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Ward Collection (page 5)

Background imageWard Collection: A Great Officer of State, 1881. Artist: Spy

A Great Officer of State, 1881. Artist: Spy
A Great Officer of State, 1881. Gilbert Heathcote-Drummond-Willoughby, 1st Earl of Ancaster, (1830-1910), British Liberal politician and court official

Background imageWard Collection: The Lobster, 1902. Artist: Spy

The Lobster, 1902. Artist: Spy
The Lobster, 1902. Digby Jephson, Cambridge University and Surrey cricketer. Jephson (1871-1926) is best known for being one of the last to practice the style of bowling known as lob bowling

Background imageWard Collection: A ward in Guys Hospital, Southwark, London, 1904

A ward in Guys Hospital, Southwark, London, 1904. A print from Social England, edited by HD Traill and JS Mann, volume VI. (Cassell and Company Limited, London, 1904)

Background imageWard Collection: Portrait of Mary Benwell, c1785, (1901). Artist: W Ward

Portrait of Mary Benwell, c1785, (1901). Artist: W Ward
Portrait of Mary Benwell, c1785, (1901). The English painter Mary Benwell (active 1761-1800). Illustration from The Connoisseur, (December 1901)

Background imageWard Collection: Highgate Fields during the Great Fire of London, c1902

Highgate Fields during the Great Fire of London, c1902. From Cassells Illustrated History of England, volume III (c1902)

Background imageWard Collection: Queen Elizabeth and the Duke of York (King Richard III), (19th century). Artist: H Robinson

Queen Elizabeth and the Duke of York (King Richard III), (19th century). Artist: H Robinson
Queen Elizabeth and the Duke of York (King Richard III), (19th century). A Victorian depiction of Elizabeth Woodville (1437-1492), Queen Consort of Edward IV of England

Background imageWard Collection: Steelworks, 1926. Artist: Edgar & Winifred Ward

Steelworks, 1926. Artist: Edgar & Winifred Ward
Steelworks, 1926. From An Outline of Christianity, The Story of Our Civilisation, volume 5: Christianity Today and Tomorrow, edited by RG Parsons and AS Peake

Background imageWard Collection: The Black Country, Staffordshire, 1926. Artist: Edgar & Winifred Ward

The Black Country, Staffordshire, 1926. Artist: Edgar & Winifred Ward
The Black Country, Staffordshire, 1926. From An Outline of Christianity, The Story of Our Civilisation, volume 5: Christianity Today and Tomorrow, edited by RG Parsons and AS Peake

Background imageWard Collection: Coal and iron production, 1926. Artist: Edgar & Winifred Ward

Coal and iron production, 1926. Artist: Edgar & Winifred Ward
Coal and iron production, 1926. From An Outline of Christianity, The Story of Our Civilisation, volume 5: Christianity Today and Tomorrow, edited by RG Parsons and AS Peake

Background imageWard Collection: A mining centre, 1926. Artist: Edgar & Winifred Ward

A mining centre, 1926. Artist: Edgar & Winifred Ward
A mining centre, 1926. From An Outline of Christianity, The Story of Our Civilisation, volume 5: Christianity Today and Tomorrow, edited by RG Parsons and AS Peake

Background imageWard Collection: A letter from James Ward, 1851 (1904). Artist: James Ward

A letter from James Ward, 1851 (1904). Artist: James Ward
A letter from James Ward, 1851 (1904). James Ward (1769-1859), English painter. From The Royal Academy From Reynolds to Millais Edited by Charles Holme

Background imageWard Collection: Donkeys, c1831 (1904). Artist: James Ward

Donkeys, c1831 (1904). Artist: James Ward
Donkeys, c1831 (1904). From The Royal Academy From Reynolds to Millais Edited by Charles Holme. [Offices of The Studio, London, Paris and New York, 1904]

Background imageWard Collection: The Turnpike Gate, c1805. Artist: William Ward

The Turnpike Gate, c1805. Artist: William Ward
The Turnpike Gate, c1805. After George Morland (1763-1804). From The Connoisseur Volume LII. [The Connoisseur Ltd. London, 1918]

Background imageWard Collection: A Boy Employed Burning The Weeds, 1799. Artist: James Ward

A Boy Employed Burning The Weeds, 1799. Artist: James Ward
A Boy Employed Burning The Weeds, 1799. After George Morland (1763-1804). From The Connoisseur Volume LI. [The Connoisseur Ltd. London, 1918]

Background imageWard Collection: Children Bird Nesting, 1789. Artist: William Ward

Children Bird Nesting, 1789. Artist: William Ward
Children Bird Nesting, 1789. After George Morland (1763-1804). From The Connoisseur Volume L. [The Connoisseur Ltd. London, 1918]

Background imageWard Collection: Outside a Country Alehouse, c18th century. Artist: William Ward

Outside a Country Alehouse, c18th century. Artist: William Ward
Outside a Country Alehouse, c18th century. After James Ward (1769-1859). From The Connoisseur Vol. XXIV. [Otto Limited, London, 1909]

Background imageWard Collection: The Rocking House, c1793. Artist: James Ward

The Rocking House, c1793. Artist: James Ward
The Rocking House, c1793. From The Connoisseur Vol. XXIV. [Otto Limited, London, 1909]

Background imageWard Collection: Mrs Morland by George Morland, 18th century, (1913). Artist: George Morland

Mrs Morland by George Morland, 18th century, (1913). Artist: George Morland
Mrs Morland by George Morland, 18th century. George Morland married Miss Anne Ward (Nancy), the sister of the artist William Ward (1766-1826), in July 1786

Background imageWard Collection: Dr Johnsons first interview with John Wilkes, 1866. Artist: W Thomas

Dr Johnsons first interview with John Wilkes, 1866. Artist: W Thomas
Dr Johnsons first interview with John Wilkes, 1866. Samuel Johnson (1709-1784), often referred to simply as Dr Johnson, is one of Englands best known literary figures

Background imageWard Collection: Visit of Queen Victoria to Netley Hospital, Hampshire, c1860s

Visit of Queen Victoria to Netley Hospital, Hampshire, c1860s. The queen visiting the military hospital, also known as the Royal Victoria Hospital

Background imageWard Collection: Charles II in Disguise Aided in his Escape by Jane Lane... 1651, (19th century)

Charles II in Disguise Aided in his Escape by Jane Lane... 1651, (19th century). Artist: Herbert Bourne
Charles II in Disguise Aided in his Escape by Jane Lane after the Battle of Worcester, 1651, (19th century). After the execution of his father, Charles I

Background imageWard Collection: Mary Augusta Arnold (1851-1920), British novelist, 1890. Artist: W&D Downey

Mary Augusta Arnold (1851-1920), British novelist, 1890. Artist: W&D Downey
Mary Augusta Arnold (1851-1920), British novelist, 1890. Arnold wrote under her married name of Mrs Humphry Ward. From The Cabinet Portrait Gallery, first series, Cassell and Company Limited (London)

Background imageWard Collection: Charles II in disguise aided in his escape by Jane Lane, 1651, (19th century). Artist: H Bourne

Charles II in disguise aided in his escape by Jane Lane, 1651, (19th century). Artist: H Bourne
Charles II in disguise aided in his escape by Jane Lane, 1651, (19th century). After the execution of his father, Charles I, Charles II claimed the throne and invaded England in 1651

Background imageWard Collection: King James II (1633-1701) receiving news of the landing of the Prince of Orange, 1890

King James II (1633-1701) receiving news of the landing of the Prince of Orange, 1890. Artist: Edward Matthew Ward
King James II (1633-1701) receiving news of the landing of the Prince of Orange, 1890. From a supplement to The Graphic (29 March 1890. Found in the collection of the National Gallery, London

Background imageWard Collection: Edward Matthew Ward (1816-1879), English painter, 19th century. Artist: J Smyth

Edward Matthew Ward (1816-1879), English painter, 19th century. Artist: J Smyth
Edward Matthew Ward (1816-1879), English painter, 19th century. From the Art Union Journal

Background imageWard Collection: Daniel Maclise (1806-1870), Irish artist, 19th century. Artist: J Smyth

Daniel Maclise (1806-1870), Irish artist, 19th century. Artist: J Smyth
Daniel Maclise (1806-1870), Irish artist, 19th century. From the Art Union Journal

Background imageWard Collection: The Maid Of Orleans, c1870s. Artist: T Ballin

The Maid Of Orleans, c1870s. Artist: T Ballin
The Maid Of Orleans, c1870s. A 19th-century depiction of the 15th-century French patriot and martyr St Joan (1412-1431). During the Hundred Years War between England and France (1337-1453)

Background imageWard Collection: The queen visiting the wards of the London Hospital, late 19th century, (1900). Artist: G Durand

The queen visiting the wards of the London Hospital, late 19th century, (1900). Artist: G Durand
The queen visiting the wards of the London Hospital, late 19th century, (1900). Queen Victoria, wearing a fur-trimmed coat and carrying a muff, visits a patient

Background imageWard Collection: Training women to be nurses at a military hospital at St Petersburg, 1877

Training women to be nurses at a military hospital at St Petersburg, 1877. Illustration from the The Graphic, (2 June 1877)

Background imageWard Collection: General Monck declares for a Free Parliament, 1660 (c1905)

General Monck declares for a Free Parliament, 1660 (c1905). Fresco in the House of Commons. Monck signing the declaration which paved the way for the restoration of the monarchy in the person of

Background imageWard Collection: Fred Rickaby, English jockey 1901. Artist: Spy

Fred Rickaby, English jockey 1901. Artist: Spy
Fred Rickaby, English jockey 1901. Rickaby (1869-1941) won the 1000 Guineas on Mimi in 1891 and the Oaks on two occasions, again aboard Mimi in 1891 and on Canterbury Pilgrim in 1896

Background imageWard Collection: The Communion of the Patients, 1925. Artist: Jean Louis Forain

The Communion of the Patients, 1925. Artist: Jean Louis Forain
The Communion of the Patients, 1925. An etching from Modern Masters of Etching, by JL Forain, (The Studio, London, 1925)

Background imageWard Collection: The Choice, late 18th-early 19th century, (1913). Artist: William Ward

The Choice, late 18th-early 19th century, (1913). Artist: William Ward
The Choice, late 18th-early 19th century, (1913). A print from The Connoisseur, (London, 1913)

Background imageWard Collection: Ralph John Lambton and his Horse Undertaker and Hounds, late 18th century, (1912)

Ralph John Lambton and his Horse Undertaker and Hounds, late 18th century, (1912). Artist: Charles Turner
Ralph John Lambton and his Horse Undertaker and Hounds, late 18th century, (1912). A print from The Connoisseur, (London, 1912)

Background imageWard Collection: Doctor Johnson waiting for an audience with Lord Chesterfield, 19th century

Doctor Johnson waiting for an audience with Lord Chesterfield, 19th century. Johnson (1709-1784), the famous English man of letters, waits to see Lord Chesterfield

Background imageWard Collection: Canadian Pacific St. Lawrence Route To Europe, 1925. Artist: Ward, William Dudley Burnett

Canadian Pacific St. Lawrence Route To Europe, 1925. Artist: Ward, William Dudley Burnett, the Younger (1879-1935)
Canadian Pacific St. Lawrence Route To Europe, 1925. From a private collection

Background imageWard Collection: French wounded, auxiliary hospital, Paris, France, World War I, 1914-1918

French wounded, auxiliary hospital, Paris, France, World War I, 1914-1918. French postcard

Background imageWard Collection: The Prince and Princess of Wales visiting the Eveline hospital for sick children, 1890

The Prince and Princess of Wales visiting the Eveline hospital for sick children, 1890. Artist: Wilson
The Prince and Princess of Wales visiting the Eveline hospital for sick children, 1890. From the Illustrated London News (2 August 1890)

Background imageWard Collection: Grand Duke Vladimir of Russia visiting a Paris hospital, 1897 Artist: Henri Meyer

Grand Duke Vladimir of Russia visiting a Paris hospital, 1897 Artist: Henri Meyer
Grand Duke Vladimir of Russia visiting a Paris hospital, 1897. The third son of Tsar Alexander II, Grand Duke Vladimir was the senior Romanov Grand Duke during the reign of Nicholas II, his nephew

Background imageWard Collection: Palace Hotel Car, Union Pacific Railroad, c1870. Artist: A R Ward

Palace Hotel Car, Union Pacific Railroad, c1870. Artist: A R Ward
Palace Hotel Car, Union Pacific Railroad, c1870. A black waiter serves customers on board a train. Illustration from Adventures of America, 1857-1900, by John A Kouwenhoven

Background imageWard Collection: Sugar Plantation, New Orleans, 1870. Artist: A R Ward

Sugar Plantation, New Orleans, 1870. Artist: A R Ward
Sugar Plantation, New Orleans, 1870. Crushing the sap out of sugar cane. Illustration from Adventures of America, 1857-1900, by John A Kouwenhoven, published by Harper & Brothers, (New York, London)

Background imageWard Collection: James Ward, British painter and engraver, c1835 (1910). Artist: James Ward

James Ward, British painter and engraver, c1835 (1910). Artist: James Ward
James Ward, British painter and engraver, c1835 (1910). Ward, (1769-1859) was particularly noted as a painter of animals. A print from The Connoisseur, (London, 1910)

Background imageWard Collection: The Wounded Soldier, 1913. Artist: JR Smith

The Wounded Soldier, 1913. Artist: JR Smith
The Wounded Soldier, 1913. A print from The Connoisseur, (London, 1913)

Background imageWard Collection: German hospital dormitory for soldiers, Frankfurt am Main, Germany, World War I, 1915

German hospital dormitory for soldiers, Frankfurt am Main, Germany, World War I, 1915. A photograph from Der Grosse Krieg in Bildern

Background imageWard Collection: John Hall Gladstone, English chemist, 1891. Artist: Spy

John Hall Gladstone, English chemist, 1891. Artist: Spy
John Hall Gladstone, English chemist, 1891. Gladstone (1827-1902) became the first President of the Physical Society in 1874, and served as President of the Chemical Society from 1877-1879

Background imageWard Collection: John Lawson Johnston, Scottish-born businessman, 1897. Artist: Spy

John Lawson Johnston, Scottish-born businessman, 1897. Artist: Spy
John Lawson Johnston, Scottish-born businessman, 1897. In about 1863 Johnston (d1900) developed a beef extract, at first known as liquid beef but later named Bovril, a named derived of Bos

Background imageWard Collection: James Ludovic Lindsay, Earl Crawford and Balcarres, 1878. Artist: Spy

James Ludovic Lindsay, Earl Crawford and Balcarres, 1878. Artist: Spy
James Ludovic Lindsay, Earl Crawford and Balcarres, 1878. Lindsay (1847-1913), a Scottish nobleman who succeeded to his titles in 1880, was an astronomer, collector and bibliophile

Background imageWard Collection: Mr Frank Crisp, 1890. Artist: Spy

Mr Frank Crisp, 1890. Artist: Spy
Mr Frank Crisp, 1890. Crisp (c1853-1919), an English Limited Liability Lawyer one of whose personal interests was microscopy, acted as Secretary of the Royal Microscopical Society



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