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Williams Collection (page 4)

Background imageWilliams Collection: John Williams, Esq. One of Her Majestys Counsel, c1820. Creator: T Wright

John Williams, Esq. One of Her Majestys Counsel, c1820. Creator: T Wright
John Williams, Esq. One of Her Majestys Counsel, c1820. Portrait of British lawyer Sir John Williams (1777-1846), who defended Queen Caroline at her trial

Background imageWilliams Collection: The Mounting of a workshop, 1932

The Mounting of a workshop, 1932. Found in the Collection of State Tretyakov Gallery, Moscow

Background imageWilliams Collection: Monnow Bridge and Gatehouse, Monmouth, c1896. Artist: R Tudor Williams

Monnow Bridge and Gatehouse, Monmouth, c1896. Artist: R Tudor Williams
Monnow Bridge and Gatehouse, Monmouth, c1896. From Pictorial England and Wales. [Cassell and Company, Limited, London, Paris & Melbourne, c1896]

Background imageWilliams Collection: Anna Williams (b. 1706, d. 1783), 1907

Anna Williams (b. 1706, d. 1783), 1907. Anna Williams (1706-1783), was a poet. She was a close companion of the writer Samuel Johnson. From The Life of Samuel Johnson, Vol. II by James Boswell

Background imageWilliams Collection: Forging a Blade, c1917

Forging a Blade, c1917. From How It is Made, by Archibald Williams. [Thomas Nelson and Sons, London, Edinburgh, Dublin and New York]

Background imageWilliams Collection: The Foundry at Swindon Works, c1917

The Foundry at Swindon Works, c1917
The Foundry at Swindon Works. On the right is seen a cyclinder casting suspended by a travelling crane, c1917. From How It is Made, by Archibald Williams

Background imageWilliams Collection: Scene in a Boiler-shop, c1917

Scene in a Boiler-shop, c1917. From How It is Made, by Archibald Williams. [Thomas Nelson and Sons, London, Edinburgh, Dublin and New York]

Background imageWilliams Collection: Bessemers Steel-converting Apparatus, c1917

Bessemers Steel-converting Apparatus, c1917
Bessemers Steel-converting Apparatus - aa Converters; b, hydraulic ram for revolving converter; c, ram to lift platform carrying ladle; d, crane; e, gear for revolving platform; f, hoods to chimneys

Background imageWilliams Collection: An Electroplating Outfit, c1917

An Electroplating Outfit, c1917. From How It is Made, by Archibald Williams. [Thomas Nelson and Sons, London, Edinburgh, Dublin and New York]

Background imageWilliams Collection: Sand-blasting Gear Wheels, c1917

Sand-blasting Gear Wheels, c1917. From How It is Made, by Archibald Williams. [Thomas Nelson and Sons, London, Edinburgh, Dublin and New York]

Background imageWilliams Collection: Section of Blast Furnace, c1917

Section of Blast Furnace, c1917. From How It is Made, by Archibald Williams. [Thomas Nelson and Sons, London, Edinburgh, Dublin and New York]

Background imageWilliams Collection: Removing Biscuits from Oven, c1917

Removing Biscuits from Oven, c1917. From How It is Made, by Archibald Williams. [Thomas Nelson and Sons, London, Edinburgh, Dublin and New York]

Background imageWilliams Collection: A Weaving-shed, c1917

A Weaving-shed, c1917. From How It is Made, by Archibald Williams. [Thomas Nelson and Sons, London, Edinburgh, Dublin and New York]

Background imageWilliams Collection: General View of Spinning-room, c1917

General View of Spinning-room, c1917. From How It is Made, by Archibald Williams. [Thomas Nelson and Sons, London, Edinburgh, Dublin and New York]

Background imageWilliams Collection: Diagram of the Jacquard Loom, c1917

Diagram of the Jacquard Loom, c1917. From How It is Made, by Archibald Williams. [Thomas Nelson and Sons, London, Edinburgh, Dublin and New York]

Background imageWilliams Collection: A Biscuit Oven filled with Seggars s. a are the flues, c1917

A Biscuit Oven filled with Seggars s. a are the flues, c1917. From How It is Made, by Archibald Williams. [Thomas Nelson and Sons, London, Edinburgh, Dublin and New York]

Background imageWilliams Collection: Diagram of Hand-loom, c1917

Diagram of Hand-loom, c1917. From How It is Made, by Archibald Williams. [Thomas Nelson and Sons, London, Edinburgh, Dublin and New York]

Background imageWilliams Collection: Trimming up parts of raw clay, c1917

Trimming up parts of raw clay, c1917. From How It is Made, by Archibald Williams. [Thomas Nelson and Sons, London, Edinburgh, Dublin and New York]

Background imageWilliams Collection: The Candle-moulding Room, c1917

The Candle-moulding Room, c1917
The Candle-moulding Room. The candles have been forced up into the clamps, and the attendant is filling up the troughs with a fresh supply of melted wax. c1917

Background imageWilliams Collection: Fixing Spout on a Teapot, c1917

Fixing Spout on a Teapot, c1917. From How It is Made, by Archibald Williams. [Thomas Nelson and Sons, London, Edinburgh, Dublin and New York]

Background imageWilliams Collection: Stamping Blocks of Soap, c1917

Stamping Blocks of Soap, c1917. From How It is Made, by Archibald Williams. [Thomas Nelson and Sons, London, Edinburgh, Dublin and New York]

Background imageWilliams Collection: A Wax Taper-making Plant, 1917

A Wax Taper-making Plant, 1917
A Wax Taper-making Plant. - A is the trough of melted wax through which the cotton strands are drawn, c1917. From How It is Made, by Archibald Williams

Background imageWilliams Collection: Diagrams illustrating the preparation of Rags and Esparto Grass for Paper-making, c1917

Diagrams illustrating the preparation of Rags and Esparto Grass for Paper-making, c1917. From How It is Made, by Archibald Williams. [Thomas Nelson and Sons, London, Edinburgh, Dublin and New York]

Background imageWilliams Collection: Steel Rolling, c1917

Steel Rolling, c1917. From How It is Made, by Archibald Williams. [Thomas Nelson and Sons, London, Edinburgh, Dublin and New York]

Background imageWilliams Collection: Benefits of a plentiful harvest, 1813. Artist

Benefits of a plentiful harvest, 1813. Artist
Benefits of a plentiful harvest, 1813. Lord Mayor Scholey sitting enthroned and pointing to a pair of scales where a loaf is much lighter than the prescribed weight

Background imageWilliams Collection: Returned from a Northern Visit, 1823

Returned from a Northern Visit, 1823. King George IV lolling on a sofa, his arm round Lady Conyngham who is rubbing his thigh; Sir William Curtis is leaning against the chimneypiece

Background imageWilliams Collection: City Scavengers Cleansing the London Streets of Impurities, 1816

City Scavengers Cleansing the London Streets of Impurities, 1816. The Lord Mayor, Matthew Wood, Robert Waithman and Sir William Curtis forcibly removing prostitutes from the streets of the City

Background imageWilliams Collection: A companion to the Q-ns ass... 1821

A companion to the Q-ns ass... 1821
A Companion to the Q(uee)-ns Ass in a Band Box, 1821. Lord Francis Conyngham sits on a zebra with a human face (Alderman Wood)

Background imageWilliams Collection: An Irish wake... 1821

An Irish wake... 1821
An Irish wake, or the Whisky Club singing a requiem to the manes of the persecuted and - Queen, 1821. George IV, William Curtis, Viscount Castlereagh

Background imageWilliams Collection: May Fashions, or Hints for a Four in Hand Exhibition, 1813. Artist: C Williams

May Fashions, or Hints for a Four in Hand Exhibition, 1813. Artist: C Williams
May Fashions, or Hints for a Four in Hand Exhibition, 1813. A procession of oddly-shaped carriages moving through Cavendish Square, with spectators lining the road

Background imageWilliams Collection: Royal fishmongers, or a welcome to Billingsgate, 1816. Artist: C Williams

Royal fishmongers, or a welcome to Billingsgate, 1816. Artist: C Williams
Royal fishmongers, or a welcome to Billingsgate, 1816. Royal fishmongers being accosted by bawdy women at Billingsgate Market

Background imageWilliams Collection: Scandal refuted, or Billingsgate virtue, 1818. Artist: C Williams

Scandal refuted, or Billingsgate virtue, 1818. Artist: C Williams
Scandal refuted, or Billingsgate virtue, 1818. Two women arguring over reputation as men look on

Background imageWilliams Collection: How to stand at ease, or a lesson for the Volunteer Gazers, 1804

How to stand at ease, or a lesson for the Volunteer Gazers, 1804. Scene in St Pauls Churchyard of a victim between two pickpockets

Background imageWilliams Collection: The new and elegant St Giless Cage... 1802. Artist: Williams

The new and elegant St Giless Cage... 1802. Artist: Williams
The new and elegant St Giless Cage... 1802. A lady and gentleman in theatrical costume in the stocks, which are decorated with painted garlands

Background imageWilliams Collection: Renwick Williams commonly called the Monster, 1790

Renwick Williams commonly called the Monster, 1790. A good looking man in cocked hat, holding a knife in his right hand, attacking a woman who is about to enter a house

Background imageWilliams Collection: The archbishop and the apple-woman or Lambeth nannys opinion of a blessing, c1819

The archbishop and the apple-woman or Lambeth nannys opinion of a blessing, c1819. Outside Lambeth Palace, the archbishop of Canterbury offers to bless an apple woman if she will take her hat off

Background imageWilliams Collection: A representation of the Regents tremendous thing erected in the Park, 1816

A representation of the Regents tremendous thing erected in the Park, 1816. The Regents bomb - a mortar, incorporating a dragon in the design, presented by the Spanish regency

Background imageWilliams Collection: The civic chair - or - John Lumps progress in City honors, c1815

The civic chair - or - John Lumps progress in City honors, c1815. Six scenes with verse below of the stages of John Lumps career

Background imageWilliams Collection: The White Hart Inn at no 119 White Hart Court, Bishopsgate, City of London, 1810

The White Hart Inn at no 119 White Hart Court, Bishopsgate, City of London, 1810

Background imageWilliams Collection: The night mayor - or magistratical vigilance, 1816

The night mayor - or magistratical vigilance, 1816. Alderman Wood, followed by constables, enters a thieves kitchen where a watchman drinks gin with companions

Background imageWilliams Collection: Fishing for Flats or a Drag from the Stock Exchange, 1806

Fishing for Flats or a Drag from the Stock Exchange, 1806. Charles James Fox stands on the steps of the Treasury hauling in a net from the Pool of Speculation

Background imageWilliams Collection: The haberdasher dandy, London, c1818. Artist: C Williams

The haberdasher dandy, London, c1818. Artist: C Williams
The haberdasher dandy, London, c1818; interior of the haberdashers shop with the dandy cutting a length of cloth for two women wearing oversized bonnets, the fashion in 1818

Background imageWilliams Collection: A beadle outside the Bank of England, London, 1814. Artist: C Williams

A beadle outside the Bank of England, London, 1814. Artist: C Williams
A whol family lost, London, 1814; showing a Bank of England beadle acting as Town Crier, holding a bell in his left hand, announcing the loss of the Guinea family

Background imageWilliams Collection: St Stephens Bell Man, 1820

St Stephens Bell Man, 1820. Viscount Castlereagh, in a bell-mans caped coat, shouts outside Alderman Woods house in South Audley Street. Queen Caroline replies from an open window

Background imageWilliams Collection: Anticipations for the Pillory, 1813

Anticipations for the Pillory, 1813. A pillory stands on a scaffold in Chesterfield Walk outside Montague House, Blackheath, residence of the Princess of Wales

Background imageWilliams Collection: The Regents Hack, 1812

The Regents Hack, 1812. The Prince Regent riding a horse, with the head of Sheridan, along a street which is strewn with large stones on which are heads of members of the opposition

Background imageWilliams Collection: City election candidates of 1812

City election candidates of 1812. A View of the Starting Post and List of the Horses and their Riders who Started for the City Plate October 5th 1812

Background imageWilliams Collection: A Wood-in Triumph, or a New Idol for the Ragamuffins, 1809. Artist: C Williams

A Wood-in Triumph, or a New Idol for the Ragamuffins, 1809. Artist: C Williams
A Wood-in Triumph, or a New Idol for the Ragamuffins, 1809. A crowd of labourers and beggars doffing their hats or drawing the Lord Mayors coach, containing Sheriff Wood



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