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John Williams, Esq. One of Her Majestys Counsel, c1820. Creator: T WrightJohn Williams, Esq. One of Her Majestys Counsel, c1820. Portrait of British lawyer Sir John Williams (1777-1846), who defended Queen Caroline at her trial
The Mounting of a workshop, 1932. Found in the Collection of State Tretyakov Gallery, Moscow
Monnow Bridge and Gatehouse, Monmouth, c1896. Artist: R Tudor WilliamsMonnow Bridge and Gatehouse, Monmouth, c1896. From Pictorial England and Wales. [Cassell and Company, Limited, London, Paris & Melbourne, c1896]
Anna Williams (b. 1706, d. 1783), 1907. Anna Williams (1706-1783), was a poet. She was a close companion of the writer Samuel Johnson. From The Life of Samuel Johnson, Vol. II by James Boswell
Forging a Blade, c1917. From How It is Made, by Archibald Williams. [Thomas Nelson and Sons, London, Edinburgh, Dublin and New York]
The Foundry at Swindon Works, c1917The Foundry at Swindon Works. On the right is seen a cyclinder casting suspended by a travelling crane, c1917. From How It is Made, by Archibald Williams
Scene in a Boiler-shop, c1917. From How It is Made, by Archibald Williams. [Thomas Nelson and Sons, London, Edinburgh, Dublin and New York]
Bessemers Steel-converting Apparatus, c1917Bessemers Steel-converting Apparatus - aa Converters; b, hydraulic ram for revolving converter; c, ram to lift platform carrying ladle; d, crane; e, gear for revolving platform; f, hoods to chimneys
An Electroplating Outfit, c1917. From How It is Made, by Archibald Williams. [Thomas Nelson and Sons, London, Edinburgh, Dublin and New York]
Sand-blasting Gear Wheels, c1917. From How It is Made, by Archibald Williams. [Thomas Nelson and Sons, London, Edinburgh, Dublin and New York]
Section of Blast Furnace, c1917. From How It is Made, by Archibald Williams. [Thomas Nelson and Sons, London, Edinburgh, Dublin and New York]
Removing Biscuits from Oven, c1917. From How It is Made, by Archibald Williams. [Thomas Nelson and Sons, London, Edinburgh, Dublin and New York]
A Weaving-shed, c1917. From How It is Made, by Archibald Williams. [Thomas Nelson and Sons, London, Edinburgh, Dublin and New York]
General View of Spinning-room, c1917. From How It is Made, by Archibald Williams. [Thomas Nelson and Sons, London, Edinburgh, Dublin and New York]
Diagram of the Jacquard Loom, c1917. From How It is Made, by Archibald Williams. [Thomas Nelson and Sons, London, Edinburgh, Dublin and New York]
A Biscuit Oven filled with Seggars s. a are the flues, c1917. From How It is Made, by Archibald Williams. [Thomas Nelson and Sons, London, Edinburgh, Dublin and New York]
Diagram of Hand-loom, c1917. From How It is Made, by Archibald Williams. [Thomas Nelson and Sons, London, Edinburgh, Dublin and New York]
Trimming up parts of raw clay, c1917. From How It is Made, by Archibald Williams. [Thomas Nelson and Sons, London, Edinburgh, Dublin and New York]
The Candle-moulding Room, c1917The Candle-moulding Room. The candles have been forced up into the clamps, and the attendant is filling up the troughs with a fresh supply of melted wax. c1917
Fixing Spout on a Teapot, c1917. From How It is Made, by Archibald Williams. [Thomas Nelson and Sons, London, Edinburgh, Dublin and New York]
Stamping Blocks of Soap, c1917. From How It is Made, by Archibald Williams. [Thomas Nelson and Sons, London, Edinburgh, Dublin and New York]
A Wax Taper-making Plant, 1917A Wax Taper-making Plant. - A is the trough of melted wax through which the cotton strands are drawn, c1917. From How It is Made, by Archibald Williams
Diagrams illustrating the preparation of Rags and Esparto Grass for Paper-making, c1917. From How It is Made, by Archibald Williams. [Thomas Nelson and Sons, London, Edinburgh, Dublin and New York]
Steel Rolling, c1917. From How It is Made, by Archibald Williams. [Thomas Nelson and Sons, London, Edinburgh, Dublin and New York]
Benefits of a plentiful harvest, 1813. ArtistBenefits of a plentiful harvest, 1813. Lord Mayor Scholey sitting enthroned and pointing to a pair of scales where a loaf is much lighter than the prescribed weight
Returned from a Northern Visit, 1823. King George IV lolling on a sofa, his arm round Lady Conyngham who is rubbing his thigh; Sir William Curtis is leaning against the chimneypiece
City Scavengers Cleansing the London Streets of Impurities, 1816. The Lord Mayor, Matthew Wood, Robert Waithman and Sir William Curtis forcibly removing prostitutes from the streets of the City
A companion to the Q-ns ass... 1821A Companion to the Q(uee)-ns Ass in a Band Box, 1821. Lord Francis Conyngham sits on a zebra with a human face (Alderman Wood)
An Irish wake... 1821An Irish wake, or the Whisky Club singing a requiem to the manes of the persecuted and - Queen, 1821. George IV, William Curtis, Viscount Castlereagh
May Fashions, or Hints for a Four in Hand Exhibition, 1813. Artist: C WilliamsMay Fashions, or Hints for a Four in Hand Exhibition, 1813. A procession of oddly-shaped carriages moving through Cavendish Square, with spectators lining the road
Royal fishmongers, or a welcome to Billingsgate, 1816. Artist: C WilliamsRoyal fishmongers, or a welcome to Billingsgate, 1816. Royal fishmongers being accosted by bawdy women at Billingsgate Market
Scandal refuted, or Billingsgate virtue, 1818. Artist: C WilliamsScandal refuted, or Billingsgate virtue, 1818. Two women arguring over reputation as men look on
How to stand at ease, or a lesson for the Volunteer Gazers, 1804. Scene in St Pauls Churchyard of a victim between two pickpockets
The new and elegant St Giless Cage... 1802. Artist: WilliamsThe new and elegant St Giless Cage... 1802. A lady and gentleman in theatrical costume in the stocks, which are decorated with painted garlands
Renwick Williams commonly called the Monster, 1790. A good looking man in cocked hat, holding a knife in his right hand, attacking a woman who is about to enter a house
The archbishop and the apple-woman or Lambeth nannys opinion of a blessing, c1819. Outside Lambeth Palace, the archbishop of Canterbury offers to bless an apple woman if she will take her hat off
A representation of the Regents tremendous thing erected in the Park, 1816. The Regents bomb - a mortar, incorporating a dragon in the design, presented by the Spanish regency
The civic chair - or - John Lumps progress in City honors, c1815. Six scenes with verse below of the stages of John Lumps career
The White Hart Inn at no 119 White Hart Court, Bishopsgate, City of London, 1810
The night mayor - or magistratical vigilance, 1816. Alderman Wood, followed by constables, enters a thieves kitchen where a watchman drinks gin with companions
Fishing for Flats or a Drag from the Stock Exchange, 1806. Charles James Fox stands on the steps of the Treasury hauling in a net from the Pool of Speculation
The haberdasher dandy, London, c1818. Artist: C WilliamsThe haberdasher dandy, London, c1818; interior of the haberdashers shop with the dandy cutting a length of cloth for two women wearing oversized bonnets, the fashion in 1818
A beadle outside the Bank of England, London, 1814. Artist: C WilliamsA whol family lost, London, 1814; showing a Bank of England beadle acting as Town Crier, holding a bell in his left hand, announcing the loss of the Guinea family
St Stephens Bell Man, 1820. Viscount Castlereagh, in a bell-mans caped coat, shouts outside Alderman Woods house in South Audley Street. Queen Caroline replies from an open window
Anticipations for the Pillory, 1813. A pillory stands on a scaffold in Chesterfield Walk outside Montague House, Blackheath, residence of the Princess of Wales
The Regents Hack, 1812. The Prince Regent riding a horse, with the head of Sheridan, along a street which is strewn with large stones on which are heads of members of the opposition
City election candidates of 1812. A View of the Starting Post and List of the Horses and their Riders who Started for the City Plate October 5th 1812
A Wood-in Triumph, or a New Idol for the Ragamuffins, 1809. Artist: C WilliamsA Wood-in Triumph, or a New Idol for the Ragamuffins, 1809. A crowd of labourers and beggars doffing their hats or drawing the Lord Mayors coach, containing Sheriff Wood