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Vision Collection (page 7)

Background imageVision Collection: The Four Horsemen of the Apocalypse, 1498, (1936). Artist: Albrecht Durer

The Four Horsemen of the Apocalypse, 1498, (1936). Artist: Albrecht Durer
The Four Horsemen of the Apocalypse, 1498, (1936). The Four Horsemen of the Apocalypse, Death, Famine, Pestilence and War, from the Apocalypse or The Revelations of St. John the Divine

Background imageVision Collection: The Vision of The Seven Candlesticks from the Apocalypse, 1498, (1936). Artist: Albrecht Durer

The Vision of The Seven Candlesticks from the Apocalypse, 1498, (1936). Artist: Albrecht Durer
The Vision of The Seven Candlesticks from the Apocalypse, 1498, (1936). The Vision of The Seven Candlesticks from the Apocalypse or The Revelations of St. John the Divine

Background imageVision Collection: The Vision of the Holy Grail, 1891 (1934). Artist: John Henry Dearle

The Vision of the Holy Grail, 1891 (1934). Artist: John Henry Dearle
The Vision of the Holy Grail, 1891 (1934). Figures by Sir Edward Burnes-Jones. From The Listener, 14 Fedruary 1934

Background imageVision Collection: Vision of St John the Evangelist, 1937. Artist: Andrea Zucchi

Vision of St John the Evangelist, 1937. Artist: Andrea Zucchi
Vision of St John the Evangelist, 1937. Formerly in the Scula di San Giovanni Evangelista at Venice. A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna

Background imageVision Collection: Signalman using 20 Signalling Projector, 1937. Artist: WA & AC Churchman

Signalman using 20 Signalling Projector, 1937. Artist: WA & AC Churchman
Signalman using 20 Signalling Projector, 1937. Churchmans Cigarette Series, The Navy At Work

Background imageVision Collection: Yeoman of Signals, 1937. Artist: WA & AC Churchman

Yeoman of Signals, 1937. Artist: WA & AC Churchman
Yeoman of Signals, 1937. Churchmans Cigarette Series, The Navy At Work

Background imageVision Collection: Gunlayer, 1937. Artist: WA & AC Churchman

Gunlayer, 1937. Artist: WA & AC Churchman
Gunlayer, 1937. Churchmans Cigarette Series, The Navy At Work

Background imageVision Collection: Rangetaker, 1937. Artist: WA & AC Churchman

Rangetaker, 1937. Artist: WA & AC Churchman
Rangetaker, 1937. Churchmans Cigarette Series, The Navy At Work

Background imageVision Collection: Visual Signalman, Trained Operator, 1937. Artist: WA & AC Churchman

Visual Signalman, Trained Operator, 1937. Artist: WA & AC Churchman
Visual Signalman, Trained Operator, 1937. Churchmans Cigarette Series, The Navy At Work

Background imageVision Collection: Rangetaker: Using The Range-Finder, 1937. Artist: WA & AC Churchman

Rangetaker: Using The Range-Finder, 1937. Artist: WA & AC Churchman
Rangetaker: Using The Range-Finder, 1937. Churchmans Cigarette Series, The Navy At Work

Background imageVision Collection: A letter from Isaac Newton, and a view of his birthplace at Woolsthorpe, Lincolnshire, 1682, (1840)

A letter from Isaac Newton, and a view of his birthplace at Woolsthorpe, Lincolnshire, 1682, (1840)
A letter from Sir Isaac Newton, and a view of his birthplace at Woolsthorpe, Lincolnshire, 1682, (1840). Fac-simile extract from Sir Isaac Newtons letter to Dr Briggs

Background imageVision Collection: The Vision of the Blessed Gabriele, 1489. Artist: Crivelli, Carlo (c. 1435-c. 1495)

The Vision of the Blessed Gabriele, 1489. Artist: Crivelli, Carlo (c. 1435-c. 1495)
The Vision of the Blessed Gabriele, 1489. Found in the collection of the National Gallery, London

Background imageVision Collection: A Pedlar selling Spectacles outside a Cottage, c. 1653. Artist: Steen, Jan Havicksz (1626-1679)

A Pedlar selling Spectacles outside a Cottage, c. 1653. Artist: Steen, Jan Havicksz (1626-1679)
A Pedlar selling Spectacles outside a Cottage, c. 1653. Found in the collection of the National Gallery, London

Background imageVision Collection: Spectacle Maker (From Abbildung der gemein-nutzlichen Haupt-Stande), 1698

Spectacle Maker (From Abbildung der gemein-nutzlichen Haupt-Stande), 1698. Found in the collection of the Russian State Library, Moscow

Background imageVision Collection: Fantastic Ruins with Saint Augustine and the Child, 1623. Artist: Nome

Fantastic Ruins with Saint Augustine and the Child, 1623. Artist: Nome, Francois de (1593-after 1630)
Fantastic Ruins with Saint Augustine and the Child, 1623. Found in the collection of the National Gallery, London

Background imageVision Collection: The Prophet Jonah (Detail of Interior Mosaics in the St. Marks Basilica), 12th century

The Prophet Jonah (Detail of Interior Mosaics in the St. Marks Basilica), 12th century. Artist: Byzantine Master
The Prophet Jonah (Detail of Interior Mosaics in the St. Marks Basilica), 12th century. Found in the collection of the Saint Marks Basilica, Venice

Background imageVision Collection: The Spectacles Seller, Eyesight (from the series The Five Senses ), 17th century

The Spectacles Seller, Eyesight (from the series The Five Senses ), 17th century. Artist: Andries Dirksz Both
The Spectacles Seller, Eyesight (from the series The Five Senses ), 17th century. Found in the collection of the State Art Museum, Tula, Russia

Background imageVision Collection: The Vision of Saint Augustine, between 1452 and 1465. Artist: Filippo Lippi

The Vision of Saint Augustine, between 1452 and 1465. Artist: Filippo Lippi
The Vision of Saint Augustine, between 1452 and 1465. Lippi, Filippo, Fra (1406-1469). Found in the collection of the State Hermitage, St. Petersburg

Background imageVision Collection: Anti-German allegory, 1895. Artist: Henri Meyer

Anti-German allegory, 1895. Artist: Henri Meyer
Anti-German allegory, 1895. A vision of Napoleon appears to a shocked gathering of German army officers. Political tension between France and Germany led to fears of war in the mid 1890s

Background imageVision Collection: Vision of a Knight, c1504. Artist: Raphael

Vision of a Knight, c1504. Artist: Raphael
Vision of a Knight, c1504. The sleeping knight may be intended to represent the Roman hero Scipio Africanus (236-184 BC) who was presented in a dream with a choice between Virtue

Background imageVision Collection: The examination of a childs arm by radiography, 19th century. Artist: Gustave Francois Lasellaz

The examination of a childs arm by radiography, 19th century. Artist: Gustave Francois Lasellaz
The examination of a childs arm by radiography, 19th century. A print from les Dernieres Merveilles de la Science, by Daniel Bellet

Background imageVision Collection: The Dream of Saint Joseph, c1636. Artist: Philippe de Champaigne

The Dream of Saint Joseph, c1636. Artist: Philippe de Champaigne
The Dream of Saint Joseph, c1636. Found in the collection of the National Gallery, London

Background imageVision Collection: The Mystic Marriage of St Catherine, 1516-1518. Artist: Lucas Cranach the Elder

The Mystic Marriage of St Catherine, 1516-1518. Artist: Lucas Cranach the Elder
The Mystic Marriage of St Catherine, 1516-1518. From the collection of the Szepmuveseti Muzeum, Budapest, Hungary

Background imageVision Collection: Allegory of Sight and Smell, c1590-1625. Artist: Jan Brueghel the Elder

Allegory of Sight and Smell, c1590-1625. Artist: Jan Brueghel the Elder
Allegory of Sight and Smell, c1590-1625. From the collection of the Prado, Madrid, Spain

Background imageVision Collection: St John the Evangelist on Patmos, 1504-1505. Artist: Hieronymus Bosch

St John the Evangelist on Patmos, 1504-1505. Artist: Hieronymus Bosch
St John the Evangelist on Patmos, 1504-1505. According to the Bible, St John witnessed and recorded a vision sent by Jesus whilst in exile on the Greek island of Patmos

Background imageVision Collection: Vision of Ezekiel, c1518. Artist: Raphael

Vision of Ezekiel, c1518. Artist: Raphael
Vision of Ezekiel, c1518. From the collection of the Palazzo Pitti, Florence, Italy

Background imageVision Collection: The Apparition of the Virgin to St James the Great, c1629-1630. Artist: Nicolas Poussin

The Apparition of the Virgin to St James the Great, c1629-1630. Artist: Nicolas Poussin
The Apparition of the Virgin to St James the Great, c1629-1630. Tradition has it that the Virgin Mary appeared to James in 40 AD on the banks of the River Ebro while he was preaching in Spain

Background imageVision Collection: Girl with a Blue Sash, late 19th / early 20th century. Artist: Pierre-Auguste Renoir

Girl with a Blue Sash, late 19th / early 20th century. Artist: Pierre-Auguste Renoir
Girl with a Blue Sash, late 19th/early 20th century. From the Museu de Arte de Sao Paulo, Brazil

Background imageVision Collection: Dantes vision of Heaven, 15th century

Dantes vision of Heaven, 15th century. Heaven, represented like a flower, with angels flying above, from a 15th century version of the Divina Commedia (The Divine Comedy)

Background imageVision Collection: Jesus Opens the Eyes of the Man born Blind, 1311. Artist: Duccio di Buoninsegna

Jesus Opens the Eyes of the Man born Blind, 1311. Artist: Duccio di Buoninsegna
Jesus Opens the Eyes of the Man born Blind, 1311. From the National Gallery, London

Background imageVision Collection: Christ Appearing to Saint Peter on the Appian Way, 1601-1602. Artist: Annibale Carracci

Christ Appearing to Saint Peter on the Appian Way, 1601-1602. Artist: Annibale Carracci
Christ Appearing to Saint Peter on the Appian Way, 1601-1602. The legend is that during Neros persecution of the Christians St Peter fled from Rome

Background imageVision Collection: Ecstasy of Saint Francis of Paula, 18th century. Artist: Giovanni Battista Tiepolo

Ecstasy of Saint Francis of Paula, 18th century. Artist: Giovanni Battista Tiepolo
Ecstasy of Saint Francis of Paula, 18th century. St Francis of Paula (1416-1507) was the founder of the Order of Minims. From the Church San Benedetto, Venice, Italy

Background imageVision Collection: Descent from the Cross, 16th century. Artist: Jacopo Bassano il vecchio

Descent from the Cross, 16th century. Artist: Jacopo Bassano il vecchio
Descent from the Cross, 16th century. From the Museu Nacional de Arte Antiga, Lisbon, Portugal

Background imageVision Collection: Adoration of the Magi, 1507. Artist: Hans Baldung

Adoration of the Magi, 1507. Artist: Hans Baldung
Adoration of the Magi, 1507. From the Staatliche Museen, Berlin

Background imageVision Collection: Epiphany, late 14th / early 15th century. Artist: Taddeo di Bartolo

Epiphany, late 14th / early 15th century. Artist: Taddeo di Bartolo
Epiphany, late 14th/early 15th century

Background imageVision Collection: Madonna and Child with the Young Saint John the Baptist, c1497. Artist: Fra Bartolomeo

Madonna and Child with the Young Saint John the Baptist, c1497. Artist: Fra Bartolomeo
Madonna and Child with the Young Saint John the Baptist, c1497. From the Metropolitan Museum of Art, New York

Background imageVision Collection: Woman with a Child Afraid of a Dog, 17th century. Artist: Rembrandt Harmensz van Rijn

Woman with a Child Afraid of a Dog, 17th century. Artist: Rembrandt Harmensz van Rijn
Woman with a Child Afraid of a Dog, 17th century. From the Museum of Fine Art, Budapest

Background imageVision Collection: Young Woman with Earrings, 1657. Artist: Rembrandt Harmensz van Rijn

Young Woman with Earrings, 1657. Artist: Rembrandt Harmensz van Rijn
Young Woman with Earrings, 1657

Background imageVision Collection: Alexander Cuts the Gordian Knot, late 18th / early 19th century. Artist: Jean Simon Berthelemy

Alexander Cuts the Gordian Knot, late 18th / early 19th century. Artist: Jean Simon Berthelemy
Alexander Cuts the Gordian Knot, late 18th/early 19th century. From the Ecole des Beaux-Arts, Paris

Background imageVision Collection: The Waterfall at Tivoli, 18th / early 19th century. Artist: Hubert Robert

The Waterfall at Tivoli, 18th / early 19th century. Artist: Hubert Robert
The Waterfall at Tivoli, 18th/early 19th century. From the Musee du Louvre, Paris

Background imageVision Collection: Alexander the Great Restoring the Throne Usurped by Abdolomino, 17th century

Alexander the Great Restoring the Throne Usurped by Abdolomino, 17th century. Artist: Bernardo Strozzi
Alexander the Great Restoring the Throne Usurped by Abdolomino, 17th century. From a private collection

Background imageVision Collection: Jacob Fights the Angel, 1660. Artist: Rembrandt Harmensz van Rijn

Jacob Fights the Angel, 1660. Artist: Rembrandt Harmensz van Rijn
Jacob Fights the Angel, 1660. From the Gemaldegalerie, Staatliche Museen, Berlin

Background imageVision Collection: Tobit and Anna, 1626. Artist: Rembrandt Harmensz van Rijn

Tobit and Anna, 1626. Artist: Rembrandt Harmensz van Rijn
Tobit and Anna, 1626. From the Rijksmuseum, Amsterdam

Background imageVision Collection: Louis XIII, 17th century. Artist: Simon Vouet

Louis XIII, 17th century. Artist: Simon Vouet
Louis XIII, 17th century. Louis XIII, King of France from 1610-1643, depicted between two figures representing France and Navarre. From the Musee du Louvre, Paris

Background imageVision Collection: The Mother of the Gracchi, c1780. Artist: Joseph Benoit Suvee

The Mother of the Gracchi, c1780. Artist: Joseph Benoit Suvee
The Mother of the Gracchi, c1780. Cornelia, mother of the Gracchi, presents her children, saying: Here are my riches and my jewels. From the Musee du Louvre, Paris

Background imageVision Collection: The Five Senses, late 16th century. Artist: Adriaen Collaert

The Five Senses, late 16th century. Artist: Adriaen Collaert
The Five Senses, late 16th century. Man entertained by the Five Senses: Sight, holding a mirror, accompanied by an eagle; Taste, with a basket of fruit; Smell

Background imageVision Collection: Descartes idea of the hydraulic action of the nerves, 1692

Descartes idea of the hydraulic action of the nerves, 1692. French philosopher Rene Descartes (1596-1650) believed nerves were hollow, provided with valves

Background imageVision Collection: John Dalton, English chemist, c1834 (1902)

John Dalton, English chemist, c1834 (1902). As a Quaker, Dalton (1766-1844) could not attend an English university, so supported himself by teaching



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