Upper Class Collection (page 8)

Marriage A La Mode - Breakfast Scene, c1832. Artist: TE Nicholson
Marriage A La Mode - Breakfast Scene, c1832. Marriage a-la-mode is a series of six pictures painted by William Hogarth between 1743 and 1745. They are a criticism of upper class 18th century society

Master Charles William Lambton, 1825, (1929). Artist: Thomas Lawrence
Master Charles William Lambton, 1825, (1929). Illustration from the Apollo Volume IX, no 53, (May 1929)

The Dinner, Humours of Fox Hunting, 1799. Artist: Thomas Rowlandson
The Dinner, Humours of Fox Hunting, 1799

Woman in Costume of the Time of Louis XIV, (1885). A woman about to enter a sedan chair gives money to a beggar on crutches. Louis XIV, known as the Sun King, ruled France 1643-1715

The Day, (1885). Artist: Eisen
The Day, (1885). Illustration from 18th Century Institutions, Usages And Costumes, France 1700-1789, by Paul Lacroix, (Paris, 1885)

Horse-Drawn Carriage in a Parade, 1782, (1885). Artist: Moreau
Horse-Drawn Carriage in a Parade, 1782, (1885). Illustration from 18th Century Institutions, Usages And Costumes, France 1700-1789, by Paul Lacroix, (Paris, 1885)

Portrait Of French Fashion, (1885). Artist: Augustin de Saint-Aubin
Portrait Of French Fashion, (1885). Illustration from 18th Century Institutions, Usages And Costumes, France 1700-1789, by Paul Lacroix, (Paris, 1885)

Portrait of Count Nikolay D. Guriev, (1792-1867), 1821. Artist: Jean-Auguste-Dominique Ingres
Portrait of Count Nikolay D. Guriev, (1792-1867), 1821. Ingres, Jean Auguste Dominique (1780-1867). Found in the collection of the State Hermitage, St. Petersburg

Place de la Concorde, (Viscount Lepic and his Daughters Crossing the Place de la Concorde), 1875. Artist: Edgar Degas
Place de la Concorde, (Viscount Lepic and his Daughters Crossing the Place de la Concorde), 1875. Degas, Edgar (1834-1917). Found in the collection of the State Hermitage, St. Petersburg

The Florists or Spring, 1786. Artist: Francisco Goya
The Florists or Spring, 1786. Located in the collection at, Prado Museum, Madrid, Spain

It is nicely stretched, 1799. Artist: Francisco Goya
It is nicely stretched, 1799. Plate 17 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

There they go, plucked, 1799. Artist: Francisco Goya
There they go, plucked, 1799. Plate 20 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

All will fall, 1799. Artist: Francisco Goya
All will fall, 1799. Plate 19 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

How they pluck her!, 1799. Artist: Francisco Goya
How they pluck her!, 1799. Plate 21 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

To the Count Palatine, 1799. Artist: Francisco Goya
To the Count Palatine, 1799. To the Count Palatine, or Count of the Palate, plate 33 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression

It is better to be lazy, 1799. Artist: Francisco Goya
It is better to be lazy, 1799. Plate 73 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

What one does to another, 1799. Artist: Francisco Goya
What one does to another, 1799. Plate 77 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

Napoleon receiving at the Louvre the deputies of the army 8 December 1804, 1808. Artist: Gioacchino Giuseppe Serangeli
Napoleon receiving at the Louvre the deputies of the army after his coronation, 8 December 1804, 1808

Eclaireurs Franchetti, Siege of Paris, 1870-1871. Print from a series titled Souvenirs du Siege de Paris. After the disastrous defeat of the French at Sedan and the capture of Napoleon III

Etat Major de la Garde Nationale, Siege of Paris, Franco-Prussian War, 1870-1871
Etat Major de la Garde Nationale, Siege of Paris, Franco-Prussian war, 1870-1871. An aristocratic-looking mounted National Guardsman

Pullman sleeping car on the Union Pacific Railroad, c1869. Wood engraving

Sleeping compartment on the Orient Express, c1895. Wood engraving published Leipzig

Compartment on the Orient Express reserved for women, c1895. Wood engraving published in Leipzig

The Real Cap of Liberty, 1871. Artist: Joseph Swain
The Real Cap of Liberty, 1871. The British lion asks the ass What can that Cap Promise, that My Crown doesn t Perform? Eh, Stoopid

Renewing The Lease, 1870. Artist: Joseph Swain
Renewing The Lease, 1870. Madame La France, in the costume of the upper class matron, reads over some papers presented to her by Emperor Napoleon

A Savage Pastime; or, the Morality of Field Sports, 1870. Artist: Georgina Bowers
A Savage Pastime; or, the Morality of Field Sports, 1870. The rural labourer doffs his hat to the upper class rider who is preparing to set off with the Hunt

Necessitas Non Habet Bye-Laws!, 1874. Artist: Charles Samuel Keene
Necessitas Non Habet Bye-Laws!, 1874. The perils of over-indulgence and mistaking the alarm bell for one that summons servants are illustrated in this cartoon about the gentleman travelling first

Lessons in the Vacation, 1866. A public school-man says He-ar Cabby, We ll Give you Eighteen-Pence to take us to Brixton. The cabby replies Well, I generally do carry Children Alf Price

Going Down to the House, 1866. Artist: John Tenniel
Going Down to the House, 1866. Lord Russell remarks Well, Bright, What do you Want? Jonny Bright replies Anything your Honour is Willing to Give me Now

The Aristocratic Fate at Cremorne, 1858. Terrific Descent Amidst Showers of Water-Works. Here Punch pokes fun at the aristocratic ladies who had arranged a major fete in Cremorne Gardens

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