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Walker Collection (page 2)

Background imageWalker Collection: The Quadrant, Regent Street, c1852. Creator: Day & Son

The Quadrant, Regent Street, c1852. Creator: Day & Son
The Quadrant, Regent Street, c1852. After E.Walker. Regent Street in London is named after George, the Prince Regent (later George IV)

Background imageWalker Collection: The Loge, 1882. Artist: Mary Cassatt

The Loge, 1882. Artist: Mary Cassatt
The Loge, 1882. The painting is part of the Chester Dale Collection, National Gallery of Art, Washington DC. From Masterpieces of Painting, edited by Huntington Cairns and John Walker

Background imageWalker Collection: A View Near Volterra, 1838. Artist: Jean-Baptiste-Camille Corot

A View Near Volterra, 1838. Artist: Jean-Baptiste-Camille Corot
A View Near Volterra, 1838. The painting is part of the Chester Dale Collection, National Gallery of Art, Washington DC. From Masterpieces of Painting, edited by Huntington Cairns and John Walker

Background imageWalker Collection: Wivenhoe Park, Essex, 1816. Artist: John Constable

Wivenhoe Park, Essex, 1816. Artist: John Constable
Wivenhoe Park, Essex, 1816. The painting is part of the Widener Collection, National Gallery of Art, Washington DC. From Masterpieces of Painting, edited by Huntington Cairns and John Walker

Background imageWalker Collection: Philip, Lord Wharton, 1632. Artist: Anthony van Dyck

Philip, Lord Wharton, 1632. Artist: Anthony van Dyck
Philip, Lord Wharton, 1632. Philip Wharton, 4th Baron Wharton (1613-1696), English soldier, politician and diplomat. The painting is part of the Mellon Collection, National Gallery of Art

Background imageWalker Collection: Portrait of a Lady, c1460. Artist: Rogier Van der Weyden

Portrait of a Lady, c1460. Artist: Rogier Van der Weyden
Portrait of a Lady, c1460. The painting is part of the Mellon Collection, National Gallery of Art, Washington DC. From Masterpieces of Painting, edited by Huntington Cairns and John Walker

Background imageWalker Collection: Saint George and the Dragon, c1505. Artist: Raphael

Saint George and the Dragon, c1505. Artist: Raphael
Saint George and the Dragon, c1505. The painting is part of the Mellon Collection, National Gallery of Art, Washington DC. From Masterpieces of Painting, edited by Huntington Cairns and John Walker

Background imageWalker Collection: The Small Cowper Madonna, 1505. Artist: Raphael

The Small Cowper Madonna, 1505. Artist: Raphael
The Small Cowper Madonna, 1505. The painting is part of the Widener Collection, National Gallery of Art, Washington DC. From Masterpieces of Painting, edited by Huntington Cairns and John Walker

Background imageWalker Collection: The Madonna of Humility, c1430. Artist: Fra Angelico

The Madonna of Humility, c1430. Artist: Fra Angelico
The Madonna of Humility, c1430. The painting is part of the Mellon Collection, National Gallery of Art, Washington DC. From Masterpieces of Painting, edited by Huntington Cairns and John Walker

Background imageWalker Collection: Map of Ancient Italy, c1910s. Artist: Emery Walker Ltd

Map of Ancient Italy, c1910s. Artist: Emery Walker Ltd
Map of Ancient Italy, c1910s

Background imageWalker Collection: Marlborough: The Itinerant, 1800. Artists: James Walker, John Greig

Marlborough: The Itinerant, 1800. Artists: James Walker, John Greig
Marlborough: The Itinerant, 1800. From The Copper Plate Magazine. [J. Walker, London, 1800]

Background imageWalker Collection: Phyllis Broughton, British actress, 1884. Artist: Samuel A Walker

Phyllis Broughton, British actress, 1884. Artist: Samuel A Walker
Phyllis Broughton, British actress, 1884. A photograph from The Theatre, A Monthly Review, Volume IV, July to December, 1884, edited by Clement Scott, David Bogue, London, 1884

Background imageWalker Collection: Map showing the Siege of Sevastopol, Crimean War, 1854-1855, (1893). Artist: Robert Walker

Map showing the Siege of Sevastopol, Crimean War, 1854-1855, (1893). Artist: Robert Walker
Map showing the Siege of Sevastopol, Crimean War, 1854-1855, (1893). The Siege of Sevastopol, lasted from September 1854 until September 1855

Background imageWalker Collection: Rosthwaite Post office, Borrowdale, Lake District, c1960. Artist: CM Dixon

Rosthwaite Post office, Borrowdale, Lake District, c1960. Artist: CM Dixon
Rosthwaite Post office, Borrowdale, Lake District, c1960. Historically part of Cumberland, Rosthwaite is a settlement in Borrowdale in the English Lake District

Background imageWalker Collection: Cover Design for A Book of Fifty Drawings, 1897. Creator: Aubrey Beardsley

Cover Design for A Book of Fifty Drawings, 1897. Creator: Aubrey Beardsley
Cover Design for A Book of Fifty Drawings, 1897. Beardsleys bizarre sense of humour and fascination with the grotesque meant that his work was deemed too scandalous by many publishers of the period

Background imageWalker Collection: Arbuscula, 1897. Creator: Aubrey Beardsley

Arbuscula, 1897. Creator: Aubrey Beardsley
Arbuscula, 1897. Arbuscula was a celebrated pantomime actress and stage performer of ancient Rome during the 1st century BCE, when most female parts were played by men

Background imageWalker Collection: Et in Arcadia Ego, from The Savoy No. 8, 1896. Creator: Aubrey Beardsley

Et in Arcadia Ego, from The Savoy No. 8, 1896. Creator: Aubrey Beardsley
Et in Arcadia Ego, from The Savoy No. 8, 1896. Beardsley was an admirer of the work of Claude and the title may be a reference to one of his paintings

Background imageWalker Collection: Mrs. Pinchwife, from The Savoy No. 8, 1896. Creator: Aubrey Beardsley

Mrs. Pinchwife, from The Savoy No. 8, 1896. Creator: Aubrey Beardsley
Mrs. Pinchwife, from The Savoy No. 8, 1896. Margery Pinchwife in male dress. Probably intended for an edition of Wycherleys Country Wife. Published in " The Best of Beardsley" edited by R

Background imageWalker Collection: Count Valmont, from The Savoy No. 8, 1896. Creator: Aubrey Beardsley

Count Valmont, from The Savoy No. 8, 1896. Creator: Aubrey Beardsley
Count Valmont, from The Savoy No. 8, 1896. Proposed titlepage to Les Liaisons Dangereuses, by Pierre Choderlos de Laclos. Published in " The Best of Beardsley" edited by R. A

Background imageWalker Collection: The Barons Prayer, 1895-1896. Creator: Aubrey Beardsley

The Barons Prayer, 1895-1896. Creator: Aubrey Beardsley
The Barons Prayer, 1895-1896. A man prays before a pile of books. - to Love an altar built; Of twelve vast French romances, neatly gilt

Background imageWalker Collection: Design for the Prospectus of the Savoy, I, 1895. Creator: Aubrey Beardsley

Design for the Prospectus of the Savoy, I, 1895. Creator: Aubrey Beardsley
Design for the Prospectus of the Savoy, I, 1895. Caricature of John Bull, intended for " The Savoy" magazine, but suppressed because of the suggested erection in his breeches

Background imageWalker Collection: Cover Design for Smithers Catalogue of Rare Books, 1896. Creator: Aubrey Beardsley

Cover Design for Smithers Catalogue of Rare Books, 1896. Creator: Aubrey Beardsley
Cover Design for Smithers Catalogue of Rare Books, 1896. Woman in a floral hat and frilled skirt reading a book on a striped sofa. A pet bird sits on a perch

Background imageWalker Collection: The New Star, 1895-1896. Creator: Aubrey Beardsley

The New Star, 1895-1896. Creator: Aubrey Beardsley
The New Star, 1895-1896. A sudden star, it shot through liquid air; And drew behind a radiant trail of hair. Illustration for " The Rape of the Lock" by Alexander Pope

Background imageWalker Collection: Headpiece to The Pierrot of the Minute, 1897. Creator: Aubrey Beardsley

Headpiece to The Pierrot of the Minute, 1897. Creator: Aubrey Beardsley
Headpiece to The Pierrot of the Minute, 1897. Illustration for a verse play by Ernest Dowson, published by Leonard Smithers. From " The Best of Beardsley" edited by R. A

Background imageWalker Collection: The Ascension of St Rose of Lima, 1896. Creator: Aubrey Beardsley

The Ascension of St Rose of Lima, 1896. Creator: Aubrey Beardsley
The Ascension of St Rose of Lima, 1896. The saint ascends to heaven; composition inspired by Durer's The Great Fortune. From The Savoy No. 2'

Background imageWalker Collection: Atalanta II, 1897. Creator: Aubrey Beardsley

Atalanta II, 1897. Creator: Aubrey Beardsley
Atalanta II, 1897. Huntress with greyhound. From " The Best of Beardsley" edited by R. A. Walker, [The Bodley Head, London, 1948]

Background imageWalker Collection: The Toilet of Helen, 1895. Creator: Aubrey Beardsley

The Toilet of Helen, 1895. Creator: Aubrey Beardsley
The Toilet of Helen, 1895. Before a toilet that shone like the altar of Notre Dame des Victoires, Helen was seated in a little dressing-gown of black and heliotrope

Background imageWalker Collection: Don Juan, Sganarelle and the Beggar, from The Savoy No. 8, 1896

Don Juan, Sganarelle and the Beggar, from The Savoy No. 8, 1896. Illustration for Molieres " Don Juan". Published in " The Best of Beardsley" edited by R. A

Background imageWalker Collection: Flosshilde, from The Savoy No. 8, 1896. Creator: Aubrey Beardsley

Flosshilde, from The Savoy No. 8, 1896. Creator: Aubrey Beardsley
Flosshilde, from The Savoy No. 8, 1896. One of the Rhinemaidens, illustration for Beardsleys proposed edition of Wagners Das Rheingold. Published in " The Best of Beardsley" edited by R. A

Background imageWalker Collection: The Mysterious Rose Garden, 1894. Creator: Aubrey Beardsley

The Mysterious Rose Garden, 1894. Creator: Aubrey Beardsley
The Mysterious Rose Garden, 1894. A nude woman and a robed figure with winged boots, a scene supposedly inspired by the Annunciation. From The Yellow Book, Vol. IV

Background imageWalker Collection: Miss Letty Lind, 1895. Creator: Aubrey Beardsley

Miss Letty Lind, 1895. Creator: Aubrey Beardsley
Miss Letty Lind, 1895. Portrait of British actress, singer, dancer and acrobat Letty Lind, who appeared in " An Artists Model", a musical by Owen Hall

Background imageWalker Collection: Cover Design for The Yellow Book, Vol II, 1894. Creator: Aubrey Beardsley

Cover Design for The Yellow Book, Vol II, 1894. Creator: Aubrey Beardsley
Cover Design for The Yellow Book, Vol II, 1894. A woman wearing a starched dress with bow, a bookcase, and a background of stylised tulips. From " The Best of Beardsley" edited by R. A

Background imageWalker Collection: Cover Design to Sappho, 1895. Creator: Aubrey Beardsley

Cover Design to Sappho, 1895. Creator: Aubrey Beardsley
Cover Design to Sappho, 1895. Lyre motif, illustration for " Sappho: Memoir, Text, Selected Renderings and a Literal Translation", by Henry Thornton Wharton

Background imageWalker Collection: Comedy-Ballet of Marionettes, I, 1894. Creator: Aubrey Beardsley

Comedy-Ballet of Marionettes, I, 1894. Creator: Aubrey Beardsley
Comedy-Ballet of Marionettes, I, 1894. Woman with a muff, wearing a floor-length dress, accompanied by a dwarf. From The Yellow Book, Vol. II

Background imageWalker Collection: A Nocturne of Chopin, 1895. Creator: Aubrey Beardsley

A Nocturne of Chopin, 1895. Creator: Aubrey Beardsley
A Nocturne of Chopin, 1895. Two women and a man, executed in flat sepia washes. From " The Best of Beardsley" edited by R. A. Walker, [The Bodley Head, London, 1948]

Background imageWalker Collection: Black Coffee, 1895. Creator: Aubrey Beardsley

Black Coffee, 1895. Creator: Aubrey Beardsley
Black Coffee, 1895. A rare depiction of same-sex relationships; two women at a cafe table, one has her hand in the others lap

Background imageWalker Collection: Les Passades, 1894. Creator: Aubrey Beardsley

Les Passades, 1894. Creator: Aubrey Beardsley
Les Passades, 1894. Two women in evening dress. From the Winter Number of Today...a companion drawing to Night Piece in Vol. I of The Yellow Book

Background imageWalker Collection: Cover Design to Life and Times of Madame du Barry, 1896. Creator: Aubrey Beardsley

Cover Design to Life and Times of Madame du Barry, 1896. Creator: Aubrey Beardsley
Cover Design to Life and Times of Madame du Barry, 1896. The dexter arms, crest, supporters and motto [Boutez en avant, meaning push forward ] are those of the family of Du Barry Ceres...the sinister

Background imageWalker Collection: Design for the Opening Meeting Invitation Card of the Princes Ladies Golf Club, Mitcham

Design for the Opening Meeting Invitation Card of the Princes Ladies Golf Club, Mitcham, 1894. Woman golfer in elaborate hat and floor-length dress, with caddy dressed as Pierrot

Background imageWalker Collection: Ali Baba in the Wood, 1897. Creator: Aubrey Beardsley

Ali Baba in the Wood, 1897. Creator: Aubrey Beardsley
Ali Baba in the Wood, 1897. Illustration for a proposed edition of The Forty Thieves. Published in " The Best of Beardsley" edited by R. A. Walker, [The Bodley Head, London, 1948]

Background imageWalker Collection: The Repentance of Mrs... 1894. Creator: Aubrey Beardsley

The Repentance of Mrs... 1894. Creator: Aubrey Beardsley
The Repentance of Mrs... 1894. A woman kneels in prayer, as others look on knowingly. From The Yellow Book, Vol. IV. A similar subject to The Litany of Mary Magdalen done in his [Beardsley s] earlier

Background imageWalker Collection: Book-Plate of Olive Custance (Lady Alfred Douglas), 1897. Creator: Aubrey Beardsley

Book-Plate of Olive Custance (Lady Alfred Douglas), 1897. Creator: Aubrey Beardsley
Book-Plate of Olive Custance (Lady Alfred Douglas), 1897. English poet Olive Custance was a contributor to literary periodical The Yellow Book

Background imageWalker Collection: Miss Winifred Emery, 1894. Creator: Aubrey Beardsley

Miss Winifred Emery, 1894. Creator: Aubrey Beardsley
Miss Winifred Emery, 1894. Portrait of British actress and actor-manager Winifred Emery. From The Yellow Book, Vol. IV. Published in " The Best of Beardsley" edited by R. A

Background imageWalker Collection: Aubrey Beardsleys Book-Plate, 1897. Creator: Aubrey Beardsley

Aubrey Beardsleys Book-Plate, 1897. Creator: Aubrey Beardsley
Aubrey Beardsleys Book-Plate, 1897. Nude woman choosing a book from a pile held by a servant. Not used by the artist, but adapted by Mr H. A. Pollitt, (Herbert J. Pollitt)

Background imageWalker Collection: A large Christmas Card, 1895. Creator: Aubrey Beardsley

A large Christmas Card, 1895. Creator: Aubrey Beardsley
A large Christmas Card, 1895. The Virgin Mary holds the infant Christ who is wearing a Victorian nightshirt. From The Savoy No. I. Published in " The Best of Beardsley" edited by R. A

Background imageWalker Collection: The Billet-Doux, 1895-1896. Creator: Aubrey Beardsley

The Billet-Doux, 1895-1896. Creator: Aubrey Beardsley
The Billet-Doux, 1895-1896. A young woman in a bonnet and negligee reads a love letter, propped against an enormous pillow

Background imageWalker Collection: The Rape of the Lock, 1895-1896. Creator: Aubrey Beardsley

The Rape of the Lock, 1895-1896. Creator: Aubrey Beardsley
The Rape of the Lock, 1895-1896. The Baron attempst cuts a lock of Belindas hair with a pair of scissors. He takes the gift with rev rence

Background imageWalker Collection: The Comedy of the Rhinegold, from The Savoy No. 8, 1896. Creator: Aubrey Beardsley

The Comedy of the Rhinegold, from The Savoy No. 8, 1896. Creator: Aubrey Beardsley
The Comedy of the Rhinegold, from The Savoy No. 8, 1896. The Rhinemaidens....frontispiece, never completed, to an edition of Wagners Opera



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