Wmheinemann Collection (page 3)

Madeira-Mamore Railway: On the Bolivia-Brazil frontier: Bolivian officers and soldiers, 1914. From The Beautiful Rio De Janeiro by Alured Gray Bell. [William Heinemann, London, 1914]

Penetrating the Amazonian Forest - Madeira-Mamore Railway, 1914. From The Beautiful Rio De Janeiro by Alured Gray Bell. [William Heinemann, London, 1914]

Partial View of the Falls of Iguassu, 1914. Junction of Brazil, Paraguay and Argentina. Approached from the North by the Brazil Railway Companys System, 1914

Central Railway of Brazil: Tunnelling throught the Serra do MAr, 1914
Central Railway of Brazil: Tunnelling throught the Serra do Mar, 1914. From The Beautiful Rio De Janeiro by Alured Gray Bell. [William Heinemann, London, 1914]

Vestibule Dining Car on the Rio-Sao Paulo Night Express of the Central Railway of Brazil, 1914. From The Beautiful Rio De Janeiro by Alured Gray Bell. [William Heinemann, London, 1914]

A bit of Rios North-Western Suburbs, along the route of the Central Railway, 1914. From The Beautiful Rio De Janeiro by Alured Gray Bell. [William Heinemann, London, 1914]

The Rio de Janeiro Terminus of the Central Railway of Brazil, 1914. The Quadrilinear Royal Palm Avenue of the Mangue Canal in the background. From The Beautiful Rio De Janeiro by Alured Gray Bell

Terminus of the Central Railway of Brazil, Rio de Janeiro, 1914. Artist: Edgar L Pattison
Terminus of the Central Railway of Brazil, Rio de Janeiro, 1914. From The Beautiful Rio De Janeiro by Alured Gray Bell. [William Heinemann, London, 1914]

Residence of Count Paulo de Frontin, Petropolis, 1914. Artist: Edgar L Pattison
Residence of Count Paulo de Frontin, Petropolis, 1914. From The Beautiful Rio De Janeiro by Alured Gray Bell. [William Heinemann, London, 1914]

The Brazilian Super-Dreadnought Minas Geraes nearing Rio, 1914. Artist: Edgar L Pattison
The Brazilian Super-Dreadnought Minas Geraes nearing Rio, 1914. From The Beautiful Rio De Janeiro by Alured Gray Bell. [William Heinemann, London, 1914]

The Benjamin Constant Training Cruiser and the dreadnought Minas Geraes in Rio Harbour, 1914. From The Beautiful Rio De Janeiro by Alured Gray Bell. [William Heinemann, London, 1914]

Residence of Mr. Frank H. Walter, Petropolis, 1914. From The Beautiful Rio De Janeiro by Alured Gray Bell. [William Heinemann, London, 1914]

Residence of Mr. Joseph Walker, Petropolis, 1914. From The Beautiful Rio De Janeiro by Alured Gray Bell. [William Heinemann, London, 1914]

A view of the new quays at the time of construction, 1914. From The Beautiful Rio De Janeiro by Alured Gray Bell. [William Heinemann, London, 1914]

A View of Rio and the Bay, 1914. Showing Messrs. Walkers great Quay Wall in building and the area now retained. From The Beautiful Rio De Janeiro by Alured Gray Bell. [William Heinemann, London, 1914]

Administration Offices of the Rio Tramway, Light and Power Company, 1914. From The Beautiful Rio De Janeiro by Alured Gray Bell. [William Heinemann, London, 1914]

By tram and mule, 1914. From The Beautiful Rio De Janeiro by Alured Gray Bell. [William Heinemann, London, 1914]

La Rose Prise, c1820-1840, (1913). Artist: Frederic Cazenave
La Rose Prise, c1820-1840, (1913). After Louis-Leopold Boilly (1761-1845). From French Colour-Prints of the XVIII Century. [William Heinemann, London, 1913]

La Dispute De La Rose, c1840, (1913). Artist: Joseph Eymar
La Dispute De La Rose, c1840, (1913). After Louis-Leopold Boilly (1761-1845). From French Colour-Prints of the XVIII Century. [William Heinemann, London, 1913]

Jamais D Accord, (Never in agreement), 1785-1810, (1913). Artist: Augustin Le Grand
Jamais D Accord, (Never in agreement), 1785-1810, (1913). After Niklas Lafrensen (1737-1807). From French Colour-Prints of the XVIII Century. [William Heinemann, London, 1913]

Je M Occupais En Attendant, (I am busy waiting), c1770, (1913). Artist: Romain Girard
Je M Occupais En Attendant, (I am busy waiting), c1770s, (1913). After Jean-Baptiste Mallet (1759-1835). From French Colour-Prints of the XVIII Century. [William Heinemann, London, 1913]

Julie, Ou Le Premier Baiser De L Amour, (First Kiss), 1784-1799, (1913). Artist: Jacques-Louis Copia
Julie, Ou Le Premier Baiser De L Amour, (First Kiss), 1784-1799, (1913). After Jean-Baptiste Mallet (1759-1835). From French Colour-Prints of the XVIII Century. [William Heinemann, London, 1913]

La Savonneuse, (Washerwoman), c1790-1820, (1913). Artists: Laurent Joseph Julien, Jean Baptiste Moret
La Savonneuse, (Washerwoman), c1790-1820, (1913). After Augustin de Saint-Aubin (1736-1807). From French Colour-Prints of the XVIII Century. [William Heinemann, London, 1913]

La Jardiniere, (Gardening), c1790s, (1913). Artist: Antoine Le Picard de Phelippeaux
La Jardiniere, (Gardening), c1790s, (1913). After Augustin de Saint-Aubin (1736-1807). From French Colour-Prints of the XVIII Century. [William Heinemann, London, 1913]

Le Lever, (Getting up), c1770-1810, (1913). Artist: Nicolas-Francois Regnault
Le Lever, (getting up), c1770-1810, (1913). From French Colour-Prints of the XVIII Century. [William Heinemann, London, 1913]

La Toilette, (Bathing), c1765-1790, (1913). Artist: Louis Marin Bonnet
La Toilette, (Bathing), c1765-1790, (1913). After Nicolas-Rene Jollain (1732-1804). From French Colour-Prints of the XVIII Century. [William Heinemann, London, 1913]

Femme De Chambre Russe, (Russian maid), c1765-1790, (1913). Artist: Louis Marin Bonnet
Femme De Chambre Russe, (Russian maid), c1765-1790, (1913). After Jean-Baptiste Le Prince (1734-1781). From French Colour-Prints of the XVIII Century. [William Heinemann, London, 1913]

La Tete D Une Jeune Fille, (Head Of A Young Girl), c1760-1790, (1913). Artist: Louis Marin Bonnet
La Tete D Une Jeune Fille, (Head Of A Young Girl), c1760-1790, (1913). After Francois Boucher (1703-1770). From French Colour-Prints of the XVIII Century. [William Heinemann, London, 1913]

La Tete De Flore (Madame Deshayes), 1769, (1913). Artist: Louis Marin Bonnet
La Tete De Flore (Madame Deshayes), 1769, (1913). Catherine Deshayes Monvoisin, known as La Voisin, (c1640-1680), French fortune teller and poisoner. After Francois Boucher (1703-1770)

La Grande Pastorale, No. 602, (Pastoral Scene), c1740-1770, (1913). Artist: Gilles Demarteau
La Grande Pastorale, No. 602, (Pastoral Scene), c1740-1770, (1913). After Jean-Baptiste Marie Huet (1745-1811). From French Colour-Prints of the XVIII Century. [William Heinemann, London, 1913]

La Graces Parisiennes Au Bois De Vincennes, 1790, (1913). Artist: Jean-Baptiste Chapuy
La Graces Parisiennes Au Bois De Vincennes, 1790, (1913). After Niklas Lafrensen (1737-1807). From French Colour-Prints of the XVIII Century. [William Heinemann, London, 1913]

Les Trois Soeurs Au Parc De Saint-Cloud, (Three Sisters in Parc Saint-Cloud), c1790, (1913). After Niklas Lafrensen (1737-1807). From French Colour-Prints of the XVIII Century

Madame Saint-Aubin, late 18th century, (1913). Artist: Pierre Michel Alix
Madame Saint-Aubin, 1913. Stephanie Felicite Ducrest de St-Aubin (1746-1830), French writer and musician. After Jean-Francois Garneray (1755-1837). From French Colour-Prints of the XVIII Century

Voltaire, c1770, (1913). Artist: Pierre Michel Alix
Voltaire, c1770, (1913). Francois-Marie Arouet Voltaire (1694-1778), French philosopher. After Jean-Francois Garneray (1755-1837). From French Colour-Prints of the XVIII Century

The wicker-work vendor, 1914. From The Beautiful Rio De Janeiro by Alured Gray Bell. [William Heinemann, London, 1914]

On the way to Corcorado, 1914. From The Beautiful Rio De Janeiro by Alured Gray Bell. [William Heinemann, London, 1914]

The Botafogo end of the fashionable Rua Sao Clemente. Corcovado in the distance, 1914. From The Beautiful Rio De Janeiro by Alured Gray Bell. [William Heinemann, London, 1914]

A Cascade at Tijuca, Rio, 1914. From The Beautiful Rio De Janeiro by Alured Gray Bell. [William Heinemann, London, 1914]

A Botafogo street scene, Rio, 1914. From The Beautiful Rio De Janeiro by Alured Gray Bell. [William Heinemann, London, 1914]

The Tram passing the Praca da Gloria, 1914. From The Beautiful Rio De Janeiro by Alured Gray Bell. [William Heinemann, London, 1914]

Pirahy Diversion: View down-stream from outlet of tunnel. 1914
Pirahy Diversion: View down-stream from outlet of tunnel, 1914. Rio Light and Power Works. From The Beautiful Rio De Janeiro by Alured Gray Bell. [William Heinemann, London, 1914]

The Pipes at Riberao das Lages: Rio Light and Power Works, 1914. From The Beautiful Rio De Janeiro by Alured Gray Bell. [William Heinemann, London, 1914]

Pirahy Diversion (Dam from up stream) of the Rio Light and Power Works, 1914. From The Beautiful Rio De Janeiro by Alured Gray Bell. [William Heinemann, London, 1914]

A glimpse of the great artificial lake at Riberao das Lages, 1914. Built by the Rio de Janeiro Tramway, Light and Power Company. From The Beautiful Rio De Janeiro by Alured Gray Bell

A Corner of the Praca da Gloria, 1914. From The Beautiful Rio De Janeiro by Alured Gray Bell. [William Heinemann, London, 1914]

A bit of Rio with the Ilha das Cobras and the Ilha Fiscal, 1914. From The Beautiful Rio De Janeiro by Alured Gray Bell. [William Heinemann, London, 1914]

Gavea Mountain and the South Atlantic, 1914. Pedra da Gavea is a monolithic mountain in Tijuca Forest, Rio de Janeiro, Brazil. From The Beautiful Rio De Janeiro by Alured Gray Bell

The Botafogo portion of Rios Bay-side Avenue, overlooked by Corcovado Mountain, 1914. From The Beautiful Rio De Janeiro by Alured Gray Bell. [William Heinemann, London, 1914]

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