward Fisher (British, 1722-1785)

The Ladies Amabel and Mary Jemima Yorke, c. 1761. Creator: Edward Fisher (British, 1722-1785)
The Ladies Amabel and Mary Jemima Yorke, c. 1761

Background imageAfter Collection: The Massacre of the Innocents (Without the Fir Tree), c. 1513-1515. Creator: Marcantonio Raimondi

The Massacre of the Innocents (Without the Fir Tree), c. 1513-1515. Creator: Marcantonio Raimondi
The Massacre of the Innocents (Without the Fir Tree), c. 1513-1515. Raphaels choice of subject for this print may have been a deliberate strategy to promote himself as Michelangelos rival in

Background imageAfter Collection: The Martyrdom of St. Peter and St. Paul, c. 1527-1530 / 1531

The Martyrdom of St. Peter and St. Paul, c. 1527-1530 / 1531. Creator: Antonio da Trento (Italian, c)
The Martyrdom of St. Peter and St. Paul, c. 1527-1530/1531. The workshop of Parmigianino was one of the chief centers of chiaroscuro printmaking in the 1500s

Background imageAfter Collection: The Lover Surprised (LAmant Surpris), c. 1798. Creator: Charles-Melchior Descourtis (French)

The Lover Surprised (LAmant Surpris), c. 1798. Creator: Charles-Melchior Descourtis (French)
The Lover Surprised (LAmant Surpris), c. 1798. A young woman surprises her sweetheart, whom she has found reading love letters in a wooded park

Background imageAfter Collection: The Lost Sailor, 1896. Creator: Frank Short (British, 1857-1945)

The Lost Sailor, 1896. Creator: Frank Short (British, 1857-1945)
The Lost Sailor, 1896

Background imageAfter Collection: The Haul of Monstrous Fish, mid-1500s. Creator: Adamo Scultori (Italian, c. 1530-1585)

The Haul of Monstrous Fish, mid-1500s. Creator: Adamo Scultori (Italian, c. 1530-1585)
The Haul of Monstrous Fish, mid-1500s. Adamo belonged to a prominent family of printmakers in Mantua. This engraving is based on a preparatory drawing by Giulio Romano that relates to a fresco he

Background imageAfter Collection: The Hare (Le Lievre), 1865. Creator: Felix Bracquemond (French, 1833-1914)

The Hare (Le Lievre), 1865. Creator: Felix Bracquemond (French, 1833-1914)
The Hare (Le Lievre), 1865

Background imageAfter Collection: The Game of Blind Mans Bluff, 1739. Creator: Charles-Nicolas Cochin (French, 1715-1790)

The Game of Blind Mans Bluff, 1739. Creator: Charles-Nicolas Cochin (French, 1715-1790)
The Game of Blind Mans Bluff, 1739. Specially trained printmakers like Cochin reproduced and popularized other artists works in printed form

Background imageAfter Collection: The Gallant. Creator: Benoit II Audran (French, 1700-1772)

The Gallant. Creator: Benoit II Audran (French, 1700-1772)
The Gallant

Background imageAfter Collection: The Four Seasons: Summer, 1570. Creator: Pieter van der Heyden (Netherlandish, c. 1530-c

The Four Seasons: Summer, 1570. Creator: Pieter van der Heyden (Netherlandish, c. 1530-c
The Four Seasons: Summer, 1570. By the mid-16th century printmaking and printselling were big business in Europe. One of the most important firms, in Antwerp

Background imageAfter Collection: The Last Supper (pair), about 1500. Creator: Lucantonio degli Uberti (Italian)

The Last Supper (pair), about 1500. Creator: Lucantonio degli Uberti (Italian)
The Last Supper (pair), about 1500

Background imageAfter Collection: The Last Judgment, 1500s. Creator: Unknown

The Last Judgment, 1500s. Creator: Unknown
The Last Judgment, 1500s

Background imageAfter Collection: The Siege of La Rochelle: Plate 14, 1628-1630. Creator: Israel Henriet (French, c

The Siege of La Rochelle: Plate 14, 1628-1630. Creator: Israel Henriet (French, c
The Siege of La Rochelle: Plate 14, 1628-1630

Background imageAfter Collection: The Siege of La Rochelle: Plate 16, 1628-1630

The Siege of La Rochelle: Plate 16, 1628-1630

Background imageAfter Collection: The Resurrection of Christ, c. 1562. Creator: Philip Galle (Flemish, 1537-1612)

The Resurrection of Christ, c. 1562. Creator: Philip Galle (Flemish, 1537-1612)
The Resurrection of Christ, c. 1562. After Christs crucifixion and burial, he rose from his tomb to dwell on earth for 40 days before ascending to heaven

Background imageAfter Collection: The Romancer, 1727. Creator: Charles-Nicolas Cochin (French, 1715-1790)

The Romancer, 1727. Creator: Charles-Nicolas Cochin (French, 1715-1790)
The Romancer, 1727

Background imageAfter Collection: The Seige of Carthage, 1539. Creator: Georg Pencz (German, c. 1500-1550)

The Seige of Carthage, 1539. Creator: Georg Pencz (German, c. 1500-1550)
The Seige of Carthage, 1539

Background imageAfter Collection: The Roses: Rosa Gallica Purpurea Velutina Parva, 1817-1824

The Roses: Rosa Gallica Purpurea Velutina Parva, 1817-1824. The subtle tones in Redoutes paintings nearby were faithfully captured by engravers

Background imageAfter Collection: The Roses: China or Bengal Rose, 1817-1824. Creator: Henry Joseph Redoute (French

The Roses: China or Bengal Rose, 1817-1824. Creator: Henry Joseph Redoute (French
The Roses: China or Bengal Rose, 1817-1824. Hailed as the " Raphael of Flowers, " Redoute achieved an international reputation for his botanical illustrations in watercolour

Background imageAfter Collection: Stairs in an Italian Garden, 1766. Creator: Jean-Claude-Richard Saint-Non (French, 1727-1791)

Stairs in an Italian Garden, 1766. Creator: Jean-Claude-Richard Saint-Non (French, 1727-1791)
Stairs in an Italian Garden, 1766

Background imageAfter Collection: Star of Kings, A Night Piece, 1630. Creator: Jan van de Velde (Dutch, 1620-1662)

Star of Kings, A Night Piece, 1630. Creator: Jan van de Velde (Dutch, 1620-1662)
Star of Kings, A Night Piece, 1630. Star of Kings depicts the holiday of Epiphany, or Twelfth Night, celebrated on January 6, and commemorates the journey of the three Maji to the Christ child

Background imageAfter Collection: St. Jerome in His Study, c. 1510. Creator: Giovanni Antonio da Brescia (Italian)

St. Jerome in His Study, c. 1510. Creator: Giovanni Antonio da Brescia (Italian)
St. Jerome in His Study, c. 1510

Background imageAfter Collection: The Coaxer, Arabesque. Creator: Pierre Alexandre Aveline (French, 1710-1760)

The Coaxer, Arabesque. Creator: Pierre Alexandre Aveline (French, 1710-1760)
The Coaxer, Arabesque

Background imageAfter Collection: The Climbers (Three Figures from Michelangelos Battle of Cascina), 1510. Creator

The Climbers (Three Figures from Michelangelos Battle of Cascina), 1510. Creator
The Climbers (Three Figures from Michelangelos Battle of Cascina), 1510. Raimondis source for these three male figures was Michelangelos Battle of Cascina cartoon--a preparatory full-scale model

Background imageAfter Collection: The Cassollette: Women Supporting an Urn, c. 1520-27. Creator: Marco Dente (Italian, c

The Cassollette: Women Supporting an Urn, c. 1520-27. Creator: Marco Dente (Italian, c
The Cassollette: Women Supporting an Urn, c. 1520-27. Prints helped disseminate design ideas and establish a taste for decorative objects and styles, especially when endorsed with royal insignia

Background imageAfter Collection: The Calumny of Apelles, c. 1500-1506. Creator: Girolamo Mocetto (Italian, c. 1458-c

The Calumny of Apelles, c. 1500-1506. Creator: Girolamo Mocetto (Italian, c. 1458-c
The Calumny of Apelles, c. 1500-1506

Background imageAfter Collection: The Calumny of Apelles, 1560. Creator: Giorgio Ghisi (Italian, 1520-1582)

The Calumny of Apelles, 1560. Creator: Giorgio Ghisi (Italian, 1520-1582)
The Calumny of Apelles, 1560. This allegory of injustice is based on a written description of a lost painting by the ancient Greek artist Apelles (active about 300s BC)



All Professionally Made to Order for Quick Shipping