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After Collection

Background imageAfter Collection: Bacchus and Ariadne, 1808-1811. Creator: Henry Bone (British, 1755-1834)

Bacchus and Ariadne, 1808-1811. Creator: Henry Bone (British, 1755-1834)
Bacchus and Ariadne, 1808-1811. Henry Bone devoted three years of his life to creating this work, a tremendous technical achievement and the largest enamel that had ever been made

Background imageAfter Collection: Descent into Limbo, c. 1490-1500. Creator: Giovanni Antonio da Brescia (Italian)

Descent into Limbo, c. 1490-1500. Creator: Giovanni Antonio da Brescia (Italian)
Descent into Limbo, c. 1490-1500

Background imageAfter Collection: I Modi. Position 9, 1530-1540. Creator: Raimondi, Marcantonio, (after)

I Modi. Position 9, 1530-1540. Creator: Raimondi, Marcantonio, (after)
I Modi. Position 9, 1530-1540. Found in the Collection of Albertina, Vienna

Background imageAfter Collection: Pallas Athena, c. 1595. Creator: Jan Saenredam (Dutch, 1565-1607)

Pallas Athena, c. 1595. Creator: Jan Saenredam (Dutch, 1565-1607)
Pallas Athena, c. 1595. Goltzius popularized a style of engraving with mesmerizing patterns of curving, tapering, and crisscrossing lines; it was especially appreciated in the late 1500s

Background imageAfter Collection: Woman Standing. Creator: Francois Boucher (French, 1703-1770)

Woman Standing. Creator: Francois Boucher (French, 1703-1770)
Woman Standing. One of the most lavish tributes paid to the memory of Jean-Antoine Watteau (1684-1721) was the publication of four volumes of more than 600 prints (1726-35)

Background imageAfter Collection: Venus and Cupid, c. 1595. Creator: Jan Saenredam (Dutch, 1565-1607)

Venus and Cupid, c. 1595. Creator: Jan Saenredam (Dutch, 1565-1607)
Venus and Cupid, c. 1595. Goltzius popularized a style of engraving with mesmerizing patterns of curving, tapering, and crisscrossing lines; it was especially appreciated in the late 1500s

Background imageAfter Collection: The Alchymist, in Search of the Philosophers Stone, Discovers Phosphorus, and Prays

The Alchymist, in Search of the Philosophers Stone, Discovers Phosphorus, and Prays for the Successful Conclusion of his Operation, as was the Custom of the Ancient Chymical Astrologers, 1775

Background imageAfter Collection: Christ, the Virgin, and St. John the Baptist with Saints Paul and Catherine, c. 1520-1525

Christ, the Virgin, and St. John the Baptist with Saints Paul and Catherine, c. 1520-1525

Background imageAfter Collection: The Triumph of Pan, 1636. Creator: Poussin, Nicolas, (after)

The Triumph of Pan, 1636. Creator: Poussin, Nicolas, (after)
The Triumph of Pan, 1636. Found in the collection of the Musee du Louvre, Paris

Background imageAfter Collection: Madonna del Passeggio, 1518-1520. Creator: Raphael (Raffaello Sanzio da Urbino), (after)

Madonna del Passeggio, 1518-1520. Creator: Raphael (Raffaello Sanzio da Urbino), (after)
Madonna del Passeggio, 1518-1520. Found in the Collection of the Museo di Capodimonte, Naples

Background imageAfter Collection: Saint Roch attending the Venice plague-victims in the Lazaretto

Saint Roch attending the Venice plague-victims in the Lazaretto. Private Collection

Background imageAfter Collection: Portrait of Catharina Both van der Eem (1589-1666), 1620. Creator: Hals, Frans, after

Portrait of Catharina Both van der Eem (1589-1666), 1620. Creator: Hals, Frans, after
Portrait of Catharina Both van der Eem (1589-1666), 1620. Found in the Collection of the Musee du Louvre, Paris

Background imageAfter Collection: Chess players, 17th century. Creator: Caravaggio, Michelangelo, (after)

Chess players, 17th century. Creator: Caravaggio, Michelangelo, (after)
Chess players, 17th century. Private Collection

Background imageAfter Collection: Cupid and Psyche, c. 1540. Creator: Raphael (Raffaello Sanzio da Urbino), (after)

Cupid and Psyche, c. 1540. Creator: Raphael (Raffaello Sanzio da Urbino), (after)
Cupid and Psyche, c.1540. Found in the Collection of Albertina, Vienna

Background imageAfter Collection: Woman of the Yoshiwara Reading Scroll, 1753-1806. Creator: Unknown

Woman of the Yoshiwara Reading Scroll, 1753-1806. Creator: Unknown
Woman of the Yoshiwara Reading Scroll, 1753-1806

Background imageAfter Collection: Woman Holding a Fan. Creator: Benoit II Audran (French, 1700-1772), possibly by

Woman Holding a Fan. Creator: Benoit II Audran (French, 1700-1772), possibly by
Woman Holding a Fan

Background imageAfter Collection: Zephyre and Flore, c. 1776. Creator: Jean Francois Janinet (French, 1752-1814)

Zephyre and Flore, c. 1776. Creator: Jean Francois Janinet (French, 1752-1814)
Zephyre and Flore, c. 1776. Following the method of Bonnet, his mentor and colleague, Janinet created luxurious sets of colour prints with printed gold frames and passed them off as foreign imports

Background imageAfter Collection: Young Woman Seated on a Bed, 1764-1767. Creator: Louis-Marin Bonnet (French, 1736-1793)

Young Woman Seated on a Bed, 1764-1767. Creator: Louis-Marin Bonnet (French, 1736-1793)
Young Woman Seated on a Bed, 1764-1767. This print emulates a traditional chiaroscuro drawing: dark outlines and shadows with white highlights on specially toned paper

Background imageAfter Collection: Young Woman Seated on a Bed, before 1764. Creator: Louis-Marin Bonnet (French, 1736-1793)

Young Woman Seated on a Bed, before 1764. Creator: Louis-Marin Bonnet (French, 1736-1793)
Young Woman Seated on a Bed, before 1764. Although this scene of a nude woman lounging in her bedchamber appears to be drawn with red chalk like the drawings by Greuze and Boucher nearby

Background imageAfter Collection: Works of Juste-Aurele Meissonier: Silver Sculptural Project for a Large Centerpiece

Works of Juste-Aurele Meissonier: Silver Sculptural Project for a Large Centerpiece and Two Tureens Which Have Been Executed for His Lordship the Duke of Kingston, c. 1735-1737

Background imageAfter Collection: Young Girl Holding a Bird. Creator: Gilles Demarteau (French, 1722-1776)

Young Girl Holding a Bird. Creator: Gilles Demarteau (French, 1722-1776)
Young Girl Holding a Bird. In 1757 a printmaker named Jean-Charles Francois developed a printing technique to make facsimiles of chalk drawings

Background imageAfter Collection: Yoshiwara Women Looking into the Street at Springtime, 1753-1806. Creator: Unknown

Yoshiwara Women Looking into the Street at Springtime, 1753-1806. Creator: Unknown
Yoshiwara Women Looking into the Street at Springtime, 1753-1806

Background imageAfter Collection: The Optical Viewer, c. 1794. Creator: Frederic Cazenave (French)

The Optical Viewer, c. 1794. Creator: Frederic Cazenave (French)
The Optical Viewer, c. 1794

Background imageAfter Collection: The Nativity. Creator: Unknown

The Nativity. Creator: Unknown
The Nativity

Background imageAfter Collection: The Nativity, 1553. Creator: Giorgio Ghisi (Italian, 1520-1582); Hieronymus Cock

The Nativity, 1553. Creator: Giorgio Ghisi (Italian, 1520-1582); Hieronymus Cock
The Nativity, 1553. The inscriptions praise Mary, the mother of Jesus Christ, emphasizing the great joys and inevitable sorrows that she is to endure in witnessing her sons life and death

Background imageAfter Collection: The Mortification. Creator: Antonio Baratti (Italian, 1724-1787)

The Mortification. Creator: Antonio Baratti (Italian, 1724-1787)
The Mortification

Background imageAfter Collection: Venus Wounded by a Roses Thorn, c. 1516

Venus Wounded by a Roses Thorn, c. 1516. This composition alludes to The Lament for Adonis by the Greek poet Bion (active about 100 BC)

Background imageAfter Collection: Un Hebreo, from Christ Shown to the People (recto); Design for a Wall Decoration

Un Hebreo, from Christ Shown to the People (recto); Design for a Wall Decoration with Pasted-in Sketches after Raphael (verso), after 1556 (recto), c. 1580s-90s (verso)

Background imageAfter Collection: Un Hebreo, from Christ Shown to the People (recto), after 1556. Creator: Unknown

Un Hebreo, from Christ Shown to the People (recto), after 1556. Creator: Unknown
Un Hebreo, from Christ Shown to the People (recto), after 1556

Background imageAfter Collection: Tiburtine Sibyl and the Emperor Augustus, c. 1527-1530 / 31. Creator: Parmigianino (Italian)

Tiburtine Sibyl and the Emperor Augustus, c. 1527-1530 / 31. Creator: Parmigianino (Italian)
Tiburtine Sibyl and the Emperor Augustus, c. 1527-1530/31. This print depicts the Roman Emperor Augustus (reigned 27 BC-AD 14) and the Tiburtine Sybil

Background imageAfter Collection: Various Subjects of Landscape, Characteristic of English Scenery... Old Sarum, 1832

Various Subjects of Landscape, Characteristic of English Scenery... Old Sarum, 1832
Various Subjects of Landscape, Characteristic of English Scenery from Pictures Painted by John Constable, R.A.: Old Sarum, 1832

Background imageAfter Collection: Various Lions. Creator: Abraham Blooteling (Dutch, 1640-1690)

Various Lions. Creator: Abraham Blooteling (Dutch, 1640-1690)
Various Lions

Background imageAfter Collection: Village Wedding, 1785. Creator: Charles-Melchior Descourtis (French, 1753-1820)

Village Wedding, 1785. Creator: Charles-Melchior Descourtis (French, 1753-1820)
Village Wedding, 1785. Descourtis used the same technique as Jean-Francois Janinet to create passages of tone with almost no traces of toolwork

Background imageAfter Collection: Voyages Pittoresques et Romantique dans lAncienne France, Normandie... 1824. Creator

Voyages Pittoresques et Romantique dans lAncienne France, Normandie... 1824. Creator
Voyages Pittoresques et Romantique dans lAncienne France, Normandie: Tour du Gros-Horlage, Evreux, 1824

Background imageAfter Collection: Visiting an Old Friend in the Spring Mountains, 1300s. Creator: Unknown

Visiting an Old Friend in the Spring Mountains, 1300s. Creator: Unknown
Visiting an Old Friend in the Spring Mountains, 1300s

Background imageAfter Collection: Virgin and Child with St. John, St. Catherine of Siena and Saint Francis, 1585. Creator

Virgin and Child with St. John, St. Catherine of Siena and Saint Francis, 1585. Creator
Virgin and Child with St. John, St. Catherine of Siena and Saint Francis, 1585

Background imageAfter Collection: Virgin and Child with St. John, St. Catherine of Siena and St. Francis, 1585. Creator

Virgin and Child with St. John, St. Catherine of Siena and St. Francis, 1585. Creator
Virgin and Child with St. John, St. Catherine of Siena and St. Francis, 1585

Background imageAfter Collection: Virgin and Child with Saints, c. 1720-1730. Creator: Robert van Audenaerd (Dutch, 1663-1743)

Virgin and Child with Saints, c. 1720-1730. Creator: Robert van Audenaerd (Dutch, 1663-1743)
Virgin and Child with Saints, c. 1720-1730

Background imageAfter Collection: The First Guard. Creator: Gabriel Huquier (French, 1695-1772)

The First Guard. Creator: Gabriel Huquier (French, 1695-1772)
The First Guard. Many of Francois Bouchers decorative designs were published as prints sometimes executed by the painter, etcher, and publisher-dealer Gabriel Huquier

Background imageAfter Collection: The Fall of Phaeton, c. 1545. Creator: Nicolas Beatrizet (French, 1515-after 1565)

The Fall of Phaeton, c. 1545. Creator: Nicolas Beatrizet (French, 1515-after 1565)
The Fall of Phaeton, c. 1545. The original composition for The Fall of Phaeton is a drawing by Michelangelo that was highly coveted during his lifetime

Background imageAfter Collection: The Triumph of Julius Caesar: Elephants Carrying Torches, 1593-99. Creator: Andrea Andreani

The Triumph of Julius Caesar: Elephants Carrying Torches, 1593-99. Creator: Andrea Andreani
The Triumph of Julius Caesar: Elephants Carrying Torches, 1593-99. Commissioned by Duke Vincenzo Gonzaga, this series of chiaroscuro woodcuts reproduces Andrea Mantegnas Triumph of Julius Caesar

Background imageAfter Collection: The Triumph of Julius Caesar: Soldiers Carrying Banners and Standards, 1593-99. Creator

The Triumph of Julius Caesar: Soldiers Carrying Banners and Standards, 1593-99. Creator
The Triumph of Julius Caesar: Soldiers Carrying Banners and Standards, 1593-99. Commissioned by Duke Vincenzo Gonzaga, this series of chiaroscuro woodcuts reproduces Andrea Mantegnas Triumph of

Background imageAfter Collection: The Swing. Creator: Francois Boucher (French, 1703-1770)

The Swing. Creator: Francois Boucher (French, 1703-1770)
The Swing

Background imageAfter Collection: The Trinity, 1782. Creator: Adam von Bartsch (Austrian, 1757-1821)

The Trinity, 1782. Creator: Adam von Bartsch (Austrian, 1757-1821)
The Trinity, 1782

Background imageAfter Collection: The Thicket, 1855. Creator: Charles Francois Daubigny (French, 1817-1878)

The Thicket, 1855. Creator: Charles Francois Daubigny (French, 1817-1878)
The Thicket, 1855

Background imageAfter Collection: The Triumph of Julius Caesar: Procession of Men, Women and Children, 1593-99. Creator

The Triumph of Julius Caesar: Procession of Men, Women and Children, 1593-99. Creator
The Triumph of Julius Caesar: Procession of Men, Women and Children, 1593-99. Commissioned by Duke Vincenzo Gonzaga, this series of chiaroscuro woodcuts reproduces Andrea Mantegnas Triumph of Julius

Background imageAfter Collection: The Triumph of Julius Caesar: Soldiers Marching with Trophies of War, 1593-99. Creator

The Triumph of Julius Caesar: Soldiers Marching with Trophies of War, 1593-99. Creator
The Triumph of Julius Caesar: Soldiers Marching with Trophies of War, 1593-99. Commissioned by Duke Vincenzo Gonzaga, this series of chiaroscuro woodcuts reproduces Andrea Mantegnas Triumph of Julius

Background imageAfter Collection: The Triumph of Julius Caesar: Soldiers Carrying Vases, 1593-99. Creator: Andrea Andreani (Italian)

The Triumph of Julius Caesar: Soldiers Carrying Vases, 1593-99. Creator: Andrea Andreani (Italian)
The Triumph of Julius Caesar: Soldiers Carrying Vases, 1593-99. Commissioned by Duke Vincenzo Gonzaga, this series of chiaroscuro woodcuts reproduces Andrea Mantegnas Triumph of Julius Caesar

Background imageAfter Collection: The Triumph of Julius Caesar: Soldiers Carrying the Pictures of War, 1593-99. Creator

The Triumph of Julius Caesar: Soldiers Carrying the Pictures of War, 1593-99. Creator
The Triumph of Julius Caesar: Soldiers Carrying the Pictures of War, 1593-99. Commissioned by Duke Vincenzo Gonzaga, this series of chiaroscuro woodcuts reproduces Andrea Mantegnas Triumph of Julius

Background imageAfter Collection: The Triumph of Julius Caesar: Frontispiece, 1593-99. Creator: Andrea Andreani (Italian

The Triumph of Julius Caesar: Frontispiece, 1593-99. Creator: Andrea Andreani (Italian
The Triumph of Julius Caesar: Frontispiece, 1593-99. Commissioned by Duke Vincenzo Gonzaga, this series of chiaroscuro woodcuts reproduces Andrea Mantegnas Triumph of Julius Caesar

Background imageAfter Collection: The Triumph of Julius Caesar: Colossal Statues and Siege Equipment, 1593-99. Creator

The Triumph of Julius Caesar: Colossal Statues and Siege Equipment, 1593-99. Creator
The Triumph of Julius Caesar: Colossal Statues and Siege Equipment, 1593-99. Commissioned by Duke Vincenzo Gonzaga, this series of chiaroscuro woodcuts reproduces Andrea Mantegnas Triumph of Julius

Background imageAfter Collection: The Triumph of Julius Caesar, 1593-99. Creator: Andrea Andreani (Italian, about 1558-1610)

The Triumph of Julius Caesar, 1593-99. Creator: Andrea Andreani (Italian, about 1558-1610)
The Triumph of Julius Caesar, 1593-99. Commissioned by Duke Vincenzo Gonzaga, this series of chiaroscuro woodcuts reproduces Andrea Mantegnas Triumph of Julius Caesar, painted a century earlier

Background imageAfter Collection: The Three Graces, 1786. Creator: Jean Francois Janinet (French, 1752-1814)

The Three Graces, 1786. Creator: Jean Francois Janinet (French, 1752-1814)
The Three Graces, 1786. Since ancient times, art critics had praised painters for their ability to portray subjects so lifelike that they might be mistaken for the real thing

Background imageAfter Collection: The Three Fates, Costume Designs, c. 1534. Creator: Pierre Milan (French)

The Three Fates, Costume Designs, c. 1534. Creator: Pierre Milan (French)
The Three Fates, Costume Designs, c. 1534. This engraving reproduces a trio of costume designs by Rosso Fiorentino. They were likely meant for a masquerade ball held at the court of King Francis I

Background imageAfter Collection: The Temptation of Eve, c. 1545 / 1547. Creator: Jean Mignon (French)

The Temptation of Eve, c. 1545 / 1547. Creator: Jean Mignon (French)
The Temptation of Eve, c. 1545/1547. Although not related to any specific projects created at Fontainebleau, this print is a beautifully example of the influence of the style of wall decoration

Background imageAfter Collection: The Story of Elisha, 1643. Creator: Nicolaes Rijckmans (Flemish, 1616-)

The Story of Elisha, 1643. Creator: Nicolaes Rijckmans (Flemish, 1616-)
The Story of Elisha, 1643

Background imageAfter Collection: The Six Saints, c. 1535. Creator: Niccolo Boldrini (Italian, c. 1500-aft 1566)

The Six Saints, c. 1535. Creator: Niccolo Boldrini (Italian, c. 1500-aft 1566)
The Six Saints, c. 1535. At first, Titian utilized woodcut as a medium of direct expression. He most probably drew directly on the blocks for The Submersion of Pharaohs Army in the Red Sea

Background imageAfter Collection: The Proposal. Creator: Francois Boucher (French, 1703-1770)

The Proposal. Creator: Francois Boucher (French, 1703-1770)
The Proposal

Background imageAfter Collection: The Prophet Joel, early 1570s. Creator: Giorgio Ghisi (Italian, 1520-1582)

The Prophet Joel, early 1570s. Creator: Giorgio Ghisi (Italian, 1520-1582)
The Prophet Joel, early 1570s. This series represents six of the Old Testament Prophets, as depicted in Michelangelos Sistine Chapel ceiling frescos, painted between 1508 and 1512

Background imageAfter Collection: The Prediction of Ahijah, 1604. Creator: Jan Saenredam (Dutch, 1565-1607); Jan Saenredam (Dutch)

The Prediction of Ahijah, 1604. Creator: Jan Saenredam (Dutch, 1565-1607); Jan Saenredam (Dutch)
The Prediction of Ahijah, 1604. As punishment for the kings sins, the prophet predicts disaster saying, " those of your people who die in the city shall be eaten by dogs

Background imageAfter Collection: The Pieta. Creator: Marcantonio Raimondi (Italian, 1470 / 82-1527 / 34)

The Pieta. Creator: Marcantonio Raimondi (Italian, 1470 / 82-1527 / 34)
The Pieta

Background imageAfter Collection: The Picnic. Creator: Charles Philibert Lasteyrie du Saillant (French, 1759-1849)

The Picnic. Creator: Charles Philibert Lasteyrie du Saillant (French, 1759-1849)
The Picnic. Lithography did not really get under way in France until 1816 when Lasteyrie and Godefroy Engelmann, both trained in the shop of lithography inventor Alois Senefelder (1771-1834)

Background imageAfter Collection: Two Figures, 1800s. Creator: Unknown

Two Figures, 1800s. Creator: Unknown
Two Figures, 1800s

Background imageAfter Collection: The Adoration of the Magi, c. 1545. Creator: Jean Mignon (French)

The Adoration of the Magi, c. 1545. Creator: Jean Mignon (French)
The Adoration of the Magi, c. 1545. Printmaking at Fontainebleau flourished briefly during the 1540s and seems to have stopped altogether by 1547

Background imageAfter Collection: The Abduction of the Sabine Women, 1585. Creator: Andrea Andreani (Italian, about 1558-1610)

The Abduction of the Sabine Women, 1585. Creator: Andrea Andreani (Italian, about 1558-1610)
The Abduction of the Sabine Women, 1585. The legend of the Sabine women relates to Romes early history when, to ensure the future population of the city

Background imageAfter Collection: The Abduction of a Sabine Woman. Creator: Andrea Andreani (Italian, about 1558-1610)

The Abduction of a Sabine Woman. Creator: Andrea Andreani (Italian, about 1558-1610)
The Abduction of a Sabine Woman. Andreanis woodcut presents a view of Giambolognas marble sculpture The Abduction of a Sabine Woman, unveiled in 1583 in Florence

Background imageAfter Collection: The Maidservant, after H. Leys, 1868. Creator: Felix Bracquemond (French, 1833-1914)

The Maidservant, after H. Leys, 1868. Creator: Felix Bracquemond (French, 1833-1914)
The Maidservant, after H. Leys, 1868

Background imageAfter Collection: The Miraculous Draught of Fishes. Creator: Ugo da Carpi (Italian, c. 1479-c. 1532)

The Miraculous Draught of Fishes. Creator: Ugo da Carpi (Italian, c. 1479-c. 1532)
The Miraculous Draught of Fishes

Background imageAfter Collection: The Large Landscapes: Solicitudo Rustica, c. 1555-1558. Creator: Jan van Doetechum (Flemish)

The Large Landscapes: Solicitudo Rustica, c. 1555-1558. Creator: Jan van Doetechum (Flemish)
The Large Landscapes: Solicitudo Rustica, c. 1555-1558. Solicitudo Rustica (meaning Rustic Solicitude or Rustic Cares) was based on drawings Pieter Bruegel made during his trip to Italy through

Background imageAfter Collection: The Ladies Amabel and Mary Jemima Yorke, c. 1761. Creator: Edward Fisher (British, 1722-1785)

The Ladies Amabel and Mary Jemima Yorke, c. 1761. Creator: Edward Fisher (British, 1722-1785)
The Ladies Amabel and Mary Jemima Yorke, c. 1761

Background imageAfter Collection: The Massacre of the Innocents (Without the Fir Tree), c. 1513-1515. Creator: Marcantonio Raimondi

The Massacre of the Innocents (Without the Fir Tree), c. 1513-1515. Creator: Marcantonio Raimondi
The Massacre of the Innocents (Without the Fir Tree), c. 1513-1515. Raphaels choice of subject for this print may have been a deliberate strategy to promote himself as Michelangelos rival in

Background imageAfter Collection: The Martyrdom of St. Peter and St. Paul, c. 1527-1530 / 1531

The Martyrdom of St. Peter and St. Paul, c. 1527-1530 / 1531. Creator: Antonio da Trento (Italian, c)
The Martyrdom of St. Peter and St. Paul, c. 1527-1530/1531. The workshop of Parmigianino was one of the chief centers of chiaroscuro printmaking in the 1500s

Background imageAfter Collection: The Lover Surprised (LAmant Surpris), c. 1798. Creator: Charles-Melchior Descourtis (French)

The Lover Surprised (LAmant Surpris), c. 1798. Creator: Charles-Melchior Descourtis (French)
The Lover Surprised (LAmant Surpris), c. 1798. A young woman surprises her sweetheart, whom she has found reading love letters in a wooded park

Background imageAfter Collection: The Lost Sailor, 1896. Creator: Frank Short (British, 1857-1945)

The Lost Sailor, 1896. Creator: Frank Short (British, 1857-1945)
The Lost Sailor, 1896

Background imageAfter Collection: The Haul of Monstrous Fish, mid-1500s. Creator: Adamo Scultori (Italian, c. 1530-1585)

The Haul of Monstrous Fish, mid-1500s. Creator: Adamo Scultori (Italian, c. 1530-1585)
The Haul of Monstrous Fish, mid-1500s. Adamo belonged to a prominent family of printmakers in Mantua. This engraving is based on a preparatory drawing by Giulio Romano that relates to a fresco he

Background imageAfter Collection: The Hare (Le Lievre), 1865. Creator: Felix Bracquemond (French, 1833-1914)

The Hare (Le Lievre), 1865. Creator: Felix Bracquemond (French, 1833-1914)
The Hare (Le Lievre), 1865

Background imageAfter Collection: The Game of Blind Mans Bluff, 1739. Creator: Charles-Nicolas Cochin (French, 1715-1790)

The Game of Blind Mans Bluff, 1739. Creator: Charles-Nicolas Cochin (French, 1715-1790)
The Game of Blind Mans Bluff, 1739. Specially trained printmakers like Cochin reproduced and popularized other artists works in printed form

Background imageAfter Collection: The Gallant. Creator: Benoit II Audran (French, 1700-1772)

The Gallant. Creator: Benoit II Audran (French, 1700-1772)
The Gallant

Background imageAfter Collection: The Four Seasons: Summer, 1570. Creator: Pieter van der Heyden (Netherlandish, c. 1530-c

The Four Seasons: Summer, 1570. Creator: Pieter van der Heyden (Netherlandish, c. 1530-c
The Four Seasons: Summer, 1570. By the mid-16th century printmaking and printselling were big business in Europe. One of the most important firms, in Antwerp

Background imageAfter Collection: The Last Supper (pair), about 1500. Creator: Lucantonio degli Uberti (Italian)

The Last Supper (pair), about 1500. Creator: Lucantonio degli Uberti (Italian)
The Last Supper (pair), about 1500

Background imageAfter Collection: The Last Judgment, 1500s. Creator: Unknown

The Last Judgment, 1500s. Creator: Unknown
The Last Judgment, 1500s

Background imageAfter Collection: The Siege of La Rochelle: Plate 14, 1628-1630. Creator: Israel Henriet (French, c

The Siege of La Rochelle: Plate 14, 1628-1630. Creator: Israel Henriet (French, c
The Siege of La Rochelle: Plate 14, 1628-1630

Background imageAfter Collection: The Siege of La Rochelle: Plate 16, 1628-1630

The Siege of La Rochelle: Plate 16, 1628-1630

Background imageAfter Collection: The Resurrection of Christ, c. 1562. Creator: Philip Galle (Flemish, 1537-1612)

The Resurrection of Christ, c. 1562. Creator: Philip Galle (Flemish, 1537-1612)
The Resurrection of Christ, c. 1562. After Christs crucifixion and burial, he rose from his tomb to dwell on earth for 40 days before ascending to heaven



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