Images Dated 9th April 2019 (page 12)

Interior of the Dome of the Chain Looking North, 1902. Creator: John Fulleylove
Interior of the Dome of the Chain Looking North, 1902. From " The Holy Land", painted by John Fulleylove, R.I. [Adam & Charles Black, London, 1902]

The Dome of the Rock from the Mosque El Aksa, 1902. Creator: John Fulleylove
The Dome of the Rock as seen from the Porch on the North Side of the Mosque El Aksa, 1902. Islamic shrine located on the Temple Mount in the Old City of Jerusalem and a UNESCO World Heritage Site

The Coronation Chair, Containing the Ancient Stone, 1902. Creator: Unknown
The Coronation Chair, Containing the Ancient Stone on Which the English Sovereigns for the Past Six Centuries Have Been Crowned, 1902

Call thou to mind Piero of Medicina, if again returning, c1890. Creator: Gustave Doré
Call thou to mind Piero of Medicina, if again returning, c1890. Dante and the Roman poet Virgil encounter Pier da Medicina who must hold open his windpipe to speak

Now mark how I do rip me! lo! How is Mahomet mangled!, c1890. Creator
" Now mark how I do rip me! lo! How is Mahomet mangled!", c1890. Dante and the Roman poet Virgil witness the suffering of the prophet Mohammed, who is repeatedly ripped open

The other two look d on, exclaiming, Ah! How dost thou change, Agnello!, c1890
The other two look d on, exclaiming, " Ah! How dost thou change, Agnello!", c1890. The Florentine thief Agnello Brunelleschi and Cianfa Donati the serpent merging into a single body

Tuscan... disdain not to instruct us who thou art, c1890. Creator: Gustave Doré
" Tuscan, who visitest the college of the mourning hypocrites, disdain not to instruct us who thou art", c1890. Dante and the Roman poet Virgil encounter the Hypocrites

Scarcely had his feet reach d to the lowest of the bed beneath, c1890. Creator
Scarcely had his feet reach d to the lowest of the bed beneath, c1890. Dante and the Roman poet Virgil. Illustration from " The Vision of Hell" (Inferno)

Amid this dread exuberance of woe ran naked spirits wing d with horrid fear, c1890. The damned, handcuffed with snakes: With serpents were their hands behind them bound

But the other proved a goshawk... and in the boiling lake both fell, c1890. Creator
But the other proved a goshawk able to rend well his foe; and in the boiling lake both fell, c1890. Two demons fall into a lake of molten pitch

In pursuit he therefore sped, exclaiming; Thou art caught, c1890. Creator
In pursuit he therefore sped, exclaiming; " Thou art caught", c1890. The demon Alichino chases the escaping sinner Bonturo Dati

This said, they grappled him with more than hundred hooks, c1890. Creator: Gustave Doré
This said, they grappled him with more than hundred hooks, c1890. Naked sinners are punished by demons. Illustration from " The Vision of Hell" (Inferno)

There stood I like the friar, that doth shrive a wretch for murder doom d, c1890. Dante and the Roman poet Virgil encounter Pope Nicholas III

Thais is this, the harlot, c1890. Creator: Gustave Doré
Thais is this, the harlot, whose false lip answer d her doting paramour that ask d, " Thankest me much!", c1890

Why greedily thus bendest more on me?, c1890. Creator: Gustave Doré
" Why greedily thus bendest more on me, than on these other filthy ones, thy ken?", c1890. Dante and the Roman poet Virgil encounter Alessio Interminei of Lucca immers d in ordure

Ah! How they made them bound at the first stripe!, c1890. Creator: Gustave Doré
Ah! How they made them bound at the first stripe!, c1890. Naked sinners are lashed by demons. Illustration from " The Vision of Hell" (Inferno)

Forthwith that image vile of fraud appear d, c1890. Creator: Gustave Doré
Forthwith that image vile of fraud appear d, c1890. Dante and the Roman poet Virgil encounter the fell monster with the deadly sting

Unceasing was the play of wretched hands, c1890. Creator: Gustave Doré
Unceasing was the play of wretched hands, ...to shake off the heat, still falling fresh, c1890. Dante and the Roman poet Virgil witness the damned afflicted by flakes of fire

One cried from far: Say to what pain ye come condemn d, c1890. Creator
One cried from far: " Say to what pain ye come condemn d, who down this steep have journied? Speak from whence ye stand, or else the bow I draw", c1890

And there at point of the disparted ridge lay stretch d the infamy of Crete, c1890. Dante and the Roman poet Virgil encounter the Minotaur

Haste now, the foremost cried, now haste thee death!, c1890
" Haste now, " the foremost cried, " now haste thee death!", c1890. Men who who have been transformed into trees

From the profound abyss, behind the lid of a great monument we stood retired, c1890. Dante and the Roman poet Virgil shelter in craggy rocks and try to avoid the horrible excess of fetid exhalation

Here the brute Harpies make their nest, c1890. Creator: Gustave Doré
Here the brute Harpies make their nest, c1890. Illustration from " The Vision of Hell" (Inferno), the first part of " The Divine Comedy" (La divina commedia) by Dante Alighieri

Mark thou each dire Erynnis, c1890. Creator: Gustave Doré
Mark thou each dire Erynnis, c1890. Dante and the Roman poet Virgil encounter the Erinyes: three hellish furies stain d with blood

I could not hear what terms he offer d them, c1890. Creator: Gustave Doré
I could not hear what terms he offer d them, c1890. Dante and the Roman poet Virgil land on the far bank of the river Styx

My teacher sage aware, thrusting him back, c1890. Creator: Gustave Doré
Then stretch d he forth hands to the bark; whereof my teacher sage aware, thrusting him back: " Away! down there To the other dogs!", c1890

Gaydamak, 1902, (1965). Creator: Il ya Repin
Gaydamak, 1902, (1965). From " Russian Painting of the 18th and 19th Centuries" by Vladimir Fiala. [Artia, Czechoslovakia, 1965]

Choosing the Tsars Bride, 1884, (1965). Creator: Il ya Repin
Choosing the Tsars Bride, 1884, (1965). Gathering of Russian women. From " Russian Painting of the 18th and 19th Centuries" by Vladimir Fiala. [Artia, Czechoslovakia, 1965]

The Game of Cards, late 19th-early 20th century, (1965). Creator: Vladimir Makovsky
The Game of Cards, late 19th-early 20th century, (1965). From " Russian Painting of the 18th and 19th Centuries" by Vladimir Fiala. [Artia, Czechoslovakia, 1965]

Hemis Monastery in Ladakh, 1875, (1965). Creator: Vasily Vereshchagin
Hemis Monastery in Ladakh, 1875, (1965). Buddhist monastery at Hemis in the north of India, dating back before the 11th century. Painting in the State Tretyakov Gallery, Moscow

After a Storm, 1879, (1965). Creator: Arkhip Ivanovich Kuindzhi
After a Storm, 1879, (1965). Russian countryside with intensely lit landscape against dark skies. Painting, also known as After the Rain, in the State Tretyakov Gallery, Moscow

Kirghiz yourta by the River Chu, 1869-1870, (1965). Creator: Vasily Vereshchagin
Kirghiz yourta by the River Chu, 1869-1870, (1965). Yurts (or gers) in Central Asia. Painting, also known as Kirghiz Tents on the River Chu, in the State Tretyakov Gallery, Moscow

Soon as both embark d, cutting the waves, c1890. Creator: Gustave Doré
Soon as both embark d, cutting the waves, goes on the ancient prow, more deeply than with others it is wont, c1890. Phlegyas ferries Dante

To the gate he came, and with his wand touch d it, c1890. Creator: Gustave Doré
To the gate he came, and with his wand touch d it, whereat open without impediment it flew, c1890. Dante and the Roman poet Virgil pass through the gate of Dis

Night in the Ukraine, 1876, (1965). Creator: Arkhip Ivanovich Kuindzhi
Night in the Ukraine, 1876, (1965). Painting in the State Tretyakov Gallery, Moscow. From " Russian Painting of the 18th and 19th Centuries" by Vladimir Fiala. [Artia, Czechoslovakia, 1965]

Off to the War, 1880, (1965). Creator: Konstantin Savitsky
Off to the War, 1880, (1965). Russian soldiers going off to fight - dramatic scene at a station as young men leave behind their loved ones

Not all the gold, that is beneath the moon or ever hath been, c1890. Creator: Gustave Doré
Not all the gold, that is beneath the moon or ever hath been, of these toil-worn souls Might purchase rest for one, c1890. The damned struggling to push heavy weights uphill

Curs d wolf ! Thy fury inward on thyself prey, and consume thee!, c1890. Creator
Curs d wolf ! Thy fury inward on thyself prey, and consume thee!, c1890. Dante and the Roman poet Virgil. Illustration from " The Vision of Hell" (Inferno)

Ofena, the Shop-keeper, 1865, (1965). Creator: Nikolay Koshelev
Ofena, the Shop-keeper, 1865, (1965). Russian peasants in a shop. A calf nibbles the dress of a small girl. Painting in the State Tretyakov Gallery, Moscow

Thy city heap d with envy to the brim, c1890. Creator: Gustave Doré
Thy city heap d with envy to the brim, c1890. Dante and the Roman poet Virgil. Illustration from " The Vision of Hell" (Inferno)

Then my guide, his palms expanding on the ground, c1890. Creator: Gustave DorA©
Then my guide, his palms expanding on the ground, thence filled with earth, rais d them, and cast it in his ravenous maw, c1890

By the Eriklik Fountains in the Crimea, 1873, (1965). Creator: Fyodor Vasil yev
By the Eriklik Fountains in the Crimea, 1873, (1965). Sketch for a painting of the same title in the State Tretyakov Gallery, Moscow

I through compassion fainting, seem d not far from death, c1890. Creator: Gustave Doré
I through compassion fainting, seem d not far from death, and like a corpse fell to the ground, c1890. Illustration from " The Vision of Hell" (Inferno)

In its leaves that day we read no more, c1890. Creator: Gustave Doré
The book and writer both were loves purveyors. In its leaves that day we read no more, c1890. Paolo and Francesca, the adulterous lovers

Summer Evening, 1878, (1965). Creator: Aleksandr Ivanovic Morozov
Summer Evening, 1878, (1965). A man relaxes in the shade of a tree. From " Russian Painting of the 18th and 19th Centuries" by Vladimir Fiala. [Artia, Czechoslovakia, 1965]

The stormy blast of hell with restless fury drives the spirits on, c1890. Creator
The stormy blast of hell with restless fury drives the spirits on, c1890. Dante and the Roman poet Virgil, watching souls in torment

There Minos stands, c1890. Creator: Gustave Doré
There Minos stands, grinning with ghastly feature: he, of all who enter, strict examining the crimes, gives sentence, and dismisses them beneath, c1890

Oak Trees at Eventide, 1887, (1965). Creator: Ivan Shishkin
Oak Trees at Eventide, 1887, (1965). Painting in the State Tretyakov Gallery, Moscow. From " Russian Painting of the 18th and 19th Centuries" by Vladimir Fiala. [Artia, Czechoslovakia, 1965]

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