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Witchcraft Collection (page 3)

Background imageWitchcraft Collection: The Witch, ca. 1500. Creator: Albrecht Durer

The Witch, ca. 1500. Creator: Albrecht Durer
The Witch, ca. 1500

Background imageWitchcraft Collection: Macbeth and the Witches (Shakespeare, Macbeth, Act 1, Scene 1), 1770

Macbeth and the Witches (Shakespeare, Macbeth, Act 1, Scene 1), 1770

Background imageWitchcraft Collection: Medea Restoring Aesons Youth (Aesoni decerptio iuventam restituit Medea)

Medea Restoring Aesons Youth (Aesoni decerptio iuventam restituit Medea), from The Metamorphoses of Ovid (Metamorphosean Sive Transformationum), plate 64, Published after 1606

Background imageWitchcraft Collection: Macbeth, 1828. Creator: Thomas Goff Lupton

Macbeth, 1828. Creator: Thomas Goff Lupton
Macbeth, 1828

Background imageWitchcraft Collection: Woman in the Rain at Midnight Driving a Nail into a Tree to Invoke Evil on Her Unf

Woman in the Rain at Midnight Driving a Nail into a Tree to Invoke Evil on Her Unfaithful Lover, 19th century

Background imageWitchcraft Collection: The Potion, 1860. Creator: Celestin Nanteuil

The Potion, 1860. Creator: Celestin Nanteuil
The Potion, 1860

Background imageWitchcraft Collection: A Witch Sailing to Aleppo in a Sieve, December 1, 1807. Creator: Charles Turner

A Witch Sailing to Aleppo in a Sieve, December 1, 1807. Creator: Charles Turner
A Witch Sailing to Aleppo in a Sieve, December 1, 1807

Background imageWitchcraft Collection: Lo Stregozzo: a female witch riding on an animal skeleton, preceded by two men

Lo Stregozzo: a female witch riding on an animal skeleton, preceded by two men and a boy on a goat blowing on a horn, another naked man behind carrying two bones, ca. 1515-25

Background imageWitchcraft Collection: Stags Heads - Dibedale, ca. 1856. Creator: Horatio Ross

Stags Heads - Dibedale, ca. 1856. Creator: Horatio Ross
Stags Heads - Dibedale, ca. 1856

Background imageWitchcraft Collection: The Pit of Acheron or The Birth of the Plagues of England, January 28, 1784

The Pit of Acheron or The Birth of the Plagues of England, January 28, 1784

Background imageWitchcraft Collection: Macbeth Consulting the Witches, 1825. 1825. Creator: Eugene Delacroix

Macbeth Consulting the Witches, 1825. 1825. Creator: Eugene Delacroix
Macbeth Consulting the Witches, 1825. In act 4, scene 1, Macbeth meets the three witches to ask about his future

Background imageWitchcraft Collection: Rustams Fourth Course, He Cleaves a Witch, Folio 120v from the Shahnama... ca. 1525

Rustams Fourth Course, He Cleaves a Witch, Folio 120v from the Shahnama... ca. 1525
Rustams Fourth Course, He Cleaves a Witch, Folio 120v from the Shahnama (Book of Kings) of Shah Tahmasp, ca. 1525

Background imageWitchcraft Collection: Witches, 1510. Creator: Baldung (Baldung Grien), Hans (1484-1545)

Witches, 1510. Creator: Baldung (Baldung Grien), Hans (1484-1545)
Witches, 1510. Found in the Collection of Bibliotheque Nationale de France

Background imageWitchcraft Collection: Conjuration scene with a witch at the altar, 1779. Creator: Füssli (Fuseli), Johann Heinrich

Conjuration scene with a witch at the altar, 1779. Creator: Füssli (Fuseli), Johann Heinrich
Conjuration scene with a witch at the altar, 1779. Found in the Collection of Klassik Stiftung Weimar

Background imageWitchcraft Collection: Witch riding a goat, late 18th-early 19th century, (1943). Creator: Francisco Goya

Witch riding a goat, late 18th-early 19th century, (1943). Creator: Francisco Goya
Witch riding a goat, late 18th-early 19th century, (1943). Drawing in the Prado Museum, Madrid. From " Europaische Handzeichnungen", (Five Hundred Years of European Drawings)

Background imageWitchcraft Collection: Richard Duke of Gloucester accusing the Queen of Edward IV with Witchcraft, 1773

Richard Duke of Gloucester accusing the Queen of Edward IV with Witchcraft, 1773. Elizabeth Woodville, Queen consort to King Edward IV from 1464 until his death in 1483

Background imageWitchcraft Collection: Witch, c. 1830. Creator: Rombauer, Janos (1782-1849)

Witch, c. 1830. Creator: Rombauer, Janos (1782-1849)
Witch, c. 1830. Found in the Collection of Slovak National Gallery, Bratislava

Background imageWitchcraft Collection: Witches, from The Invisible World by Cotton Mather, 1689. Creator: Anonymous

Witches, from The Invisible World by Cotton Mather, 1689. Creator: Anonymous
Witches, from The Invisible World by Cotton Mather, 1689. Private Collection

Background imageWitchcraft Collection: A Performance at a Country Barn Theatre, c1780s, (1948). Creator: WR Pyne

A Performance at a Country Barn Theatre, c1780s, (1948). Creator: WR Pyne
A Performance at a Country Barn Theatre, c1780s, (1948). From " The British Theatre", by Bernard Miles. [Collins, London, 1948]

Background imageWitchcraft Collection: Three witches, c1950. Creator: Shirley Markham

Three witches, c1950. Creator: Shirley Markham
Three witches, c1950. Shirley Markham (1931-1999) studied Graphic Design and Illustration at Central School of Art in London from 1950-1952

Background imageWitchcraft Collection: Florimel and the Witch, c1852. Artist: George August Periam

Florimel and the Witch, c1852. Artist: George August Periam
Florimel and the Witch, c1852. Engraving after a painting, scene from The Faerie Queene, 16th century epic poem by Edmund Spenser

Background imageWitchcraft Collection: Eleanor doing penance for witchcraft, 1441, (1789) Artist: Anker Smith

Eleanor doing penance for witchcraft, 1441, (1789) Artist: Anker Smith
Eleanor doing penance for witchcraft, 1441, (1789). Eleanor Cobham (1400-1454), Duchess of Gloucester, was charged with unlawful commerce with Marjory Jourdemain, the Witch of Eye

Background imageWitchcraft Collection: The Witches Appear to Macbeth and Banquo, c1820. Artist: William Bromley

The Witches Appear to Macbeth and Banquo, c1820. Artist: William Bromley
The Witches Appear to Macbeth and Banquo, c1820. Scene from William Shakespeares play Macbeth, Act 1, Scene 3

Background imageWitchcraft Collection: The Witch

The Witch. Private Collection

Background imageWitchcraft Collection: Figurehead of the Famous Cutty Sark figure of Nanny the Witch, 1936

Figurehead of the Famous Cutty Sark figure of Nanny the Witch, 1936
The Figurehead of the Famous Cutty Sark reprsents the figure of Nanny the Witch, 1936. From Shipping Wonders of the World, Vol. 1, edited by Clarence Winchester. [The Amalgamated Press Ltd. London]

Background imageWitchcraft Collection: La Celestina, 1883, engraving with the Celestina making a spell

La Celestina, 1883, engraving with the Celestina making a spell

Background imageWitchcraft Collection: Square with the audience watching an execution The quemadero, colored engraving

Square with the audience watching an execution The quemadero, colored engraving

Background imageWitchcraft Collection: Celebration of an auto-da-fe in the public square

Celebration of an auto-da-fe in the public square

Background imageWitchcraft Collection: Dungeons of the Inquisition, executioners applying the torment of fire in feet

Dungeons of the Inquisition, executioners applying the torment of fire in feet

Background imageWitchcraft Collection: Oil representing Condemned by the Inquisition

Oil representing Condemned by the Inquisition

Background imageWitchcraft Collection: Witchess coven (1797-1798), black painting by Francisco de Goya

Witchess coven (1797-1798), black painting by Francisco de Goya

Background imageWitchcraft Collection: Scene from Macbeth, Glyn Road Evening Institute, London, 1915

Scene from Macbeth, Glyn Road Evening Institute, London, 1915. All are in costume, with the witches in the foreground sitting around a cauldron

Background imageWitchcraft Collection: Figures dressed in masquerade costume at Vauxhall Gardens, Lambeth, London, 1782

Figures dressed in masquerade costume at Vauxhall Gardens, Lambeth, London, 1782

Background imageWitchcraft Collection: Comus, c1852. Artist: John Graham Lough

Comus, c1852. Artist: John Graham Lough
Comus, c1852. The allegorical story in Comus centres on a virtuous lady who becomes separated from her two brothers while traveling in the woods

Background imageWitchcraft Collection: Comus, 1856. Artist: John Graham Lough

Comus, 1856. Artist: John Graham Lough
Comus, 1856. The allegorical story in Comus centres on a virtuous lady who becomes separated from her two brothers while traveling in the woods

Background imageWitchcraft Collection: The Witch, 1889. Artist: Sir John Gilbert

The Witch, 1889. Artist: Sir John Gilbert
The Witch, 1889

Background imageWitchcraft Collection: Credulity, Superstition and Fanaticism. A medley, 1762. Artist: William Hogarth

Credulity, Superstition and Fanaticism. A medley, 1762. Artist: William Hogarth
Credulity, Superstition and Fanaticism. A medley, 1762; Methodist meeting at Whitefields Tabernacle on Tottenham Court Road, London

Background imageWitchcraft Collection: The Witch - a study, 1888. Artist: Sir John Gilbert

The Witch - a study, 1888. Artist: Sir John Gilbert
The Witch - a study, 1888. A witch standing by a tree points at a young couple on horseback

Background imageWitchcraft Collection: The Witch gives Advice as to Sir Tristrams Wound, 1911

The Witch gives Advice as to Sir Tristrams Wound, 1911. How Sir Tristram kept his word. From Stories of the Knights of the Round Table by Henry Gilbert, first edition, 1911

Background imageWitchcraft Collection: Queen Morgan le Fay, 1905. Artist: Dora Curtis

Queen Morgan le Fay, 1905. Artist: Dora Curtis
Queen Morgan le Fay, 1905. An illustration from Stories of King Arthur and the Round Table by Beatrice Clay, 1st Edition, 1905

Background imageWitchcraft Collection: She caused the rock to shut down, 1905. Artist: Dora Curtis

She caused the rock to shut down, 1905. Artist: Dora Curtis
She caused the rock to shut down, 1905. Vivien turns on her own master, Merlin, tricking him to enter the rock which she then closes on him

Background imageWitchcraft Collection: Morgan le Fay with Excalibur, 1905. Artist: Dora Curtis

Morgan le Fay with Excalibur, 1905. Artist: Dora Curtis
Morgan le Fay with Excalibur, 1905. An illustration from Stories of King Arthur and the Round Table by Beatrice Clay, 1st Edition, 1905

Background imageWitchcraft Collection: Circe sends the Swine (The Companions of Ulysses) to the Styes, 1926. Artist

Circe sends the Swine (The Companions of Ulysses) to the Styes, 1926. Artist
Circe sends the Swine (The Companions of Ulysses) to the Styes, 1926. Circe turns Ulysses (Odysseus) men into swine. The frontispiece from Tales of the Greek Seas by Andrew Lang, 1926

Background imageWitchcraft Collection: The white steed had vanished from their eyes like a wreath of mist, c1910. Artist

The white steed had vanished from their eyes like a wreath of mist, c1910. Artist
The white steed had vanished from their eyes like a wreath of mist, c1910. Oisin, son of Finn mac Cumhaill, is turned in an instant into an old

Background imageWitchcraft Collection: Macbeth, the three witches and Hecate, 1805. Artist: John Boydell

Macbeth, the three witches and Hecate, 1805. Artist: John Boydell
Macbeth, the three witches and Hecate, 1805. Act IV, Scene I of Macbeth by William Shakespeare

Background imageWitchcraft Collection: Macbeth and Banquo encounter the three witches on the heath, 1805. Artist: John Boydell

Macbeth and Banquo encounter the three witches on the heath, 1805. Artist: John Boydell
Macbeth and Banquo encounter the three witches on the heath, 1805. Act I, Scene III of Macbeth by William Shakespeare

Background imageWitchcraft Collection: A black and a white witch with a devil animal

A black and a white witch with a devil animal. Illustration from a collection of chapbooks on esoterica

Background imageWitchcraft Collection: And scarcely had he Maggie rallied, When out the hellish legion sallied, 19th century

And scarcely had he Maggie rallied, When out the hellish legion sallied, 19th century. Illustration of a scene from Tam O Shanter by Robert Burns



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